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Kirk Bage (1775 KP) rated Good Time (2017) in Movies
Jan 22, 2021
Here is another example of a very watchable low budget film that may have passed by your radar undetected. It came to my attention in two ways. The first because I disliked Uncut Gems so much folk started telling me to watch Good Time to get a better idea of what the Safdie brothers were all about. The second because Robert Pattinson kept popping up and being good in things, when again, there was a time I wouldn’t have thought that possible.
Josh and Benny Safdie have a lot of energy as filmmakers it seems; if the two films I’ve seen so far indicate a motif then it is people forced to act without much thought when the stakes are pretty much life and death. A raw, desperate energy exists in their work that comes straight at you through the screen. In Uncut Gems I found they pushed that feeling too hard, and what we were left with was a massively uncomfortable experience that felt like drinking too much coffee and then being screamed at by someone you hated. Good Time tempers that a little by having a protagonist whose motives you can at least identify with, played by a better, less shouty, more subtle and more likeable actor.
The plot revolves around Pattinson’s Connie frantically trying to find and save his mentally challenged brother, Nick, played by co-director Benny Safdie, after forcing him to participate in a bank robbery that goes wrong. Safdie as an actor is superb and memorable in the role, as is Pattinson. The chemistry between the two is simultaneously edgy, heartbreaking and somehow genuine. You believe they are brothers and invest in it – feeling Nick’s guilt and need to atone driving every bad decision along the grimy path he treads through the seedier parts of the city.
The camerawork and direction make the lights and sounds of the city a character in itself. It may not be true, but I see this film in my head, now as I think of it, as being 90% at night, lit by flashing headlights. Certainly that feel of running head-on into traffic is a big part of it. But there are slower, more sensitive scenes that spring to mind too. Constantly we are being asked if we can forgive Nick, or at least understand why he is making the choices he is making. Essentially he wants the panic to stop, but can’t ever get himself to a place of peace. An idea beautifully illustrated in the scenes involving the female characters of Corey and Crystal (the former played by Jennifer Jason Leigh with typical edge); Nick wants to be loved and respected, but how will that ever be possible?
Contrasting Pattinson’s work here with other recent efforts, including Tenet, The Lighthouse and The Lost City of Z, you can see an impressive range where his true personality disappears into his character. Something not every actor can do by any means, and something Adam Sandler failed to do in Uncut Gems, for example. I continue to be more impressed by him from film to film, to the extent that if I saw him in a cast it would be reason enough to see something. He has that ability to make an average film watchable, often being the best thing about the project. And I have to admit that has surprised me. But I like Kristen Stewart too these days, so it just shows how much the Twilight franchise has to answer for!
I wouldn’t go mad recommending this to everyone, but there is a time and a place for it, and I’m pleased I can appreciate the talent and potential the Safdie Brothers have inherently. There certainly aren’t enough young filmmakers taking risks in this way any more. It wouldn’t surprise me at all to see their formula strike true gold before too long.
Josh and Benny Safdie have a lot of energy as filmmakers it seems; if the two films I’ve seen so far indicate a motif then it is people forced to act without much thought when the stakes are pretty much life and death. A raw, desperate energy exists in their work that comes straight at you through the screen. In Uncut Gems I found they pushed that feeling too hard, and what we were left with was a massively uncomfortable experience that felt like drinking too much coffee and then being screamed at by someone you hated. Good Time tempers that a little by having a protagonist whose motives you can at least identify with, played by a better, less shouty, more subtle and more likeable actor.
The plot revolves around Pattinson’s Connie frantically trying to find and save his mentally challenged brother, Nick, played by co-director Benny Safdie, after forcing him to participate in a bank robbery that goes wrong. Safdie as an actor is superb and memorable in the role, as is Pattinson. The chemistry between the two is simultaneously edgy, heartbreaking and somehow genuine. You believe they are brothers and invest in it – feeling Nick’s guilt and need to atone driving every bad decision along the grimy path he treads through the seedier parts of the city.
The camerawork and direction make the lights and sounds of the city a character in itself. It may not be true, but I see this film in my head, now as I think of it, as being 90% at night, lit by flashing headlights. Certainly that feel of running head-on into traffic is a big part of it. But there are slower, more sensitive scenes that spring to mind too. Constantly we are being asked if we can forgive Nick, or at least understand why he is making the choices he is making. Essentially he wants the panic to stop, but can’t ever get himself to a place of peace. An idea beautifully illustrated in the scenes involving the female characters of Corey and Crystal (the former played by Jennifer Jason Leigh with typical edge); Nick wants to be loved and respected, but how will that ever be possible?
Contrasting Pattinson’s work here with other recent efforts, including Tenet, The Lighthouse and The Lost City of Z, you can see an impressive range where his true personality disappears into his character. Something not every actor can do by any means, and something Adam Sandler failed to do in Uncut Gems, for example. I continue to be more impressed by him from film to film, to the extent that if I saw him in a cast it would be reason enough to see something. He has that ability to make an average film watchable, often being the best thing about the project. And I have to admit that has surprised me. But I like Kristen Stewart too these days, so it just shows how much the Twilight franchise has to answer for!
I wouldn’t go mad recommending this to everyone, but there is a time and a place for it, and I’m pleased I can appreciate the talent and potential the Safdie Brothers have inherently. There certainly aren’t enough young filmmakers taking risks in this way any more. It wouldn’t surprise me at all to see their formula strike true gold before too long.
Gareth von Kallenbach (980 KP) rated Bleed For This (2016) in Movies
Jul 12, 2019
Bleed for This is the true story of boxer Vinny Pazienza (Miles Teller). Vinny is the type of person that in and out of the ring goes all out to the point he can go no further. This mindset puts him on the verge of being out of boxing after losing three straight fights, which he drastically cuts weight to fight. As he searches for one last chance, he is paired with a new trainer, Kevin Rooney (Aaron Eckhart), who is also seemingly given his last chance to revive his career. Rooney sets out to change the way Vinny trains and convinces him that fighting at a heavier weight will help his body, he previously was taking drastic measures to cut weight for fights. The pair are committed to success even with Vinny’s head strong father’s (Angelo Pazienza played by Ciarán Hinds) disapproving of the change, his mother (Louise Pazienza played by Katey Sagal) not wanting Vinny to get hurt, and his own Manager (Lou Duva played by Ted Levine) saying he should quit boxing all together. After some convincing and a lot of hard work Vinny gets his chance at one last fight. But he is moving up two weight classes and is put into a title fight against a seasoned opponent. Vinny shocks seemingly everyone by overcoming these obstacles and knocking out his favored opponent to become a World Champion.
After the biggest win of his career when everything appears to be going Vinny, his families and Rooney’s way, there is a terrible car accident and Vinny suffers a broken neck. The doctor tells him that he may never walk again, let alone box. With everyone telling him that his boxing career is over, Vinny is single-mindedly determined to do everything he can to get back into the ring. He opts to not have surgery in hopes that his neck can heal on its own and he can return to champion ship form. He has to convince Rooney to train him, find someone willing to fight him, and has to overcome his once over bearing father being unwilling be in his corner for the first time in his life. Even with a mountain of obstacles in his way, he begins his quest to get back into the ring and show everyone that he can do the impossible and regain his past form.
Writer and Director Ben Younger (Prime and Boiler Room) does an excellent job with this inspirational true story. The supporting cast provide solid performances, especial Eckhart and Hinds, but Miles Teller’s performance is what really makes this a fun film to watch. He really seemed to fit into this role really well. His performance was both compelling and fun. There were several times that the film showed actual old footage and footage just made to look old and you really couldn’t tell if it was Teller or the real Vinny Pazienza on the screen. I liked how the boxing sequences were not over dramatized, no mouth pieces flying across the ring, it looked like there was an effort to just keep them as true to the actual fights as possible. I also enjoyed the moments of comedy. For a story full of drama there was a good amount of well-timed comedy, mostly provided by Teller. Visually they did a good job of making the film feel like you were in late 80s and early 90s. There were a couple of slow scenes but overall the film flowed really well.
Overall this was a well done boxing genre movie. Good story, great acting performances and solid directing.
After the biggest win of his career when everything appears to be going Vinny, his families and Rooney’s way, there is a terrible car accident and Vinny suffers a broken neck. The doctor tells him that he may never walk again, let alone box. With everyone telling him that his boxing career is over, Vinny is single-mindedly determined to do everything he can to get back into the ring. He opts to not have surgery in hopes that his neck can heal on its own and he can return to champion ship form. He has to convince Rooney to train him, find someone willing to fight him, and has to overcome his once over bearing father being unwilling be in his corner for the first time in his life. Even with a mountain of obstacles in his way, he begins his quest to get back into the ring and show everyone that he can do the impossible and regain his past form.
Writer and Director Ben Younger (Prime and Boiler Room) does an excellent job with this inspirational true story. The supporting cast provide solid performances, especial Eckhart and Hinds, but Miles Teller’s performance is what really makes this a fun film to watch. He really seemed to fit into this role really well. His performance was both compelling and fun. There were several times that the film showed actual old footage and footage just made to look old and you really couldn’t tell if it was Teller or the real Vinny Pazienza on the screen. I liked how the boxing sequences were not over dramatized, no mouth pieces flying across the ring, it looked like there was an effort to just keep them as true to the actual fights as possible. I also enjoyed the moments of comedy. For a story full of drama there was a good amount of well-timed comedy, mostly provided by Teller. Visually they did a good job of making the film feel like you were in late 80s and early 90s. There were a couple of slow scenes but overall the film flowed really well.
Overall this was a well done boxing genre movie. Good story, great acting performances and solid directing.
Bob Mann (459 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 16, 2021
Relationship between Shaun and Katy (1 more)
Great Shakespearean level of story
Ten rings to rule them all
Positives:
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
Bob Mann (459 KP) rated Booksmart (2019) in Movies
Sep 28, 2021
A raunchy but extremely funny teen-sex comedy.
A panda’s eye view of teenage life.
I tend to struggle to find a really good comedy to add to my top 10 of the year. Last year it was “Game Night” that made my list. One that is definitely heading there this year is “Booksmart”.
A retread on a well-travelled tyre.
The coming of age school comedy has been rehashed multiple times. These include films as varied as “Napoleon Dynamite”, “Superbad”, “Easy A”, “Mean Girls”, “Never Been Kissed” and “10 Things I Hate About You”. In tone, “Booksmart” is probably closest to “Superbad”, but it manages – under the direction of actress Olivia Wilde, in her debut feature – to establish a quirky likeability all of its own. An instant classic in the making.
Not for the prudish.
The story concerns two BFF’s – Molly (Beanie Feldstein, sister of Jonah Hill) and Amy (Kaitlyn Dever). They have both spent their young lives trying to score A’s at school in lieu of all other distractions. On the eve of their graduation, Molly realises that this was not a binary option. Her school companions have managed to get all of the success without any of the self-sacrifice! She calls “Malala”! And the duo proceed on a drink and drug-fuelled night to catch up on all the school social life they have missed out on!
Part of this catching up includes sex, and with Amy as a naive wannabe lesbian, in awe of tom-boy skateboarder Ryan (Victoria Ruesga), coming out has never seemed so painful.
I first saw this on a plane and guffawed so much that I went out to buy the DVD for a family viewing. Watching it again though, it is really very, very rude. If you were to categorize it, I think “sex comedy” would be a primary tag. A clumsy but realistic scene between Amy and the “hot girl” Hope (Diana Silvers… who really is) is excruciatingly hard to watch. This can therefore prove an uncomfortable co-watch for ‘young folks’ who – despite all the obvious evidence! – assume their parents / in-laws have done nothing in the past other than hold hands!! 🙂
In a great ensemble cast, Kaitlyn Dever is a revelation.
Kaitlyn Dever has cut her teeth with supporting roles on a few B-grade movies this year including “Beautiful Boy” and “The Front Runner“. But here she takes centre stage and is an absolute revelation as the sexually bemused teen. While Beanie Feldstein has the more obvious comic lead role, it is Dever who continually grabbed my attention with her acting skills. This young lady is added to my “one to watch” list.
This is not to decry the rest of the cast. For this is a great ensemble performance from a pretty unknown cast. The only familiar faces are Lisa Kudrow and Jason Sudeikis, but they only have bit parts.
The only role that didn’t quite work for me was that of the kooky drugged out hippie Gigi (Billie Lourd). It was all a bit too over-the-top for me in a movie that didn’t really need that sort of manic angle. (However, this did set up a Marwen-style drug scene that made me snort… with laughter).
As a comedy, will this by the whole you think it is?
I think this will prove to be a firm young person’s favourite for many years to come. Whether you will find it funny or not will probably depend on the setting of your ‘crudometer’ and your resilience to bad language on screen.
For me, personally, I am clearly still 17 on the inside! I loved it. Not only do I think it a good comedy. It is also a feel-good movie about best friends; a coming of age lesbian adventure; and a film that treats the multi-coloured spectrum of modern sexual variety as something entirely normal and to be celebrated.
I tend to struggle to find a really good comedy to add to my top 10 of the year. Last year it was “Game Night” that made my list. One that is definitely heading there this year is “Booksmart”.
A retread on a well-travelled tyre.
The coming of age school comedy has been rehashed multiple times. These include films as varied as “Napoleon Dynamite”, “Superbad”, “Easy A”, “Mean Girls”, “Never Been Kissed” and “10 Things I Hate About You”. In tone, “Booksmart” is probably closest to “Superbad”, but it manages – under the direction of actress Olivia Wilde, in her debut feature – to establish a quirky likeability all of its own. An instant classic in the making.
Not for the prudish.
The story concerns two BFF’s – Molly (Beanie Feldstein, sister of Jonah Hill) and Amy (Kaitlyn Dever). They have both spent their young lives trying to score A’s at school in lieu of all other distractions. On the eve of their graduation, Molly realises that this was not a binary option. Her school companions have managed to get all of the success without any of the self-sacrifice! She calls “Malala”! And the duo proceed on a drink and drug-fuelled night to catch up on all the school social life they have missed out on!
Part of this catching up includes sex, and with Amy as a naive wannabe lesbian, in awe of tom-boy skateboarder Ryan (Victoria Ruesga), coming out has never seemed so painful.
I first saw this on a plane and guffawed so much that I went out to buy the DVD for a family viewing. Watching it again though, it is really very, very rude. If you were to categorize it, I think “sex comedy” would be a primary tag. A clumsy but realistic scene between Amy and the “hot girl” Hope (Diana Silvers… who really is) is excruciatingly hard to watch. This can therefore prove an uncomfortable co-watch for ‘young folks’ who – despite all the obvious evidence! – assume their parents / in-laws have done nothing in the past other than hold hands!! 🙂
In a great ensemble cast, Kaitlyn Dever is a revelation.
Kaitlyn Dever has cut her teeth with supporting roles on a few B-grade movies this year including “Beautiful Boy” and “The Front Runner“. But here she takes centre stage and is an absolute revelation as the sexually bemused teen. While Beanie Feldstein has the more obvious comic lead role, it is Dever who continually grabbed my attention with her acting skills. This young lady is added to my “one to watch” list.
This is not to decry the rest of the cast. For this is a great ensemble performance from a pretty unknown cast. The only familiar faces are Lisa Kudrow and Jason Sudeikis, but they only have bit parts.
The only role that didn’t quite work for me was that of the kooky drugged out hippie Gigi (Billie Lourd). It was all a bit too over-the-top for me in a movie that didn’t really need that sort of manic angle. (However, this did set up a Marwen-style drug scene that made me snort… with laughter).
As a comedy, will this by the whole you think it is?
I think this will prove to be a firm young person’s favourite for many years to come. Whether you will find it funny or not will probably depend on the setting of your ‘crudometer’ and your resilience to bad language on screen.
For me, personally, I am clearly still 17 on the inside! I loved it. Not only do I think it a good comedy. It is also a feel-good movie about best friends; a coming of age lesbian adventure; and a film that treats the multi-coloured spectrum of modern sexual variety as something entirely normal and to be celebrated.
Daniel Boyd (1066 KP) rated the PlayStation 4 version of Injustice 2 in Video Games
Oct 17, 2017 (Updated Oct 3, 2018)
Technically sound (1 more)
Good online functionality
Naff character redesigns (1 more)
Lack of character motivations
Gods & Monsters
Quick disclaimer before I start the review, I am not a huge online gamer. Whilst playing through Injustice 2, I dabbled in a few online fights and played a few co op games with my better half, but for the most part, this is a review of the single player story portion of the game.
I was so pleasantly surprised when I played the first Injustice game. I am a big DC fan, but fighting games aren’t one of my preferred genres in gaming, yet this fighting game set in the DC universe blew me away. The story was intriguing, the characters were diverse and it was a unique taste on a beloved universe. Therefore, the sequel had a fair amount to live up to and while it is still a fun fighting game with a multitude of colourful characters, it doesn’t feel anywhere near as special as Gods Among Us did.
The setup this time around revolves around Brainiac descending upon the earth in search of Kal-El and Kara, the last two remaining Kryptonians and eliminating them. Since the events of the last game, Batman has been keeping Superman in a special prison that suppresses his powers and the world has remained relatively free of crime, however Brainaic’s arrival changes all this. From here onwards we have our superhero story, which sees epic battles occur and mortal enemies being forced to work together against a common evil.
Most importantly, the game is fun. Gameplay feels pretty tight, which is both a positive and a negative when compared to Gods Among Us. The controls feel more solid and purposeful, but also feel more restrictive and less forgiving since the last time. This makes button bashing a void method and forces you to learn intricate button sequences if you want to pull off a decent combo. Thankfully, the super-moves are really fun to watch and make you feel awesome when you manage to successfully pull them off.
I’m going to delve deeper into the game’s story mode, so if you want to avoid spoilers, I would skip this paragraph. I was so looking forward to the story mode in this game, I loved the story mode in the first game and was relying on this one to deliver also, unfortunately I found it jarring and hard to swallow, even as a lifelong comic book fan. The story in Gods Among Us was controversial amongst DC fans, as it turned a number of iconic characters on their head, causing them to fight on the opposing side from what we are used to seeing. In that game though, I thought it worked, character motivations were clear and there was context given for the heroes and villains who switched sides. This time around, characters switch sides faster than a tennis ball at Wimbledon and half the time, there is no apparent reason for it. The most jarring moment came when Wonder Woman turned on Kara. In the mission that preceded it, Wonder Woman inhales Scarecrow’s toxin and through a hallucination and it is revealed that her worst fear is turning on her friends, yet in the mission immediately after this sequence, she turns on her friends in reality! With no apparent motive to do so other than she is unconditionally on Superman’s side, making no moral decisions for herself. It came across so awkwardly and felt lazy, it’s as if the writers totally forgot about the last scene that illustrated that the last thing that Wonder Woman wants to do is turn on her friends.
I did appreciate the graphics in the game. Netherealm have really stepped up their game since the first Injustice and there are some truly stunning moments throughout Injustice 2 and I don’t just mean the cut-scenes. The area transitions are gorgeous to look at, the super-moves are very visually impressive and the detailed locations where the fights take place are also effective. The multiple unique environmental hazards present in each environment add an extra layer of unpredictability and opportunity to the fights and they do a good job of helping a player on the back foot start a comeback against their opponent. Facial animations and voice acting across the stable of characters are also solid.
Although the game is technically sound and the graphics are good looking, I wasn’t a fan of the character design overall this time around. The last game updated a few character designs, but for the most part followed the traditional style that the characters are portrayed in. This time, a lot of the character’s costumes look goofy and come off looking like toy armour rather than something a superhero would realistically wear. Also the redesign of the Joker makes no sense. Not only did it look like they were trying too hard to make him look edgy, but in this universe, Joker was killed at the beginning of the first Injustice game and he didn’t look like that when he died. In this game he appears to Harley through one of Scarecrow’s hallucinations and looks similar to the Jared Leto version of the character, but why? As far as we know, he has never looked like that in this universe during the time he was alive and if you are going to redesign him, don’t base it on Leto’s Joker, (AKA the worst version of the character.)
The co-op is as much fun as you would expect and certain matchups are more interesting than others. As with the first Injustice, pulling off combos and super-moves on someone that is physically sitting next to you is a lot more satisfying than doing it to some AI or an online player thousands of miles away. There is nothing quite like the couch co-op experience when it comes to a fighting game. Injustice 2 is a lot of fun to play in a group as well, setting up a tournament and throwing in real life forfeits also makes things more interesting.
As for the online play, the few matches I did play ran pretty well, there were no sudden glitches present throughout my time, the lag time between the player pressing a button and the character executing the corresponding move wasn’t that noticeable and matchmaking was fairly quick.
In summary, other than some jarring moments in the story, unclear character motivations and some naff character redesigns, there is a fun fighting game here buried underneath all of the nonsense, it’s just a pity that you have to put up with all of these hindrances to get to it. If you are a fan of the first game, then sure, I would recommend you picking this up and playing through it, but if you aren’t familiar with the series and are looking to jump into it and are considering grabbing the latest entry, I would highly encourage you to avoid it. You would be much better served picking up the first game. It will be a great deal cheaper than the latest version, the character designs are better and it’s a lot simpler and more fun overall.
I was so pleasantly surprised when I played the first Injustice game. I am a big DC fan, but fighting games aren’t one of my preferred genres in gaming, yet this fighting game set in the DC universe blew me away. The story was intriguing, the characters were diverse and it was a unique taste on a beloved universe. Therefore, the sequel had a fair amount to live up to and while it is still a fun fighting game with a multitude of colourful characters, it doesn’t feel anywhere near as special as Gods Among Us did.
The setup this time around revolves around Brainiac descending upon the earth in search of Kal-El and Kara, the last two remaining Kryptonians and eliminating them. Since the events of the last game, Batman has been keeping Superman in a special prison that suppresses his powers and the world has remained relatively free of crime, however Brainaic’s arrival changes all this. From here onwards we have our superhero story, which sees epic battles occur and mortal enemies being forced to work together against a common evil.
Most importantly, the game is fun. Gameplay feels pretty tight, which is both a positive and a negative when compared to Gods Among Us. The controls feel more solid and purposeful, but also feel more restrictive and less forgiving since the last time. This makes button bashing a void method and forces you to learn intricate button sequences if you want to pull off a decent combo. Thankfully, the super-moves are really fun to watch and make you feel awesome when you manage to successfully pull them off.
I’m going to delve deeper into the game’s story mode, so if you want to avoid spoilers, I would skip this paragraph. I was so looking forward to the story mode in this game, I loved the story mode in the first game and was relying on this one to deliver also, unfortunately I found it jarring and hard to swallow, even as a lifelong comic book fan. The story in Gods Among Us was controversial amongst DC fans, as it turned a number of iconic characters on their head, causing them to fight on the opposing side from what we are used to seeing. In that game though, I thought it worked, character motivations were clear and there was context given for the heroes and villains who switched sides. This time around, characters switch sides faster than a tennis ball at Wimbledon and half the time, there is no apparent reason for it. The most jarring moment came when Wonder Woman turned on Kara. In the mission that preceded it, Wonder Woman inhales Scarecrow’s toxin and through a hallucination and it is revealed that her worst fear is turning on her friends, yet in the mission immediately after this sequence, she turns on her friends in reality! With no apparent motive to do so other than she is unconditionally on Superman’s side, making no moral decisions for herself. It came across so awkwardly and felt lazy, it’s as if the writers totally forgot about the last scene that illustrated that the last thing that Wonder Woman wants to do is turn on her friends.
I did appreciate the graphics in the game. Netherealm have really stepped up their game since the first Injustice and there are some truly stunning moments throughout Injustice 2 and I don’t just mean the cut-scenes. The area transitions are gorgeous to look at, the super-moves are very visually impressive and the detailed locations where the fights take place are also effective. The multiple unique environmental hazards present in each environment add an extra layer of unpredictability and opportunity to the fights and they do a good job of helping a player on the back foot start a comeback against their opponent. Facial animations and voice acting across the stable of characters are also solid.
Although the game is technically sound and the graphics are good looking, I wasn’t a fan of the character design overall this time around. The last game updated a few character designs, but for the most part followed the traditional style that the characters are portrayed in. This time, a lot of the character’s costumes look goofy and come off looking like toy armour rather than something a superhero would realistically wear. Also the redesign of the Joker makes no sense. Not only did it look like they were trying too hard to make him look edgy, but in this universe, Joker was killed at the beginning of the first Injustice game and he didn’t look like that when he died. In this game he appears to Harley through one of Scarecrow’s hallucinations and looks similar to the Jared Leto version of the character, but why? As far as we know, he has never looked like that in this universe during the time he was alive and if you are going to redesign him, don’t base it on Leto’s Joker, (AKA the worst version of the character.)
The co-op is as much fun as you would expect and certain matchups are more interesting than others. As with the first Injustice, pulling off combos and super-moves on someone that is physically sitting next to you is a lot more satisfying than doing it to some AI or an online player thousands of miles away. There is nothing quite like the couch co-op experience when it comes to a fighting game. Injustice 2 is a lot of fun to play in a group as well, setting up a tournament and throwing in real life forfeits also makes things more interesting.
As for the online play, the few matches I did play ran pretty well, there were no sudden glitches present throughout my time, the lag time between the player pressing a button and the character executing the corresponding move wasn’t that noticeable and matchmaking was fairly quick.
In summary, other than some jarring moments in the story, unclear character motivations and some naff character redesigns, there is a fun fighting game here buried underneath all of the nonsense, it’s just a pity that you have to put up with all of these hindrances to get to it. If you are a fan of the first game, then sure, I would recommend you picking this up and playing through it, but if you aren’t familiar with the series and are looking to jump into it and are considering grabbing the latest entry, I would highly encourage you to avoid it. You would be much better served picking up the first game. It will be a great deal cheaper than the latest version, the character designs are better and it’s a lot simpler and more fun overall.
It Could Have Been Fantastic
I feel very conflicted about this YA novel so please bear with me as I try to explain why!
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
The positives first. The plot is very interesting and well thought out. Although not entirely original it isn't your run of the mill haunted house story either.
The main characters are well rounded and sympathetic. They each have a strong voice and are relatable. The author is very good at creating tension and does not shy away from scary/unsettling images.
The narration and pace of the story feels perfect for a young adult book - no slow enough to be condescending but with simple sentence structures and short chapters that will help to encourage reluctant or not so confident readers to stick with it. I would certainly use this book in my teaching role for my higher level students - adults that struggle with literacy and/or have slight learning difficulties.
The messages that this story carries are important ones. The main message is especially vital for both male and female readers.
Now for the negative's. There is rather a lot of repetition in the story. Not just parts of the back story but actual sentences in a couple of instances. This did grow to be tiresome and, had I read this aged fourteen I would have felt the same way. Unfortunately this did tend to slow the story down at times. Reading the exact same joke from four chapters ago isn't great.
The book centres on one character and what happened to her. I felt that the sudden shift in her personality was rushed. More time should have been taken to really understand her and what happened to her.
The fact that she is automatically disbelieved is not great. It's a VERY sensitive subject and to have the rest of the characters do that could easily lodge the idea, in some young people's heads, that they would also be treated with scepticism.
A few times throughout the story there were errors. Mostly continuation errors but a couple of glaring mistakes. For example, two of the characters are playing a video game. Fallout 4. In the story one of the characters 'gets the guy' of the other. Fallout 4 is not a multiplayer game, a friend cannot 'get' you in any way.
Yes, a small thing but hugely annoying when you know that it is wrong. As Fallout 4 is such a popular game this will not go unnoticed by many young adults!
The ending did feel rather rushed. An extra chapter or two to explain what happened and to explore the feelings of the characters properly would have been nice.
So yes, this is an extremely mixed review. Most of the negative's are small and I would have given another star if not for the slightly mixed message surrounding the title character - I was disappointed with that.
The author is obviously very talented and writes perfectly for the YA market. Just a little more time and care would have made it awesome.
Kristy H (1252 KP) rated Give Me Your Hand in Books
Mar 10, 2019
Dark, intense, and compelling psychological thriller
Kit Owens is surviving high school but not living up to her true potential when Diane Fleming arrives at her school. Diane awakens a fire in Kit and the two form an unlikely friendship that propels Kit to academic success in her senior year. She and Diane study together and push each other to reach to be the best. Kit can't help but feel bad for her friend, who lives with her grandfather after the death of her dad. But all that changes when Diane shares an explosive secret with Kit, one that changes the way she views Diane and basically ends their friendship. Ten years later, Kit has tried to put Diane (and her secret) behind her. She's working in the lab of a female scientist, Dr. Severin, whom she's idolized for years--a woman Diane first helped introduce her to. But when Dr. Severin earns a prestigious grant and Kit learns that Diane is suddenly in the running for one of the coveted spots to work with the Doctor on the research, the past comes rushing back. Soon Diane and Kit find themselves over their head, with secrets and horror lurking around every corner.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
So, I wasn't sure I was going to enjoy this one as I started it, but it grew on me. It's not really a pleasant read, at all, and none of the characters are ones you'll really love, but it's very compelling and there's a slow, foreboding creepiness that keeps you reading. I read this one quickly, as it's dark, twisty, and intense and very easy-to-read (as in, a page-turner, not the subject matter).
"My mom always say, you don't have a self until you have a secret." ~Diane
The novel flips between the "then" and "now" format, with Kit narrating to us. It's a female-centered book, and it easily depicts women's uphill battle in the workplace. It also shows the complicated feelings of our female characters: Kit has a lot of thoughts. Her struggle from a poor high school student to doctor is a fascinating one, even if I found her hard to empathize with. You won't necessarily agree with a lot of these characters' (sometimes outlandish) choices, but you'll find them oddly fascinating. I enjoyed how the novel delved into the darkness of friendship--and some of the competition that can come with it. Diane and Kit's relationship is dark and intense, as is the entire novel, really. The secrets that layer this book unravel slowly and eerily, and it really does keep you reading.
I especially thought this one was redeemed or bolstered by its ending; often a thriller is so good and then deflates at the end, but I actually thought this one got a little better at the end. The ending is really well-done, and I didn't feel let down whatsoever.
Overall, this is a dark, intense, and compelling psychological thriller. It's not exactly packed with loveable characters, but they are flawed, interesting, and--at times--quite creepy. You'll be drawn in by its twisty plot and complicated portrayal of friendship and secrets.
Kristy H (1252 KP) rated The Golden Tresses of the Dead in Books
Apr 4, 2019 (Updated Apr 8, 2019)
Love Flavia but a letdown for the series ending
Flavia's sister, Feely, is finally getting married. But at the wedding, as Feely and Dieter cut their cake, Feely slices into a human finger! How very Flavia! It's certainly a case for Arthur W. Dogger & Associates, with Flavia being the main associate, of course. And, not long after, the two are hired by a Mrs. Prill to help track down some missing letters. Flavia and Dogger barely know where to focus first. Then someone else winds up dead--with Flavia and Dogger in the thick of things--and things spiral from there..
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"Aside from that-except for the human remains-it was a beautiful occasion."
So says Flavia of Feely's wedding, in very Flavia fashion. By now, if you've read the first nine books in this series, this one will feel quite familiar and sweet to you. Flavia is her usual fun, clever self, and I can't help but love her to pieces. She's up to her usual tricks in her laboratory and busy working away with her beloved Dogger, who may be the best butler/sidekick/friend in the history of mystery novels.
"I'd like to remark at the outset that I'm a girl with better than an average brain."
These books are always wonderfully descriptive, and I love seeing the world from Flavia's unique point of view:
"I don't know if you've ever dissected a rat, but to me, there was only one word for it: exhilarating."
Flavia and Dogger have two cases to solve here--and they intersect quickly. We get plenty of Flavia and Dogger time, which is great. Unfortunately, Feely is shipped off on her honeymoon, and we barely see any of Daffy. I missed the usual sarcasm and biting wit that comes with de Luce sister time. There is more of Flavia's cousin, Undine, who I admit is growing on me (and perhaps Flavia?). She will be a good companion Flavia, I think.
Sadly, though, I've read in several places that this is the last of the Flavia de Luce series. If so, this book felt woefully unresolved on several fronts for me. The mysteries felt underwhelming, as if the loose ends didn't really tie together; I was confused about how it all wrapped up in the end. And if this is really the last book, it just didn't seem as if it did our amazing heroine justice. Flavia went out with a whimper, not a bang. I would have liked to see more finality, more resolution somehow, instead of some partially ended cases and no real conclusion. It just didn't feel like a satisfactory end to what has been an amazing series featuring such a plucky girl who has been through so very much.
Still, I'm really glad I've had a chance to read this series, and I certainly enjoyed this book and all of Flavia's adventures. She's such a fun, unique character, and I can't recommend this lovely series enough.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
KittyMiku (138 KP) rated Split Second in Books
May 23, 2019
Contains spoilers, click to show
Split Second was an overall thought provoking book with duplications of matter, how time travel could work and teleportation, I found it hard to put down. It brought a lot of good points up about many of things we all wonder about, like multiple time lines and if it was possible to travel in time how would this work and so on. It definitely kept my interest and raised some questions of my own, resulting in my own research project as well.
I was rather impressed on all the research Richards must have done on different theories to use in this book, and to be able to explain them in ways even young adults could understand easily made it all the better. To have a book that is both able to teach you about different subjects and still hold your interest without going dry from all the random facts thrown in, was truly an outstanding feat. I enjoyed the twists and turns while being able to try and guess what is going on myself. Needless to say it was hard to keep track of who was with who and where those people stood in relevance to the current problem. However, because of that is made it all more appealing to read. Nothing like a little suspense to keep the book moving along nicely.
I was surprised on how it wrapped up so nicely that I didn't feel like there should've been a second book created. However, even though it was wrapped up beautifully, making it feel complete, I did see that Richards was able to sneak in a few ideas for his characters to play with that could result in a second book, even if I felt this was not necessary. I loves how Richards was able to come up advancements we could only dream of and make them seem all too real. I can't help but ponder if some of the advancement mentioned in the book are real. Which brings me to how the book pointed that the government hid all kinds of things and that these advancements could be done in secrecy because of how the programs they ran would have unlimited resources to conduct such research projects. To see how this would work, though not thoroughly explained in the book, was still a nice touch.
I would recommend this book to everyone who has an interest in time travel and its possible complications. When the subject at hand is discussed in several perspectives, it isn't hard to see how something that we all dream of in one way or another could be so harmful to the universe and to our fellow mankind. It also gives some ideas in how it would work as well as what some of those ramifications would be. It was all so fascinating and thought provoking that I can see individuals taking this book having some solid debates on the subject. Though it does leave room for one to wonder if maybe this could really be happening and we just not have a clue about it at all.
I was rather impressed on all the research Richards must have done on different theories to use in this book, and to be able to explain them in ways even young adults could understand easily made it all the better. To have a book that is both able to teach you about different subjects and still hold your interest without going dry from all the random facts thrown in, was truly an outstanding feat. I enjoyed the twists and turns while being able to try and guess what is going on myself. Needless to say it was hard to keep track of who was with who and where those people stood in relevance to the current problem. However, because of that is made it all more appealing to read. Nothing like a little suspense to keep the book moving along nicely.
I was surprised on how it wrapped up so nicely that I didn't feel like there should've been a second book created. However, even though it was wrapped up beautifully, making it feel complete, I did see that Richards was able to sneak in a few ideas for his characters to play with that could result in a second book, even if I felt this was not necessary. I loves how Richards was able to come up advancements we could only dream of and make them seem all too real. I can't help but ponder if some of the advancement mentioned in the book are real. Which brings me to how the book pointed that the government hid all kinds of things and that these advancements could be done in secrecy because of how the programs they ran would have unlimited resources to conduct such research projects. To see how this would work, though not thoroughly explained in the book, was still a nice touch.
I would recommend this book to everyone who has an interest in time travel and its possible complications. When the subject at hand is discussed in several perspectives, it isn't hard to see how something that we all dream of in one way or another could be so harmful to the universe and to our fellow mankind. It also gives some ideas in how it would work as well as what some of those ramifications would be. It was all so fascinating and thought provoking that I can see individuals taking this book having some solid debates on the subject. Though it does leave room for one to wonder if maybe this could really be happening and we just not have a clue about it at all.
postapocalypticplayground (27 KP) rated The Hazel Wood in Books
Feb 28, 2018
Review of The Hazel Wood
"Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get. Her mother is stolen away - by a figure who claims to come from the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*