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Merissa (13169 KP) rated Bad Rebound (Billionaire's Club: Bad Brothers #1) in Books
Sep 27, 2022
Who doesn't love a perfectly flawed hero?
BAD REBOUND is the first book in the Billionaire's Club: Bad Brothers series. We met Theresa in Bad Best Friend and it is now time for her own story. Rafe and Cora are on hand to help and to provide insight into how Theresa works. This is a good thing because Jeremy doesn't actually know her that well, even after all this time. He likes what he sees, but he doesn't see the whole picture; choosing to be blind to the things he doesn't want to acknowledge.
Jeremy is the perfect flawed hero. He will do anything for anyone and thinks 100% he is doing the right thing, showing them how much he cares. He is also human and makes mistakes. Sometimes those mistakes are smothering the person he is trying to care for. Luckily for him, he had Theresa, his mum, and Melody to set him straight and make him take a good long look at himself. What makes him even better is he acknowledges how he went wrong and tries to correct himself.
Theresa - now here's a heroine that is harder to like. I get her back story, I do, but I was so glad when her mum shot her down. She never asked if it was the life her mum wanted, she just assumed, and we all know how that works out. To me, she was so condescending about anyone's dreams if they differed from her own. Her behaviour, although explained, left a lot to be desired in places. I still liked her though. I just thought she needed knocking down a peg or two as she was so quick to point out Jeremy's faults without looking at her own.
I loved this book and can't wait for the series to continue. I need Melody and Asher's story!!! I know it's going to tear me apart before it gets to the HEA and that's absolutely fine by me! A great start to a new series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jeremy is the perfect flawed hero. He will do anything for anyone and thinks 100% he is doing the right thing, showing them how much he cares. He is also human and makes mistakes. Sometimes those mistakes are smothering the person he is trying to care for. Luckily for him, he had Theresa, his mum, and Melody to set him straight and make him take a good long look at himself. What makes him even better is he acknowledges how he went wrong and tries to correct himself.
Theresa - now here's a heroine that is harder to like. I get her back story, I do, but I was so glad when her mum shot her down. She never asked if it was the life her mum wanted, she just assumed, and we all know how that works out. To me, she was so condescending about anyone's dreams if they differed from her own. Her behaviour, although explained, left a lot to be desired in places. I still liked her though. I just thought she needed knocking down a peg or two as she was so quick to point out Jeremy's faults without looking at her own.
I loved this book and can't wait for the series to continue. I need Melody and Asher's story!!! I know it's going to tear me apart before it gets to the HEA and that's absolutely fine by me! A great start to a new series and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Darkness Falling (Light Up the Dark, #1)
10.0
Rate It
Book
When the world goes dark, can true love light the way? Lex I seem like the luckiest witch in...
Paranormal Post-Apocalyptic MM Romance
Debbiereadsbook (1487 KP) rated In Good Spirits: An MMMM Christmas Daddy Romance in Books
Dec 23, 2024
so much love from these men!
I was gifted my copy of this book.
Helen Juliet usually retells fairy tales, and a cracking job she has of those too! This is not a fairy tale, but a literary classic. And a cracking job she does of this too!
I have one minor niggle, and it really is just a personal preference.
First person
Present tense
AND
Multi point of view!
Now, if you follow my reviews you'll know I have dumped many MANY books that I discover are written this way. I will make no apologies for that, I know what I like and I will own it every time. I wasn't able to dump this one, as apart from this point I really enjoyed it!
Sai and Jude are married, and they have Tian as their third. It has been so for 3 years. But Tian looks at Evan and sees so much pain, he just wants to be such a good boy for him.
The established 3-way works best because of 2 rules: you always come home, and communication. I found the communication in this book between Tian, Jude and Sai was outstanding and it paved the way for all three men to find themselves attracted to Evan in ways they really didn't see coming.
I loved how things changed for them all over time. Sai found himself wanting to be looked after, even though he was the Daddy in the three way. Jude wanted to be a good boy for Daddy Evan, while he was a brat to Daddy Sai. And Tian? Well just was just gonna be the bestest little boy a Daddy could wish for. Evan changed too, settling his ghosts to rest, and letting someone else into his heart. Well, someones, plural.
It's incredibly well written, and well delivered. It pushes most of my buttons, (point already made!) and is Ms Juliet at her best. Sweet and so very smexy. But deeply emotional too. Mostly from Evan letting go of Beau.
I loved how I was able to slot this book along side the Dickens version, and even if he might be not be best pleased, I really loved it!
4 very VERY good stars
*same worded review will appear elsewhere
Helen Juliet usually retells fairy tales, and a cracking job she has of those too! This is not a fairy tale, but a literary classic. And a cracking job she does of this too!
I have one minor niggle, and it really is just a personal preference.
First person
Present tense
AND
Multi point of view!
Now, if you follow my reviews you'll know I have dumped many MANY books that I discover are written this way. I will make no apologies for that, I know what I like and I will own it every time. I wasn't able to dump this one, as apart from this point I really enjoyed it!
Sai and Jude are married, and they have Tian as their third. It has been so for 3 years. But Tian looks at Evan and sees so much pain, he just wants to be such a good boy for him.
The established 3-way works best because of 2 rules: you always come home, and communication. I found the communication in this book between Tian, Jude and Sai was outstanding and it paved the way for all three men to find themselves attracted to Evan in ways they really didn't see coming.
I loved how things changed for them all over time. Sai found himself wanting to be looked after, even though he was the Daddy in the three way. Jude wanted to be a good boy for Daddy Evan, while he was a brat to Daddy Sai. And Tian? Well just was just gonna be the bestest little boy a Daddy could wish for. Evan changed too, settling his ghosts to rest, and letting someone else into his heart. Well, someones, plural.
It's incredibly well written, and well delivered. It pushes most of my buttons, (point already made!) and is Ms Juliet at her best. Sweet and so very smexy. But deeply emotional too. Mostly from Evan letting go of Beau.
I loved how I was able to slot this book along side the Dickens version, and even if he might be not be best pleased, I really loved it!
4 very VERY good stars
*same worded review will appear elsewhere
The Gangster's Guide to Sobriety
Book
As seen on Good Morning America A darkly humorous and inspiring first-person account of the...
true crime biography self-help
Debbiereadsbook (1487 KP) rated Igniting His Flame (Redwood Bay Fire #1) in Books
Mar 26, 2025
so bloody cute!
I was gifted my copy of this book.
I'm not rehash the blurb here, but jumping straight in.
I bloody LOVED this book!
In a review for a previous Welch/Juliet book, I said I didn't enjoy it because it was first person/present tense/ and multi POV. If you follow my reviews, you'll know I'm not a fan. Well guess what? I didn't even notice this book was written as such!
I think that this can best be described using something from the book. This is a labrador meeting a scared puppy, and that labrador being the one thing that can help the puppy get over his trauma!
Lochlan is a fire fighter and pulls a puppy from a fire. Dario adopts a dog, after coming to town to get away from his abusive ex. The dogs bond way faster than the men, but they really don't waste much time. I loved how at ease Dario was with Lochlan, right from the start, despite his past. Lochlan is straight, so nothing to worry about. But Dario still crushes and crushes HARD on Lochlan.
I loved the others in the fire crew. They helped Lochlan to see that maybe he wasn't as straight as he thought. Metaphorically speaking, by dashing his head against the wall the make his see just what Dario means to him! I loved that it was Lochlan who makes the move, rather than Dario. But given Dario's history, it was understandable.
I loved the was both sets of parents accepted the new partner for their son. Dario's had reason to be wary, but they do give Lochlan a chance, and the man does come good.
Apart from the drama with the ex, there is little angst. And I loved that there wasn't. Dario does have some history that is high angst, but nothing on page, and he is getting the help he needs to get over that.
It's so freaking cute, I just went "ahhhhhhhhhhhhhhhhh" when I finished it, and it really is full of the warm and fuzzies! I'm looking forward to getting to know the other guys in the crew!
Can't fault it, really so....
5 full and shiny stars
*same worded review will appear elsewhere and no puppies were harmed in the writing of this book!
I'm not rehash the blurb here, but jumping straight in.
I bloody LOVED this book!
In a review for a previous Welch/Juliet book, I said I didn't enjoy it because it was first person/present tense/ and multi POV. If you follow my reviews, you'll know I'm not a fan. Well guess what? I didn't even notice this book was written as such!
I think that this can best be described using something from the book. This is a labrador meeting a scared puppy, and that labrador being the one thing that can help the puppy get over his trauma!
Lochlan is a fire fighter and pulls a puppy from a fire. Dario adopts a dog, after coming to town to get away from his abusive ex. The dogs bond way faster than the men, but they really don't waste much time. I loved how at ease Dario was with Lochlan, right from the start, despite his past. Lochlan is straight, so nothing to worry about. But Dario still crushes and crushes HARD on Lochlan.
I loved the others in the fire crew. They helped Lochlan to see that maybe he wasn't as straight as he thought. Metaphorically speaking, by dashing his head against the wall the make his see just what Dario means to him! I loved that it was Lochlan who makes the move, rather than Dario. But given Dario's history, it was understandable.
I loved the was both sets of parents accepted the new partner for their son. Dario's had reason to be wary, but they do give Lochlan a chance, and the man does come good.
Apart from the drama with the ex, there is little angst. And I loved that there wasn't. Dario does have some history that is high angst, but nothing on page, and he is getting the help he needs to get over that.
It's so freaking cute, I just went "ahhhhhhhhhhhhhhhhh" when I finished it, and it really is full of the warm and fuzzies! I'm looking forward to getting to know the other guys in the crew!
Can't fault it, really so....
5 full and shiny stars
*same worded review will appear elsewhere and no puppies were harmed in the writing of this book!
Debbiereadsbook (1487 KP) rated Her Healing (Healing Duet #2) in Books
May 19, 2025
some on page violence to Harlow that you need to be aware of!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the second book in the Healing Duet and you really MUST read book 1, Healing Her, before this one. It follows on and you need that book's story to follow what happens next.
Keiron will be Calvin's Beta, once he takes over the pack. Leaving for Aberdeen didn't quite turn out to be the week he expected. Finding his mate in the hands of a sex trafficking ring, was not on his to-do list! Harlow has been caught by an enemy unknown. Being rescued at the point she was, meant she could go home. But why was her wolf so hell bent on staying near the beta wolf who rescued the girls?
Now, I wasn't too impressed with book 1 in this duet, but book 2 was far FAR better.
There is some on page violence to Harlow, and you need to be aware of it. I do think it's necessary for the plot though, as much as I hated reading it. And the bad guy does get his comeuppance!
I loved that Keiron, while not happy, nor was his wolf, let Harlow decide whether she wanted to come to him, or not, after her recovery at home. her wolf wasn't happy to leave Keiron, but she knew they had to try to heal, at home. Once Harlow goes to Keiron, they both instantly start to feel better.
I didn't like what Paisleigh gets Harlow to do, but then again, as she says, she is a big girl and can make her own choices about her actions.
Again, first person, present tense and multi point of view. I didn't notice it quite so much here, maybe because I enjoyed this book more.
I did think I could see some other pairings between the supporting cast, and I wonder if there will be any more of this pack, I would enjoy catching up with them!
Oh one thing: it says that THIS book is some 70 pages shorter than book 1. I didn't find that, I thought this was a lot longer!
Still, a much better read than book 1, so. . .
4 solid stars
* same worded review will appear elsewhere
This is the second book in the Healing Duet and you really MUST read book 1, Healing Her, before this one. It follows on and you need that book's story to follow what happens next.
Keiron will be Calvin's Beta, once he takes over the pack. Leaving for Aberdeen didn't quite turn out to be the week he expected. Finding his mate in the hands of a sex trafficking ring, was not on his to-do list! Harlow has been caught by an enemy unknown. Being rescued at the point she was, meant she could go home. But why was her wolf so hell bent on staying near the beta wolf who rescued the girls?
Now, I wasn't too impressed with book 1 in this duet, but book 2 was far FAR better.
There is some on page violence to Harlow, and you need to be aware of it. I do think it's necessary for the plot though, as much as I hated reading it. And the bad guy does get his comeuppance!
I loved that Keiron, while not happy, nor was his wolf, let Harlow decide whether she wanted to come to him, or not, after her recovery at home. her wolf wasn't happy to leave Keiron, but she knew they had to try to heal, at home. Once Harlow goes to Keiron, they both instantly start to feel better.
I didn't like what Paisleigh gets Harlow to do, but then again, as she says, she is a big girl and can make her own choices about her actions.
Again, first person, present tense and multi point of view. I didn't notice it quite so much here, maybe because I enjoyed this book more.
I did think I could see some other pairings between the supporting cast, and I wonder if there will be any more of this pack, I would enjoy catching up with them!
Oh one thing: it says that THIS book is some 70 pages shorter than book 1. I didn't find that, I thought this was a lot longer!
Still, a much better read than book 1, so. . .
4 solid stars
* same worded review will appear elsewhere
Rachael Moyes (404 KP) rated The Gospel of Loki in Books
Jul 8, 2017
Fantastic take on the character of Loki
‘The Gospel of Loki’ by Joanne M. Harris is the story of the Norse Gods from the point of view of Loki, the Trickster. I’ve always found Norse Mythology very interesting and Loki is by far my favourite of the Gods. I first heard about this book about a year ago and I finally managed to grab a copy from my local library earlier this week, then proceeded to read the whole book in two days. It was just that good!
Odin rules the nine worlds from his fortress of Asgard. When this book starts his people, the Aesir, have finally made peace with the Vanir and members of both groups make up the Gods of Asgard. The world is split into Order and Chaos, with Odin and the Gods trying to maintain Order over the nine realms. Loki was born from Chaos and is essentially a demon with no physical form (or Aspect) living in the realm of Pandaemoniem under the evil Lord Surt. But Loki was curious about the worlds where Order and Chaos co-existed so he left Chaos and traveled to the worlds above where he gained a physical Aspect, met Odin and was invited back to Asgard where he became the 25th God.
He did not receive a warm welcome from the other Gods, however, and soon lived up to his names of Wildfire and the Trickster. This book, which I would imagine takes place over a number of years, tells the story of many of Loki’s exploits in the nine realms including when he tricked a builder into fortifying Asgard’s walls without paying him, cut off Sif’s golden hair (to Thor’s outrage), got Thor to dress up as a bride to infiltrate the Ice Folk and kill their enemies, met the giants of Utgard and their own Trickster Utgard-Loki, all the way up to Ragnarok and the final battle between Order and Chaos.
Okay, I’ve just tried to describe the plot fairly simply above and I don’t know how much sense it will have made if you’re not familiar with the Norse Gods, but hopefully it wasn’t too bad!
I’ve always found Norse Mythology very interesting, mainly, I think, because of the diverse characters and fanciful stories. We get to meet all those characters in this book; Odin, Thor, Frey, Freyja, Balder, Frigg, Sigyn, Skadi, Gullvieg-Heid & many more. And as this book is written in first person from Loki, we see them all from his point of view. I also loved Loki’s illegitimate children, particularly Hel, the ruler of the Underworld and Fenris the werewolf.
I know a fair bit about Loki from things I’ve read online and books about mythology so I was a bit wary going in about how historically accurate Joanne had written her character, but I have to say that I found her version of Loki spot on! She voiced him perfectly and I also found the other characters to be very close to what I’ve read about them.
I really enjoyed the author’s writing style and the story flowed so well that I found it really difficult to put down. Loki’s storytelling was both informative and engaging and each of his stories flowed into each other very well.
This book is very heavy on the Norse Mythology (obviously) and I think it’s probably best to go into it with a little bit of knowledge beforehand. I think that if I knew nothing of the subject before, I might have found it a bit overwhelming mainly due to the amount of characters and worlds. But saying that, it is so well written and well explained that I think anyone could read it, I just think you’d get more enjoyment out of it if you knew a bit about some of the characters first. There is a very useful character list at the beginning that you can go back to.
I would definitely recommend this book to anyone who loves Norse Mythology, especially Loki and Odin but I think anyone who likes a good fantasy novel would enjoy it :)
Odin rules the nine worlds from his fortress of Asgard. When this book starts his people, the Aesir, have finally made peace with the Vanir and members of both groups make up the Gods of Asgard. The world is split into Order and Chaos, with Odin and the Gods trying to maintain Order over the nine realms. Loki was born from Chaos and is essentially a demon with no physical form (or Aspect) living in the realm of Pandaemoniem under the evil Lord Surt. But Loki was curious about the worlds where Order and Chaos co-existed so he left Chaos and traveled to the worlds above where he gained a physical Aspect, met Odin and was invited back to Asgard where he became the 25th God.
He did not receive a warm welcome from the other Gods, however, and soon lived up to his names of Wildfire and the Trickster. This book, which I would imagine takes place over a number of years, tells the story of many of Loki’s exploits in the nine realms including when he tricked a builder into fortifying Asgard’s walls without paying him, cut off Sif’s golden hair (to Thor’s outrage), got Thor to dress up as a bride to infiltrate the Ice Folk and kill their enemies, met the giants of Utgard and their own Trickster Utgard-Loki, all the way up to Ragnarok and the final battle between Order and Chaos.
Okay, I’ve just tried to describe the plot fairly simply above and I don’t know how much sense it will have made if you’re not familiar with the Norse Gods, but hopefully it wasn’t too bad!
I’ve always found Norse Mythology very interesting, mainly, I think, because of the diverse characters and fanciful stories. We get to meet all those characters in this book; Odin, Thor, Frey, Freyja, Balder, Frigg, Sigyn, Skadi, Gullvieg-Heid & many more. And as this book is written in first person from Loki, we see them all from his point of view. I also loved Loki’s illegitimate children, particularly Hel, the ruler of the Underworld and Fenris the werewolf.
I know a fair bit about Loki from things I’ve read online and books about mythology so I was a bit wary going in about how historically accurate Joanne had written her character, but I have to say that I found her version of Loki spot on! She voiced him perfectly and I also found the other characters to be very close to what I’ve read about them.
I really enjoyed the author’s writing style and the story flowed so well that I found it really difficult to put down. Loki’s storytelling was both informative and engaging and each of his stories flowed into each other very well.
This book is very heavy on the Norse Mythology (obviously) and I think it’s probably best to go into it with a little bit of knowledge beforehand. I think that if I knew nothing of the subject before, I might have found it a bit overwhelming mainly due to the amount of characters and worlds. But saying that, it is so well written and well explained that I think anyone could read it, I just think you’d get more enjoyment out of it if you knew a bit about some of the characters first. There is a very useful character list at the beginning that you can go back to.
I would definitely recommend this book to anyone who loves Norse Mythology, especially Loki and Odin but I think anyone who likes a good fantasy novel would enjoy it :)
KittyMiku (138 KP) rated Shadow of Night in Books
May 23, 2019
Shadow of Night is the second book of Deborah Harkness’ All Souls Trilogy. As with the first one, Harkness takes you on adventure with her two protagonists, a witch named Diana and a vampire named Mathew. However, unlike the first one, this book is placed in Elizabethan England. Though the characters remain the same at heart, they change to better suit each other and the time period, as it is needed. With the imminent danger around every corner, the two are still not able to find piece, but Diana is able to learn more about her powers while she learns about her vampire lover in the process.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
Movie Metropolis (309 KP) rated Red Sparrow (2018) in Movies
Jun 10, 2019
Never entertaining, frequently repugnant
Director Francis Lawrence and Hollywood sweetheart Jennifer Lawrence (they are no relation, I’ve checked) aren’t a new combination when it comes to film-making.
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
In fact, Francis Lawrence may have kick-started the world’s love affair with the young actress after he directed her in the best Hunger Games movie, Catching Fire.
They both went on to finish the saga with Mockingjay’s two instalments and the rest as they say, is box office magic.
Here though, they both take on a very different project, aimed at a very different group of movie fans. Red Sparrow is the first hard-hitting thriller of 2018. But is it any different from the plethora of films already out there in the genre?
Prima ballerina Dominika Egorova (Jennifer Lawrence) faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Egorova emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, Dominika meets Joel Edgerton’s CIA agent Nate Nash (yes really) who tries to convince her that he is the only person she can trust.
The film starts off very promisingly as the audience are treated to a beautifully choreographed opening that follows Lawrence at the height of her dancing fame and Edgerton as he goes about an assignment. Both characters don’t intertwine at this point, and as the music builds to a crescendo we realise both their nights are about to go very wrong. It’s nicely filmed, if a little Black Swan–esque. Unfortunately, this impressive crescendo signals something else, the start of a downhill slope for Red Sparrow.
For a film marketed as a classy, adults-only thriller, Red Sparrow has very little in the way of class, despite the inclusion of Jennifer Lawrence. Her acting, as usual is sublime, minus her at times dreadful Russian accent and the rest of the cast do their best with Edgerton coming across well, but the rest of the film is just such a mess. Jeremy Irons feels incredibly miscast as a Russian General and the script by Justin Haythe is borderline incomprehensible.
The overuse of graphic violence and sex really does it no favours. There’s only so many times you can watch Lawrence be raped without wondering what the hell the film-makers thought they were doing and one (thankfully consensual) sex scene will have your eyes rolling in the back of your head: not out of pleasure, but out of absurdity.
It really begs the question: why did Lawrence pick such a bizarre choice of role in the first place?
Then there’s the action, or lack thereof. Where films like Atomic Blonde stylised the violence and the action to create a particular aesthetic, Red Sparrow just doesn’t. The limited amount of action that is presented to the audience is lazily filmed and worlds apart from director Francis Lawrence’s excellent work on the Hunger Games series.
Sure, the sets are lavish and the globetrotting that Lawrence gets to do is pleasant enough, but we’ve seen it all before and done much, much better. The production has a very staid quality that isn’t befitting of its director and its leading lady.
The final act twists that piece together everything that has come before is 30 minutes too late. At 140 minutes long, Red Sparrow is an absolute behemoth of a film but there is no reason whatsoever for it to be this long. Had it been thrilling and entertaining it could have gotten away with it – unfortunately it drags continuously from beginning to end.
Overall, Red Sparrow is a real dud that even the talents of Jennifer Lawrence can’t save. Not only is it never entertaining and frequently repugnant, it really begs the question: why did Lawrence pick such a bizarre choice of role in the first place? If it’s to escape her Katniss Everdeen persona she’s succeeded, but this could make movie studios think twice about casting her in projects in the future.
https://moviemetropolis.net/2018/03/07/red-sparrow-review-never-entertaining-frequently-repugnant/
Adventure and Redemption
I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth? This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, Gospels. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore Gospels is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled Gospels, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, Gospels is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.