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Rachel King (13 KP) rated Demon in Books
Feb 11, 2019
This book is creepy, intriguing, and haunting from beginning to end. I am not a fan of horror per say, but this book was absolutely fantastic in a horrific kind of way. I have read Tosca Lee's other book, Havah, and I was just as impressed by Lee's style of writing in this book. Her descriptions are vivid and incredible. I can easily discern that the work she puts into the background information is both from intense study as well as a wonderful imagination.
I have read lots of fantasy, including some with the occasional "demon," but no demon has come close to the terror that Lucian evokes - both the fanatical hatred and disgust for mankind that is slowly revealed throughout the plot and the way that he takes any form, any body, to appear to Clay, the main character. At the same time, Lucian is as fascinating as any dictator, terrorist, or serial killer can be, and I am as morbidly curious with his obsession with telling Clay his story as Clay himself is. While I personally believe that Lee's portrayal of the demon is in reality not very accurate - he is too much like a human for starters, the character in the book is still the most unique "demon" that I have ever read in fiction.
Lee does an excellent job of keeping the story of Creation as close to the Biblical text as possible, while filling it with all the imagery of first-hand experience. As many times as I have read the Biblical account, Lucian's retelling of it, interspersed with Clay's false memories, made the story come alive for me in a whole new way. Lee covers topics using this story-telling that have often sparked my curiosity when reading the scriptures, such as the angels being with God before the creation of man or even the existence of time, exactly what triggered the fall, or even what it was like to do nothing but the purpose the angels were created for. I often had to put the book down just to contemplate some of these things that she addresses with the plot.
Even though there were no loose ends to speak of, I was still a bit disappointed when the book ended. I wanted Lee to draw out Clay's fate and describe it in all its excruciating detail to the very end, instead of the implications of what happens to him with Lucian's parting words and the letter in the epilogue. But the message I gathered from this ending is like a warning to the reader - to beware that Clay's fate is not the same as that of the reader's.
I have read lots of fantasy, including some with the occasional "demon," but no demon has come close to the terror that Lucian evokes - both the fanatical hatred and disgust for mankind that is slowly revealed throughout the plot and the way that he takes any form, any body, to appear to Clay, the main character. At the same time, Lucian is as fascinating as any dictator, terrorist, or serial killer can be, and I am as morbidly curious with his obsession with telling Clay his story as Clay himself is. While I personally believe that Lee's portrayal of the demon is in reality not very accurate - he is too much like a human for starters, the character in the book is still the most unique "demon" that I have ever read in fiction.
Lee does an excellent job of keeping the story of Creation as close to the Biblical text as possible, while filling it with all the imagery of first-hand experience. As many times as I have read the Biblical account, Lucian's retelling of it, interspersed with Clay's false memories, made the story come alive for me in a whole new way. Lee covers topics using this story-telling that have often sparked my curiosity when reading the scriptures, such as the angels being with God before the creation of man or even the existence of time, exactly what triggered the fall, or even what it was like to do nothing but the purpose the angels were created for. I often had to put the book down just to contemplate some of these things that she addresses with the plot.
Even though there were no loose ends to speak of, I was still a bit disappointed when the book ended. I wanted Lee to draw out Clay's fate and describe it in all its excruciating detail to the very end, instead of the implications of what happens to him with Lucian's parting words and the letter in the epilogue. But the message I gathered from this ending is like a warning to the reader - to beware that Clay's fate is not the same as that of the reader's.
Bookapotamus (289 KP) rated Providence: A Novel in Books
Jun 23, 2018
Super Fun Read!
Wow! This was my first Caroline Kepnes book and let me tell you - it will NOT be my last! I loved this book, I flew through it and did not want it to end, and what a fun and unique story! I'm a HUGE Stranger Things fan, and this reminded me a bit of that - part sci-fi/fantasy/horror, but also part mystery/detective thriller - so many things I love all mixed in to one really clever tale. In the end, it's really a fun journey across time between two star crossed lovers - desperate to be together in a masterfully crafted journey of horrible circumstances that may forever keep them apart.
You get sucked in right away... Jon and Chloe are high school teens, the best of friends, and you assume, in time, they'll be together forever as you can see how much they love one another. Then, one morning Jon gets kidnapped and everything changes. Something happened to him and we might never be able to see if him and Chloe will that next step and spend their lives together. The things that have happened to him, may keep them apart forever.
The coming-of-age part is really interesting here, because Jon misses so much he's forced to grow up when his body has already done so. And the duality of good vs. evil comes into play a lot - and what a struggle it is to keep the two separate, when their pull is almost beyond control. We also follow the story of Eggs, who is a pretty darn smart detective, obsessed with a case that haunts him. And we follow his own life, his struggle with family, and how he tries to put the pieces of his own life back together while it falls apart around him - as he tries to solve a really strange mystery.
There is a lot of HP Lovecraft reference in this book, including a yearly Lovecraft convention (he was from Providence). I've heard him referenced in several novels before but have never actually read his work. I think I just might have to check it out now. BUT it did not hinder the story at all if you aren't familiar with his work. I am not familiar, and I loved every minute of the book!
This book was so much fun - a bit peculiar in parts but seriously, a fun ride from start to finish. Thanks to NetGalley and Caroline Kepnes and Random House Publishing Group for the advanced copy to review.
You get sucked in right away... Jon and Chloe are high school teens, the best of friends, and you assume, in time, they'll be together forever as you can see how much they love one another. Then, one morning Jon gets kidnapped and everything changes. Something happened to him and we might never be able to see if him and Chloe will that next step and spend their lives together. The things that have happened to him, may keep them apart forever.
The coming-of-age part is really interesting here, because Jon misses so much he's forced to grow up when his body has already done so. And the duality of good vs. evil comes into play a lot - and what a struggle it is to keep the two separate, when their pull is almost beyond control. We also follow the story of Eggs, who is a pretty darn smart detective, obsessed with a case that haunts him. And we follow his own life, his struggle with family, and how he tries to put the pieces of his own life back together while it falls apart around him - as he tries to solve a really strange mystery.
There is a lot of HP Lovecraft reference in this book, including a yearly Lovecraft convention (he was from Providence). I've heard him referenced in several novels before but have never actually read his work. I think I just might have to check it out now. BUT it did not hinder the story at all if you aren't familiar with his work. I am not familiar, and I loved every minute of the book!
This book was so much fun - a bit peculiar in parts but seriously, a fun ride from start to finish. Thanks to NetGalley and Caroline Kepnes and Random House Publishing Group for the advanced copy to review.
Hazel (1853 KP) rated The Problem with Forever in Books
Dec 7, 2018
3.5
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Jennifer L. Armentrout is an American author best known for her young adult novel<i> Obsidian</i>. Although her previous books have contained fantasy elements, <i>The Problem With Forever</i> tackles a contemporary, realistic situation. It is a story of two teenage abuse survivors, and the ways they try to break free from their past.
Mallory has spent four years in therapy since being adopted/rescued by a couple of doctors, Carl and Rosa. Struggling with selective mutism as a result of her past, she has been unable to live a “normal” life. However, Mallory has ambitions to go to college, but in order to do this she must be able to cope being around and speaking to other people. So she takes what feels like the biggest step of her life and enrolls in high school for her senior year.
Of course high school was going to be a life changing experience for Mallory but she got even more than she bargained for. On her very first day she meets Rider, or rather is reunited; the boy she was in a foster home with. Neither believed they would ever see each other again and are delighted about being able to rekindle their strong friendship; except there are many obstacles in the way of their ‘happy ever after.’ A jealous girlfriend, over-protective parents, contrasting social circumstances, and, perhaps most importantly, the effects their challenging past has had on the pair.
The horror of Mallory and Rider’s past makes The Problem With Forever a heart-wrenching tale. It is shocking to think that children in real life have gone through, or are going through, similar experiences. Readers will want a happy ending for both characters, yet will undergo a foreboding sense that something will go wrong.
<i>The Problem With Forever</i> is also a love story – however this is where I think the novel falls down. The romance that blooms between Mallory and Rider seems to happen far too quickly, especially as they have only recently been reunited. That is not the only problem: Mallory and Rider grew up like foster siblings, which makes their new relationship feel somewhat wrong. The overall story could have been just as good without love coming into play.
Overall, I am sure readers will agree, Armentrout’s latest novel is a heart-wrenching story that comes with a strong message about letting go of the past and becoming someone new, someone better. You may have had a bad past, but you will have new experiences if you let yourself. You will not feel this way forever. Full of powerful statements, <i>The Problem With Forever</i> is likely to move many to tears – so be prepared!
Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
May 25, 2017
A mixed bag
This ARC was provided by the publisher via NetGalley in exchange for an honest review
Stephanie Perkins, the best selling author of Anna and the French Kiss has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, My True Love Gave To Me, the concept is the same. Twelve love stories set in, as the title, Summer Days and Summer Nights, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of Summer Days and Summer Nights I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of Anna and the French Kiss has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, My True Love Gave To Me, the concept is the same. Twelve love stories set in, as the title, Summer Days and Summer Nights, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of Summer Days and Summer Nights I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Cynthia Armistead (17 KP) rated Blood Oath (Nathaniel Cade #1) in Books
Mar 1, 2018
Blood Oath is an interesting and fairly refreshing variation on the vampire riff. Most of the current tales give us a suave, sexy predator who mesmerizes his or her prey, leaving humans pining for their presence. They might even fall in love with a human. Nathaniel Cade, however, refers to humans as food, saying, "Would you have sex with a cow?" That makes much more sense to me. It's a good thing he isn't interested, either, as the typical reaction people have to encountering him is utter panic, often involving the loss of bladder control.
Cade is definitely a predator, though - an extremely effective one. Farnsworth attempts to explain his abilities scientifically, rather than mystically (I'd classify this book as science fiction if I had to choose a genre, whereas most books featuring vampires and similar creatures are fantasy or horror). The same is true of the enenies he faces.
While I'm not generally interested in socio-political thrillers (which is what this book was, other than a story about a vampire who works for the president), I did enjoy the fresh take on an old trope. While I normally groan when I see the first book from a new author billed as the beginning of a series (do publishers even buy single books any more?), I'm somewhat pleased this time. I do wish they'd been a little more careful with the name of the series (The President's Vampire), as there's another book with the same name: [b:The President's Vampire: Strange-but-True Tales of the United States of America|690096|The President's Vampire Strange-but-True Tales of the United States of America|Robert Damon Schneck|http://photo.goodreads.com/books/1177264074s/690096.jpg|676444] by [a:Robert Damon Schneck|368998|Robert Damon Schneck|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]. Then again, if Farnsworth's book or series takes off, I suppose there's a chance that sales of Schneck's will as well. I'm sure he wouldn't complain about that at all. I've put it on my to-read list, after all.
I hope to talk my partner, Sam, into reading <i>Blood Oath</i>. If I do, it'll be fairly miraculous, as I don't recall him anything with dragons or werewolves in it other than ([a:Jim Butcher|10746|Jim Butcher|http://photo.goodreads.com/authors/1205261964p2/10746.jpg]'s Dresden Files) for most of the time that I've known him (12 years as of this writing). After his years at White Wolf, I think many books seem more than slightly derivative. He also did so much research before working on books he wrote for them (like [b:The Book of Nod|416122|The Book of Nod|Sam Chupp|http://photo.goodreads.com/books/1223664741s/416122.jpg|405290]) that he got a little burned out on certain subjects. Farnsworth's approach really is different enough that I think he might give it a chance. Will you?
Cade is definitely a predator, though - an extremely effective one. Farnsworth attempts to explain his abilities scientifically, rather than mystically (I'd classify this book as science fiction if I had to choose a genre, whereas most books featuring vampires and similar creatures are fantasy or horror). The same is true of the enenies he faces.
While I'm not generally interested in socio-political thrillers (which is what this book was, other than a story about a vampire who works for the president), I did enjoy the fresh take on an old trope. While I normally groan when I see the first book from a new author billed as the beginning of a series (do publishers even buy single books any more?), I'm somewhat pleased this time. I do wish they'd been a little more careful with the name of the series (The President's Vampire), as there's another book with the same name: [b:The President's Vampire: Strange-but-True Tales of the United States of America|690096|The President's Vampire Strange-but-True Tales of the United States of America|Robert Damon Schneck|http://photo.goodreads.com/books/1177264074s/690096.jpg|676444] by [a:Robert Damon Schneck|368998|Robert Damon Schneck|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]. Then again, if Farnsworth's book or series takes off, I suppose there's a chance that sales of Schneck's will as well. I'm sure he wouldn't complain about that at all. I've put it on my to-read list, after all.
I hope to talk my partner, Sam, into reading <i>Blood Oath</i>. If I do, it'll be fairly miraculous, as I don't recall him anything with dragons or werewolves in it other than ([a:Jim Butcher|10746|Jim Butcher|http://photo.goodreads.com/authors/1205261964p2/10746.jpg]'s Dresden Files) for most of the time that I've known him (12 years as of this writing). After his years at White Wolf, I think many books seem more than slightly derivative. He also did so much research before working on books he wrote for them (like [b:The Book of Nod|416122|The Book of Nod|Sam Chupp|http://photo.goodreads.com/books/1223664741s/416122.jpg|405290]) that he got a little burned out on certain subjects. Farnsworth's approach really is different enough that I think he might give it a chance. Will you?
Sophia (Bookwyrming Thoughts) (530 KP) rated These Broken Stars (Starbound, #1) in Books
Jan 23, 2020
Original Review posted on <a title="These Broken Stars by Amie Kaufman and Megan Spooner" href="http://bookwyrming-thoughts.blogspot.com/2013/12/arc-review-these-broken-stars-by-amie-kaufman.html">Bookwyrming Thoughts</a>
Original Rating: 4.5 out of 5 owls
Note: Formatting may be lost due to copy and paste.
<i><b>Disclaimer:</b> Review copy provided by Disney Hyperion via Netgalley for review (thanks!)</i>
These Broken Stars follows two very different people, Lilac and Tarver, from a futuristic galaxy as they try to survive in the wilderness of an unknown planet after a ship crash in space.
I really love the way how These Broken Stars is set up and formatted. I didn't exactly understand it at first, but the beginning of each chapter is in the present (in terms of the book's timeline – not 2013), giving a very brief synopsis in a sort-of interview/interrogation style with Tarver. Then the chapter gives an elaboration, telling the story behind the interview/interrogation in Lilac's and Tarver's point of views. It sort of reminds me of If I Stay with its many flashbacks, but not as depressing (thankfully).
The romance between Lilac and Tarver is probably a little fast, but I can't really tell. In other words, compared to a lot of books I've come across that have romance, These Broken Stars is one of the ones not written in such a way that the reader may cringe. *phew*
What I didn't like though, is Tarver's personality. Usually I love it when a main character is sassy and has an attitude. Tarver's though... it just didn't bounce out really well. I mean, yes, he's sarcastic, and yes he has an attitude, but I just didn't really like it. It didn't really seem to go in with Lilac's personality.
I'm not being sexist. Otherwise, I would never have said that I liked Augustus Waters' personality from The Fault in Our Stars. In fact, I probably would have said that I hated Gus's personality.
(Oh no. With that being said, I'm bound to be the target of tomatoes for a while. *gives a very innocent look and ducks*)
It's not because it's John Green either. I can't always say an author is my favorite when it's my first time reading their work(s).
Of course, everyone's opinions, likes and dislikes of a character's attitude in a book is completely different from someone else.
For a debut novel, Kaufman writes an astronomically intriguing story. The situations Lilac and Tarver are put in aren't too exaggerated or unrealistic, and in a way, the story keeps the reader guessing until the author smoothly reveals what's really going on. I had to wonder a few times why a few horror elements were doing there, lurking about.
For anyone who likes science fiction/fantasy with a hint of romance, you might want to try out These Broken Stars. Maybe someone else will have a much better time with Tarver's personality. No guarantees, though. And no rollbacks in the process.
Original Rating: 4.5 out of 5 owls
Note: Formatting may be lost due to copy and paste.
<i><b>Disclaimer:</b> Review copy provided by Disney Hyperion via Netgalley for review (thanks!)</i>
These Broken Stars follows two very different people, Lilac and Tarver, from a futuristic galaxy as they try to survive in the wilderness of an unknown planet after a ship crash in space.
I really love the way how These Broken Stars is set up and formatted. I didn't exactly understand it at first, but the beginning of each chapter is in the present (in terms of the book's timeline – not 2013), giving a very brief synopsis in a sort-of interview/interrogation style with Tarver. Then the chapter gives an elaboration, telling the story behind the interview/interrogation in Lilac's and Tarver's point of views. It sort of reminds me of If I Stay with its many flashbacks, but not as depressing (thankfully).
The romance between Lilac and Tarver is probably a little fast, but I can't really tell. In other words, compared to a lot of books I've come across that have romance, These Broken Stars is one of the ones not written in such a way that the reader may cringe. *phew*
What I didn't like though, is Tarver's personality. Usually I love it when a main character is sassy and has an attitude. Tarver's though... it just didn't bounce out really well. I mean, yes, he's sarcastic, and yes he has an attitude, but I just didn't really like it. It didn't really seem to go in with Lilac's personality.
I'm not being sexist. Otherwise, I would never have said that I liked Augustus Waters' personality from The Fault in Our Stars. In fact, I probably would have said that I hated Gus's personality.
(Oh no. With that being said, I'm bound to be the target of tomatoes for a while. *gives a very innocent look and ducks*)
It's not because it's John Green either. I can't always say an author is my favorite when it's my first time reading their work(s).
Of course, everyone's opinions, likes and dislikes of a character's attitude in a book is completely different from someone else.
For a debut novel, Kaufman writes an astronomically intriguing story. The situations Lilac and Tarver are put in aren't too exaggerated or unrealistic, and in a way, the story keeps the reader guessing until the author smoothly reveals what's really going on. I had to wonder a few times why a few horror elements were doing there, lurking about.
For anyone who likes science fiction/fantasy with a hint of romance, you might want to try out These Broken Stars. Maybe someone else will have a much better time with Tarver's personality. No guarantees, though. And no rollbacks in the process.
Hazel (1853 KP) rated The Screaming Staircase: Lockwood & Co. #1 in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
Neon's Nerd Nexus (360 KP) rated The Invisible Man (2020) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
See no evil
The Invisible Man is not a movie about an Invisible Man and certainly not the horror movie its being promoted as, instead its a tight little scifi esq thriller about domestic violence and the lingering effects domestic abuse can bring. Directed by the same director of the absolutley fantastic film Upgrade The invisible man could almost be a companion piece in a sense or even take place in the same world as Upgrade. From the titles its clear tension and impending dread is absolutely nailed here and as we look in on our lead character we can see just how extreme and unsafe her situation/relationship has become. Shes a victim trapped by an abusive and obsessive partner and before her life becomes any more at risk she escapes, but what she then leaves herself open to is a life of paraninoia, mental scaring, trauma, torture and living life in constant fear that her partner will come for her again. Shes never free from him and the way the film uses the invisible man as a metaphor is extremely clever as it shows her trying to live a normal life while clearly completely damaged by the hold one man had on her and by the echoes of the abuse she recived from him (in a sense its like hes still there constantly breathing over her shoulder). Everything is done well and the film really benefits from its slow pace as it helps us as a viewer really get invested into this character and shows just how damaged she has become from past events. Its score is phenomenal too helping ramp up the fear and tension with its intense futuristic droning and screeching. When violence hits its impactful, brutal and shocking as the long build up for it makes it seem like it comes out of nowhere preserving shock value perfectly. Fight scenes are filmed just like the ones from Upgrade full of energy/style and are just as unique/cool while making subtle nods to that film too. Acting is really good especially Elisabeth Moss watching her evolve as a character and in sense use the traits of the person she hates to become stronger is riviting and Eldis Hodge gives a great support role too. Its to bad at times the acting its hurt unnecessarily however by very exposition heavy dialog. If youve seen the trailer for this movie the invisible man reveal will have been spoilt for you as will too a crucial story point however overall as a film what Leigh Whannell has achieved here with this film is certainly very very brave and vastly diffrent from the way these films usually play out. Hes given a very clever and unique take on a character that has already been done to death in films and while it was predictable to a certain extent I applaud him for not going for the lazy done to death almost supernatural approach to this character. The Invisible man is a breath of fresh air amongst crap like fantasy island/the boy 2 and while by no means perfect its brave and realistic portrayals of the after effects of domestic abuse are shocking, well represented and tuff to watch at times. Invisible man is a pleasant surprise but will no doubt be far to slow and intelligent for those just looking for mere jump scares. That being said if this director keeps up this great track record I wouldnt be surprised if bigger film companies start seeking him out very soon.