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The Giant Claw (1957)
The Giant Claw (1957)
1957 | Horror, Sci-Fi
6
5.0 (2 Ratings)
Movie Rating
Notorious Z-grade monster movie is actually quite entertaining if you treat it as an unintentional comedy. Plot just shows what horrors can result when research into particle physics gets it on with Japanese monster movies, as there is a mind-boggling attempt to give proceedings a veneer of scientific plausibility by saying the giant bird-monster has an anti-matter shield, explaining why they don't just shoot the damn thing down.

The fact that some of the scenes between Morrow and Corday could conceivably be quite effective in a more conventional movie just adds to the general weirdness of the whole Giant Claw experience. Normally I would attempt to describe the impact made by the boggle-eyed monster puppet, but words are just not enough. All you really need to know is that star Jeff Morrow left the first screening of the movie he saw early, afraid he might be recognised, went home and allegedly started drinking. I would say get the drinking out of the way before you watch the movie.
  
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Awix (3310 KP) rated Dogora (1964) in Movies

Jul 20, 2019 (Updated Jul 20, 2019)  
Dogora (1964)
Dogora (1964)
1964 | Crime, Sci-Fi
Bonkers Japanese sci-fi from the Godzilla team makes most of those movies look like models of restraint and gritty realism. Odd things are afoot in Japan as seemingly random objects - coal, trucks, bank robbers, buildings - start spontaneously floating into the air. 'I never jump to conclusions but I think a giant space monster is probably responsible,' says the lead cop investigating the case. Of course, he is correct, and it's up to the usual team of cops, scientists, and soldiers to save the day.

The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.