Andy K (10823 KP) rated The Brood (1979) in Movies
Sep 22, 2019
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
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Awix (3310 KP) rated Proxima (2019) in Movies
Aug 3, 2020
Not really a science fiction film in any genuine sense of the word, but one which combines a very realistic portrayal of life as an astronaut in training with an examination of what it means to go off into space leaving your children behind. Doesn't quite ring correctly on a number of levels: we are invited to dislike the American mission commander, who is a chauvinist alpha-male in some ways, but on the other hand the film is about the extra difficulties of being a mum on the way to orbit. Mmm, I don't know - is it really that different from being a father and going off into space? A definite sense of maternity being idealised - a key sequence sees Green's character breaking mission protocols in a pretty major way just to keep a promise to her daughter. (Then again I'm neither a woman or a parent.) A bit of a shame as the film is engaging and well-played, but it's much more about Mas than Mars.
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