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Henry Mancini: Reinventing Film Music
Book
Henry Mancini, the first publicly successful and personally recognizable film composer in history,...
Bob Mann (459 KP) rated Hacksaw Ridge (2016) in Movies
Sep 29, 2021
In God, and Doss, we Trust.
Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move that could be considered arrogant if it wasn’t so well researched, here we even lose the first two words.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
Micky Barnard (542 KP) rated Girls of Paper and Fire in Books
Jan 26, 2019
A fresh YA fantasy
Natasha Ngan created a fascinating world in GIRLS OF PAPER AND FIRE, it was complex and yet not difficult to grasp a hold of. It is a world of castes, paper, moon, steel and demon, with the Demon King at the head. Lei is paper caste, the most lowly of the castes but there is something special about her, her eyes. She is kidnapped and brought to be one of the honoured paper girls that the king gets to choose and bed for a year as he wishes. A grim life for a 17 year old.
This is a tale of politics, war, oppression, slavery and fear. Lei embarks in a journey from fearful new paper girl to a young woman who has a streak of fearless bravery, almost foolish at times. The land of the Demon King was colourful and diverse, the descriptions were excellent and my mind supplied all the mental pictures that I needed. The characters were a range of sweet, fiery, plain mean and evil.
The diversity elements of this book were fabulous. I welcomed the relationship between Lei and Wren and yet sometimes I struggled to connect with their coupling because the chemistry lacked a little something. This being a first in the series, I am hoping for more of a a build in the relationship between these two. The sisterly relationships of the paper girls were almost like a high school corridor with the resident mean girl, Blue. In addition, I loved to hate the Demon King, he really was vile.
This had both a sense of completion and an “oh heck, what” moment at the end. I am definitely looking forward to catching up with these characters again and finding out what happens in this world.
I voluntarily read an early copy of this book.
This is a tale of politics, war, oppression, slavery and fear. Lei embarks in a journey from fearful new paper girl to a young woman who has a streak of fearless bravery, almost foolish at times. The land of the Demon King was colourful and diverse, the descriptions were excellent and my mind supplied all the mental pictures that I needed. The characters were a range of sweet, fiery, plain mean and evil.
The diversity elements of this book were fabulous. I welcomed the relationship between Lei and Wren and yet sometimes I struggled to connect with their coupling because the chemistry lacked a little something. This being a first in the series, I am hoping for more of a a build in the relationship between these two. The sisterly relationships of the paper girls were almost like a high school corridor with the resident mean girl, Blue. In addition, I loved to hate the Demon King, he really was vile.
This had both a sense of completion and an “oh heck, what” moment at the end. I am definitely looking forward to catching up with these characters again and finding out what happens in this world.
I voluntarily read an early copy of this book.
Aid on the Edge of Chaos: Rethinking International Cooperation in a Complex World
Book
Many agree that the foreign aid system - which today involves virtually every nation on earth -...
The Penguin Knitting Book
Book
The Penguin Knitting Book by James Norbury is a charming how-to-knit classic packed with...
Sisi: Empress on Her Own: A Novel
8.0
Rate It
Book
In this sweeping and powerful novel, New York Times bestselling author Allison Pataki tells the...
Dee (0 KP) rated Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1) in Books
Mar 12, 2021
Contains spoilers, click to show
Minor spoilers ...
This started out so well. It was incredibly magical - secret doorways on earth, which took the main character Karou, into a shop where her chimeara 'family' resided. Karou has little knowledge, being human, about her own origins or how she ended up in the care of Brimstone, the shop's custodian. All she knows is that he collects an endless supply of teeth (which she is often sent to pick up from around the world - the shop's doorway acting as a portal that deposits her anywhere on earth). There is a second door within the shop, which Karou is not allowed near and she has no idea what lies beyond it. Messages are sent to her via a crow-like creature. So far, so mysterious. It reminded me a little of Narnia or The Adventures of the Wishing Chair / Magic Faraway Tree. Oh, and if that's not enough - the teeth are used to help grant wishes (ranging from minor to major).
I'm a big fan of dual-world/magic-portal books. However, as the novel went on it became less intriguing. It slips into the sort of insta-love that is ten-a-penny in YA fiction. Also, I just felt that the 'big reveal' of what was behind the second door was a bit of a letdown. And the whole war between angels and chimera felt somehow jarring and unimaginative. I feel mean-spirited saying this, but the dynamic and world-building just didn't capture my imagination. The layering of the back-story also felt a bit forced and I started to find it dull.
I suppose the real test of the first book in a trilogy (as this is) is whether the reader can't wait to pick up the next instalment. Personally, I'm not sure I would bother. A shame, really, as it started out so well.
This started out so well. It was incredibly magical - secret doorways on earth, which took the main character Karou, into a shop where her chimeara 'family' resided. Karou has little knowledge, being human, about her own origins or how she ended up in the care of Brimstone, the shop's custodian. All she knows is that he collects an endless supply of teeth (which she is often sent to pick up from around the world - the shop's doorway acting as a portal that deposits her anywhere on earth). There is a second door within the shop, which Karou is not allowed near and she has no idea what lies beyond it. Messages are sent to her via a crow-like creature. So far, so mysterious. It reminded me a little of Narnia or The Adventures of the Wishing Chair / Magic Faraway Tree. Oh, and if that's not enough - the teeth are used to help grant wishes (ranging from minor to major).
I'm a big fan of dual-world/magic-portal books. However, as the novel went on it became less intriguing. It slips into the sort of insta-love that is ten-a-penny in YA fiction. Also, I just felt that the 'big reveal' of what was behind the second door was a bit of a letdown. And the whole war between angels and chimera felt somehow jarring and unimaginative. I feel mean-spirited saying this, but the dynamic and world-building just didn't capture my imagination. The layering of the back-story also felt a bit forced and I started to find it dull.
I suppose the real test of the first book in a trilogy (as this is) is whether the reader can't wait to pick up the next instalment. Personally, I'm not sure I would bother. A shame, really, as it started out so well.
Overheated: The Human Cost of Climate Change
Book
Deniers of climate change sometimes quip that claims about global warming are more about political...
Lee (2222 KP) rated Wonder Woman (2017) in Movies
Jul 14, 2017
After a pretty lengthy drought, we finally get another decent DC movie
As the DC TV universe continues to go from strength to strength, the DC movie universe is gradually going downhill. Don’t get me wrong, I really liked Man of Steel, despite the overloaded CGI destruction at the end. I didn’t mind Batman Vs Superman either, even with Jesse Eisenberg doing his very best to try and ruin it. But, despite successfully introducing two other major DC heavyweight characters (and not so successfully introducing a few others) and picking up steam in the final act, the movie struggled. Suicide Squad then managed to take bad to a completely new level, and was just a complete train-wreck.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
Batman Vs Superman was our first introduction to Wonder Woman in the DC movie universe, and she was the most entertaining and promising aspect of the whole movie. As a child of the 70s, I grew up watching and enjoying the Wonder Woman TV show, along with re-runs of the Batman 60s show and of course the Christopher Reeve Superman movies. After all these years of countless Batman and Superman movies, it was great to not only see Wonder Woman finally on the big screen, but also to see her being portrayed so well. Now, with her standalone movie coming out a few months before the mediocre looking Justice League movie, this is not only an important movie for DC but also an important first step in finally bringing strong female superheroes to the big screen. Paving the way for Captain Marvel, a Black Widow standalone movie, and more. This had to be good.
Thankfully, it is. Although there’s still a long way to go in order to reach the level that Marvel already managed to achieve many movies ago, this is indeed a serious step up for DC. Opening with a brief scene set in present day, Wonder Woman then takes us back to Themyscira. A paradise island, hidden from view from the rest of the world, where a young Diana lives peacefully among her Amazon tribe. Despite their peaceful existence though, the Amazons are constantly preparing themselves for the return of Ares, God of War. Archery and combat training is undertaken daily on the island, under the guidance of Dianas aunt, General Antiope (Robin Wright). Diana is keen to train too and her reluctant mother, Queen Hippolyta (Connie Nielsen), eventually agrees, requesting that General Antiope train her hard and make her the best. As Diana grows into a woman, training has clearly gone well and she’s even managing to give her aunt a good run for her money! Just in time too as World War 1 pilot Steve Trevor (Chris Pine) crashes through the invisible barrier cloaking the island and crash lands into the sea, closely followed by a bunch of Germans who are on his tail. Time for the Amazon women to put their training to good use, but not without some casualties…
Steve tells Diana of the great war that’s raging throughout the world and Diana believes this to be the return of Ares. She decides to leave her home and travel with Steve to put an end to Ares once and for all. So, she grabs her shield and lasso of truth and ‘borrows’ the sacred ‘God Killer’ sword from the tower it rests in and off they go. Leaving behind the bright, vibrant island of Themyscira and returning to the traditional, dark grey pallet of colours that we’re used to seeing in our DC movies as they head to war-torn London.
Steve takes over as charming tour guide as Diana enters the human world for the first time. Her innocence and curiosity of the modern world are played beautifully by Gadot, with plenty of fish-out-of-water style humour too. But she’s also never afraid to question and stand up for what she believes in and tackle those who try and oppose her, giving an interesting perspective on aspects of humanity which deserve to be questioned. Her drive to get to the front-line of war, to seek out Ares and supposedly end all war by defeating him, constantly driving her forward. Romance eventually blossoms between Diana and Steve, but it feels natural and believable and helps to hold the movie together during some of its slower moments.
When Wonder Woman manages to get to the front line and steps out into no-mans land, ignoring the advice of Steve and those around her, it’s magnificent. It heralds the first in a series of magnificent action sequences involving German soldiers as she puts her training to good use. Initially shielding herself from the onslaught of bullets before moving onto the offensive with some bad-ass combat moves, slo-mo back-flips, jumps, whip action and displays of pure power and strength. Everything we got a glimpse of in Batman Vs Superman, ramped up to the max, perfectly executed and accompanied by a rocking soundtrack!
Where Wonder Woman doesn’t work so well is in the handling of its villains. Whenever we switch to General Ludendorff and Doctor Poison, busily developing deadly gases to unleash, momentum seems to be lost. And as for Ares, when we do finally meet him he’s pretty laughable, with no clearly defined motivation or character. Following a bit of villain monologue, we get the general gist of what his beef is and then the last 20 minutes or so descend into the over the top CG destruction that we’re so used to seeing now in these movies. It’s a minor gripe, and not handled as badly as some previous movies, but along with the pacing issues it does affect the overall enjoyment of the movie somewhat.
None of this detracts from Wonder Woman herself though. Gal Gadot has truly made this role her own and displays the perfect mix of strength, beauty, brains, confidence, determination and general all-round girl power. She can more than hold her own in the DC universe and should hopefully be a prominent force in the upcoming Justice League movie and beyond.
ClareR (6059 KP) rated The Zombie Survival Guide: Complete Protection From The Living Dead in Books
Dec 7, 2017
I loved World War Z, but I really struggled to read this. It’s all very useful stuff: lists of things to do to survive various types and levels of zombie outbreak, lists of equipment you’ll need, descriptions of various weapons. Actually, that last bit is where I feel my brain was fried. I’m not really terribly interested in a detailed description of various weapons. I’m not interested in weapons, full stop. I did, however, like the history of the zombie outbreaks. More of them please! This is the type of thing that had me looking out of the window just to check that there weren’t any zombies hoofing it down the street whilst I was reading WWZ!
I could see hardcore Zombie fans really enjoying this. I just don’t think I’m that big a fan. I’ve only just started season 5 of The Walking Dead: I watched the opening credits of the first episode 3 months ago and haven’t managed to watch the rest of it yet. I’m a very poor TV viewer (books are more fun!).
I could see hardcore Zombie fans really enjoying this. I just don’t think I’m that big a fan. I’ve only just started season 5 of The Walking Dead: I watched the opening credits of the first episode 3 months ago and haven’t managed to watch the rest of it yet. I’m a very poor TV viewer (books are more fun!).