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John Bailey recommended Contempt (1963) in Movies (curated)
BankofMarquis (1832 KP) rated All Quiet on the Western Front (2022) in Movies
Feb 2, 2023
Shows The Futility and Bleakness of War
War is hell. And if you don’t think it is check out the 2022 German film version of the classic novel ALL QUIET ON THE WESTERN FRONT about a young German’s experience towards the end of World War I. It is a bleak, grim view of war told unflinchingly and drives home the point of the pointlessness of war (especially the trench warfare of WWI). It is bravura filmmaking that deserves to be mentioned with the great war films of all time.
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the book is even bleaker.
Directed by Edward Berger, ALL QUIET follows young Felix Kammerer (Paul Baumer) as he joyfully joins the German army to fight the French. Quickly, Felix learns of the cost of war and the grim reality of trench warfare.
Berger has a strong view of all of this and his Direction and Camerawork are squarely focused on young Felix and his continued attempts to stay alive amidst the fighting. Berger handles the action - and the acting - strongly and the Cinematography of this film by James Friend aides in the bleakness and futility of the conflict, showering the combatants in muted blues and grays and covering them all in mud. Berger does not hold back on the horrors of war (without going to “gorey”) and delivers a moody, bleak and important film.
Baumer plays Felix with an innocent sincerity that gives way to resolute abandonment of hope as the bleakness of the affair drags on. His futility is, then, juxtaposed against German envoy Matthias Erzberger (Daniel Bruhl) who is trying to negotiate a surrender with the French. The building frustration of both men are clearly shown growing as the film elapses.
And that is another strong suit about this film - it shows the situations, the hopelessness and negativity of war without having to “tell” or comment about it. The pictures are all one needs to know.
An anti-war film of the highest order, ALL QUIET ON THE WESTERN FRONT is a must see - the best adaptation of this classic novel ever.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Neon's Nerd Nexus (360 KP) rated Angel-A (2005) in Movies
May 13, 2019
Je t'aime
My number 3 title in my #top10 #favourite films is 'Angel-a'
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#Angela is a very underrated #lucbesson movie but for me its his absolute best work. This #film has had such a massive impact on my life/who I am as a person & for that reason alone its a film I hold so close to my #heart. Essentially a #love story but different to the kind we are used to #Angel-a is #heartbreaking, #funny, #strange & visually #breathtaking. Teaching not only about the importance of love but more about the importance of learning to #loveyourself first Angel-a has such a powerful message especially for people feeling lost in life. Simply #beautiful to look at with every scene looking like a piece of art & directed with such #passion, love & care that I was pulled right into its #weird & wonderful story right from the start. Its an #emotional rollercoaster at times hitting you right in the heart but it also has just enough #crazy Besson style & humour to make it truly unique & different to what you would expect from the genre. Seemingly #inspired by the film wingsofdesire by #wimwenders & just like it Angle-a too is also rich in #philosophy & the cast is an absolute joy to watch. While not for everyone I simply can not describe how much I adore this movie. ------------------------------------------------
#filmbuff #filmcritic #angel #heaven #magical #fantasy #art #artsy #french #wednesdaywisdom
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#Angela is a very underrated #lucbesson movie but for me its his absolute best work. This #film has had such a massive impact on my life/who I am as a person & for that reason alone its a film I hold so close to my #heart. Essentially a #love story but different to the kind we are used to #Angel-a is #heartbreaking, #funny, #strange & visually #breathtaking. Teaching not only about the importance of love but more about the importance of learning to #loveyourself first Angel-a has such a powerful message especially for people feeling lost in life. Simply #beautiful to look at with every scene looking like a piece of art & directed with such #passion, love & care that I was pulled right into its #weird & wonderful story right from the start. Its an #emotional rollercoaster at times hitting you right in the heart but it also has just enough #crazy Besson style & humour to make it truly unique & different to what you would expect from the genre. Seemingly #inspired by the film wingsofdesire by #wimwenders & just like it Angle-a too is also rich in #philosophy & the cast is an absolute joy to watch. While not for everyone I simply can not describe how much I adore this movie. ------------------------------------------------
#filmbuff #filmcritic #angel #heaven #magical #fantasy #art #artsy #french #wednesdaywisdom
Awix (3310 KP) rated Early Man (2018) in Movies
Feb 8, 2018 (Updated Feb 8, 2018)
One Million Years F.C.
Another movie from the people who made Wallace and Gromit and Shaun the Sheep, and if you're familiar with either of those you will know that expectations will be high: Aardman are the British answer to Pixar or Studio Ghibli. Keeping such sky-high standards must be difficult, so we must try to be understanding when they fall a little short - as they do here.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
A tribe of comedy cavemen with English accents are driven from their lovely valley by a nasty Bronze Age civilisation who variously sound French, Italian, and German. Brightest of the cavemen hits upon a scheme to win the valley back by playing the invaders at their sacred game, i.e. football (or soccer). Cue lots of sports movie cliches/parodies.
Well, obviously, you can't fault the craft that goes into these films, but on this occasion you can't help noticing the slightness of the story and the fact that it's neither as funny nor, crucially, as clever as many of their previous productions. (The fact that the film has a weird Brexit-friendly political subtext may be an issue for some viewers as well.) I love silly accents, absurd jokes and bad puns as much as the next person (probably more, in truth), but the fact that this film doesn't have the same kind of heart or warmth as (for example) your typical Pixar film is very noticeable. Still, not *actually* that bad.
French Rhapsody
Antoine Laurain, Emily Boyce and Jane Aitken
Book
Praise for "The Red Notebook" "An endearing love story written in beautifully poetic prose. It is an...
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
E338: the Art of Loic Zimmermann
Loic Zimmermann and Publishing 3DTotal
Book
There are plenty of books out there in the world that feature beautiful artwork. There are plenty...
Edith Piaf: A Cultural History
Book
The world-famous French singer Edith Piaf (1915-63) was never just a singer. Dozens of biographies...
When the Cock Crows: A History of the Pathe Exchange
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Influential during Hollywood's silent-film era, the Pathe Exchange was a multinational film company...
Kirk Bage (1775 KP) rated Disobedience (2018) in Movies
Mar 3, 2020
English language films with big name actors are not usually this European. Which is why I have chosen the beautiful French poster to highlight this unexpected gem.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.
I hadn’t expected to like it, but was curious to see the two lead actresses work together on something so intimate, that became in the media something controversial, regrettably, for all the wrong reasons. They chose to focus on the sexual aspect of two high profile women about to commit to film a level of titillation hitherto unseen by either… but, of course, it is so much more than that.
The world of orthodox Judaisim and commitment to a patriarchal ideal of tradition and intrinsic value is at the heart of this small, yet devastating film. At first, that world is so alien and upsetting that it seems like a fantasy. Until you allow yourself to realise that this community does exist, and thrives.
Both Rachel Weisz as a woman with a secret who managed to escape the constraints and prejudices of the male dominant world, and Rachel McAdams, as the friend left behind to swallow her pride and be the expected wife, deliver extraordinary performances. The passion, repression and guilt are apparent in every scene.
But it is Alessandro Nivola, as the key antagonist, that really wins the plaudits. Watch a character so unlikable become a hero in the most humble and unlikely sense, in a scene of such breath-taking clarity, towards the film’s climax. I can only wish all “bad guys” get this kind of human pay-off.
A film of resonance and social interest that fails as an entirely coherent piece, but works in so many good ways it is worth seeing just for the feels! There is no point where you do not believe how much these women are in love. And for that reason alone, I recommend it.