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Ivana A. | Diary of Difference (1171 KP) rated A Game of Thrones in Books
Oct 19, 2018
Full review can be found on my blog: www.diaryofdifference.com
This book will shake and break your heart. This book will make you realise that life is anything but gentle. But this book will also bring you the greatest adventure you have yet to see.
I have bought my whole book collection back in 2014. I have been procrastinating with this series for four years. And today, while writing this review, I thank the old gods and the new, for convincing me to read the first book.
I am probably one of the last people that have reviewed this book, and I assume you all already know a lot about the Game of Thrones series.
It is a book about one Iron Throne, and all the wars, fights, betrayals are about who will be sitting on that throne, and who will be in charge of all kingdoms.
Now, starting off, I am still not sure why people would send armies and armies of soldiers in order to win the throne, when it seems that no matter who becomes a king, that person gets instantly killed. And no kingdom respects each other, and kings and lords keep fighting off and wasting resources for a lost purpose, so there’s that as well.
We have many houses, Stark, Lannister, Baratheon, Tully, Arryn, Targaryen, Tyrell, Greyjoy, Martell, etc - and they all feature with something unique to their house. Most importantly, they all either want the throne, want revenge or want them both.
But just to clarify - I loved the book!
George R.R. Martin is a genius! He has created this amazing world, and characters that are so alive that make you either hate them or love them, but with all your heart. He has created relationships so tangled and stories so well written, that he puts other authors to shame.
The book is written from a third person perspective, and each chapter features a character. And with each chapter, George moves the time gradually, so we are not stuck in a loop of time pause. I enjoyed this method quite a lot! It kept the story line going very smoothly.
‘’Most men would rather deny a hard truth than face it.’’
There were so many characters I admired. But my connection with these characters in this book is unlike any other connection I have made. I usually either love or hate a character. But here, I judged actions, and relationships, and things people said and did!
I liked Eddard Stark’s bravery, and his manliness, but I didn’t like the fact that he was too honest for his own good.
‘’Can a man still be brave if he’s afraid?
‘’That’s the only time a man an be brave’’.
I loved Arya’s fierceness, but I didn’t like her stubbornness.
‘’For the second time today Arya reflected that life was not fair.’’
I liked Sansa’s politeness, and girlishness. She had all the perfect manners, but she also would betray family for love.
I loved Jon Snow’s story, and how he overcame his past, and learned to live with it.
‘’Let me give you some counsel, bastard.‘’ Lannister said. ‘’Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.’’
I loved many other characters for things they did, and hated many others, but I cherished the difference in each and every character, and that was the beauty in it - that even though an author can create so many characters, he can make them so different from each other.
In this book, you will encounter everything: mostly mean people, ready to kill everyone and anyone standing in the way of their plans. You will read about a story of a family that falls apart, a kingdom that vanishes, a fight between kings, how a little girl will learn life in one day, how a mother will watch her children disappear, one by one.
This book will shake and break your heart. This book will make you realise that life is anything but gentle. But this book will also bring you the greatest adventure you have yet to see.
I have bought my whole book collection back in 2014. I have been procrastinating with this series for four years. And today, while writing this review, I thank the old gods and the new, for convincing me to read the first book.
I am probably one of the last people that have reviewed this book, and I assume you all already know a lot about the Game of Thrones series.
It is a book about one Iron Throne, and all the wars, fights, betrayals are about who will be sitting on that throne, and who will be in charge of all kingdoms.
Now, starting off, I am still not sure why people would send armies and armies of soldiers in order to win the throne, when it seems that no matter who becomes a king, that person gets instantly killed. And no kingdom respects each other, and kings and lords keep fighting off and wasting resources for a lost purpose, so there’s that as well.
We have many houses, Stark, Lannister, Baratheon, Tully, Arryn, Targaryen, Tyrell, Greyjoy, Martell, etc - and they all feature with something unique to their house. Most importantly, they all either want the throne, want revenge or want them both.
But just to clarify - I loved the book!
George R.R. Martin is a genius! He has created this amazing world, and characters that are so alive that make you either hate them or love them, but with all your heart. He has created relationships so tangled and stories so well written, that he puts other authors to shame.
The book is written from a third person perspective, and each chapter features a character. And with each chapter, George moves the time gradually, so we are not stuck in a loop of time pause. I enjoyed this method quite a lot! It kept the story line going very smoothly.
‘’Most men would rather deny a hard truth than face it.’’
There were so many characters I admired. But my connection with these characters in this book is unlike any other connection I have made. I usually either love or hate a character. But here, I judged actions, and relationships, and things people said and did!
I liked Eddard Stark’s bravery, and his manliness, but I didn’t like the fact that he was too honest for his own good.
‘’Can a man still be brave if he’s afraid?
‘’That’s the only time a man an be brave’’.
I loved Arya’s fierceness, but I didn’t like her stubbornness.
‘’For the second time today Arya reflected that life was not fair.’’
I liked Sansa’s politeness, and girlishness. She had all the perfect manners, but she also would betray family for love.
I loved Jon Snow’s story, and how he overcame his past, and learned to live with it.
‘’Let me give you some counsel, bastard.‘’ Lannister said. ‘’Never forget what you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.’’
I loved many other characters for things they did, and hated many others, but I cherished the difference in each and every character, and that was the beauty in it - that even though an author can create so many characters, he can make them so different from each other.
In this book, you will encounter everything: mostly mean people, ready to kill everyone and anyone standing in the way of their plans. You will read about a story of a family that falls apart, a kingdom that vanishes, a fight between kings, how a little girl will learn life in one day, how a mother will watch her children disappear, one by one.
Darren (1599 KP) rated 300: Rise of an Empire (2014) in Movies
Jun 20, 2019
Story: 300: Rise of an Empire starts by right where the previous one finished with Xerxes (Santoro) taking the head of Leonidas. Queen Gorgo (Headey) is leading the next onslaught on the Persians.
I think we go prequel with Themistokles (Stapleton) leading the Greek army back against the Persians before they can take any of the Greek cities. The battle leads to the death of King Darius (Naor) leads to Artemisia (Green) and Xerxes son of Darius go on the revenge mission with Xerxes entering into the world of the Gods becoming a God King.
Themistokles goes to Sparta to build a united Greece while Xerxes is waiting for word from the messenger sent. We learn of Artemisia is Greek by descent and is out for revenge on any Greek person she finds after they raped and murdered her whole family. Themistokles builds his navy army for a battle on the sea against the Persian fleet leading to epic battles on the ocean. What follows is a string of battles each one with the other trying to get the upper hand.
Suffering a defeat Themistokles uses his defeat and the Spartans defeat as fuel to unite Greece once and for all as they take the battle to a conclusion once and for all.
300: Rise of an Empire does play the idea of following another side of the battle really well, mixing between the prequel elements and sequel elements. The main problem is that the scenes of the battles come off very confusing which is the main reason for the story. It does show the new historical legends even though they are lesser known names. It really ends up feeling like a forced sequel that has come too late after the first one. I feel this focuses too much on its action sequences and the story falls into the background after a while. (5/10)
Actor Review
Sullivan Stapleton: Themistokles Greek warrior who leads the navy fleet into battles on the sea against the Persians after he kills their King Darrius. Sullivan does give a good performance and looks the part. (7/10)
themstokles
Eva Green: Artemisia leader of the Persian naval unit who also plays Xerxes to go into combat the way she wants to win the war. Eva gives a good performance and makes for a great villainous role. (7/10)
green
Rodrigo Santoro: Xerxes God King of Persia who is at battle with the Spartans and the Greeks. Rodrigo gives a solid performance and has to get praised for the look he ends up having after the makeup. (7/10)
erxes
Support Cast: 300: Rise of an Empire has a huge support cast that are all warriors in either side of the battle.
Director Review: Noam Murro – Noam does a solid job directing making the action look very good but doesn’t pull the story through as much as he should be. (6/10)
Action: 300: Rise of an Empire can’t be denied about how good the action is even if the naval moments come off confusing at times. (8/10)
War: 300: Rise of an Empire really is one of the war films that really do end up putting the fantasy into legend. (7/10)
Settings: 300: Rise of an Empire creates settings that look the part for the time of the battles. (7/10)
Special Effects: 300: Rise of an Empire has great effects at time but slowly start to feel over used. (7/10)
Suggestion: 300: Rise of an Empire is one to be watched if you enjoyed the first one but not the most interesting for the first time viewer. (Fans Watch)
Best Part: Final battle looks good.
Worst Part: A Horse on a boat, really?
Action Scene Of The Film: Final Battle.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Left open for another sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $337 Million
Budget: $110 Million
Runtime: 1 Hour 42 Minutes
Tagline: Seize your glory
Trivia: The original script featured King Leonidas from 300 (2006), but he was ultimately cut out. This was due to Gerard Butler, who turned down to reprise his role as Leonidas, since it “wasn’t really [his] thing”.
Overall: Sequel we didn’t really need
https://moviesreview101.com/2015/05/17/300-rise-of-an-empire-2014/
I think we go prequel with Themistokles (Stapleton) leading the Greek army back against the Persians before they can take any of the Greek cities. The battle leads to the death of King Darius (Naor) leads to Artemisia (Green) and Xerxes son of Darius go on the revenge mission with Xerxes entering into the world of the Gods becoming a God King.
Themistokles goes to Sparta to build a united Greece while Xerxes is waiting for word from the messenger sent. We learn of Artemisia is Greek by descent and is out for revenge on any Greek person she finds after they raped and murdered her whole family. Themistokles builds his navy army for a battle on the sea against the Persian fleet leading to epic battles on the ocean. What follows is a string of battles each one with the other trying to get the upper hand.
Suffering a defeat Themistokles uses his defeat and the Spartans defeat as fuel to unite Greece once and for all as they take the battle to a conclusion once and for all.
300: Rise of an Empire does play the idea of following another side of the battle really well, mixing between the prequel elements and sequel elements. The main problem is that the scenes of the battles come off very confusing which is the main reason for the story. It does show the new historical legends even though they are lesser known names. It really ends up feeling like a forced sequel that has come too late after the first one. I feel this focuses too much on its action sequences and the story falls into the background after a while. (5/10)
Actor Review
Sullivan Stapleton: Themistokles Greek warrior who leads the navy fleet into battles on the sea against the Persians after he kills their King Darrius. Sullivan does give a good performance and looks the part. (7/10)
themstokles
Eva Green: Artemisia leader of the Persian naval unit who also plays Xerxes to go into combat the way she wants to win the war. Eva gives a good performance and makes for a great villainous role. (7/10)
green
Rodrigo Santoro: Xerxes God King of Persia who is at battle with the Spartans and the Greeks. Rodrigo gives a solid performance and has to get praised for the look he ends up having after the makeup. (7/10)
erxes
Support Cast: 300: Rise of an Empire has a huge support cast that are all warriors in either side of the battle.
Director Review: Noam Murro – Noam does a solid job directing making the action look very good but doesn’t pull the story through as much as he should be. (6/10)
Action: 300: Rise of an Empire can’t be denied about how good the action is even if the naval moments come off confusing at times. (8/10)
War: 300: Rise of an Empire really is one of the war films that really do end up putting the fantasy into legend. (7/10)
Settings: 300: Rise of an Empire creates settings that look the part for the time of the battles. (7/10)
Special Effects: 300: Rise of an Empire has great effects at time but slowly start to feel over used. (7/10)
Suggestion: 300: Rise of an Empire is one to be watched if you enjoyed the first one but not the most interesting for the first time viewer. (Fans Watch)
Best Part: Final battle looks good.
Worst Part: A Horse on a boat, really?
Action Scene Of The Film: Final Battle.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Left open for another sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $337 Million
Budget: $110 Million
Runtime: 1 Hour 42 Minutes
Tagline: Seize your glory
Trivia: The original script featured King Leonidas from 300 (2006), but he was ultimately cut out. This was due to Gerard Butler, who turned down to reprise his role as Leonidas, since it “wasn’t really [his] thing”.
Overall: Sequel we didn’t really need
https://moviesreview101.com/2015/05/17/300-rise-of-an-empire-2014/
Sophia (Bookwyrming Thoughts) (530 KP) rated Frost in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ah, my first Norse mythology book (okay, I have another one by another author, but I'm a little hesitant on reading another of their works...).
For a debut novelist who started the book on Wattpad, <i>Frost</i> isn't that bad of a book. Latimer does a great job with building the world of Jotunheim (there's another name, but that's the easiest I remember) it's an icy world with frost giants, and there's magic to keep the ice palace from falling apart, etc. I personally think the entire world is really cool, and I would totally hop on an airplane to visit the place if it were real and I wouldn't get hypothermia from the moment I actually step off the plane.
Regardless, though, <i>Frost</i> had a decent grasp on a lot of elements that didn't make too much of an impact on me, not to mention the fact there aren't much Norse mythology going on here. The author is really using Norse mythology as a base and using the usual tropes of young adult fiction to fluff it up.
The writing style? I feel like there's something missing, but maybe it's because there's this gap when it comes to my relationship with Wattpad works. I'm not exactly used to Wattpad works, so I'm a little lenient in this department.
The characters? Petty, petty, petty. Too much pettiness going on here. Too much flawlessness and perfection going on with the jotun. I swear there is so much perfection going on with them, the only flaw they probably have is they're assholes. It's enough that "jerk" is not simply not good enough of a word to describe those jotun.
Most, if not all, hate Megan simply because she is the queen's favorite. They strive to take her down and pretty much urge her to leave, and they do it through threats and attacks. Meanwhile, the queen is completely unbelievable for doting on Megan MEGAN IS A STRANGER, FOR GODS' SAKES. But Latimer establishes the fact her frosty majesty is perhaps a little cuckoo in the head you're forgiven, I suppose.
And then there's Megan and Amora where do the boundaries between them end? Megan is called Amora, Amora is Amora, Megan is Megan. With all of the characters calling Megan, "Amora," it took a long while to get used to the fact Megan's "given" name by her frosty majesty is "Amora." However, at no point in the book does Latimer mention why Megan was given the name of Amora. Thus, assumptions must be made, and I personally believe it's grief and guilt.
Megan, on the other hand, is not exactly as insecure as she thinks. She's secretly brave, and I like her. I would like to say, however, that she is quite naïve in the beginning when she is running from Loki. She makes poor decisions that are worth facepalming using a credit card, even if it is not her own? Bad idea. They can still track you. (Must be a media hermit.)
The plot and storyline? Weak, but not that weak. I personally think the jotun being vengeful for a good part of the book probably played a big role in the weak plot. In the long run, I think Latimer probably didn't go into much detail with the overall plot because there seems to be a sequel coming in the future.
If anything, <i>Frost</i> is really just a book where the main character learns something unusual about herself and discovers who, or what, she really is. As mentioned before, there really isn't much from Norse mythology coming from this one, but I sure hope if there is a sequel, there are a lot more mythological elements used.
<a href="https://bookwyrmingthoughts.com/arc-review-frost-by-e-latimer/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Merissa (12911 KP) created a post
Mar 15, 2021
BankofMarquis (1832 KP) rated Eternals (2021) in Movies
Nov 10, 2021
Works Well Enough
The interesting thing about creating a Cinematic “Universe” (like Marvel has done and others are desperately trying to do) is that because it is a “Universe” you can tell different types of stories with different types of characters in differing styles.
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
In ETERNALS, Marvel has really attempted to open up their “Universe” by introducing their audience to the Eternals, celestial beings that are tangentially interested in the goings-on of the human world.
It’s not a Super-Hero movie, per se, it’s a world of “Gods and Monsters” (to steal a phrase) that has repercussions across the Universe.
So with this background in mind, the ETERNALS succeeds, mostly, because it is trying to be something…else. NOT a SUPERHERO film, but something on a different plane.
Unfortunately, this probably will put off “Fan-boys” who want “more of the same” (more Avengers, more Thanos, more F/X smashy-smashy, fight-fight) and ETERNALS just isn’t intended to be that.
Your first clue that this film is trying to be something else is the choice of Director - recent Oscar Winner Chloe Zhao (NOMADLAND), known for her personal stories and interesting visuals. She brings that sensibility to this film and it (mostly), though it is the type of Cinematic style that works best in low-res (like an independent film like Nomadland) rather than large IMAX Comic-book film event films.
The movie itself is entertaining…enough. It is, necessarily, slow at the beginning as Zhao needs to set up these characters and the realm that they are playing on (and orient the audience as to how this fits with the AVENGERS:ENDGAME of it all). There are 10 (yes, TEN) Eternals to introduce along with ancillary characters, so the film has to take some time to gather steam.
And…it gathers steam, not in the action sequences (which are serviceable) but in the characters and the character interactions and this is where the film really works for me.
Gemma Chan (CRAZY, RICH ASIANS) and Richard Madden (Rob Stark on GAME OF THRONES) are, basically, the lead characters as their relationship takes center stage for most of the film - and these 2 (especially Chan) holds the screen well, which is tough to do since there are so many characters - and so much other things going on.
The real hero of the Marvel Cinematic Universe, IMHO, is the Casting Director who, time-after-time, plucks relative unknowns and throws them into parts that they are perfectly cast for…Salma Hayak (leader of Eternals, Ajak), Lia McHugh (Sprite), Brian Tyree Henry (Phastos), Lauren Ridloff (Makkari) and Barry Keoghan (Druig) all fit their parts well, with the relationship between Makkari and Druig being particularly interesting.
Speaking of interesting relationships, Ma Dong-seok (so good in the Korean Zombie flick TRAIN TO BUSAN) as Gilgamesh almost steals the screen from MOVIE STAR Angelina Jolie’s Thena…almost. Jolie is a MOVIE STAR that just walks onto the screen and commands your attention - and she is perfectly cast as Thena. It is a very smart use of her talents…and her personae as a MOVIE STAR and works very well.
Finally, it took awhile for the film to figure out what to do with Kumail Nanjiani’s character of Kingo (and Nanjiani’s tremendous comedic talents), but, eventually, they do figure it out - but not entirely - which is really the problem with this film. It ALMOST figures out the formula to make this huge, broad, galactic film very personal, but doesn’t quite get there.
I liked, but didn’t LOVE, ETERNALS. I applaud what this film tries to do and I am fine with where it went and was entertained by it. If this is the first part of a journey, then I am anxious to see where ETERNALS goes from here. If this is a “one-off” film, then it doesn’t, quite, work well enough.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated 300 (2007) in Movies
Jun 20, 2019
Story: 300 starts by telling us about Leonidas and how he was put through his training as a child before becoming King Leonidas (Butler). When a Persian messenger comes to Sparta with a message from King Xerxes (Santoro) about an impending war Leonidas refuses to back down. Leonidas draws up a battle plan to go against the Persian’s against that out numbers them drastically. The oracles warn Leonidas about going into the battle but Leonidas refuses to back down.
Leonidas selects 300 warriors who have sons to carry on their names to go and fight leaving Sparta behind. One the way to the battle Leonidas and his men learn what the Persians are capable off as they prepare for the battle. We follow King Leonidas and his 300 as they plough through the Persian army defying all of the odds, while another battle for power rages on back at Sparta.
300 shows how determined one group of people were to protect their own land, sure we have comic book style which helps the film enter the fantasy side. It doesn’t have the most original screen story but this is clearly made for the action. We do see how the warriors of Sparta would have been the better in battle even if the actual battle turned into something very fantasy based. Just remember you won’t need to be thinking too much through this film, just relax and enjoy. (7/10)
Actor Review
Gerard Butler: King Leonidas fearless warrior who leads his army of 300 into battle against the Persians against all odds. He goes against all the gods and wishes of their oracle to battle for his people. Gerard gives a good performance showing how he was going to be a lead actor. (8/10)
leonidas
Lena Headey: Queen Gorgo who is left to rule Sparta while the King goes into battle. She has to deal with Theron who stays back might not be as loyal as first thought. Lena gives a good performance and shows how she was always going to be playing a Queen. (7/10)
lena
Dominic West: Theron Spartan who stays behind and tries to use his power in the city to gain power over the people while Leonidas is battling for their freedom. Dominic gives a solid performance as the scheming villain. (6/10)
dom
David Wenham: Dilios warrior who is also the story telling, he provides narration for the story and fills us in on Leonidas’ past. David gives a good performance as the story teller but also warrior who fights for Sparta. (6/10)
david
Michael Fassbender: Stelios one of the fearless warriors who has never faced a real challenge and hopes to find one in this battle. Michael gives a good performance as the greatest warrior of the army in what was his debut role. (7/10)
stelios
Support Cast: 300 supporting cast is filled with warriors on both sides of the fight, they all have their moments in the battle.
Director Review: Zack Snyder – Zack showed why he is such a popular director with his newer style of directing which is both unique and entertaining. (8/10)
Action: 300 has plenty of fights but what did you expect from this kind of war film. (9/10)
Fantasy: 300 uses fantasy for its battles showing how different types of warriors could be looked and the legend created by fear. (8/10)
War: 300 shows of the great battles between the Persians and the Spartans. (10/10)
Settings: 300 creates the settings to look very authentic looking scenery for the battle scenes. (9/10)
Special Effects: 300 uses great effects for the fights and to create the different style of fighters. (9/10)
Suggestion: 300 is one for the action fans to enjoy, it has plenty of fighting but not much in the way of thinking needed. (Action Fans Watch)
Best Part: Stelios Now.
Worst Part: Lots of shouting from Leonidas.
Action Scene Of The Film: The first battle.
Kill Of The Film: Monster creature man vs Leonidas.
Favourite Quote: King Leonidas ‘This is Sparta!’
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has a sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $456 Million
Budget: $65 Million
Runtime: 1 Hour 57 Minutes
Tagline: Spartans, prepare for glory!
Overall: THIS IS ‘JUST’ GOOD!
https://moviesreview101.com/2015/05/16/300-2006/
Leonidas selects 300 warriors who have sons to carry on their names to go and fight leaving Sparta behind. One the way to the battle Leonidas and his men learn what the Persians are capable off as they prepare for the battle. We follow King Leonidas and his 300 as they plough through the Persian army defying all of the odds, while another battle for power rages on back at Sparta.
300 shows how determined one group of people were to protect their own land, sure we have comic book style which helps the film enter the fantasy side. It doesn’t have the most original screen story but this is clearly made for the action. We do see how the warriors of Sparta would have been the better in battle even if the actual battle turned into something very fantasy based. Just remember you won’t need to be thinking too much through this film, just relax and enjoy. (7/10)
Actor Review
Gerard Butler: King Leonidas fearless warrior who leads his army of 300 into battle against the Persians against all odds. He goes against all the gods and wishes of their oracle to battle for his people. Gerard gives a good performance showing how he was going to be a lead actor. (8/10)
leonidas
Lena Headey: Queen Gorgo who is left to rule Sparta while the King goes into battle. She has to deal with Theron who stays back might not be as loyal as first thought. Lena gives a good performance and shows how she was always going to be playing a Queen. (7/10)
lena
Dominic West: Theron Spartan who stays behind and tries to use his power in the city to gain power over the people while Leonidas is battling for their freedom. Dominic gives a solid performance as the scheming villain. (6/10)
dom
David Wenham: Dilios warrior who is also the story telling, he provides narration for the story and fills us in on Leonidas’ past. David gives a good performance as the story teller but also warrior who fights for Sparta. (6/10)
david
Michael Fassbender: Stelios one of the fearless warriors who has never faced a real challenge and hopes to find one in this battle. Michael gives a good performance as the greatest warrior of the army in what was his debut role. (7/10)
stelios
Support Cast: 300 supporting cast is filled with warriors on both sides of the fight, they all have their moments in the battle.
Director Review: Zack Snyder – Zack showed why he is such a popular director with his newer style of directing which is both unique and entertaining. (8/10)
Action: 300 has plenty of fights but what did you expect from this kind of war film. (9/10)
Fantasy: 300 uses fantasy for its battles showing how different types of warriors could be looked and the legend created by fear. (8/10)
War: 300 shows of the great battles between the Persians and the Spartans. (10/10)
Settings: 300 creates the settings to look very authentic looking scenery for the battle scenes. (9/10)
Special Effects: 300 uses great effects for the fights and to create the different style of fighters. (9/10)
Suggestion: 300 is one for the action fans to enjoy, it has plenty of fighting but not much in the way of thinking needed. (Action Fans Watch)
Best Part: Stelios Now.
Worst Part: Lots of shouting from Leonidas.
Action Scene Of The Film: The first battle.
Kill Of The Film: Monster creature man vs Leonidas.
Favourite Quote: King Leonidas ‘This is Sparta!’
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has a sequel.
Post Credits Scene: No
Oscar Chances: No
Box Office: $456 Million
Budget: $65 Million
Runtime: 1 Hour 57 Minutes
Tagline: Spartans, prepare for glory!
Overall: THIS IS ‘JUST’ GOOD!
https://moviesreview101.com/2015/05/16/300-2006/
Lottie disney bookworm (1056 KP) rated Go the Distance: A Twisted Tale in Books
Jun 17, 2021
What if Meg had to become a Greek God?
Following on immediately from the end of the much loved Hercules film, Jen Calonita is back with a twisted tale starring our favourite D.I.D: Damsel in Distress.
Now, I LOVE sarcasm and sass so Meg has always been a firm favourite of mine. I was thrilled when I heard she would finally be getting her own story and did Calonita disappoint? No she did not!
Go The Distance is told entirely from Meg’s point of view: immersing the reader immediately in her thoughts and feelings whilst ascending to Mount Olympus with Hercules. I loved how in tune Jen Calonita was with her protagonist, right from the first few pages: there is literally SO much pomp and circumstance surrounding Meg, she is stood on a cloud for goodness sake! But does that stop her doubting herself? Doubting the budding relationship with Herc? Not a chance!
It will come as no surprise to regular readers of twisted tale novels that Calonita quickly tanks our hopes of a happy ending (makes sense- we’re only in the first few pages) as Zeus refuses Hercules’ request to be with Meg on Earth: the lightning-wielding god and his wife have waited too long for their son to re-join them, to lose him this easily. However, Hera can see how happy this mortal makes her son and so makes Meg a once-in-a-lifetime offer, complete a hero’s quest in 10 days and stay with Herc on Mount Olympus as a god for eternity.
Obviously Meg accepts- it would be a short story if she passed this opportunity up- and embarks upon an adventure like no other. As well as having to navigate the underworld, negotiate with Hades and face her ex, Meg battles monsters, befriends Gods and learns her most important lesson: that love is a strength, not a weakness.
Joining Meg on her journey are characters we know and love, such as Phil, Pegasus and Hades. It would be so easy for Jen Calonita to play it safe with these iconic characters but I am pleased to say that these guys get their own little developments too: particularly Hades as we see the character of Persephone and her impact upon his life.
Calonita also introduces us to a host of new characters, two of which are pivotal to both the reader understanding how key events in her life have created this tough armour that Meg wears so well. These are Thea, Meg’s mother and Aegeus, the man who Meg gave up her soul for. Aegeus is a bit wet in my opinion (he’s no Wonder Boy!) but the relationship Calonita creates between Meg and Thea is something precious: the reader can see the struggles faced by both women and can immediately identify where Meg got her fiery nature from.
But of course our heroine is the one who shines in this twisted tale: Meg was already a brilliant character but Calonita opens her up a little bit more and manages to break down some of her walls: along her quest Meg almost embraces her vulnerability, she learns to trust and learns that it is not a weakness to ask for and accept help. After that her quest seems to become easier- which is saying a lot in the underworld!
I also really admired that Meg doesn’t go weak at the knees at the prospect of spending eternity with Hercules, in fact she isn’t sure she wants eternity, she just wants the chance to find out! This made the underlying love story real rather than fairytale. Herc and Meg argue, they say things they regret but ultimately, they show up for each other and that’s what is important in the end.
I have seen other reviewers slating the character of Meg, saying that she is too rash and hot-headed in this twisted tale and bears little resemblance to the animated character we love. I have to say I completely disagree with these views: yes, as her quest nears its deadline then Meg becomes increasingly rash but hello, the girl gave up her soul to Hades! You can’t tell me she doesn’t have previous form for diving head-first into a situation?!
Go The Distance is an adorable novel about embracing your vulnerability and trusting those who want to help you. It teaches us that independence does not necessarily mean facing everything alone, love does not necessarily come from one stand-out moment and that it is never too late to forgive. This twisted tale is not as dark as other retellings in the series but Jen Calonita is an expert in middle-grade literature and so this is not a surprise nor a criticism.
“Two thumbs, way way up for our leading lady!”
Following on immediately from the end of the much loved Hercules film, Jen Calonita is back with a twisted tale starring our favourite D.I.D: Damsel in Distress.
Now, I LOVE sarcasm and sass so Meg has always been a firm favourite of mine. I was thrilled when I heard she would finally be getting her own story and did Calonita disappoint? No she did not!
Go The Distance is told entirely from Meg’s point of view: immersing the reader immediately in her thoughts and feelings whilst ascending to Mount Olympus with Hercules. I loved how in tune Jen Calonita was with her protagonist, right from the first few pages: there is literally SO much pomp and circumstance surrounding Meg, she is stood on a cloud for goodness sake! But does that stop her doubting herself? Doubting the budding relationship with Herc? Not a chance!
It will come as no surprise to regular readers of twisted tale novels that Calonita quickly tanks our hopes of a happy ending (makes sense- we’re only in the first few pages) as Zeus refuses Hercules’ request to be with Meg on Earth: the lightning-wielding god and his wife have waited too long for their son to re-join them, to lose him this easily. However, Hera can see how happy this mortal makes her son and so makes Meg a once-in-a-lifetime offer, complete a hero’s quest in 10 days and stay with Herc on Mount Olympus as a god for eternity.
Obviously Meg accepts- it would be a short story if she passed this opportunity up- and embarks upon an adventure like no other. As well as having to navigate the underworld, negotiate with Hades and face her ex, Meg battles monsters, befriends Gods and learns her most important lesson: that love is a strength, not a weakness.
Joining Meg on her journey are characters we know and love, such as Phil, Pegasus and Hades. It would be so easy for Jen Calonita to play it safe with these iconic characters but I am pleased to say that these guys get their own little developments too: particularly Hades as we see the character of Persephone and her impact upon his life.
Calonita also introduces us to a host of new characters, two of which are pivotal to both the reader understanding how key events in her life have created this tough armour that Meg wears so well. These are Thea, Meg’s mother and Aegeus, the man who Meg gave up her soul for. Aegeus is a bit wet in my opinion (he’s no Wonder Boy!) but the relationship Calonita creates between Meg and Thea is something precious: the reader can see the struggles faced by both women and can immediately identify where Meg got her fiery nature from.
But of course our heroine is the one who shines in this twisted tale: Meg was already a brilliant character but Calonita opens her up a little bit more and manages to break down some of her walls: along her quest Meg almost embraces her vulnerability, she learns to trust and learns that it is not a weakness to ask for and accept help. After that her quest seems to become easier- which is saying a lot in the underworld!
I also really admired that Meg doesn’t go weak at the knees at the prospect of spending eternity with Hercules, in fact she isn’t sure she wants eternity, she just wants the chance to find out! This made the underlying love story real rather than fairytale. Herc and Meg argue, they say things they regret but ultimately, they show up for each other and that’s what is important in the end.
I have seen other reviewers slating the character of Meg, saying that she is too rash and hot-headed in this twisted tale and bears little resemblance to the animated character we love. I have to say I completely disagree with these views: yes, as her quest nears its deadline then Meg becomes increasingly rash but hello, the girl gave up her soul to Hades! You can’t tell me she doesn’t have previous form for diving head-first into a situation?!
Go The Distance is an adorable novel about embracing your vulnerability and trusting those who want to help you. It teaches us that independence does not necessarily mean facing everything alone, love does not necessarily come from one stand-out moment and that it is never too late to forgive. This twisted tale is not as dark as other retellings in the series but Jen Calonita is an expert in middle-grade literature and so this is not a surprise nor a criticism.
“Two thumbs, way way up for our leading lady!”
Gareth von Kallenbach (980 KP) rated The Passion of the Christ (2004) in Movies
Aug 14, 2019
Perhaps the most controversial film of our time “The Passion of the Christ” has arrived amidst much speculation and controversy. Not since “The Last Temptation of Christ” has a film garnered so much controversy and that film did not have a mega-star like Mel Gibson attached to it nor a wide-release reported to reach 2500 screens in the U.S. alone.
The film shows the final hours of Jesus leading to his crucifixion and subsequent resurrection. The film opens with Jesus (Jim Caviezel), and some of his Disciples in the garden as Jesus contemplates what is to come and prays that this burden be passed from him if it is Gods will. Jesus is visibly afraid and is unsure of what to do, as he knows Judas has betrayed him and that troops are on the way to arrest him.
Jesus is soon arrested and is beaten and taken before the Jewish elders to be accused of heresy for teaching beliefs which contradict the locale doctrine and for encouraging others to follow his teachings.
Jesus is soon taken before the Roman consul who decides to punish not execute Jesus, as he does not believe his crimes are worthy of death. Politics soon envelope the situation as the Romans fear an uprising if the wishes of the council are not followed forcing Jesus to be ordered for crucifixion.
While I am not one to give away vital parts to a films story, I take it that the majority of readers will know at least this much of the story. The emphasis on the film is on what Jesus had to endure during the final hours of his life and the untold suffering and brutality that were put upon him for his beliefs.
Much has been made of the films intense and graphic violence and I am not going to sugar coat this. The film is very intense and very violent and on more than once occasion caused me to start tearing as the film is very emotional and it is hard to watch a person suffer especially one who many believe devoted his life for the betterment of all of us regardless of faith. I have always been one that believes that all people are entitled to their beliefs and that no group has the right to say that there way is the only way and that others are wrong for not following them.
In many ways, the film drives this point home as Jesus prays for the forgiveness of those who are killing him even though they do not share his faith. The man who was killed as a threat to the society and doctrines of the community never wavered in his love for his fellow man and retained his compassion to the very end.
Gibson is to be commended for making a powerful and emotional film that can be enjoyed by people of all faiths. The film is a visual masterpiece that is highly detailed and is the most accurate depiction of the final hours of Christ ever committed to film. The use of Latin and Aramaic in combination with subtitles underscores attention to detail that Gibson put into his labor of love and as such, he deserves praise for crafting this film regardless of your opinion on the films content. This is a bold and passionate film that attempts to tell the story in the way that it happened as accurately as possible. While some of the scenes may be very difficult to watch, you will not soon forget the images and will have a hard time not being emotionally moved by the work. This is not a film that blames any group for the death of Jesus; it is simply an account as to how and why it happened. The film also serves as a message that we should all embrace and tolerate the differences in our neighbors as when we do not, atrocities can happen. As a student of history, I found myself pondering during the film in regards to what would happen if a figure arrived today that encouraged others to follow a new path and not those of the traditional religions. If said person were to become widely know and develop a large following what would happen? Would they be called a cult and prosecuted, would they be ridiculed, or would they be killed? This troubled me as I think that despite nearly 2000 years of progress there are those who would resort to violence. Such is the case of the film. The majority did not want to see Jesus killed; it was a strong and vocal minority of the population who wanted to protect their interests. The film is not anti-Semitic and does not blame any group for the death of Jesus and emphasizes that his death was in order to absolve sin and blame.
The film makes you think and in this day of disposable films, it is nice to see that despite the controversy and lack of commercial nature of the film, Gibson put his heart into the production and created one of the best films of the decade. Gibson is a master storyteller and shows that he is a gifted director and producer and should be praised for his craft.
The film shows the final hours of Jesus leading to his crucifixion and subsequent resurrection. The film opens with Jesus (Jim Caviezel), and some of his Disciples in the garden as Jesus contemplates what is to come and prays that this burden be passed from him if it is Gods will. Jesus is visibly afraid and is unsure of what to do, as he knows Judas has betrayed him and that troops are on the way to arrest him.
Jesus is soon arrested and is beaten and taken before the Jewish elders to be accused of heresy for teaching beliefs which contradict the locale doctrine and for encouraging others to follow his teachings.
Jesus is soon taken before the Roman consul who decides to punish not execute Jesus, as he does not believe his crimes are worthy of death. Politics soon envelope the situation as the Romans fear an uprising if the wishes of the council are not followed forcing Jesus to be ordered for crucifixion.
While I am not one to give away vital parts to a films story, I take it that the majority of readers will know at least this much of the story. The emphasis on the film is on what Jesus had to endure during the final hours of his life and the untold suffering and brutality that were put upon him for his beliefs.
Much has been made of the films intense and graphic violence and I am not going to sugar coat this. The film is very intense and very violent and on more than once occasion caused me to start tearing as the film is very emotional and it is hard to watch a person suffer especially one who many believe devoted his life for the betterment of all of us regardless of faith. I have always been one that believes that all people are entitled to their beliefs and that no group has the right to say that there way is the only way and that others are wrong for not following them.
In many ways, the film drives this point home as Jesus prays for the forgiveness of those who are killing him even though they do not share his faith. The man who was killed as a threat to the society and doctrines of the community never wavered in his love for his fellow man and retained his compassion to the very end.
Gibson is to be commended for making a powerful and emotional film that can be enjoyed by people of all faiths. The film is a visual masterpiece that is highly detailed and is the most accurate depiction of the final hours of Christ ever committed to film. The use of Latin and Aramaic in combination with subtitles underscores attention to detail that Gibson put into his labor of love and as such, he deserves praise for crafting this film regardless of your opinion on the films content. This is a bold and passionate film that attempts to tell the story in the way that it happened as accurately as possible. While some of the scenes may be very difficult to watch, you will not soon forget the images and will have a hard time not being emotionally moved by the work. This is not a film that blames any group for the death of Jesus; it is simply an account as to how and why it happened. The film also serves as a message that we should all embrace and tolerate the differences in our neighbors as when we do not, atrocities can happen. As a student of history, I found myself pondering during the film in regards to what would happen if a figure arrived today that encouraged others to follow a new path and not those of the traditional religions. If said person were to become widely know and develop a large following what would happen? Would they be called a cult and prosecuted, would they be ridiculed, or would they be killed? This troubled me as I think that despite nearly 2000 years of progress there are those who would resort to violence. Such is the case of the film. The majority did not want to see Jesus killed; it was a strong and vocal minority of the population who wanted to protect their interests. The film is not anti-Semitic and does not blame any group for the death of Jesus and emphasizes that his death was in order to absolve sin and blame.
The film makes you think and in this day of disposable films, it is nice to see that despite the controversy and lack of commercial nature of the film, Gibson put his heart into the production and created one of the best films of the decade. Gibson is a master storyteller and shows that he is a gifted director and producer and should be praised for his craft.
Hadley (567 KP) rated Gods Go Begging in Books
May 8, 2021
Amazing writing (2 more)
Great storytelling
Good characters
Not many books can visit the Vietnam war so gracefully, especially fictional books that aren't political thrillers. Of course, there's a reason for that, other than drug use and the orders to kill innocent civilians, it was a war that drove soldiers to madness, but this is only the tip of the iceberg in Alfredo Vea's third novel Gods Go Begging.
Mai and Persephone are as close as sisters, one was born in America, and the other was born in Vietnam; the two met because their husbands had fought in the Vietnam war, but had never returned, sealing an unbreakable bond between the two women. While the two spent most of their time cooking together, they decided to open up a luncheonette, and share their love of food with the city - - - until one night, when two young men showed up to smash their dreams by murdering both of them in cold blood. Little did the defense attorney for one of the young men, Jesse Pasadoble, know that these women would not only leave a scar on him, but they would also cause memories from a hill in Vietnam to haunt him all over again.
While Pasadoble is working the two women's murder case, he's also working another heart-wrenching case involving a white supremacist who has possibly molested and raped his own niece. Pasadoble tries his best to distance himself from the case, especially because he has to defend the man in question, but sometimes he lets his temper get the best of him. Pasadoble comes face-to-face with his client in an angry stare-off. After putting up with racial statements from the client, Pasadoble puts him in his place. The client may be a big man who can frighten most people, but Pasadoble pacifies him with his own anger, threatening to kick his ass in front of everyone that is in the jail setting the tone of what type of person Pasadoble can be for the reader.
The readers get flashbacks of Pasadoble's time in the Vietnam war, specifically one fight that happened on a hill near the Loatian border. These flashbacks happen suddenly throughout the book, but I personally believe that they are so important to understanding the world in which Vea has created in the novel because, near the end of the book, these flashbacks make everything come full circle. One of these flashbacks introduces an important character who is the Padre in Pasadoble's platoon - - - during such flashback, the Padre has devastating things happen around him that begin to make him question his faith in God.
Although the flashbacks happen here and there, the story easily continues on with Pasadoble's double homicide case getting more complicated by the page when the second of the two suspects is suddenly found dead on a hill that the locals call 'Tourette's Hill.' One such local that lived near the hill is one of the victims' mothers, Mrs. Harp, who is a very odd character: she's an aging beauty queen whose home is covered in photographs of only her, and none of her deceased son, and even while Pasadoble questions her about her son, she seems to get lost in a reverie of what her life was like before the son existed.
Pasadoble is the key character in this story; without him, connections would not have been made and characters would not have mattered. Pasadoble, a man who has a way with words, such as speaking with an ex-girlfriend about a 'hill' : "Carolina, think about the stratifications of an open hillside, a place where earth has given way and time itself is left exposed, layer upon layer - - - silica, clay, diatoms, and ash. Down here at this level is the time of the swelling sea; here, the time of the desert when hot, rising air would have haunted our eyes; here is a jagged karst, a time when the world shook an abrasion into its own skin; and here are the fossil dead, here you will find love and war in the same shamble of strewn bone. Here and there, where the world has shifted and cracked open, one era will touch another. And once upon the rarest time, human hands and eyes from the distant past can seek out and find... search for and contact... hands and eyes of the present time... our time. " Pasadoble reveals that everyone has a 'hill' that they constantly battle, his just happens to be the one where he lost brothers on in Vietnam.
I can't go much further into the story without giving away some of the great details that made up this book, but I can say I was blown away by this story. This is by far one of the best crime fiction books I have ever read; this is one of those crazy good books that you have never heard of that will change how you view things after you read it. Vea is one of the few authors that exist today that can make a story read like poetry. I highly recommend this novel to people who like crime fiction.
Mai and Persephone are as close as sisters, one was born in America, and the other was born in Vietnam; the two met because their husbands had fought in the Vietnam war, but had never returned, sealing an unbreakable bond between the two women. While the two spent most of their time cooking together, they decided to open up a luncheonette, and share their love of food with the city - - - until one night, when two young men showed up to smash their dreams by murdering both of them in cold blood. Little did the defense attorney for one of the young men, Jesse Pasadoble, know that these women would not only leave a scar on him, but they would also cause memories from a hill in Vietnam to haunt him all over again.
While Pasadoble is working the two women's murder case, he's also working another heart-wrenching case involving a white supremacist who has possibly molested and raped his own niece. Pasadoble tries his best to distance himself from the case, especially because he has to defend the man in question, but sometimes he lets his temper get the best of him. Pasadoble comes face-to-face with his client in an angry stare-off. After putting up with racial statements from the client, Pasadoble puts him in his place. The client may be a big man who can frighten most people, but Pasadoble pacifies him with his own anger, threatening to kick his ass in front of everyone that is in the jail setting the tone of what type of person Pasadoble can be for the reader.
The readers get flashbacks of Pasadoble's time in the Vietnam war, specifically one fight that happened on a hill near the Loatian border. These flashbacks happen suddenly throughout the book, but I personally believe that they are so important to understanding the world in which Vea has created in the novel because, near the end of the book, these flashbacks make everything come full circle. One of these flashbacks introduces an important character who is the Padre in Pasadoble's platoon - - - during such flashback, the Padre has devastating things happen around him that begin to make him question his faith in God.
Although the flashbacks happen here and there, the story easily continues on with Pasadoble's double homicide case getting more complicated by the page when the second of the two suspects is suddenly found dead on a hill that the locals call 'Tourette's Hill.' One such local that lived near the hill is one of the victims' mothers, Mrs. Harp, who is a very odd character: she's an aging beauty queen whose home is covered in photographs of only her, and none of her deceased son, and even while Pasadoble questions her about her son, she seems to get lost in a reverie of what her life was like before the son existed.
Pasadoble is the key character in this story; without him, connections would not have been made and characters would not have mattered. Pasadoble, a man who has a way with words, such as speaking with an ex-girlfriend about a 'hill' : "Carolina, think about the stratifications of an open hillside, a place where earth has given way and time itself is left exposed, layer upon layer - - - silica, clay, diatoms, and ash. Down here at this level is the time of the swelling sea; here, the time of the desert when hot, rising air would have haunted our eyes; here is a jagged karst, a time when the world shook an abrasion into its own skin; and here are the fossil dead, here you will find love and war in the same shamble of strewn bone. Here and there, where the world has shifted and cracked open, one era will touch another. And once upon the rarest time, human hands and eyes from the distant past can seek out and find... search for and contact... hands and eyes of the present time... our time. " Pasadoble reveals that everyone has a 'hill' that they constantly battle, his just happens to be the one where he lost brothers on in Vietnam.
I can't go much further into the story without giving away some of the great details that made up this book, but I can say I was blown away by this story. This is by far one of the best crime fiction books I have ever read; this is one of those crazy good books that you have never heard of that will change how you view things after you read it. Vea is one of the few authors that exist today that can make a story read like poetry. I highly recommend this novel to people who like crime fiction.
Luke (12 KP) rated Bloodborne in Video Games
Oct 2, 2017
Strategic, challenging, and rewarding combat (6 more)
Excellent orchestrated soundtrack
Great aesthetic and visual design
Cool boss designs
Old Hunters expansion adds extra challenge
30-40 hour campaign with loads of content
Lovecraftian horror at its finest
Bloodborne is an action RPG developed by From Software and directed by Hidetaka Miyazaki, creator of the Dark Souls series. Bloodborne takes elements from the Dark Souls games and mixes in elements of Gothic and Lovecraftian horror to make one truly unique experience exclusively for the Playstation 4.
You play as a Hunter and you have come to the city of Yharnam on the night of the Hunt where the lines between man and beast are blurred. Initially, your goal is quite simple: just go out and kill some beasts of all manner. Everything from werewolves to madmen to even other NPC Hunters. But as you progress through the game, you begin to unravel a conspiracy involving ancient gods from the cosmos coming down to incite this madness upon the townsfolk. Souls games aren't really known for their stories. Most of the game's backstory can often be found in item descriptions. However, Bloodborne differentiates itself by having one of the most fleshed out and intriguing plots of the entire Soulsborne series.
The presentation here is breathtaking. It evokes the style of olden Gothic horror tales from days long past. Towering spires line the horizon clearly inspired by Victorian and Gothic style architecture of Romania and this is reflected in the games level design. Blood spills out in a vibrant crimson color. Most of the game is completely silent save for the excellent sound design. The soundtrack only kicks in during boss fights and other key moments in the game making it even more special.
If you are familiar with any of the Dark Souls games, then you pretty much know what to expect from Bloodborne's combat. Bloodborne emphasizes speed and aggression with its combat system, but it is still quite strategic and very challenging. Don't go in thinking you can just rush through this in a weekend. This game takes patience and effort from the player to be rewarded. The weapon variety is significantly smaller than that of the Dark Souls games, but that's not necessarily a bad thing. Each weapon feels unique, and each one will cater to a specific play style. And since you can transform almost all the weapons in the game, they almost feel like two weapons in one. For example, a shortsword can be transformed into a greatsword and so on. Instead of giving you a shield, Bloodborne instead gives you a wide variety of firearms, from pistols and shotguns, to a flamesprayer and a cannon. You can use these guns on enemies to riposte and perform a visceral attack for massive damage, even on some of the bosses. Armor sets are all really cool, reflecting the games Gothic design. The good thing is that you don't need to worry about upgrading armor sets like in previous Souls games. And the boss designs here are great, some of the hardest and most challenging fights in any game. You have to learn and figure out the timings of their attacks in order to know when best to strike. And if you ever feel like you're getting stuck, you can always bring in a friend with the game's co-op system. The side characters are also great, some of them giving you optional quests that you can carry out if you choose to do so.
There are optional chalice dungeons that you can complete should you choose to do so. The good thing is that they aren't required to finish the game. The bad thing is that these aren't designed as well as the main game. These dungeons are randomly generated and it certainly feels that way as rooms are often copy pasted together to the point where you feel like you're going in circles. Enemy designs are also lazy as hell here, some of them being reused as bosses. It feels like these chalice dungeons were thrown in at the last minute to offer some kind of replay value when they clearly weren't needed in the first place. I'm baffled by their inclusion as some trophies are linked to the completion of these optional missions. But since these are completely optional, they don't take away from the overall score.
There are also a few more minor gripes that I have with Bloodborne. The camera can often get in the way of the surrounding architecture at times. The framerate dips during some instances, even after several patches. Fortunately, these things don't happen all that often. And why can't I warp between lanterns? This doesn't make much sense as if you want to get to a new area, you have to warp to the hub zone and then warp to the area you want to go to. I feel like this would save a lot of load times if you are going back and forth for farming runs. Oh well.
Bloodborne is never impossibly hard. It does have a high learning curve for new players, but if you keep at it and if you are patient enough, you will discover just how rewarding this experience can be. This was my first foray into the Souls series and I am so looking forward to going back in to Bloodborne to try out new builds, new play styles, new weapons, and even greater challenge in New Game Plus mode. Bloodborne is now one of my all time favorite games ever made.
You play as a Hunter and you have come to the city of Yharnam on the night of the Hunt where the lines between man and beast are blurred. Initially, your goal is quite simple: just go out and kill some beasts of all manner. Everything from werewolves to madmen to even other NPC Hunters. But as you progress through the game, you begin to unravel a conspiracy involving ancient gods from the cosmos coming down to incite this madness upon the townsfolk. Souls games aren't really known for their stories. Most of the game's backstory can often be found in item descriptions. However, Bloodborne differentiates itself by having one of the most fleshed out and intriguing plots of the entire Soulsborne series.
The presentation here is breathtaking. It evokes the style of olden Gothic horror tales from days long past. Towering spires line the horizon clearly inspired by Victorian and Gothic style architecture of Romania and this is reflected in the games level design. Blood spills out in a vibrant crimson color. Most of the game is completely silent save for the excellent sound design. The soundtrack only kicks in during boss fights and other key moments in the game making it even more special.
If you are familiar with any of the Dark Souls games, then you pretty much know what to expect from Bloodborne's combat. Bloodborne emphasizes speed and aggression with its combat system, but it is still quite strategic and very challenging. Don't go in thinking you can just rush through this in a weekend. This game takes patience and effort from the player to be rewarded. The weapon variety is significantly smaller than that of the Dark Souls games, but that's not necessarily a bad thing. Each weapon feels unique, and each one will cater to a specific play style. And since you can transform almost all the weapons in the game, they almost feel like two weapons in one. For example, a shortsword can be transformed into a greatsword and so on. Instead of giving you a shield, Bloodborne instead gives you a wide variety of firearms, from pistols and shotguns, to a flamesprayer and a cannon. You can use these guns on enemies to riposte and perform a visceral attack for massive damage, even on some of the bosses. Armor sets are all really cool, reflecting the games Gothic design. The good thing is that you don't need to worry about upgrading armor sets like in previous Souls games. And the boss designs here are great, some of the hardest and most challenging fights in any game. You have to learn and figure out the timings of their attacks in order to know when best to strike. And if you ever feel like you're getting stuck, you can always bring in a friend with the game's co-op system. The side characters are also great, some of them giving you optional quests that you can carry out if you choose to do so.
There are optional chalice dungeons that you can complete should you choose to do so. The good thing is that they aren't required to finish the game. The bad thing is that these aren't designed as well as the main game. These dungeons are randomly generated and it certainly feels that way as rooms are often copy pasted together to the point where you feel like you're going in circles. Enemy designs are also lazy as hell here, some of them being reused as bosses. It feels like these chalice dungeons were thrown in at the last minute to offer some kind of replay value when they clearly weren't needed in the first place. I'm baffled by their inclusion as some trophies are linked to the completion of these optional missions. But since these are completely optional, they don't take away from the overall score.
There are also a few more minor gripes that I have with Bloodborne. The camera can often get in the way of the surrounding architecture at times. The framerate dips during some instances, even after several patches. Fortunately, these things don't happen all that often. And why can't I warp between lanterns? This doesn't make much sense as if you want to get to a new area, you have to warp to the hub zone and then warp to the area you want to go to. I feel like this would save a lot of load times if you are going back and forth for farming runs. Oh well.
Bloodborne is never impossibly hard. It does have a high learning curve for new players, but if you keep at it and if you are patient enough, you will discover just how rewarding this experience can be. This was my first foray into the Souls series and I am so looking forward to going back in to Bloodborne to try out new builds, new play styles, new weapons, and even greater challenge in New Game Plus mode. Bloodborne is now one of my all time favorite games ever made.