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Ivana A. | Diary of Difference (1171 KP) rated Beast Rider in Books
Oct 5, 2020
A fantasy that stays true to many young people, that dare cross a border, searching for a better life. A fantasy, but also a cruel reality of what truly happens to these young boys and girls, and all the journeys they have to go through, fighting for a better tomorrow.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.
This is the first book I have read by Tony Johnston, and the reason I chose to read Beast Rider was because we get to see a twelve-year-old Manuel leave his small town in Mexico to join his older brother in the US.
As a girl myself, I had a family member that lived in another country, and I have always had my inner battle of going abroad to search for a better tomorrow and sadness of leaving my old life behind. With Manuel, you get to feel his hopes and fears, his nostalgia for his hometown and family, his thoughts and learnings at every step of his journey.
A few points bothered me slightly; the grammar in this book needs to be edited immediately. The character keeps using two words in a row row, and after a while while, it gets quite off putting off putting (you see what I mean?). I truly hope this is editing mistake, and not a writing style. There are a lot of Mexican words, without any glossary included. I can understand the words, but some people wouldn’t – and not being able to know the meaning can be a nuisance.
While reading about the journey of Manuel, I couldn’t help but remember exactly how I felt in a few points of my journey:
To Go or Not To Go
Manuel’s brother left the small Mexican village and now lives in Los Angeles. Manuel loves his big brother, and wants to join him desperately. He secretly plans his journey and decides to leave the town, after a lot of hesitation, in order to find his older brother. The battle between to go or not to go is the biggest battle one person can have with themselves. It is always hard, no matter which way one decides to go. And when Manuel decides it is time to go, I knew exactly how he felt, when I myself made that hard decision as well, and left my comfortable home to go and live in a foreign country.
The Journey To a Better Tomorrow
Manuel’s journey is not easy at all. In order to cross the US border, he had to become a ‘’beast rider’’ – someone who hops on a train. He tries multiple times, and various unlucky things happen to him, he gets stopped by the police, he is attached by a gang, people steal his most valuable items. But despite everything, Manuel’s spirit never leaves him, he is always hopeful he will find his brother soon. I loved the motivation and determination in the young Manuel, and it is so amazing to watch him grow through his experiences.
The Final Destination – Was This What I Really Wanted?
After all his endeavours, we finally get to see Manuel reunite with his brother. But what happens if you finally reach your destination, and this happens to not be what you wanted to? Manuel struggles to fit in this lifestyle, he can’t recognise himself, or his brother, and he is emotionally wrecked. He misses his family back home, and he realises that what he thought he would achieve once he finds his brother is not happening. When you feel all roads are closing on you, it is time to make a decision. And making his final decision, Manuel proves to have grown so much, and I admired him this entire book.
A beautiful story about all the emotions and journeys that young people go to. We all have dreams, and some of us reach for them, and act on them. Sometimes, these dreams turn out to be our life-changers, and sometimes, these dreams seem great, but are not ours to take. And this book showed me that that’s fine too. It’s okay to realise you suddenly don’t belong. It’s okay to act on your dreams, and it’s also okay to make mistakes. As long as you stay true to yourself, everything will be alright.
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BankofMarquis (1832 KP) rated Jurassic World: Dominion (2022) in Movies
Jun 10, 2022
Time For This To Go Extinct
Like it was millions of years ago, the time of the dinosaurs is coming to a close. With JURASSIC WORLD DOMINION, we end the Jurassic World trilogy (after having the Jurassic Park trilogy) and it is high time we do so.
A retro-film (as I’ve been calling these nostalgia-flicks that bring back old actors/characters from previously beloved properties), JURARSSIC WORLD DOMINION is entertaining enough - but the creative brains behind this franchise is just running out of clever ways to put the same group of characters in danger of being eaten by a dinosaur.
Written by Emily Carmichael based on a story by Derek Connolly and Colin Trevorrow and Directed by Trevorrow (returning to helm this franchise after Directing the first Jurassic World flick, but not the 2nd), JURASSIC WORLD DOMINION follows our favorite bickering couple, Clare (Bryce Dallas Howard) and Owen (Chris Pratt) and their pseudo-pet Velociraptor, Blue as they, once again, go into the Jurassic World fighting a money-grubbing Corporate Billionaire who wants the genetic technology for his own, greedy purposes and not what might be for the good of all - the Earth, the Humans and the Dinosaurs. Along the way good ol’ Alan Grant (Sam Neill), Ellie Sattler (Laura Dern) and Dr. Ian Malcolm (the always quirky Jeff Goldblum) are, somehow, shoe-horned into this story.
And that, ultimately, is the issue with Dominion, the script feels like an amalgam of characters that needed to be serviced and set-pieces that needed to be shown, but the overall story-line and character development (not that there is much here) is shoved to the side, so at the end the emotional connection to this film - and it’s characters - is negligible.
What little character interest there is here is based solely on the charisma of the actors and they are…good enough. Pratt, of course, is able to carry the center of this flick as Owen Grady - but he doesn’t seem to be occupying the center square with the twinkle in his eye that he had in the first Jurassic World film. Bryce Dallas Howard is plucky enough as Clare, but this actress has been gaining traction lately as a “go-to” Director (like her father, Ron Howard) and that is probably a better career trajectory for her. Sam Neill and Laura Dern are “game enough” in what they are asked to do, but they both look just a bit tired of running around in front of green screen dinosaurs. Only Jeff Goldblum shines as Ian Malcolm and that’s because Trevorrow, wisely, decides to let Goldblum be Goldblum - odd and quirky.
Of the other actors in this film, DeWanda Wise (FATHERHOOD) really shines as a pilot who helps out the gang. On the other hand, Dichen Lachman (SEVERENCE) is completely wasted as a “top-notch” henchman that is pretty inept. However, it was good to see Omar Sy (who was in the first JURASSIC WORLD movie and then became a star thanks to his work on the French TV show LUPINE - which is terrific, by the way) back in the fold as it was good to see Campbell Scott back up on the big screen as the villain of the piece - a role that he brings an interesting twist to but, ultimately, the role leads to nowhere.
And that’s the issue with this film, the characterizations lead to nowhere, for Trevorrow focuses most of his attention on the battle scenes and the scares - and while not all of them are exciting and unusual, I did find myself jumping in my seat on more than one occasion and there is one scene with Bryce Dallas Howard escaping a dino in a swamp that was pretty intense.
Go see JURASSIC WORLD DOMINION if you’ve seen the other 5 - you’ve already invested this much time, you might as well complete the series. But, this film really brings nothing new and is, ultimately, less than what one hopes for in this type of film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
A retro-film (as I’ve been calling these nostalgia-flicks that bring back old actors/characters from previously beloved properties), JURARSSIC WORLD DOMINION is entertaining enough - but the creative brains behind this franchise is just running out of clever ways to put the same group of characters in danger of being eaten by a dinosaur.
Written by Emily Carmichael based on a story by Derek Connolly and Colin Trevorrow and Directed by Trevorrow (returning to helm this franchise after Directing the first Jurassic World flick, but not the 2nd), JURASSIC WORLD DOMINION follows our favorite bickering couple, Clare (Bryce Dallas Howard) and Owen (Chris Pratt) and their pseudo-pet Velociraptor, Blue as they, once again, go into the Jurassic World fighting a money-grubbing Corporate Billionaire who wants the genetic technology for his own, greedy purposes and not what might be for the good of all - the Earth, the Humans and the Dinosaurs. Along the way good ol’ Alan Grant (Sam Neill), Ellie Sattler (Laura Dern) and Dr. Ian Malcolm (the always quirky Jeff Goldblum) are, somehow, shoe-horned into this story.
And that, ultimately, is the issue with Dominion, the script feels like an amalgam of characters that needed to be serviced and set-pieces that needed to be shown, but the overall story-line and character development (not that there is much here) is shoved to the side, so at the end the emotional connection to this film - and it’s characters - is negligible.
What little character interest there is here is based solely on the charisma of the actors and they are…good enough. Pratt, of course, is able to carry the center of this flick as Owen Grady - but he doesn’t seem to be occupying the center square with the twinkle in his eye that he had in the first Jurassic World film. Bryce Dallas Howard is plucky enough as Clare, but this actress has been gaining traction lately as a “go-to” Director (like her father, Ron Howard) and that is probably a better career trajectory for her. Sam Neill and Laura Dern are “game enough” in what they are asked to do, but they both look just a bit tired of running around in front of green screen dinosaurs. Only Jeff Goldblum shines as Ian Malcolm and that’s because Trevorrow, wisely, decides to let Goldblum be Goldblum - odd and quirky.
Of the other actors in this film, DeWanda Wise (FATHERHOOD) really shines as a pilot who helps out the gang. On the other hand, Dichen Lachman (SEVERENCE) is completely wasted as a “top-notch” henchman that is pretty inept. However, it was good to see Omar Sy (who was in the first JURASSIC WORLD movie and then became a star thanks to his work on the French TV show LUPINE - which is terrific, by the way) back in the fold as it was good to see Campbell Scott back up on the big screen as the villain of the piece - a role that he brings an interesting twist to but, ultimately, the role leads to nowhere.
And that’s the issue with this film, the characterizations lead to nowhere, for Trevorrow focuses most of his attention on the battle scenes and the scares - and while not all of them are exciting and unusual, I did find myself jumping in my seat on more than one occasion and there is one scene with Bryce Dallas Howard escaping a dino in a swamp that was pretty intense.
Go see JURASSIC WORLD DOMINION if you’ve seen the other 5 - you’ve already invested this much time, you might as well complete the series. But, this film really brings nothing new and is, ultimately, less than what one hopes for in this type of film.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (968 KP) rated the PlayStation 4 version of Tom Clancy's The Division 2 in Video Games
Jun 19, 2019
Following up a hit game is never an easy task. The delicate balance
between keeping things familiar yet not repeating what has come before is
always tricky.
Such is the case facing Ubisoft with Tom Clancy’s The Division 2. I want to point out at the start that Ubisoft in no way helped
with the review process despite doing extensive pre-release coverage for
the game.
As such; there were elements to the game that I had question and issues with and the company would not respond to questions or even recognize the coverage that had been done prior.
The game follows up the events of the first game in that a virus named the
“Dollar Flu” has laid waste to the country after being passed around on
currency during the busy Christmas shopping season.
This time out the game
is set in Washington D.C. and players once again take on the role of a
member of an elite agency called “The Division”.
With the city in chaos and the survivors being tormented by criminal
factions and extreme militants; players must work solo and in groups to
complete various missions and objectives to reclaim the city.
Like the previous game players can customize their character to have a
look, weapons, and accessories that they want and can swap and update them
as they go along.
Playing from a third person perspective, the highly-detailed city is vast
and many points from the White House to the Lincoln Memorial, and
Smithsonian Institute are available to explore and even undertake missions
in.
The enemies are dangerous as the vicious Hyena gang as well as the
Outcasts roam the city. There is also a Military faction called The True
Sons who bring military tactics into their encounters.
Players will be able to gather loot and armor and weapon upgrades as they
go and can even use special power ups to heal, set mines, and other traps
to help even the odds.
Those abilities can be upgraded, swapped, and assigned, and make the game
very interesting as some players opt to have a Drone while others elect
for Turrets or other options.
Weapons can go from pistols, machine guns, shotguns, and sniper rifles,
and players can also use grenades to dispatch large groups.
While working solo is fine, the key to success is working with others and
players can now call for backup to get help in addition to the general
matchmaking and friend invites. There has also been a Clan system added
which is nice as players can create or join a group and have support
available when needed.
This is a great thing as the missions can be challenging as your level
rank rises and players are always outnumbered and outgunned in missions.
I found the game to be very impressive and lots of fun and the ability to
upgrade bases and take on side missions and patrols beyond the core
missions ensures lots of gameplay as was the case with the first game.
There have also been updates which add new content and based on the prior
game, we expect to see lots of new content released in the months ahead.
There were some annoying issues with the sound as some channels would
drop. One example was how voices became muted and how some sounds such as
radio messages utterly vanished. While it was not a deal-breaker; it was
annoying s the updates pre and post mission help give players a great
understanding of the unfolding story.
I did like the fact that the abundance of side missions was curtailed in
favor of more relevant missions and capturing control points and helping
end threats to the general population.
One time I took control of a mounted machine gun and found the sound
locked during firing and continued for several minutes even after I
respawned. I had to go back to the gun and fire it again to get the sound
glitch to stop.
There were also some annoying graphical glitches like textures and enemies
appearing late while I was walking after the last update. With a 2070 GTX
Graphics Card this should not happen and thankfully it seemed to abate
after a few annoying occurrences.
That being said; the game is very solid and enjoyable and it is a shame
that a company that has such great games is very difficult to work with
from the media and support side of things as The Division 2 is a solid
sequel and one of the more enjoyable games I have played in a while.
http://sknr.net/2019/04/08/tom-clancys-the-division-2/
between keeping things familiar yet not repeating what has come before is
always tricky.
Such is the case facing Ubisoft with Tom Clancy’s The Division 2. I want to point out at the start that Ubisoft in no way helped
with the review process despite doing extensive pre-release coverage for
the game.
As such; there were elements to the game that I had question and issues with and the company would not respond to questions or even recognize the coverage that had been done prior.
The game follows up the events of the first game in that a virus named the
“Dollar Flu” has laid waste to the country after being passed around on
currency during the busy Christmas shopping season.
This time out the game
is set in Washington D.C. and players once again take on the role of a
member of an elite agency called “The Division”.
With the city in chaos and the survivors being tormented by criminal
factions and extreme militants; players must work solo and in groups to
complete various missions and objectives to reclaim the city.
Like the previous game players can customize their character to have a
look, weapons, and accessories that they want and can swap and update them
as they go along.
Playing from a third person perspective, the highly-detailed city is vast
and many points from the White House to the Lincoln Memorial, and
Smithsonian Institute are available to explore and even undertake missions
in.
The enemies are dangerous as the vicious Hyena gang as well as the
Outcasts roam the city. There is also a Military faction called The True
Sons who bring military tactics into their encounters.
Players will be able to gather loot and armor and weapon upgrades as they
go and can even use special power ups to heal, set mines, and other traps
to help even the odds.
Those abilities can be upgraded, swapped, and assigned, and make the game
very interesting as some players opt to have a Drone while others elect
for Turrets or other options.
Weapons can go from pistols, machine guns, shotguns, and sniper rifles,
and players can also use grenades to dispatch large groups.
While working solo is fine, the key to success is working with others and
players can now call for backup to get help in addition to the general
matchmaking and friend invites. There has also been a Clan system added
which is nice as players can create or join a group and have support
available when needed.
This is a great thing as the missions can be challenging as your level
rank rises and players are always outnumbered and outgunned in missions.
I found the game to be very impressive and lots of fun and the ability to
upgrade bases and take on side missions and patrols beyond the core
missions ensures lots of gameplay as was the case with the first game.
There have also been updates which add new content and based on the prior
game, we expect to see lots of new content released in the months ahead.
There were some annoying issues with the sound as some channels would
drop. One example was how voices became muted and how some sounds such as
radio messages utterly vanished. While it was not a deal-breaker; it was
annoying s the updates pre and post mission help give players a great
understanding of the unfolding story.
I did like the fact that the abundance of side missions was curtailed in
favor of more relevant missions and capturing control points and helping
end threats to the general population.
One time I took control of a mounted machine gun and found the sound
locked during firing and continued for several minutes even after I
respawned. I had to go back to the gun and fire it again to get the sound
glitch to stop.
There were also some annoying graphical glitches like textures and enemies
appearing late while I was walking after the last update. With a 2070 GTX
Graphics Card this should not happen and thankfully it seemed to abate
after a few annoying occurrences.
That being said; the game is very solid and enjoyable and it is a shame
that a company that has such great games is very difficult to work with
from the media and support side of things as The Division 2 is a solid
sequel and one of the more enjoyable games I have played in a while.
http://sknr.net/2019/04/08/tom-clancys-the-division-2/
Darren (1599 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 7, 2019
Verdict: Popcorn Fun
Story: Jumanji: The Next Level starts a couple of years after the first adventure, Martha, Bethany, Fridge and Spencer have moved onto the next stage of their lives, heading home for the Christmas holiday, Spencer however has started to become distant from the rest, he finds his room being shared with Grampa Ed (DeVito) and decides to try and fix Jumanji.
After Spencer doesn’t arrive for the meet up with the old gang, the friends find themselves sucked into the game, along with Grampa Ed and his old business partner Mile (Glover) as they must complete a new challenge in the world of Jumanji.
Thoughts on Jumanji: The Next Level
Characters – Outside the game Spencer has found himself alone in New York for university, he has a job in a shop which has seen him starting to wonder what is life is actually going to be about, broken up with Martha, he doesn’t know where what to do next, ignore his friends and home just to see his family. He decides to try and rebuild the game, so he could return to being Dr Smolder Bravestone to regain his confidence. Bethany has continued to travel the world, Martha has found popularity in college, despite still being incredibly insecure and Fridge has continued to build his sports career. These three are still close and want to keep Spencer in their circle, only they have continued to be positive in life. Grampa Ed is now living in with Spencer’s mum, in his room after a hip operation, he has fallen out with his old business partner Milo, Milo has come to try and make up with Ed after their lifelong friendship ended suddenly. Inside the game we get the same characters Smolder Bravestone, Franklin Finbar, Dr Shelly Oberon and Ruby Roundhouse, they are the same basic character with a few new additions, much like any video game sequel, with that we get new additions in Ming who has a whole new set of skills and a horse. There are some mix ups to who are each of the characters in the game.
Performances – Dwayne Johnson and Kevin Hart are strangely two of the weaker points in the movie, this is because this time around they have to almost be parodies of well-known actors instead of reacting to traits characters are meant to have, while Hart is more restrained, Johnson does crack his role on this side of the film enough. Jack Black and Karen Gillan have excellent comic chemistry which shines through in the film, while the addition of Awkwafina is great for laughs, coming off stronger in the second half do the film than the first.
Story – The story here follows the friends return into the game of Jumanji joined with a couple of new characters, where they need to travel their way through the game one more time to save Jumanji from a new enemy. While the adventure inside the game side of the story is bigger and the entertaining part of the story, where we try to put a big emphasis on the story is on friendship, we see how people can become more distant, how you should always try to make time, no matter where you are in life and even see the consequences of not always being there for somebody. The story really doesn’t do anything groundbreaking, nor did it need to.
Adventure/Comedy – The adventure side of the film does give us a brand-new adventure within the game, new dangers, new locations, it feels like we are getting a brand-new video game with the same loved characters. The comedy here is a mix, because a lot of the old people jokes get tiresome quickly, but once the statue quo is returned to normal the comedy is back to its best, just takes too long getting there.
Settings – The film uses the new locations within the game, including the desert, mountain range and amazing bridge crossing location.
Special Effects – The effects in the film can be mixed too, it doesn’t help with the pure ambition behind the set pieces which are needed for the CGI moments.
Scene of the Movie – The bridge crossing, such a unique creation.
That Moment That Annoyed Me – Certain body swaps.
Final Thoughts – This is a fun sequel that once again gets stolen by the supporting cast of Karen Gillan, Jack Black and newcomer Awkwafina that get most of the laughs.
Overall: Fun Sequel.
Story: Jumanji: The Next Level starts a couple of years after the first adventure, Martha, Bethany, Fridge and Spencer have moved onto the next stage of their lives, heading home for the Christmas holiday, Spencer however has started to become distant from the rest, he finds his room being shared with Grampa Ed (DeVito) and decides to try and fix Jumanji.
After Spencer doesn’t arrive for the meet up with the old gang, the friends find themselves sucked into the game, along with Grampa Ed and his old business partner Mile (Glover) as they must complete a new challenge in the world of Jumanji.
Thoughts on Jumanji: The Next Level
Characters – Outside the game Spencer has found himself alone in New York for university, he has a job in a shop which has seen him starting to wonder what is life is actually going to be about, broken up with Martha, he doesn’t know where what to do next, ignore his friends and home just to see his family. He decides to try and rebuild the game, so he could return to being Dr Smolder Bravestone to regain his confidence. Bethany has continued to travel the world, Martha has found popularity in college, despite still being incredibly insecure and Fridge has continued to build his sports career. These three are still close and want to keep Spencer in their circle, only they have continued to be positive in life. Grampa Ed is now living in with Spencer’s mum, in his room after a hip operation, he has fallen out with his old business partner Milo, Milo has come to try and make up with Ed after their lifelong friendship ended suddenly. Inside the game we get the same characters Smolder Bravestone, Franklin Finbar, Dr Shelly Oberon and Ruby Roundhouse, they are the same basic character with a few new additions, much like any video game sequel, with that we get new additions in Ming who has a whole new set of skills and a horse. There are some mix ups to who are each of the characters in the game.
Performances – Dwayne Johnson and Kevin Hart are strangely two of the weaker points in the movie, this is because this time around they have to almost be parodies of well-known actors instead of reacting to traits characters are meant to have, while Hart is more restrained, Johnson does crack his role on this side of the film enough. Jack Black and Karen Gillan have excellent comic chemistry which shines through in the film, while the addition of Awkwafina is great for laughs, coming off stronger in the second half do the film than the first.
Story – The story here follows the friends return into the game of Jumanji joined with a couple of new characters, where they need to travel their way through the game one more time to save Jumanji from a new enemy. While the adventure inside the game side of the story is bigger and the entertaining part of the story, where we try to put a big emphasis on the story is on friendship, we see how people can become more distant, how you should always try to make time, no matter where you are in life and even see the consequences of not always being there for somebody. The story really doesn’t do anything groundbreaking, nor did it need to.
Adventure/Comedy – The adventure side of the film does give us a brand-new adventure within the game, new dangers, new locations, it feels like we are getting a brand-new video game with the same loved characters. The comedy here is a mix, because a lot of the old people jokes get tiresome quickly, but once the statue quo is returned to normal the comedy is back to its best, just takes too long getting there.
Settings – The film uses the new locations within the game, including the desert, mountain range and amazing bridge crossing location.
Special Effects – The effects in the film can be mixed too, it doesn’t help with the pure ambition behind the set pieces which are needed for the CGI moments.
Scene of the Movie – The bridge crossing, such a unique creation.
That Moment That Annoyed Me – Certain body swaps.
Final Thoughts – This is a fun sequel that once again gets stolen by the supporting cast of Karen Gillan, Jack Black and newcomer Awkwafina that get most of the laughs.
Overall: Fun Sequel.
Gareth von Kallenbach (968 KP) rated Pain & Gain (2013) in Movies
Aug 7, 2019
Michael Bay’s latest film Pain and Gain suffers from a bit of performance anxiety. It starts hot and flashy, becomes humorous and then starts to drag as it realizes it needs to actually deliver. This is unfortunate because if Bay focused on delivering an entertaining movie from start to finish he may have succeeded. Instead we are constantly reminded by expository text on screen and one of the five unnecessary voiceovers that “sometimes the facts are stranger than fiction.” And the facts are that we get a film here that starts out as a comedy, evolves into a kidnapping/extortion story with a few more jokes only to end with minimal action and no redeeming opportunities for our protagonists. Plus the final jokes or shock opportunities are lost in the fact that our main characters become less and less likeable as the story evolves.
Mark Wahlberg plays body-builder and trainer Daniel Lugo, a self-described “doer” who is tired of working hard only to never reach the level of success that many of his rich clients have achieved. Fed up with his everyday life of being broke, Logo decides it is time to take what he thinks should be his. Together with the help of his roided-out, impotent employee Adrian (Anthony Mackie) and ex-con who found Jesus Paul (Dwayne Johnson), the trio decide to kidnap and extort the jerk off wealthy client Victor (Tony Shalhoub) for everything thing he has. The hilarity ensues while it’s obvious that these muscle heads do not have to smarts to pull off this elaborate plan other than what they have seen in the movies.
It should be noted here that Wahlberg is once again great as a character that does not possess a lot of smarts. Mackie delivers another solid character performance to add to his resume but it is Johnson who steals the show. In a movie where at first glance his physique fits right in, it is his softer more emotional side that shows some range that we have never seen from him before. He plays an ex-con who is determined to change his life only to be slowly sucked back into the lifestyle that put him in jail in the first place. Johnson’s emotional range has him delivering perhaps his best performance ever.
Eventually these three break Victor and take everything he has and they start to live out their dreams. But like all things that take no skill or real effort to earn, the three squander their new found wealth and go looking for another target. All while Victor hires a private detective (Ed Harris) to help bust the trio as the local cops do not believe that some muscle heads could pull off the elaborate heist.
And here is where the film starts to fall apart. The three main characters start to change from fun loving hard working characters to bad guys. The things they do to gain their wealth are repulsive and it stops being funny. Victor is a terrible character that is hard to like in the first place, so you do not really feel bad for him when he loses everything. It is just that you do not really feel happy for our anti-heroes either. And when the story enters its third act after dragging through the second, it feels rushed to close out the film as the gang decides to make a run at another wealthy target.
Furthermore, every character get his/hers own voice over. Seriously, what is the point? It is one thing for Wahlberg to have his own narration as he is the main character, however even Harris gets his own character development through dialogue. It makes the story disjointed and made me feel unsure about who or what I should be rooting for.
In the end I walked out of the theater feeling like we watched two different movies. A rags-to-riches comedy in the beginning that morphs into an unfunny crime drama by the end that has to remind you again and again that you are watching something that is based on a true story. It is a shame because I enjoyed the beginning of this film. I wish that Bay would have taken even additional liberties to make a more consistent film from start to finish on what was already a loosely based true story in the first place.
Mark Wahlberg plays body-builder and trainer Daniel Lugo, a self-described “doer” who is tired of working hard only to never reach the level of success that many of his rich clients have achieved. Fed up with his everyday life of being broke, Logo decides it is time to take what he thinks should be his. Together with the help of his roided-out, impotent employee Adrian (Anthony Mackie) and ex-con who found Jesus Paul (Dwayne Johnson), the trio decide to kidnap and extort the jerk off wealthy client Victor (Tony Shalhoub) for everything thing he has. The hilarity ensues while it’s obvious that these muscle heads do not have to smarts to pull off this elaborate plan other than what they have seen in the movies.
It should be noted here that Wahlberg is once again great as a character that does not possess a lot of smarts. Mackie delivers another solid character performance to add to his resume but it is Johnson who steals the show. In a movie where at first glance his physique fits right in, it is his softer more emotional side that shows some range that we have never seen from him before. He plays an ex-con who is determined to change his life only to be slowly sucked back into the lifestyle that put him in jail in the first place. Johnson’s emotional range has him delivering perhaps his best performance ever.
Eventually these three break Victor and take everything he has and they start to live out their dreams. But like all things that take no skill or real effort to earn, the three squander their new found wealth and go looking for another target. All while Victor hires a private detective (Ed Harris) to help bust the trio as the local cops do not believe that some muscle heads could pull off the elaborate heist.
And here is where the film starts to fall apart. The three main characters start to change from fun loving hard working characters to bad guys. The things they do to gain their wealth are repulsive and it stops being funny. Victor is a terrible character that is hard to like in the first place, so you do not really feel bad for him when he loses everything. It is just that you do not really feel happy for our anti-heroes either. And when the story enters its third act after dragging through the second, it feels rushed to close out the film as the gang decides to make a run at another wealthy target.
Furthermore, every character get his/hers own voice over. Seriously, what is the point? It is one thing for Wahlberg to have his own narration as he is the main character, however even Harris gets his own character development through dialogue. It makes the story disjointed and made me feel unsure about who or what I should be rooting for.
In the end I walked out of the theater feeling like we watched two different movies. A rags-to-riches comedy in the beginning that morphs into an unfunny crime drama by the end that has to remind you again and again that you are watching something that is based on a true story. It is a shame because I enjoyed the beginning of this film. I wish that Bay would have taken even additional liberties to make a more consistent film from start to finish on what was already a loosely based true story in the first place.
Henry Rollins recommended Apocalypse Now (1979) in Movies (curated)
Joe Goodhart (27 KP) rated Detective Comics Volume 3: League of Shadows in Books
Nov 30, 2020
<i>A little bit of "backstory": I am a sucker for well-executed Ra's al Ghul story! To me, he is one of Batman's best adversaries and one of my personal faves! Add in more human, less off-the-scale like he is under Tom King's run Batman, and you've got a great treat for me! Now, that said, on to my review.</i>
<img src="https://i.imgur.com/MW33UBM.gif"; width="300" height="200">
I am still enjoying my return to reading DC's books rather than the current slop Marvel is serving up. My latest undertaking has been James Tynion IV's run on DETECTIVE COMICS. Last night, I devoured the 3rd volume, "League of Shadows", largely for the reasons in my backstory above.
I know some folks on interwebs have issues with Tynion's writing for the Dark Knight. I've read things like "bland" and "his stories go NOWHERE". I don't know which of his Batman entries they are reading, but thus far, not a one has disappointed.
This one was particularly interesting as it dealt with Cassandra Cain, a former Batgirl/now calling herself "Orphan" as that is what her parents have chosen to do, leaving her <i>orphaned</i>. Her mother is Sandra Wu-San, or as she is better known, Lady Shiva. There is no love lost between Cassandra and her mother; essentially, Shiva treats the poor girl as if she was dead, not even a product of her womb. Sad, really. But, it is good to see Cassandra and Shiva's relationship dealt with following the whole "Rebirth".
I may be in a serious minority here, but I really liked the ending (not <i>really</i> much of Spoiler), where Batman holds her in a embrace, letting her known she is not alone..ever. Sure, Bats is all about the whole "Dark Knight" and "Oooh, feel my scary presence, criminals!", but it was nice to see his human, father-esque side to his character. Much better than the way he is being handled in his main book!
Equally meaty and worthwhile was Ra's inclusion as part of the story. I found him to be well-written, feeling much like "The Demon's Head" that is his being. I was totally able to hear, in my head, his dialogue as read by David Warner, who did his voice in BATMAN: THE ANIMATED SERIES. That definitely seems like Tynion is truly writing at the top of his game!
I was also quite pleased with the subplot of more background to Batwoman's character. I was not really that familiar with her character, other than in the animated DC film. That aside, I found her to be real and decidedly interesting, especially her relationship with her father. Again, some excellent writing from Tynion!
And speaking of Batwoman, how cool was it to see Batman assembling Bat-Family 2.0? This plot element harkened back to the Silver Age, where DETECTIVE COMICS would often do double-sized issues that focused on the then-Bat-Fam: Batman, Robin (Dick Grayson, not yet Nightwing), Batgirl, and sometimes, Elongated Man would get a story in it as well.
The new Bat-Fam consists of Batman (of course!), Batwing (Lucius Fox's son), Batwoman, Orphan (Cassandra Cain), Azrael (who I consider to be not-so-interest, leaving me to skip the last issue of this volume as it was 100% Azrael-centric), Spoiler (Stephanie Brown), Red Robin, and the-now-trying-his-hand-at-being-a-rehabilitated-good-guy Clayface. Quite a mixed bag, almost like a Skittles version of the Bat-Fam, but interesting choices for a collaborative team.
The team functions well enough, but there is some static and tension, as would be true of any team assembled such as this lot. All in all, I really dug the gang, and they really worked well together. Super-smooth idea of introducing a Bat-Fam 2.0! Bravo, James Tynion IV,you are AWESOME for doing this!
It is also worth mentioning the artists for this volume: Marcio Takara and Christian Duce. I was already familiar with Takara's delicious style from his work on Marvel's ALL-NEW WOLVERINE. Christian Duce was previously unknown to me, but after seeing his super-legit art skills, he is going to be one for me to keep an eye for going forward!
Blah, blah, blah, am I right? I could go on and on, but if you weren't reading my blathering, you could be reading this excellent Bat-book. I was going to give it 5-Stars, but I see that I was just giving them out for a while not unlike Oprah giving away new cars! So, that's it! Go already! You need to get a'readin'!
<img src="https://i.imgur.com/MW33UBM.gif"; width="300" height="200">
I am still enjoying my return to reading DC's books rather than the current slop Marvel is serving up. My latest undertaking has been James Tynion IV's run on DETECTIVE COMICS. Last night, I devoured the 3rd volume, "League of Shadows", largely for the reasons in my backstory above.
I know some folks on interwebs have issues with Tynion's writing for the Dark Knight. I've read things like "bland" and "his stories go NOWHERE". I don't know which of his Batman entries they are reading, but thus far, not a one has disappointed.
This one was particularly interesting as it dealt with Cassandra Cain, a former Batgirl/now calling herself "Orphan" as that is what her parents have chosen to do, leaving her <i>orphaned</i>. Her mother is Sandra Wu-San, or as she is better known, Lady Shiva. There is no love lost between Cassandra and her mother; essentially, Shiva treats the poor girl as if she was dead, not even a product of her womb. Sad, really. But, it is good to see Cassandra and Shiva's relationship dealt with following the whole "Rebirth".
I may be in a serious minority here, but I really liked the ending (not <i>really</i> much of Spoiler), where Batman holds her in a embrace, letting her known she is not alone..ever. Sure, Bats is all about the whole "Dark Knight" and "Oooh, feel my scary presence, criminals!", but it was nice to see his human, father-esque side to his character. Much better than the way he is being handled in his main book!
Equally meaty and worthwhile was Ra's inclusion as part of the story. I found him to be well-written, feeling much like "The Demon's Head" that is his being. I was totally able to hear, in my head, his dialogue as read by David Warner, who did his voice in BATMAN: THE ANIMATED SERIES. That definitely seems like Tynion is truly writing at the top of his game!
I was also quite pleased with the subplot of more background to Batwoman's character. I was not really that familiar with her character, other than in the animated DC film. That aside, I found her to be real and decidedly interesting, especially her relationship with her father. Again, some excellent writing from Tynion!
And speaking of Batwoman, how cool was it to see Batman assembling Bat-Family 2.0? This plot element harkened back to the Silver Age, where DETECTIVE COMICS would often do double-sized issues that focused on the then-Bat-Fam: Batman, Robin (Dick Grayson, not yet Nightwing), Batgirl, and sometimes, Elongated Man would get a story in it as well.
The new Bat-Fam consists of Batman (of course!), Batwing (Lucius Fox's son), Batwoman, Orphan (Cassandra Cain), Azrael (who I consider to be not-so-interest, leaving me to skip the last issue of this volume as it was 100% Azrael-centric), Spoiler (Stephanie Brown), Red Robin, and the-now-trying-his-hand-at-being-a-rehabilitated-good-guy Clayface. Quite a mixed bag, almost like a Skittles version of the Bat-Fam, but interesting choices for a collaborative team.
The team functions well enough, but there is some static and tension, as would be true of any team assembled such as this lot. All in all, I really dug the gang, and they really worked well together. Super-smooth idea of introducing a Bat-Fam 2.0! Bravo, James Tynion IV,you are AWESOME for doing this!
It is also worth mentioning the artists for this volume: Marcio Takara and Christian Duce. I was already familiar with Takara's delicious style from his work on Marvel's ALL-NEW WOLVERINE. Christian Duce was previously unknown to me, but after seeing his super-legit art skills, he is going to be one for me to keep an eye for going forward!
Blah, blah, blah, am I right? I could go on and on, but if you weren't reading my blathering, you could be reading this excellent Bat-book. I was going to give it 5-Stars, but I see that I was just giving them out for a while not unlike Oprah giving away new cars! So, that's it! Go already! You need to get a'readin'!
Lee (2222 KP) rated Toy Story 4 (2019) in Movies
Jun 24, 2019 (Updated Jun 24, 2019)
I really can't believe it's been 9 years since Toy Story 3! It's even more unbelievable to think that the first Toy Story came out in 1995, meaning these beloved characters have now been with us for nearly a quarter of a century! I don't think anybody really expected, or even thought we needed, yet another sequel to these movies, as Toy Story 3 seemed to give us a natural, and highly emotional conclusion to the series. And yet here we are with number 4. Interestingly, I felt the trailers for this Toy Story didn't really highlight anything new and exciting for the series, possibly only existing as a bit of a cash grab. Thankfully, there's a lot here that's new and exciting, and I'm sure it will make a tonne of money too!
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
BankofMarquis (1832 KP) rated West Side Story (2021) in Movies
Mar 7, 2022
Very Good...but could have (SHOULD HAVE) been GREAT
One of the biggest disappointments in watching a Motion Picture is when a Film has all of the ingredients to be a GREAT film, but is knocked off this tier by one flaw - and sometimes - is knocked down to merely good by an egregious flaw.
Such is the case with Stephen Spielberg’s adaptation of the 1957 Broadway Musical WEST SIDE STORY - it has all of the ingredients to be considered a great film, but it has a problem at it’s core that knocks it down to very good (and maybe just “good”).
The 1961 version of West Side Story, of course, swept the 1962 Oscars, winning 10 Oscars - including Best Picture. This musical, of course, is based on William Shakespeare’s Romeo & Juliet about a doomed love relationship set in a time of battling factions.
There is much to like in this adaptation - and let’s start with Spielberg’s Oscar nominated Direction. It is “spot-on”, for the most part in this telling of this tale, keeping the events rolling, and the tension taught (and rising) throughout the course of the film and orchestrating well deserved Production Design, Sound, Cinematography and Costume Oscar nominations. This film is a treat to watch (and listen to) and is the very definition of a film deserving of Awards. These are all top notch professionals in their fields delivering top notch results and having the Songs of Leonard Bernstein (Music) and Stephen Sondheim (Lyrics) so beautifully depicted is a treat, indeed.
Spielberg, wisely, ethnically cast this movie appropriately. Having Latino performers playing one faction of these warring entities and White performers playing the Anglos in this film is the correct move. Spielberg (and playwright Tony Kushner who adapted Arthur Laurents book) decided to have some of the scenes performed in Spanish (as they would be in “real life”) with no subtitles. As a non-Spanish speaking Anglo, these scenes worked very well for me.
Add to all of this strong performances across the cast. David Alvarez as Bernardo, Mike Faist as Riff, Josh Andres Rivera as Chino all shine as does Iris Menas as Anybodys. Stealing the show, of course, is Ariana DeBose (HAMILTON) as the hot-blooded Anita, a performance that will, IMHO, win the Oscar for Best Supporting Actress. If she does win, she will be the 2nd Actress to win the Oscar for playing this role in a film. Rita Moreno won it in 1961 - and let’s talk about her work in this film. Spielberg, wisely, gender-swapped the “Doc” role in this film - and gave it to Moreno. Her Valentino is the heart and soul of this film and it was a risky, and wise, choice to give Valentino the song “Somewhere” - and it works beautifully. I would have been happy to see the EGOT winning, 90-something year old Moreno get an Oscar nomination as well.
You will notice that the 2 leads - Tony (Ansel Elgort) and Maria (Rachel Zegler) have yet to be mentioned and, therein, lies the problem with this film.
Individually, their performances are “good”. Zegler’s Maria is young, sweet and innocent and she is “pitch-perfect” for this role. Most critics point to Elgort’s work as the reason that this film falls short of greatness and I think that this is unfair to Elgort. Remember, Tony has been tucked away in jail for a few years for almost killing a rival gang member with his fists, so he needs to be somewhat older than the others and he needs to have a temper simmering underneath that is ready to explode. Elgort plays this role as Directed by Spielberg and is a good fit for the interpretation of this role as formed through the eyes of his talented Director.
The issue is when Tony and Maria are put together on the screen - there just is no chemistry between the two and the age difference (at least how the 2 characters look and are portrayed on screen) is jarring and is almost creepy. I never felt the love connection between Tony and Maria, a factor that is so important to the spine of this film that when it is missing - as it is here - the movie fell flat.
Ultimately, you have to fault the Director for this and that is too bad, for the other aspects of the film - and Spielberg’s Direction - are so good and so strong that the disappointment of the black hole that is central to this film is crushing.
Letter Grade: A- (heading towards B+)
8 stars out of 10 (it could have…SHOULD HAVE…been a 9 or a 10) and you can take that to the Bank(ofMarquis)
Such is the case with Stephen Spielberg’s adaptation of the 1957 Broadway Musical WEST SIDE STORY - it has all of the ingredients to be considered a great film, but it has a problem at it’s core that knocks it down to very good (and maybe just “good”).
The 1961 version of West Side Story, of course, swept the 1962 Oscars, winning 10 Oscars - including Best Picture. This musical, of course, is based on William Shakespeare’s Romeo & Juliet about a doomed love relationship set in a time of battling factions.
There is much to like in this adaptation - and let’s start with Spielberg’s Oscar nominated Direction. It is “spot-on”, for the most part in this telling of this tale, keeping the events rolling, and the tension taught (and rising) throughout the course of the film and orchestrating well deserved Production Design, Sound, Cinematography and Costume Oscar nominations. This film is a treat to watch (and listen to) and is the very definition of a film deserving of Awards. These are all top notch professionals in their fields delivering top notch results and having the Songs of Leonard Bernstein (Music) and Stephen Sondheim (Lyrics) so beautifully depicted is a treat, indeed.
Spielberg, wisely, ethnically cast this movie appropriately. Having Latino performers playing one faction of these warring entities and White performers playing the Anglos in this film is the correct move. Spielberg (and playwright Tony Kushner who adapted Arthur Laurents book) decided to have some of the scenes performed in Spanish (as they would be in “real life”) with no subtitles. As a non-Spanish speaking Anglo, these scenes worked very well for me.
Add to all of this strong performances across the cast. David Alvarez as Bernardo, Mike Faist as Riff, Josh Andres Rivera as Chino all shine as does Iris Menas as Anybodys. Stealing the show, of course, is Ariana DeBose (HAMILTON) as the hot-blooded Anita, a performance that will, IMHO, win the Oscar for Best Supporting Actress. If she does win, she will be the 2nd Actress to win the Oscar for playing this role in a film. Rita Moreno won it in 1961 - and let’s talk about her work in this film. Spielberg, wisely, gender-swapped the “Doc” role in this film - and gave it to Moreno. Her Valentino is the heart and soul of this film and it was a risky, and wise, choice to give Valentino the song “Somewhere” - and it works beautifully. I would have been happy to see the EGOT winning, 90-something year old Moreno get an Oscar nomination as well.
You will notice that the 2 leads - Tony (Ansel Elgort) and Maria (Rachel Zegler) have yet to be mentioned and, therein, lies the problem with this film.
Individually, their performances are “good”. Zegler’s Maria is young, sweet and innocent and she is “pitch-perfect” for this role. Most critics point to Elgort’s work as the reason that this film falls short of greatness and I think that this is unfair to Elgort. Remember, Tony has been tucked away in jail for a few years for almost killing a rival gang member with his fists, so he needs to be somewhat older than the others and he needs to have a temper simmering underneath that is ready to explode. Elgort plays this role as Directed by Spielberg and is a good fit for the interpretation of this role as formed through the eyes of his talented Director.
The issue is when Tony and Maria are put together on the screen - there just is no chemistry between the two and the age difference (at least how the 2 characters look and are portrayed on screen) is jarring and is almost creepy. I never felt the love connection between Tony and Maria, a factor that is so important to the spine of this film that when it is missing - as it is here - the movie fell flat.
Ultimately, you have to fault the Director for this and that is too bad, for the other aspects of the film - and Spielberg’s Direction - are so good and so strong that the disappointment of the black hole that is central to this film is crushing.
Letter Grade: A- (heading towards B+)
8 stars out of 10 (it could have…SHOULD HAVE…been a 9 or a 10) and you can take that to the Bank(ofMarquis)