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Phillip McSween (751 KP) rated Hard Candy (2005) in Movies
Feb 21, 2019
Solid Movie
Hardy Candy is as good as it is unsettling. There is an art in movies to making you feel creeped out and director David Slade definitely pulls it off here. I don’t really want to disclose too much of the plot in fear of giving it away for those that haven’t seen it, but I will say that it starts with a teenager meeting a thirty-something year-old in a chat room and agreeing to meet him in person. I definitely wasn’t expecting or ready for what happened next.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
RəX Regent (349 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
Feb 25, 2019
Return to form
Based, believe it or not, loosely, on the Tim Powers novel, On Stranger Tides, Pirates 4 seemed about as appealing as hole in the head after the diabolical sequels to the excellent first outing. Then it was to be in 3D, scrap several key characters and shed the direction of Gore Verbinski, in favour of Chicago's, Rob Marshall. A recipe for disaster? It seemed that way.
Though saying that, Gore had certainly sealed his fate with me, turning what was a well conceived, action adventure romp with some very memorable characters into an unnecessary epic saga which seriously missed the point and derailed itself. One dubious decision taken in the production of Dead Man's Chest, was to keep Orlando Bloom and Keira Knightly's characters, let alone giving them so much prominence.
Knightly was fine, for the first film,. in fact, she was spot on, but she couldn't carry the role any further and began to look ridiculous as the series progressed. This should have been the adventures of Jack Sparrow, so excellently portrayed by Johnny Depp, and Geoffrey Rush's, Barbossa was the perfect pirate. So I was more than pleased to see the continuing adventures of these two characters, with Depp, returning to form after I felt that he had lost it in the sequels.
Penélope Cruz was another pleasant surprise, as never being a fan of her's, I was dubious but this was casting done properly. She was more than convincing as a pirate and put Knightly's efforts to shame. But what of Ian McShane's Blackbeard? Well, another great showing from him, but the inexplicable magic displayed as he waves in his 3D sword around and points it at the camera to remind us that 3D is here, not so much.
But the 3D was pretty naff. You could watch most of the film without the glasses, with the effect being limited to several sequences. It looked good, it was inoffensive and unobtrusive but what was the point again? I don't think that this film will do 3D any real harm but that's because nobody really noticed it in the first place.
The sense of adventure from the The Curse Of The Black Pearl was evident here and long over due. I find it puzzling as to why so many reviews have been so harsh, branding it boring, overly complicated and not pulled together properly, but I would disagree. Granted, it is a bit scrappy, it's not going to be used as case study in tight scripting, or deep character development and it is somewhat derivative, but it was fun, flashy and flamboyant.
Isn't this what these films are all about? Depp created a classic character with Sparrow back in 2003, and tough I felt that he was a one trick pony, Sparrow that is, not Depp, this was a partial return to form, under new direction from Marshall. But I am left feeling that no matter how much I enjoyed this for what it was, the first Pirates Of The Caribbean was a film which successfully transferred a theme park ride into a career defining blockbuster, but I feel that it should have remained one film, a single triumph and not a franchise that has been saved in my eyes, by the fourth installment.
Though saying that, Gore had certainly sealed his fate with me, turning what was a well conceived, action adventure romp with some very memorable characters into an unnecessary epic saga which seriously missed the point and derailed itself. One dubious decision taken in the production of Dead Man's Chest, was to keep Orlando Bloom and Keira Knightly's characters, let alone giving them so much prominence.
Knightly was fine, for the first film,. in fact, she was spot on, but she couldn't carry the role any further and began to look ridiculous as the series progressed. This should have been the adventures of Jack Sparrow, so excellently portrayed by Johnny Depp, and Geoffrey Rush's, Barbossa was the perfect pirate. So I was more than pleased to see the continuing adventures of these two characters, with Depp, returning to form after I felt that he had lost it in the sequels.
Penélope Cruz was another pleasant surprise, as never being a fan of her's, I was dubious but this was casting done properly. She was more than convincing as a pirate and put Knightly's efforts to shame. But what of Ian McShane's Blackbeard? Well, another great showing from him, but the inexplicable magic displayed as he waves in his 3D sword around and points it at the camera to remind us that 3D is here, not so much.
But the 3D was pretty naff. You could watch most of the film without the glasses, with the effect being limited to several sequences. It looked good, it was inoffensive and unobtrusive but what was the point again? I don't think that this film will do 3D any real harm but that's because nobody really noticed it in the first place.
The sense of adventure from the The Curse Of The Black Pearl was evident here and long over due. I find it puzzling as to why so many reviews have been so harsh, branding it boring, overly complicated and not pulled together properly, but I would disagree. Granted, it is a bit scrappy, it's not going to be used as case study in tight scripting, or deep character development and it is somewhat derivative, but it was fun, flashy and flamboyant.
Isn't this what these films are all about? Depp created a classic character with Sparrow back in 2003, and tough I felt that he was a one trick pony, Sparrow that is, not Depp, this was a partial return to form, under new direction from Marshall. But I am left feeling that no matter how much I enjoyed this for what it was, the first Pirates Of The Caribbean was a film which successfully transferred a theme park ride into a career defining blockbuster, but I feel that it should have remained one film, a single triumph and not a franchise that has been saved in my eyes, by the fourth installment.
A Fascinating Tale Of Obsession, Revenge & Lies
Wow, What an absolute joy this book was to read! THE EX by Freida McFadden is a fascinating tale of obsession, revenge and lies.
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Told in alternating chapters between the ex and the new girlfriend, and even though the plot is not an original one by any means as it has been tried and tested many times before, I was, nevertheless, absolutely enthralled by this novel from the very first page, which I attribute to Freida McFadden’s superb writing.
The ex, Francesca Mascolo, is Italian and is expecting to marry her adorable boyfriend, Dr Joel Broder, who works as an Emergency Room physician at the local hospital. They have been together many, many years and have travelled and worked abroad together, until one night he dumps her in a crowded restaurant, saying that their relationship didn’t work for him any more. Francesca repeatedly begs him to reconsider - she is very much in love and can’t afford to pay the rent for their flat on her own earnings.
Cassie Donovan is the new girl, twenty-six-years-old and runs a small, used book-store called Bookland, that she inherited from her grandparents Grandma Bea & Grandpa Marv, when she was twenty-two. Her best friend, Zoe Malloy is also her business partner and they were room-mates at college. Cassie offered her a share in Bookland for some help with running Bookland. Cassie is the accountant and Zoe, who has a degree in Communication, manages the sales. Bookland is in a bit of financial trouble and the girls haven’t yet managed to drag it out of the financial hole it was in when Cassie took over. Zoe is gorgeous with bobbed jet black hair, red lipstick and black nails and glowing personality. She’s chatty, everyone’s friend, and kind to the homeless.
Cassie’s not interested in dating, she’s too busy trying to keep Bookland afloat. And all of her most recent dating endeavours have been bitterly disappointing.
Joel is in his mid-thirties and is very much a “Hot Doctor.” He has vivid blue eyes, a lovely smile, an attractive laugh, and lovely biceps. Joel and Cassie first meet in Bookland and Joel is so sexy that Cassie starts to waver about not dating. He is as attracted to Cassie as she is to him.
I loved that Joel is a bit of a romantic and that there is a connection between the two of them straight-away. One of the best bits of the book is following how their romance develops, however, everyone has a past and some people are keeping secrets and hiding their emotions …
I really liked Freida McFadden’s character development and her straightforward writing style. She managed to create exactly the right amount of suspense to keep the story interesting so that I felt that I needed to read just one more chapter.
Freida McFadden writes with great flair, which helped to make this novel as wonderful as it is. This book will be extremely enjoyable for anyone who loves a good psychological thriller. Overall, THE EX is a highly recommended, incredibly entertaining story with a surprising and fulfilling ending.
{Thank you to Hidden Gems and Freida McFadden for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Kristy H (1252 KP) rated Leave No Trace in Books
Mar 15, 2019
Quick, puzzling read
Maya Stark is twenty-three and an assistant speech therapist at Congdon, a facility for the mentally ill. She's had a tough past, and it isn't easy for her to form attachments with anyone. Maya's mom left when she was a kid, and Maya was once a patient at the facility where she now works. So she's surprised when she feels drawn to Congdon's newest patient, nineteen-year-old Lucas Blackthorn. Lucas arrives at Congdon after being arrested for breaking and entering into a wilderness store. Lucas and his father, Josiah, haven't been seen in ten years: Josiah took his son camping in the vast stretch of Minnesota territory known as the Boundary Waters a decade ago and the two haven't been heard from since. It's clear that Lucas wants nothing more than to return to the Boundary Waters. He's a recalcitrant and sometimes violent patient, who will cooperate with no one but Maya. Maya wants to help Lucas, and she wants to know why she feels so strong for this strange and angry boy.
This was my first Mejia book, and while it wasn't quite what I was expecting (I was thinking more mystery, less character-driven novel), it was really interesting. It's told mostly from Maya's point of view, but we hear some from Lucas and others too. It's a very readable book--I tore through it quickly, as there's something gripping about the style and reveal of facts about both Maya and Lucas' lives. We start out knowing very little about either of them--what put Maya in Congdon, what drove Lucas and Josiah into the Boundary Waters, and the novel does a good job of keeping you reading and wondering.
It's an emotional read--obviously being partially set in a mental hospital, it deals with mental illness. I thought, overall, Mejia did a good job with the topic, but if that's a trigger for you, just keep it in mind. The ancillary characters are pretty sparse: Maya's boss, the patients, Maya's dad, etc., but all are well-formed as well. Maya and Lucas are the stars, and both are well-done and easy to picture. The novel did a great job of pulling together all its various pieces. I was impressed how Mejia brought together the different parts of Lucas and Maya's lives--it's quite exceptionally thought out.
Probably the only thing marring this one for me were little things, but they nagged at me a bit. At times, the care Lucas receives seems odd and a bit weirdly thought out--giving a speech therapist such control over his care, for instance, and taking a violent patient into some strange situations. Maya and Lucas' instant attachment was also a little hard to completely believe, as well. But those were pretty small pieces in the scheme of the book.
Overall, I enjoyed my first Mejia book. The plot was the best part for me--I loved how it was a quick read and how enjoyable it was to put together all the various pieces of Lucas and Maya's lives. While there were a few little quirks that kept this from being an amazing read, it was still a solid, worthwhile read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was my first Mejia book, and while it wasn't quite what I was expecting (I was thinking more mystery, less character-driven novel), it was really interesting. It's told mostly from Maya's point of view, but we hear some from Lucas and others too. It's a very readable book--I tore through it quickly, as there's something gripping about the style and reveal of facts about both Maya and Lucas' lives. We start out knowing very little about either of them--what put Maya in Congdon, what drove Lucas and Josiah into the Boundary Waters, and the novel does a good job of keeping you reading and wondering.
It's an emotional read--obviously being partially set in a mental hospital, it deals with mental illness. I thought, overall, Mejia did a good job with the topic, but if that's a trigger for you, just keep it in mind. The ancillary characters are pretty sparse: Maya's boss, the patients, Maya's dad, etc., but all are well-formed as well. Maya and Lucas are the stars, and both are well-done and easy to picture. The novel did a great job of pulling together all its various pieces. I was impressed how Mejia brought together the different parts of Lucas and Maya's lives--it's quite exceptionally thought out.
Probably the only thing marring this one for me were little things, but they nagged at me a bit. At times, the care Lucas receives seems odd and a bit weirdly thought out--giving a speech therapist such control over his care, for instance, and taking a violent patient into some strange situations. Maya and Lucas' instant attachment was also a little hard to completely believe, as well. But those were pretty small pieces in the scheme of the book.
Overall, I enjoyed my first Mejia book. The plot was the best part for me--I loved how it was a quick read and how enjoyable it was to put together all the various pieces of Lucas and Maya's lives. While there were a few little quirks that kept this from being an amazing read, it was still a solid, worthwhile read.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Amanda (96 KP) rated Wandering in Wonderland (Book #1) in Books
Apr 1, 2019
Lewis Carroll didn’t get it right?
A GIANT thank you and gratitude to The Parliament House publishing and the author for giving me this opportunity to read this book. I did a cover reveal and I knew right off the bat that I was going to love this book. I was right.
We follow Jessica whom eats a bit of cookie and winds up forgetting her past life. Once she is told that she has died and is now in Wonderland, Jessica struggles with the acclimation of this unique land that is only read in a book. She’s escorted by a White Rabbit named Horace (Not a genuine rabbit, but in this story, White Rabbits is Wonderland’s term for queen’s guards). She comes across Rion, the Caterpillar (but disguised as a man at the time) and he gives her a journal that belonged to a Hatter named Rorie (quite a few R names here.)
Anyway, she is taken to the Queen of Hearts, whom happens to be Alice. As a new comer to Wonderland, the new comers are to look through the Looking Glass to show where they are meant to be in Wonderland. You could be a Crafter or a part of the court, the Looking Glass shows you who you are. When Jessica looks through the glass, she is struck as are the other members of the palace that she is shown to be a Spade.
Spades declared ware on the palace before Alice took the throne. Wonderland is a magical place, but it can choose who it likes and doesn’t like, and who gets to leave and stay.
I don’t want to give away too much, so I’ll stop there for time being.
I’m going to be the first to say that Alice in Wonderland is not my favorite story. I don’t like the Disney cartoon (though I did as a child, what was I thinking?) I do love Tim Burton’s spin on it (IT’S NOT A REMAKE!) but the original story I just couldn’t get into it. The summary and the excerpt to this story was just too good to pass up. I had a feeling I would enjoy the story, I just didn’t realize how much I would.
I read this in days (would have been less if I didn’t have a full time job). It’s a unique spin on the story. This isn’t so much as a retelling as it is a what if or an addition to it if Alice became the queen of hearts. So don’t go into this story and think it’s a retelling, because it is not.
I adored the characters including Alice and Jessica. There are some dark moments, but me being a highly sensitive person, it wasn’t as triggering, but I will say there are some there. I loved the twists in the story and how Jessica really does come to terms with her new found role in Wonderland.
This is a first in a series. That’s my only complaint! Why must have the (im)patience for the next book and the wonder (lol) as to what is going to happen with Jessica? Can’t tell you the ending, Wonderland wants you to know it from beginning to end.
We follow Jessica whom eats a bit of cookie and winds up forgetting her past life. Once she is told that she has died and is now in Wonderland, Jessica struggles with the acclimation of this unique land that is only read in a book. She’s escorted by a White Rabbit named Horace (Not a genuine rabbit, but in this story, White Rabbits is Wonderland’s term for queen’s guards). She comes across Rion, the Caterpillar (but disguised as a man at the time) and he gives her a journal that belonged to a Hatter named Rorie (quite a few R names here.)
Anyway, she is taken to the Queen of Hearts, whom happens to be Alice. As a new comer to Wonderland, the new comers are to look through the Looking Glass to show where they are meant to be in Wonderland. You could be a Crafter or a part of the court, the Looking Glass shows you who you are. When Jessica looks through the glass, she is struck as are the other members of the palace that she is shown to be a Spade.
Spades declared ware on the palace before Alice took the throne. Wonderland is a magical place, but it can choose who it likes and doesn’t like, and who gets to leave and stay.
I don’t want to give away too much, so I’ll stop there for time being.
I’m going to be the first to say that Alice in Wonderland is not my favorite story. I don’t like the Disney cartoon (though I did as a child, what was I thinking?) I do love Tim Burton’s spin on it (IT’S NOT A REMAKE!) but the original story I just couldn’t get into it. The summary and the excerpt to this story was just too good to pass up. I had a feeling I would enjoy the story, I just didn’t realize how much I would.
I read this in days (would have been less if I didn’t have a full time job). It’s a unique spin on the story. This isn’t so much as a retelling as it is a what if or an addition to it if Alice became the queen of hearts. So don’t go into this story and think it’s a retelling, because it is not.
I adored the characters including Alice and Jessica. There are some dark moments, but me being a highly sensitive person, it wasn’t as triggering, but I will say there are some there. I loved the twists in the story and how Jessica really does come to terms with her new found role in Wonderland.
This is a first in a series. That’s my only complaint! Why must have the (im)patience for the next book and the wonder (lol) as to what is going to happen with Jessica? Can’t tell you the ending, Wonderland wants you to know it from beginning to end.
KittyMiku (138 KP) rated A Throne For Sisters in Books
May 23, 2019
This was a fairly good novel that teaches you that lying can bring you more harm than good, even if it buys you a little happiness. It also teaches you that no matter what, you can't escape those who wish to harm you. Even if the people who do so change. The story was the best to help create the intrigue in the story itself, but it did have a lot of errors that left something to be desired. I have to say the characters were pretty interesting, even if their backgrounds, personalities and such were lacking. An example being the sisters. They were given some distinct personality traits and an ability that made you want to know more about them, yet it hinted at their past making you really wish it would be delved into, so you can understand their situation and their different ways of thinking. I can only hope more will be revealed in the rest of the series, though with how the story is going, makes me wonder if it will ever be touched base again.
Though the novel is written in a way that allows the reader to see what each girl is doing on their own, you can't help but want a better way to see this happen. It really makes things confusing, going from one chapter to the next, knowing you will see what one girls doing this chapter and the other girl next chapter, but it can be hard when trying to make a timeline of the story. If the chapter headers would at least give you a time period so you knew exactly what was going on when, it would definitely had helped. I got the gist it was supposed to be each chapter was happening at the last chapter was, but it drove me insane when I found myself thinking that what this girl was doing might be happening after the girl I just finish reading about. I would have loved a better transition.
I also found, though the book had some good conversations, when they got voiced, that their weren't a lot of conversations going on in the book and the details of the scenery didn't make up for this. I am used to being able to see what the characters are thinking in the middle of conversations, but to not have a whole lot of them was very disappointing. It felt as if the conversations were skipped at times, just giving you a basis of what was discussed, when I would have loved to know more. I understand mundane conversations being skipped, but when the two characters are falling in love, it would be nice to have more conversations, details on the different characters actions, etc. However, none of that happened. Just brief sentences about it.
Though, I will probably read the rest of the series, just to figure out what happens next and because I am a little OCD about finishing series I start, I fear it won't stand up to my standards. With that said, I do think this book would be good for teens. It is fast paced, doesn't dwell on some of the finer details someone like I would enjoy, and had a great idea in the story plot. I would rate this book 2 stars out of 5 stars because of how it was written. I would have definitely loved more and hope in the future books, Rice will give us just that and not skimp out on things that may help the story become deeper and much more fulfilling.
Though the novel is written in a way that allows the reader to see what each girl is doing on their own, you can't help but want a better way to see this happen. It really makes things confusing, going from one chapter to the next, knowing you will see what one girls doing this chapter and the other girl next chapter, but it can be hard when trying to make a timeline of the story. If the chapter headers would at least give you a time period so you knew exactly what was going on when, it would definitely had helped. I got the gist it was supposed to be each chapter was happening at the last chapter was, but it drove me insane when I found myself thinking that what this girl was doing might be happening after the girl I just finish reading about. I would have loved a better transition.
I also found, though the book had some good conversations, when they got voiced, that their weren't a lot of conversations going on in the book and the details of the scenery didn't make up for this. I am used to being able to see what the characters are thinking in the middle of conversations, but to not have a whole lot of them was very disappointing. It felt as if the conversations were skipped at times, just giving you a basis of what was discussed, when I would have loved to know more. I understand mundane conversations being skipped, but when the two characters are falling in love, it would be nice to have more conversations, details on the different characters actions, etc. However, none of that happened. Just brief sentences about it.
Though, I will probably read the rest of the series, just to figure out what happens next and because I am a little OCD about finishing series I start, I fear it won't stand up to my standards. With that said, I do think this book would be good for teens. It is fast paced, doesn't dwell on some of the finer details someone like I would enjoy, and had a great idea in the story plot. I would rate this book 2 stars out of 5 stars because of how it was written. I would have definitely loved more and hope in the future books, Rice will give us just that and not skimp out on things that may help the story become deeper and much more fulfilling.
Sassy Brit (97 KP) rated You Should Have Left in Books
Jun 5, 2019
by author Daniel Kehlmann is imaginatively written in such a way that you’re reading a scriptwriter’s notes from his notebook, as he is writing them. The main character bares his soul about his life, his thoughts and dreams. Much of it is mundane everyday stuff, until you realise that what is being said actually has a very different meaning. Darker and more horrific than it at first may seem.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Writing his screenplay, and lying to his boss about his progress, the screenwriter takes his family, wife Susanna, and four-year old Esther to what he wants to be a writer’s retreat. Yeah, it does sound rather like The Shining. But even though there’s less of it, there’s even more to it… Stick with me. I’ll explain.
Things are not going as planned, for this unnamed writer. His marriage is on the rocks and his screenplay is failing. On top of that there are a lot of strange goings on he cannot explain. Odd things are happening in the house he’s renting via Airbnb. Maybe it’s haunted, or just tricks of light are playing with his mind giving him that illusion. Either way, it’s a slow descent into darkness that the author of the notebook does not seem to notice himself. Not straight away.
But as the reader I get to see that every now and then there’s things hidden in the text the writer seems not to be aware of. He’s spiralling downhill I’m wondering about his mental state, or if the house itself, or something in it — something supernatural — is playing with his mind.
How long can he hold it together? He’s got responsibilities to look after his kid, but he can hardly look after himself. He’s already forgetting which lies he’s told and mixing his dreams (and nightmares) with reality. Even he doesn’t know how it will end, and starts to think about leaving his notebook behind in order for it to be found… and it has been, I’m reading it now…
Several of the notes in his book get to the end of the page and are never finished, which to my mind, is in keeping with the distracted, confused voice of this note taker and adds to the setting’s dark, oppressive atmosphere.
Clever, surreal, with a kind of rhythmic writing, akin to memories of sitting in the back of the car and being rocked to sleep. The only difference would be the rude awakening. The slamming of the brakes. When the harshness of reality jolts you awake.
Yep, this unsettling, nightmarish journey, had me glued to the pages, even though at first I was not entirely sure I understood what I’d read… It’s a short novella sized book, and I must admit I had to read it again to fully appreciate this awesome piece of writing. It’s not your average horror, I can tell you! Nope, there’s nothing average about this at all. Incidentally, it’s translated from German and that fact may be why I thought it worked even better. No words are wasted. There’s a certain style to this book that makes me feel like he’s got something bigger, and maybe even better to come. I can see, however, it won’t be everyone’s cup of tea. I personally wish I’d got to this one sooner.
Stark, sparse, and totally different to anything I’ve read in a long time. I loved it. An alternative read without a doubt. A very short read, in fact. What’s more, this review took longer to write about it, than it did to read. Twice.
Movie Metropolis (309 KP) rated Ready Player One (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Virtually Amazing
Ready Player One by Ernest Cline is a novel with such intricate parts and such nostalgia it should be next to impossible to film. In the hands of most directors it would have failed, luckily for Warner Bros. and us as an audience the great Steven Spielberg stepped up. However is this massive task of bringing a world filled with wonder and excitement, too much for the veteran director?
Ready Player One follows Wade Watts in the year 2045, where the world is in decline and people fill their time in the OASIS, a virtual world where everything is possible and the only limits are people’s imagination. When the creator of the OASIS dies, he releases his will to challenge all the users of the OASIS to find his very own Easter Egg inside the game, whoever wins becomes the new owner.
The OASIS is filled with gaming and pop culture references that will always leave you with a smile of nostalgia. When we are transported to the OASIS, the computer animation and voice acting is pretty much spot on. A lot of the humour comes from Spielberg’s direction especially from when we see people in the real world reacting to the events within the OASIS. Without giving too much away there is a scene about halfway through that pays homage to one of the best horror movies of all time: this is the true highlight of the film that I’m sure everyone will enjoy.
In the real world, everyone gives a performance that they can be proud of, particularly Mark Rylance who plays James Halliday. Rylance’s performance is filled with wisdom and creativity but it’s clear to see the moments of vulnerability and clumsiness that could only be put across from a performer like Rylance. Tye Sheridan and Olivia Cooke give adequate performances that they can be proud of and prove that they can lead a film quite comfortably in the future. Simon Pegg also makes an appearance and although much more subtle then what you would expect from the actor, it pays off in an amazing way towards the end of the movie.
Where the film falls a bit short is in the real world. The OASIS is such a joy to explore because it has such elaborate details hidden within. When the film transitions back to the real world, however, it falls a bit flat because it’s not as fully explored. Being a dystopian world you would hope Spielberg would explore that a little more and answer questions about how it came to be.
The action sequences are very good in both the real world and the OASIS and have that classic Steven Spielberg touch you would expect. Although the script relishes in funny one-liners, these can sometimes become a little too cheesy in their delivery.
Steven Spielberg took on an impossible task and does justice to the novel and everyone should really appreciate the genius of the man. He’s created a world that everyone would dream to be part of, and I urge every person who is a fan of his work, or a major lover of pop culture to go and watch this epic tale. I would also like to plug the book, as it does differ from the film enough for you to give it a try, and you will not be disappointed if you enjoyed
https://moviemetropolis.net/2018/03/22/ready-player-one-review-virtually-amazing/
Ready Player One follows Wade Watts in the year 2045, where the world is in decline and people fill their time in the OASIS, a virtual world where everything is possible and the only limits are people’s imagination. When the creator of the OASIS dies, he releases his will to challenge all the users of the OASIS to find his very own Easter Egg inside the game, whoever wins becomes the new owner.
The OASIS is filled with gaming and pop culture references that will always leave you with a smile of nostalgia. When we are transported to the OASIS, the computer animation and voice acting is pretty much spot on. A lot of the humour comes from Spielberg’s direction especially from when we see people in the real world reacting to the events within the OASIS. Without giving too much away there is a scene about halfway through that pays homage to one of the best horror movies of all time: this is the true highlight of the film that I’m sure everyone will enjoy.
In the real world, everyone gives a performance that they can be proud of, particularly Mark Rylance who plays James Halliday. Rylance’s performance is filled with wisdom and creativity but it’s clear to see the moments of vulnerability and clumsiness that could only be put across from a performer like Rylance. Tye Sheridan and Olivia Cooke give adequate performances that they can be proud of and prove that they can lead a film quite comfortably in the future. Simon Pegg also makes an appearance and although much more subtle then what you would expect from the actor, it pays off in an amazing way towards the end of the movie.
Where the film falls a bit short is in the real world. The OASIS is such a joy to explore because it has such elaborate details hidden within. When the film transitions back to the real world, however, it falls a bit flat because it’s not as fully explored. Being a dystopian world you would hope Spielberg would explore that a little more and answer questions about how it came to be.
The action sequences are very good in both the real world and the OASIS and have that classic Steven Spielberg touch you would expect. Although the script relishes in funny one-liners, these can sometimes become a little too cheesy in their delivery.
Steven Spielberg took on an impossible task and does justice to the novel and everyone should really appreciate the genius of the man. He’s created a world that everyone would dream to be part of, and I urge every person who is a fan of his work, or a major lover of pop culture to go and watch this epic tale. I would also like to plug the book, as it does differ from the film enough for you to give it a try, and you will not be disappointed if you enjoyed
https://moviemetropolis.net/2018/03/22/ready-player-one-review-virtually-amazing/
Movie Metropolis (309 KP) rated American Sniper (2015) in Movies
Jun 10, 2019
Incredibly Harrowing
There’s something about Clint Eastwood’s varied directing career that puts him among the greats of the craft. Along with Spielberg, Scott and Fincher, Eastwood has created some of cinema’s greatest films – yet he goes about it in a completely different fashion to his peers, he doesn’t shout about it.
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Movie Metropolis (309 KP) rated Kong: Skull Island (2017) in Movies
Jun 10, 2019
Beauty and the Beast
The fact that Legendary Pictures are busying themselves with an epic Godzilla vs King Kong showdown is one of the worst kept secrets in Hollywood. Naturally, this presented a problem for Peter Jackson’s Kong who simply doesn’t measure up against the giant lizard in 2013’s Godzilla.
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/
And in Hollywood, size really does matter; therefore the monstrous ape has been given a monumental upgrade featuring an all-star cast and some serious talent behind the camera. But is Kong: Skull Island as bananas as its trailers would suggest? Or are we looking at something a little more mainstream?
At the climax of the Vietnam War, a team of explorers and mercenaries head to an unchartered island in the South Pacific in an effort to document its inhabitants. Little do they know they are crossing into the domain of vicious man-eating monsters and the legendary Kong.
With a cast that includes Tom Hiddleston, Brie Larson, John Goodman, Samuel L Jackson and John C Reilly, you’d be forgiven for thinking everything is hunky dory over on Skull Island, but this spectacular film isn’t without its flaws. A lack of character development and a severe tonal imbalance mean it’s a beautiful near miss that thankfully manages to pull itself up from a crash landing.
Jordan Vogt-Roberts in his first big budget feature directs a film that is absolutely staggering to watch, with stunning cinematography and exceptionally well-choreographed battles between the gigantic ape and his many adversaries. Giving indie directors the chance to work with big studios to produce blockbusters is something that seems incredibly popular at the moment.
After all, Gareth Edwards took up the challenge of rebooting Godzilla in 2013 with stunning results and Colin Trevorrow was entrusted by Steven Spielberg to rekindle the public’s love affair with Jurassic Park back in 2015 and that worked a treat too.
Here, Vogt-Roberts utilises both of those franchises to great effect, even managing to shoehorn a tasteful reference to Samuel L Jackson’s Jurassic Park character, Ray Arnold. Elsewhere, though, the film falls a little flat. The constant switch in tone from comedy to action leaves a sour taste in the mouth, though John C Reilly’s stranded pilot is a pleasure to watch and lightens up proceedings.
Tom Hiddleston does well in the leading role, though as an SAS operative, he feels a little miscast and Samuel L Jackson’s Preston Packard is immensely dislikeable and his gripe with Kong is forced. It creates a subplot that doesn’t really need to be there.
The special effects, however, are top notch, helped by the splendid cinematography. The gorgeous sunsets and sweeping tropical landscapes have a whiff of Apocalypse Now and the misty terrain brings back memories of Jurassic Park’s first sequel, The Lost World.
Overall, Kong: Skull Island is a stunning film filled to the brim with colour, charming effects and great performances. However, it is a little light on character development and that tone issue is frustrating at times, but as a precursor to a mighty monster battle, it does a fine job in continuing the franchise and setting its future.
Leaving the cinema, though, I was left with a concern for when the two behemoths, Godzilla and Kong, finally meet. Each film has given their respective creature a ‘personality’, and if one of them must inevitably die, who on earth do you choose to perish?
https://moviemetropolis.net/2017/03/10/beauty-and-the-beast-kong-skull-island-review/