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Despicable Me 3 (2017)
Despicable Me 3 (2017)
2017 | Animation, Comedy
Universal Pictures new release Despicable ME 3 stars Steve Carell, Kristen Wiig, Trey Parker, and brings back Miranda Cosgrove, Dana Gaier, and Nev Scharrel as Margo, Edith and Agnes.

Of course, there must be Minions, as well!

In this third installment of the animated series, Gru (Carell) and Lucy (Wiig) are fired from the Anti-Villain League for letting Balthazar Bratt (Parker) slip away, and embark on an adventure of trying to figure out “what’s next” in their lives.

In the midst of his employment dilemma, Gru discovers he has a long-lost twin brother Dru (also voiced by Carell), and takes the family off to see him in Fredonia. There, he discovers that his brother and his father have a successful pig-farming business, and appear to be quite wealthy. Lucy and the girls are immediately enamored of Dru, but Gru is not so easily won over, especially when he becomes jealous of his brothers luxurious hair.

Dru reveals that the family empire is built not just on the fruits of the pig empire, but also on their fathers’ secret villainy, and tells Gru that he was their dads’ biggest disappointment. Dru wants Gru to teach him how to be a super-villain, as he has always aspired to follow Gru’s footsteps.

While Dru and Gru set off to find and recover the giant diamond stolen by Balthazar Bratt, Lucy follows the girls around Fredonia.

The movie is full of 80’s tunes, brought on by the premise that Bratt is a failed 80’s child star.

The minions have less of a presence in this film, but when they are onscreen, they do provide the usual laughs we would associate with them. The best Minion scene is likely the musical number in prison.

I found the Balthazar Bratt character impossibly annoying, although I do acknowledge that that may have been “the point”. I found myself dreading his next interaction within the movie.

Despite that, I thought the movie flowed well, and I especially enjoyed the development of the relationships between Lucy and Margo, Edith and Agnes. Lucy’s “momma bear” moments made me smile.

My 8 year old son liked the movie a lot, and said his favorite parts were the bubble-gum weapon of the villain, and the new car that Dru and Gru use for their escapades. He especially liked that the end of the film left open the possibility of yet another installment of the Despicable Me series.

The child gives the movie 4 out of 5 stars, I myself would give it 3.5 out of 5, as I couldn’t quite get past the annoyance of the Bratt character, but besides that, overall, found it enjoyable.
  
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Silver Linings Playbook (2012)
Silver Linings Playbook (2012)
2012 | Comedy
Classic
A man trying to piece his life together after being released from a mental institution befriends a woman just as whacky and out of control as he is.

Acting: 10

Beginning: 5

Characters: 10

Cinematography/Visuals: 10

Conflict: 8

Genre: 8
Silver Linings Playbook is a unique story about finding The One while finding your way. It’s a wild ride of storytelling where you hope it plays out in a certain fashion, but you’re never really sure. It’s hilarious, thought-provoking, and touching all at once. A definite classic.

Memorability: 10
One of my favorite scenes in this whole movie occurs when Tiffany (Jennifer Lawrence) confronts Pat (Bradley Cooper) after he missed their scheduled dance practice. It’s a brilliant scene where Tiffany and Pat Sr. (Robert De Niro) go back and forth about why missing practice was the worst thing Pat Jr. could have done. There are quite a few moments like these where the dialogue is just right and the scene unfolds perfectly. These moments not only captivate your attention but have you anticipating the next great moment.

Pace: 10
And it’s because of those moments that the overall pace is managed so well. Outside of a slow beginning, the story moves at an extremely consistent pace. Sometimes funny, sometimes touching, and sometimes both, it forces you through the story while you ride an emotional high.

Plot: 10
The originality of the story gives me nothing to compare it to and that’s a great thing. It’s a film that succeeds by staying in its own lane and not trying to be anything else. It also succeeds with consistency: There are no holes or weaknesses that make the overall story come up short.

Resolution: 10

Overall: 91
Memorable scenes abound in Silver Linings Playbook. Anytime Chris Tucker shows up randomly, you know it’s going to be a good time. It’s not just a good movie, but a movie with staying power. The more I watch it, the more I end up loving it.
  
The Hate U Give (2018)
The Hate U Give (2018)
2018 | Crime, Drama
Masterpiece, One of the Best of 2018
After witnessing a murder, black high school student Starr Carter (Amandla Stenberg) decides to stand up against racism while dealing with her own internal conflict of self-identity.

Acting: 10

Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.

Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.

Cinematography/Visuals: 10

Conflict: 10

Genre: 8

Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.

Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.

Plot: 10

Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.

Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
  
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Terry Crews recommended The Thing (1982) in Movies (curated)

 
The Thing (1982)
The Thing (1982)
1982 | Horror, Sci-Fi

"The next one is The Thing, the remake with Keith David. That was the first Rated-R movie my mother ever let me see, and oh, dude, I was scarred. I was scarred in a good way. [laughs] John Carpenter’s The Thing took me to a whole other place, man. I was like, “Oh my god!” It was almost like losing your virginity. [laughs] Remember what I said about coming out of the theater a different way? The Thing was so violent and so creatively crazy, no one had ever seen anything like that on screen. You know, heads growing legs and walking away? I think Rob Bottin was the special effects guy on that. But, you know, heads ripping themselves off, dogs having three heads, it was just “Oh my god, there’s no stopping this!” One of my favorite movies; if it’s ever on, I can’t turn it off. I just can’t. It’s impossible. And the thing is, you see how most of the movies that I’m mentioning have always had copies, you know what I mean? It’s like, any movie that’s out there, you can see they’re trying to be like The Thing, or they’re trying to be like Aliens. It’s so wild how you see this kind of dynamic, because it changed for those filmmakers when they saw it too. So those are my top five for today. I tell you, that’s so hard to say. [laughs] Again, I love movies man. I just love it."

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The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama

"Favorite movie of all time, what I think is the best crafted movie of all time, is The Godfather. It was the perfect confluence of the source material being so intimate and true, and having within its DNA, it just so happens, is an incredible plot in the most organic matter. It is so not contrived, or “your IQ’s dropping,” which is almost the case of all other combinations, right? In this one, it’s inherently built into the life of these people. And there are stakes, there’s threat, and that’s just built in, so the source material had all of that. And the confluence of one of the great artists of his time for sure in Coppola, the great kind of forward thinking artists, and a leader in — he was a cult figure for artists that followed him for a long time. I got to meet him a couple times, and I feel the same way, if I was born on that time, I would have been on his ashram for sure. He’s coming from such philosophy, and depth about art, and this guy was kind of forced to do something with a hair more structure and a hair more chance of connection to people than he would normally want. He used all those tools of artistry and introspection and craft — he has an incredible handle on the world and a pushing of the envelope to bring depth and humanity to it, which makes it a perfect combination of everything."

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Beauty and the Beast (2017)
Beauty and the Beast (2017)
2017 | Fantasy, Musical, Romance
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”

Friends would look at me askance and ask, “The Beast? Really?”

And I’d simply reply, “Have you not seen his library?”

I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.

Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.

Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.

Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.

Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.

As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
  
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