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Kristina (502 KP) rated Lux (The Nocte Trilogy, #3) in Books
Dec 7, 2020
Contains spoilers, click to show
Mind. Blown.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
What the holy crap did I just read? I'm completely satisfied, yet my mind is still reeling from all the unexpected twists and turns I just experienced. Seriously, what just happened? Cole literally said the ending can be interpreted how the readers wants and I have my interpretation (though I would never attribute it to real life; I'm really good at suspending my beliefs for a good story). The whole family was cursed. They continued to multiply with one another, creating children out of incest, therefore the curse never ended. If Laura hadn't been with Richard, I feel like the curse would have ended. Or maybe not. Either way, I want to believe that Dare, Calla, and Finn went round and round in an endless cycle, one that changed ever so slightly every now and then, until they finally made the decision that put everything into balance. I loved the ending, though there was a dark time when I would have accepted anyone's deaths other than Calla's and Dare's. I've given Lux a 4.5 out of 5 stars. It would originally be 5 out of 5, because the story is absolutely crazy and the author is a complete lunatic - in all the best ways. I understand that she chose to rewrite certain scenes from both Nocte and Verum to show that moments kept repeating themselves, even if there were slight changes. It was just hard to concentrate, considering I'd already read those scenes just before this book. I think I would have enjoyed those parts better had she tried to word them differently or focused on a different aspect while playing out the same scenario. Other than that, Lux was a continuous whirlwind of confusion. Cole was great at allowing the reader to see the finish line, to get close enough to taste it, only to pull the rug out from underneath us and make us start the marathon again. It was exciting, intimidating, daunting, and fun. There were so many ways Lux could have ended and all of them probably would have matched up with the plot of the entire series, but I'm very happy with the ending she offered - even if I was a little upset to say goodbye to Calla and Dare.
Erika (17788 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 22, 2019
A Sequel to Force Awakens
It's no secret, I hate the Last Jedi. Now, at this point it's completely null and void, and I am thrilled. Yes, I threw shade at Rose, because I thought that them pushing her into the background was hilarious, and the correct thing to do with the vanilla-boring character. No hate towards Kelly Marie Tran, you can't fault her for her character being lame AF.
I debated on whether to write a spoiler filled review, or a non-spoiler review. I decided upon a non-spoiler review.
The first half of the film did have a ton of planet-hopping and moved very quickly. I think it was this way to sort of show the main trio working together. You know, since TLJ did nothing to develop their relationships to one another.
It was a mistake to keep Carrie Fisher in the film. The scenes with her felt forced and fake. She did serve some sort of purpose, but I feel like it would have made more sense had she been dead.
Finally, what we'd all been waiting for happened, Rey's family was finally revealed. It was a little anti-climactic, and predictable. The entire film was fairly predictable, but was that a bad thing? In my book, no, I like being right about my theories. I liked the ending, and thought that certain characters endings made sense.
I didn't think the cameos were all that much fan service, they could have thrown in a lot more... Like, who was piloting the Ghost (see Star Wars Rebels)? Was it Hera or Jaden Syndulla? I loved, loved everyone they included in the very specific group cameo.
Overall, it was a satisfactory ending. I'm going to have to read more about the Knights of Ren when the collected volume comes out.
I saw articles b-tching about the additional force powers and force-sensitive people, this hasn't been a secret. Force-sensitive beings: Chirrut Îmwe (Rogue One), Finn (suggested in TFA and TROS trailers), Maz Katana, Bendu (Rebels). Beings with additional force powers: The Child from the Mandalorian (healing and suggested telekinesis), Ezra Bridger from Rebels (speaks and has strong connections to animals), and Karr from the Force Collector (sees the past from touching artefacts). I'm now ready to see more of the Star Wars universe, without the Skywalker family being the focus. Knights of the Old Republic plz.
I debated on whether to write a spoiler filled review, or a non-spoiler review. I decided upon a non-spoiler review.
The first half of the film did have a ton of planet-hopping and moved very quickly. I think it was this way to sort of show the main trio working together. You know, since TLJ did nothing to develop their relationships to one another.
It was a mistake to keep Carrie Fisher in the film. The scenes with her felt forced and fake. She did serve some sort of purpose, but I feel like it would have made more sense had she been dead.
Finally, what we'd all been waiting for happened, Rey's family was finally revealed. It was a little anti-climactic, and predictable. The entire film was fairly predictable, but was that a bad thing? In my book, no, I like being right about my theories. I liked the ending, and thought that certain characters endings made sense.
I didn't think the cameos were all that much fan service, they could have thrown in a lot more... Like, who was piloting the Ghost (see Star Wars Rebels)? Was it Hera or Jaden Syndulla? I loved, loved everyone they included in the very specific group cameo.
Overall, it was a satisfactory ending. I'm going to have to read more about the Knights of Ren when the collected volume comes out.
I saw articles b-tching about the additional force powers and force-sensitive people, this hasn't been a secret. Force-sensitive beings: Chirrut Îmwe (Rogue One), Finn (suggested in TFA and TROS trailers), Maz Katana, Bendu (Rebels). Beings with additional force powers: The Child from the Mandalorian (healing and suggested telekinesis), Ezra Bridger from Rebels (speaks and has strong connections to animals), and Karr from the Force Collector (sees the past from touching artefacts). I'm now ready to see more of the Star Wars universe, without the Skywalker family being the focus. Knights of the Old Republic plz.
Anne (15117 KP) rated This Tender Land in Books
Nov 4, 2019
Thank you to Libro.fm and Recorded Books for letting me listen and review this book. I enjoyed this book more than I thought I would and it has a lot to digest from it. I've been thinking about it to try to formulate a review for a couple of days since I finished it.
This story is about 4 orphans on a life-changing journey during the era of the Great Depression in 1932.
In Minnesota, they are at a horrible place called The Lincoln School, where Native American children that have been separated from their families are sent to get an education. It's also where Odie is, who is the MC/one of the 4 orphans in this story. After getting in a lot of trouble and gaining the school superintendent's attention and wrath, Odie, his brother, Albert, their friend, Mose, and Emmy all run away together in a canoe they stole, going to the Missippi and to find a place of their own.
What follows is the telling of their journey during the summer, an adventure where they meet others who are wandering and on their own journeys as well. They meet all types of people like pig farmers, faith healers and others who are lost and trying to find their own way in life and to their own places to call home as well.
It's a coming of age tale, where they come across and are deciding and figuring things out for themselves like religion, belief in God, first crush/love, what's right and wrong, how to treat others with respect and love and so many things.
This story kept sucking me back in whenever I listened to it so I felt like I was there on the banks of the river watching their story or in the school or in the faith revival tents or towns along the way. I was a bit overwhelmed at times from the bigger picture they were showing and talking about along the way, but it also resonated with me a lot and reminded me a lot of Mark Twain's writing with his books about Huck Finn and Tom Sawyer that I remember loving and connecting with when I was younger.
The only thing that bothered me some was that if like me you try to go for clean reads, there's a little bit of language throughout the book, but other than that it was a really good story and the audio was great.
This story is about 4 orphans on a life-changing journey during the era of the Great Depression in 1932.
In Minnesota, they are at a horrible place called The Lincoln School, where Native American children that have been separated from their families are sent to get an education. It's also where Odie is, who is the MC/one of the 4 orphans in this story. After getting in a lot of trouble and gaining the school superintendent's attention and wrath, Odie, his brother, Albert, their friend, Mose, and Emmy all run away together in a canoe they stole, going to the Missippi and to find a place of their own.
What follows is the telling of their journey during the summer, an adventure where they meet others who are wandering and on their own journeys as well. They meet all types of people like pig farmers, faith healers and others who are lost and trying to find their own way in life and to their own places to call home as well.
It's a coming of age tale, where they come across and are deciding and figuring things out for themselves like religion, belief in God, first crush/love, what's right and wrong, how to treat others with respect and love and so many things.
This story kept sucking me back in whenever I listened to it so I felt like I was there on the banks of the river watching their story or in the school or in the faith revival tents or towns along the way. I was a bit overwhelmed at times from the bigger picture they were showing and talking about along the way, but it also resonated with me a lot and reminded me a lot of Mark Twain's writing with his books about Huck Finn and Tom Sawyer that I remember loving and connecting with when I was younger.
The only thing that bothered me some was that if like me you try to go for clean reads, there's a little bit of language throughout the book, but other than that it was a really good story and the audio was great.
Eleanor Luhar (47 KP) rated The Rest of Us Just Live Here in Books
Jun 24, 2019
This is the second book I've read by Patrick Ness, the first being More Than This which I adored. So I was really looking forward to The Rest of Us Just Live Here, and I was not disappointed!
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
BankofMarquis (1832 KP) rated Ad Astra (2019) in Movies
Sep 27, 2019
A missed opportunity
Like crossing the vast expanse of oceans in a sailing ship, rocketing across the vast expanse of our Galaxy would, naturally, lead one to self-contemplation. In the film AD ASTRA Brad Pitt spends a lot of time contemplating.
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Unfortunately, that is pretty much all PItt - and this film - does.
AD ASTRA follows the adventure of Astronaut Roy McBride (Pitt) who's father Clifford McBride (Tommy Lee Jones) is a fabled Astronaut who disappeared while on a deep space mission to Neptune. When a Galaxy-wide energy pulse emanating from Neptune threatens life on Earth, suspicion is that Clifford is still alive in orbit around Neptune and the hope is that Roy can contact him and stop this life threatening force.
Sounds like an interesting premise, doesn't it? And it could have been. And the world that was built for this movie - a world set in the "near future", one where we did not stop going to the moon and space and there are now space stations - and colonies and pirates(!) - on the Moon and Mars, is an interesting concept and I really wanted to explore that world.
Unfortunately, Director and Writer James Gray (THE LOST CITY OF Z) was not interested in exploring this (so why build it?!?) - he was more interested in contemplating the meaning of life's purpose and fate and legacies and do the sins of the father really come back to seek payment by the son? And I do mean contemplate, for that is what Pitt's character does through most of this film - sit and think (which we hear through voice over), while contemplative music plays wistfully.
It's a good recipe to cure insomnia.
While Pitt does a nice enough job in the lead - an actor can only do so much with looking, thoughtfully, out the window. Ruth Negga and Donald Sutherland both try to inject some life in this film, but their parts are, in essence, extended cameos and the likes of "that guy" actors like Donnie Kashawarz, John Finn and John Ortiz pop up for a scene or two along the way as we travel across our Galaxy with Pitt but don't really register Only Tommy Lee Jones manages to liven things up...but his presence is too little too late.
Like a parent, I am not upset at this film, just disappointed at the choices that were made. I thought Pitt and Gray knew better.
Letter Grade: B- (it is well made and pretty to look at)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
LeftSideCut (3778 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019 (Updated Jan 22, 2020)
Contains spoilers, click to show
Right then... I definitely need to go and see this again to properly digest it, so my thoughts on it will probably change...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Hazel (1853 KP) rated The Flame Never Dies (The Stars Never Rise, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Gareth von Kallenbach (971 KP) rated The Goldfinch (2019) in Movies
Sep 13, 2019
The life of Theodore Decker (Ansel Elgort and Oakes Fegley) is for every changed when his mother is killed in an explosion at an art museum. In the same tragic moments when his mother is killed he also makes a decision that will help shape the rest of his life, he takes a rare and valuable painting in the chaos of surrounding. This painting, The Goldfinch, wasn’t something he planned on taking, but having it will be the only thing that brings him comfort in the days ahead. After the tragedy he is temporarily placed with a family he really enjoys. He has a best friend, Andy Barbour (Ryan Foust), and a mother figure in Mrs. Barbour (Nicole Kidman). Theodore also makes a connection to a girl Pippa (Aimee Laurence and later by Ashleigh Cummings) and her caretaker Hobie (Jeffrey Wright). Pippa and her uncle Welty (Robert Joy) were standing right next to Theodore when the explosion that killed his mother happened. Welty also passes away during the explosion but not before he would influence Theodore to take the painting. Thus changing the trajectory of the rest of his life.
This film is based on the Pulitzer Prize winning book by Donna Tartt of the same name. I have not read the book so I cannot make a comparison between the two. The director, John Crowley (Brooklyn and Closed Circuit) makes a visually beautiful film. You can tell that care was taken to make the film have a certain feel and texture. The cast is very good, including those mentioned above and Finn Wolfhard, Sarah Paulson, Aneurin Barnard and more. I particularly thought the casting of Oakes Fegley as the Young Theodore and Ansel Elgort as the adult Theodore was particularly good. The story skipped in sequence and you could see the similarity in the two actors as on character. The overall story is original and fascinating. But the film jumped around and made it feel choppy. Also the run time of two hours and twenty nine minutes somehow felt longer than that. The story moved at a snail’s pace and really seemed like it had no direction. Then in the final 10 minutes it wrapped up in a flash.
I thought overall the performances were good and the story was interesting but how it was presented really lacked. It was slow and developed in a non-compelling way. I could definitely see potential but it fell a little short for me. It did make me want to read the book and see how the author meant for the story to be told. I would recommend seeing this in a theater for the cinematography because it was beautifully shot.
This film is based on the Pulitzer Prize winning book by Donna Tartt of the same name. I have not read the book so I cannot make a comparison between the two. The director, John Crowley (Brooklyn and Closed Circuit) makes a visually beautiful film. You can tell that care was taken to make the film have a certain feel and texture. The cast is very good, including those mentioned above and Finn Wolfhard, Sarah Paulson, Aneurin Barnard and more. I particularly thought the casting of Oakes Fegley as the Young Theodore and Ansel Elgort as the adult Theodore was particularly good. The story skipped in sequence and you could see the similarity in the two actors as on character. The overall story is original and fascinating. But the film jumped around and made it feel choppy. Also the run time of two hours and twenty nine minutes somehow felt longer than that. The story moved at a snail’s pace and really seemed like it had no direction. Then in the final 10 minutes it wrapped up in a flash.
I thought overall the performances were good and the story was interesting but how it was presented really lacked. It was slow and developed in a non-compelling way. I could definitely see potential but it fell a little short for me. It did make me want to read the book and see how the author meant for the story to be told. I would recommend seeing this in a theater for the cinematography because it was beautifully shot.
Debbiereadsbook (1102 KP) rated Misdemeanor (Responsible Adult #1) in Books
Jul 6, 2021
cliff hanger but so bloody good!
I was gifted my copy of this book, direct from the author.
Micky is doing his best to keep his head above water. Looking after his disabled little brother, Flynn is top of that list. getting this new job will help a great deal. He just didn't plan on Danny, his boss. Danny is still suffering after a bad break up, but Micky is a breath of fresh air, even if the man has so many layers. Can they make it work?
Micky is trying, dammit, he really is! He lost his mum a few years ago, and his dad is absent and a deadbeat. Looking after Finn fell on to Micky cos Micky wants to keep Flynn close, to keep the two of them together. Flynn's special needs won't be easy for a stranger to deal with but Micky can, for the most part. But Micky is hurting, deep inside. He won't admit it, not to anyone, and certainly not to his best friend who is a career crook! But Danny? Danny picks at him, peels away his onion layers and digs deep til Micky really can't help himself.
The world though, is out to get Micky and he has to keep one step ahead of everyone trying to take Flynn away from him.
I loved this, bar one thing . . well maybe BECAUSE of this one thing I loved it, I'm still not sure yet!
Micky is not a bad person, he's just not made the best of choices up to now, but the job with Danny is step in the right direction. He tries HARD, he really does. Flynn is his world, but Danny sneaks in.
Danny is lovely, he knows Micky has his own stuff to deal with, but he will be there for Micky, should Micky need him. And I think Micky DOES need Danny, deeply. Micky might not admit to that fact, but Micky needs Danny, just as much as Flynn needs Micky. And I loved the pair of them, I really did!
That one thing?? Cliff hanger, baby, a massive cliff hanger that my poor kindle is lucky to have survived! Because this is NOT a complete story, no ma'am. This is the first in a trilogy! I didn't really pay attention to the other books, when I was asked if I wanted to read this one, just that THIS book sounded really good. Now, going forward, I will pay more attention, and maybe wait till I have all three parts in trilogies available to me, should I wish to read them!
I need book 2, like yesterday cos fooooooooooooooooooooooooooook me, these guys are gonna kill me, I'm sure, before they get to their Happy Ever After! Oh! Ms White, they DO get there, don't they?? Oh god I hope so!
Anyway!
Loved it!
5 full and slightly dented stars (cos they were flung across the room when I finished this!)
**same worded review will appear elsewhere**
Micky is doing his best to keep his head above water. Looking after his disabled little brother, Flynn is top of that list. getting this new job will help a great deal. He just didn't plan on Danny, his boss. Danny is still suffering after a bad break up, but Micky is a breath of fresh air, even if the man has so many layers. Can they make it work?
Micky is trying, dammit, he really is! He lost his mum a few years ago, and his dad is absent and a deadbeat. Looking after Finn fell on to Micky cos Micky wants to keep Flynn close, to keep the two of them together. Flynn's special needs won't be easy for a stranger to deal with but Micky can, for the most part. But Micky is hurting, deep inside. He won't admit it, not to anyone, and certainly not to his best friend who is a career crook! But Danny? Danny picks at him, peels away his onion layers and digs deep til Micky really can't help himself.
The world though, is out to get Micky and he has to keep one step ahead of everyone trying to take Flynn away from him.
I loved this, bar one thing . . well maybe BECAUSE of this one thing I loved it, I'm still not sure yet!
Micky is not a bad person, he's just not made the best of choices up to now, but the job with Danny is step in the right direction. He tries HARD, he really does. Flynn is his world, but Danny sneaks in.
Danny is lovely, he knows Micky has his own stuff to deal with, but he will be there for Micky, should Micky need him. And I think Micky DOES need Danny, deeply. Micky might not admit to that fact, but Micky needs Danny, just as much as Flynn needs Micky. And I loved the pair of them, I really did!
That one thing?? Cliff hanger, baby, a massive cliff hanger that my poor kindle is lucky to have survived! Because this is NOT a complete story, no ma'am. This is the first in a trilogy! I didn't really pay attention to the other books, when I was asked if I wanted to read this one, just that THIS book sounded really good. Now, going forward, I will pay more attention, and maybe wait till I have all three parts in trilogies available to me, should I wish to read them!
I need book 2, like yesterday cos fooooooooooooooooooooooooooook me, these guys are gonna kill me, I'm sure, before they get to their Happy Ever After! Oh! Ms White, they DO get there, don't they?? Oh god I hope so!
Anyway!
Loved it!
5 full and slightly dented stars (cos they were flung across the room when I finished this!)
**same worded review will appear elsewhere**