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JT (287 KP) rated Chernobyl Diaries (2012) in Movies
Mar 10, 2020
The problem with the horror genre these days is its becoming far too predictable, you almost spend the majority of the film second guessing the writers as to what is going to happen next. This is exactly what happened to me when I watched Chernobyl Diaries.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
The premise in itself sounded good, a group of tourists/friends travelling the globe decide upon a little bit of extreme tourism and take a venture out to the site of the Chernobyl disaster.
Finding a picnic spot wasn’t going to be a problem
In particular they head to the city of Pripyat which has become a desolate ghost town since its inhabitants had to drop everything and leave in a hurry, something about a nuclear disaster.
The location provides an eerie setting, empty desolate buildings are submerged by overgrown trees giving off a sinister mood. The group, after getting refused entry by the guards take a back road inside, and spend time wandering about. When the van they are travelling in fails to start they have to spend the night and try to locate a way back out.
Oren Peli wrote the screenplay, but still seems to be living off the success of his debut chiller Paranormal Activity as he reuses the same horror clichés that we have seen too often in the past. Children wandering about aimlessly and shadows in the dark are all present in this, as well as a group of humanoids who give off a similar feel to that in The Descent.
That isn’t too say the film doesn’t have its good points (although rare), and there are some brief moments of tension. But the resulting final act in which the remainder of the party run haplessly about being chased by some unwelcome guests is poor. Slamming doors here, screaming there does little to satisfy the imagination.
The ending falls flat but you could see it coming, if only more had been done to elaborate on the back story it might have given the overall plot a bit more credibility. This was Bradley Parker’s debut directorial role after cutting his teeth in visual effects through-out his career.
While he might have done a credible job with some aspects of this film visually, once again he becomes another director in a long line who fail to deliver on tension and suspense.
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LeftSideCut (3776 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
ClareR (5879 KP) rated The Inheritance Games in Books
Sep 8, 2020
I have read and enjoyed countless YA books, and The Inheritance Games was no exception. It’s touted as a rags-to-riches, Cinderella type story, and there is most certainly a fairytale feel to this. I like fairytales. They’re a gateway drug in to fantasy as a child, I think. Or at least they were for me.
Avery Grambs wants more from her life than living hand to mouth, as she seems to be doing with her sister. Her mother has died, she has no contact with her father. She decides that the best way to change her life is to get a good education at a very good college, with the help of a scholarship. Indeed, she does seem to be very clever.
And then a young man comes to her school, and tells her that she has inherited some of the fortune of Tobias Hawthorne - a man she has never met and knows nothing about. In order to keep her inheritance and deprive the rest of the Hawthornes from getting their hands on the money, Avery has to live for a year in the Hawthorne mansion. Sounds easy, but it’s not. It’s a sprawling, maze-like place, with secret corridors and countless rooms. And the Hawthorne grandsons, on the whole, don’t seem to be hugely keen on her living with them, and neither does their mother.
No-one, including Avery, can understand why she should inherit the Hawthorne fortune. Tobias Hawthorne has one last Rick up his sleeve - a treasure hunt of sorts, that he set before his death for his grandsons and Avery. Just the thing to bring them together - or is it?
I thoroughly enjoyed this. Yes, it’s a bit far-fetched, but who hasn’t wanted to become the equivalent of a billionaire? To never need to worry about money? To have the house version of the Tardis?! This last bit, actually, would totally do it for me - as long as I could cleaners!
I think this will be the first in a trilogy, and I have a sneaking suspicion that I’ll be reading the next one. YA isn’t just for the kids, you know!
Many thanks to the Pigeonhole for making sure I read another one of my NetGalley books, and the publisher for an ebook copy.
Avery Grambs wants more from her life than living hand to mouth, as she seems to be doing with her sister. Her mother has died, she has no contact with her father. She decides that the best way to change her life is to get a good education at a very good college, with the help of a scholarship. Indeed, she does seem to be very clever.
And then a young man comes to her school, and tells her that she has inherited some of the fortune of Tobias Hawthorne - a man she has never met and knows nothing about. In order to keep her inheritance and deprive the rest of the Hawthornes from getting their hands on the money, Avery has to live for a year in the Hawthorne mansion. Sounds easy, but it’s not. It’s a sprawling, maze-like place, with secret corridors and countless rooms. And the Hawthorne grandsons, on the whole, don’t seem to be hugely keen on her living with them, and neither does their mother.
No-one, including Avery, can understand why she should inherit the Hawthorne fortune. Tobias Hawthorne has one last Rick up his sleeve - a treasure hunt of sorts, that he set before his death for his grandsons and Avery. Just the thing to bring them together - or is it?
I thoroughly enjoyed this. Yes, it’s a bit far-fetched, but who hasn’t wanted to become the equivalent of a billionaire? To never need to worry about money? To have the house version of the Tardis?! This last bit, actually, would totally do it for me - as long as I could cleaners!
I think this will be the first in a trilogy, and I have a sneaking suspicion that I’ll be reading the next one. YA isn’t just for the kids, you know!
Many thanks to the Pigeonhole for making sure I read another one of my NetGalley books, and the publisher for an ebook copy.
Jesters_folly (230 KP) rated Tenet (2020) in Movies
Sep 18, 2020
Contains spoilers, click to show
Tenet has a good premise, a CIA agent is recruited to help find the source of a number of objects that have been 'Inverted', meaning that they run in the opposite direction of time. Unfortunately the film feels like Christopher Nolan (the writer) took James Bond, Men in Black (without the aliens) and the Red Dwarf Episode Backwards (without the comedy), put them all in a bag, gave it a shake and tipped the contents out.
That's not to say that Tenet is a bad film it's just, well that's the thing, I'm not entirely sure what the problem is. There are some films where some scenes feel off until something is revealed later on (I found this with the meat locker scene at the beginning of Bloodshot) and Tenet is one of these, which is the point, the film is about time travel/manipulation and so you are only given some of the information first time around, but I think Tenet gets too jumpy.
Tenet starts with a good old action scene then slows right down as the Protagonist (he has no name) tries to find out information, this part drags a little. The it begins to get Timey Wimey. There is a fight scene where the choreography seems a bit off and then the story begins to pick up pace.
There are action scenes that are, at least in part, backwards and, to be honest I think Red Dwarf pulled it off better. The rules of the inversion don't always seem to make sense but, to it's credit, when trying to explain some of the science they do say that they don't know and that things happen.
You have to keep your eyes open, much like a certain Red Dwarf episode consequence sometimes precedes action so, sometimes there is a clue to what is going to happen. But there are also time loops and some loops have other loops and things happen that you have to wait for a character to explain.
There are also things that happen in the first scene that are only hinted at so there is a set up for some sequels.
So, over all, we have Bond'esq ode to a Red Dwarf episode that is mostly entertaining, predictable in places and slow in others. Is it worth a watch? Yes but don't expect a big budget time travel sci-Fi extravaganza.
That's not to say that Tenet is a bad film it's just, well that's the thing, I'm not entirely sure what the problem is. There are some films where some scenes feel off until something is revealed later on (I found this with the meat locker scene at the beginning of Bloodshot) and Tenet is one of these, which is the point, the film is about time travel/manipulation and so you are only given some of the information first time around, but I think Tenet gets too jumpy.
Tenet starts with a good old action scene then slows right down as the Protagonist (he has no name) tries to find out information, this part drags a little. The it begins to get Timey Wimey. There is a fight scene where the choreography seems a bit off and then the story begins to pick up pace.
There are action scenes that are, at least in part, backwards and, to be honest I think Red Dwarf pulled it off better. The rules of the inversion don't always seem to make sense but, to it's credit, when trying to explain some of the science they do say that they don't know and that things happen.
You have to keep your eyes open, much like a certain Red Dwarf episode consequence sometimes precedes action so, sometimes there is a clue to what is going to happen. But there are also time loops and some loops have other loops and things happen that you have to wait for a character to explain.
There are also things that happen in the first scene that are only hinted at so there is a set up for some sequels.
So, over all, we have Bond'esq ode to a Red Dwarf episode that is mostly entertaining, predictable in places and slow in others. Is it worth a watch? Yes but don't expect a big budget time travel sci-Fi extravaganza.
Kristina (502 KP) rated Lux (The Nocte Trilogy, #3) in Books
Dec 7, 2020
Contains spoilers, click to show
Mind. Blown.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
Darren (1599 KP) rated The Apparition (2012) in Movies
Oct 2, 2019
Characters – Kelly is a trainee vet, she moves into one of her parent’s rental properties with her boyfriend where she starts experiencing the haunting events. Ben is the boyfriend of Kelly, he is a good handy man and searching for his career. It is his past that comes back to haunt them. Patrick is part of the team that did the experiment with Ben back in the college days and now he will help right the wrongs.
Performances – The performances, well this is fun and this is not just the actors performances that hold them back, the characters are written one dimension which gives the actors nothing to work with. If we look at the main three stars, they all struggle to make an impact and it shows through the film.
Story – The story here follows an experiment gone wrong and now there is an entity haunting the people who released it from whether it came from, it plays into the idea that you shouldn’t mess with the dead because they will come to haunt you. Anyway this story is simple enough, it is a survival horror against a ghost figure that doesn’t have too much going on about it. We have plenty of just dark sequences that seem to go nowhere or lead to false jump scares and before long it is over, I think. I can’t say the story offers too much for the horror fans or just film fans and it feels like it is flat by the end of the film
Horror/Thriller – The horror is mostly false scares which just frustrate throughout, you are now looking to be on the edge of your seats, well this doesn’t give you any of that.
Settings – The settings just feel like they went and grabbed the Poltergeist location and thought this will do, nothing makes sense for the entity and the hauntings though.
Special Effects – The effects look poor throughout, it all looks like CGI which is poor to see in a modern horror.
Scene of the Movie – Credits were good.
That Moment That Annoyed Me – Kelly criticising people who work in stores, these people work hard and deserve praise.
Final Thoughts – This is a poor lazy horror that just doesn’t do anything for the genre and becomes dull quickly.
Overall: Boring horror that has no scares.
Performances – The performances, well this is fun and this is not just the actors performances that hold them back, the characters are written one dimension which gives the actors nothing to work with. If we look at the main three stars, they all struggle to make an impact and it shows through the film.
Story – The story here follows an experiment gone wrong and now there is an entity haunting the people who released it from whether it came from, it plays into the idea that you shouldn’t mess with the dead because they will come to haunt you. Anyway this story is simple enough, it is a survival horror against a ghost figure that doesn’t have too much going on about it. We have plenty of just dark sequences that seem to go nowhere or lead to false jump scares and before long it is over, I think. I can’t say the story offers too much for the horror fans or just film fans and it feels like it is flat by the end of the film
Horror/Thriller – The horror is mostly false scares which just frustrate throughout, you are now looking to be on the edge of your seats, well this doesn’t give you any of that.
Settings – The settings just feel like they went and grabbed the Poltergeist location and thought this will do, nothing makes sense for the entity and the hauntings though.
Special Effects – The effects look poor throughout, it all looks like CGI which is poor to see in a modern horror.
Scene of the Movie – Credits were good.
That Moment That Annoyed Me – Kelly criticising people who work in stores, these people work hard and deserve praise.
Final Thoughts – This is a poor lazy horror that just doesn’t do anything for the genre and becomes dull quickly.
Overall: Boring horror that has no scares.
Emily (2 KP) rated the Nintendo Switch version of The Legend of Zelda: Breath of the Wild in Video Games
Oct 7, 2019 (Updated Oct 7, 2019)
Bringing Zelda Back
I have been a Zelda fan for pretty much my whole life. I wasn't born when the "classic" games were coming out, but I grew up with fabulous titles like The Phantom Hourglass & The Twilight Princess.
At first, I was skeptical when I realised that the Zelda franchise was going to have an open world game. To me, Zelda whas always been somewhat of a corridor game (yes, this was probably mainly the result of playing a lot of Zelda DS games). Nevertheless, I wasn't sure what to expect from Breath of the Wild.
I needn't have worried. Breath of the Wild is the perfect mix of old and new. There are throwbacks to old games, and despite the open world nature, there are still different biomes with distinctive (and familiar) characters. You will still get a huge sense of satisfaction from smashing up pots and cuckoos can still be pretty deadly.
Yet Breath of the Wild also adds a lot to the franchise. It opens the wonderful world of Link up to players who may have never experienced a Zelda game before. With bright, gorgeous graphics, a stunning soundtrack, and a whole cast of great characters to meet, this game is perfect for both players who are already familiar with the franchise, and those who are experiencing it for the first time.
The other thing to say about Breath of the Wild is the huge sense of progression that it provides. The world is fully climbable, which means you can scale huge mountains, but these mountains can also be deadly. It is not until you have put a good few hours into the game that you have the stamina required to survive such ambitious climbs. This means that when you DO master that mountain that you attempted to climb twenty or so times, you feel extremely powerful. The same can be said for the new weapons you receive, although not, in my opinion, to the same extent.
In short, I absolutely love Breath of the Wild. It is a HUGE game; I have completed the main storyline and a good deal of the side quests two times, and there is still so much to discover! I would recommend this game to pretty much anyone. It's an incredible game, and it is definitely something worth experiencing.
At first, I was skeptical when I realised that the Zelda franchise was going to have an open world game. To me, Zelda whas always been somewhat of a corridor game (yes, this was probably mainly the result of playing a lot of Zelda DS games). Nevertheless, I wasn't sure what to expect from Breath of the Wild.
I needn't have worried. Breath of the Wild is the perfect mix of old and new. There are throwbacks to old games, and despite the open world nature, there are still different biomes with distinctive (and familiar) characters. You will still get a huge sense of satisfaction from smashing up pots and cuckoos can still be pretty deadly.
Yet Breath of the Wild also adds a lot to the franchise. It opens the wonderful world of Link up to players who may have never experienced a Zelda game before. With bright, gorgeous graphics, a stunning soundtrack, and a whole cast of great characters to meet, this game is perfect for both players who are already familiar with the franchise, and those who are experiencing it for the first time.
The other thing to say about Breath of the Wild is the huge sense of progression that it provides. The world is fully climbable, which means you can scale huge mountains, but these mountains can also be deadly. It is not until you have put a good few hours into the game that you have the stamina required to survive such ambitious climbs. This means that when you DO master that mountain that you attempted to climb twenty or so times, you feel extremely powerful. The same can be said for the new weapons you receive, although not, in my opinion, to the same extent.
In short, I absolutely love Breath of the Wild. It is a HUGE game; I have completed the main storyline and a good deal of the side quests two times, and there is still so much to discover! I would recommend this game to pretty much anyone. It's an incredible game, and it is definitely something worth experiencing.
Darren (1599 KP) rated Bound to Vengeance (2015) in Movies
Oct 14, 2019
Characters – Eve is one of the victims of the sexual predator, planning her escape she learns there are more girls being held captive. She sets out with her capturer to save the other victims determined to make him pay along the way. Phil is the sexual predator, he has the girls locked up in different locations and uses them as leverage to keep himself alive. We do meet the other girls, but rarely see much from them.
Performances – Tina Ivlev is the star of the show here, she uses every emotional encounter as fuel to drive her character, showing us determination and toughness through her ordeal. Richard Tyson is great too as the predator, showing us just how far one would go to stay ahead of the game.
Story – The story here does give us a revenge thriller that shows us what one woman who escapes her prison only to go on a mission to locate the other victims before handing in the predator. The story does turn the revenge thriller on its head because we only get a small glimpse at the suffering she has been through as we focus on her decision to do the right thing for the other victims. We do have twists along the way and unlikely reaction to being rescued too. While the jumps to the original life on camera can be frustrating and not needed the rest of the pacing of the story does feel like it keeps you going without any problems.
Horror – The horror in the film comes from just seeing what Eve and the other girls have gone through feeling and looking just as brutal as it should be.
Settings – The film takes us to different safe house like location to see where the girls are being kept, each one has a different look and style to how they will be used for the girls.
Special Effects – The effects through the film are good, they show us the attacks both sides will be dealing with and making it all look like it was real throughout.
Scene of the Movie – The escape seems planned as well as showing the panic.
That Moment That Annoyed Me – The camcorder material.
Final Thoughts – This is a good revenge thriller that does everything you want, it is blood soaked and does give us a fresh approach to handling the story.
Overall: Revenge Thriller for all.
Performances – Tina Ivlev is the star of the show here, she uses every emotional encounter as fuel to drive her character, showing us determination and toughness through her ordeal. Richard Tyson is great too as the predator, showing us just how far one would go to stay ahead of the game.
Story – The story here does give us a revenge thriller that shows us what one woman who escapes her prison only to go on a mission to locate the other victims before handing in the predator. The story does turn the revenge thriller on its head because we only get a small glimpse at the suffering she has been through as we focus on her decision to do the right thing for the other victims. We do have twists along the way and unlikely reaction to being rescued too. While the jumps to the original life on camera can be frustrating and not needed the rest of the pacing of the story does feel like it keeps you going without any problems.
Horror – The horror in the film comes from just seeing what Eve and the other girls have gone through feeling and looking just as brutal as it should be.
Settings – The film takes us to different safe house like location to see where the girls are being kept, each one has a different look and style to how they will be used for the girls.
Special Effects – The effects through the film are good, they show us the attacks both sides will be dealing with and making it all look like it was real throughout.
Scene of the Movie – The escape seems planned as well as showing the panic.
That Moment That Annoyed Me – The camcorder material.
Final Thoughts – This is a good revenge thriller that does everything you want, it is blood soaked and does give us a fresh approach to handling the story.
Overall: Revenge Thriller for all.
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