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He Who Drowned the World
10.0
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What would you give to win the world? Zhu Yuanzhang, the Radiant King, is riding high after her...
Remind Me (Mystic Beach Fantasy Rockstar Romances, #4)
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Recipe for a Delicious Love Story: • 1 spicy rockstar • 1 salty chef • a sweet first love ...
Paranormal RockStar Romance
Gareth von Kallenbach (980 KP) rated 300: Rise of an Empire (2014) in Movies
Jun 19, 2019
Seven years have passed since Frank Miller’s classic Graphic Novel 300 was adapted into a hit film and made a star of the largely unknown Gerard Butler.
The follow up film, “300 Rise of an Empire” is both a sequel and a prequel to the original film as it takes place before and after the events of the first film and involves Themistocles (Sullivan Stapleton), a general from Athens who is tasked with defeating the invading Persian navy with only a handful of soldiers and ships who years earlier at the Battle of Marathon put the events of the two films in motion with his actions on the battlefield.
The film also chronicles the rise of the mortal turned god Xerxes (Rodrigo Santoro) and his brutal right hand Artemesia (Eva Green), who plays a deadly game against the Greeks and Themistocles based on a long standing desire for revenge against the Greeks despite being Greek herself.
While the film is slow getting started as there is a lot of back story and character introductions to chronicle, the film does start off nicely with the bloody battle of Marathon and then sets up several battles along the way.
Lena Headey is the only returning character of note aside from Xeres and she does a good job in her limited time as the Queen of Sparta who must make hard decisions for her people.
The film uses the same graphical style of the previous film and while there is tons of blood and splatter, it is done with CGI and this helps diminish the impact of seeing copious amounts of blood and gore flying through the air during the numerous battles.
The 3D in the film is effective and seeing the embers from the fires float around was a nice touch.
The cast was engaging and entertaining despite being largely unknown and Stapleton does a nice job with the lead as he does not try to recreate the performance of Butler and instead focuses on his own character.
While it plays out largely like it is, a film version of a comic, Zack Snyder who produced the film and wrote the screenplay has done a good job with the source material. Director Noam Murro keeps the action flowing and gives a nice mix of visuals and character to overcome some of the issues with plot and pacing.
In the end, the film is an enjoyable action film and a worthy follow up to the original which sets the stage well for future films.
http://sknr.net/2014/03/07/300-rise-of-an-empire/
The follow up film, “300 Rise of an Empire” is both a sequel and a prequel to the original film as it takes place before and after the events of the first film and involves Themistocles (Sullivan Stapleton), a general from Athens who is tasked with defeating the invading Persian navy with only a handful of soldiers and ships who years earlier at the Battle of Marathon put the events of the two films in motion with his actions on the battlefield.
The film also chronicles the rise of the mortal turned god Xerxes (Rodrigo Santoro) and his brutal right hand Artemesia (Eva Green), who plays a deadly game against the Greeks and Themistocles based on a long standing desire for revenge against the Greeks despite being Greek herself.
While the film is slow getting started as there is a lot of back story and character introductions to chronicle, the film does start off nicely with the bloody battle of Marathon and then sets up several battles along the way.
Lena Headey is the only returning character of note aside from Xeres and she does a good job in her limited time as the Queen of Sparta who must make hard decisions for her people.
The film uses the same graphical style of the previous film and while there is tons of blood and splatter, it is done with CGI and this helps diminish the impact of seeing copious amounts of blood and gore flying through the air during the numerous battles.
The 3D in the film is effective and seeing the embers from the fires float around was a nice touch.
The cast was engaging and entertaining despite being largely unknown and Stapleton does a nice job with the lead as he does not try to recreate the performance of Butler and instead focuses on his own character.
While it plays out largely like it is, a film version of a comic, Zack Snyder who produced the film and wrote the screenplay has done a good job with the source material. Director Noam Murro keeps the action flowing and gives a nice mix of visuals and character to overcome some of the issues with plot and pacing.
In the end, the film is an enjoyable action film and a worthy follow up to the original which sets the stage well for future films.
http://sknr.net/2014/03/07/300-rise-of-an-empire/
Bob Mann (459 KP) rated Get Out (2017) in Movies
Sep 29, 2021
“It really doesn’t matter if you’re ‘Black or White”.
Due to a mixture of holiday, work commitments and sickness (I would not wish to inflict my bronchial cough on ANY cinema audience for a while) I haven’t been to the cinema in over a month… shocking. But it has given me a chance to catch up on some of the films in 2017 (and a few from last year) that I hadn’t got to see. So this will be the first of a series of such “DVD” reviews.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
Gareth von Kallenbach (980 KP) rated Avengers: Endgame (2019) in Movies
Jun 19, 2019
The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.
Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.
As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.
Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.
What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.
The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.
This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.
It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the film and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.
As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.
http://sknr.net/2019/04/23/avengers-endgame/
Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.
As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.
Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.
What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.
The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.
This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.
It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the film and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.
As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.
http://sknr.net/2019/04/23/avengers-endgame/
Every Witch Way But Wicked
7.7
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Take twelve paranormal authors. Toss them together in one anthology. Add a dash of romance, a pinch...
Witches
Kristy H (1252 KP) rated Invisible Girl in Books
Oct 29, 2020
A dark, creepy read full of surprises
Owen Pick, a teacher in his thirties, has never had a relationship with a women. He's barely even had a successful date. He's teased by the young female students at the college where he works. He lives in a flat owned by his elderly aunt and recently has found solace on incel forums. Across the street from Owen lives the Fours family. They, frankly, find Owen creepy, especially mom Cate and her teenage daughter. Dad, Roan, a child psychologist, is too busy with work to care that much, while their teenage son is basically the only one Cate doesn't need to worry about. And then there's Saffyre Maddox. Now seventeen, Saffyre, was once a patient of Roan's. She misses their connection and seeks to maintain it by following him. Then, one night, Saffyre disappears, and it seems like Owen was the last person to see her. What truly happened to Saffyre?
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
Trigger Fist
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Forged in the minds of battle-hardened gamers, Trigger Fist delivers precisely what you want in the...
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In Jilly Cooper's latest, raciest novel, Rupert Campbell-Black takes centre stage in the cut-throat...