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JT (287 KP) rated Metro Manila (2013) in Movies
Mar 10, 2020
British directors getting behind the camera and undertaking foreign film seems to be paying off in multitude. Just take a look at what Gareth Evans did with The Raid and its sequel. He took his central character and put him through hell while at the same time painting a graphic picture of the film’s surroundings.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
Sean Ellis does very similar with Oscar Ramirez (Jake Macapagal), a farmer looking for a better way of life for himself and his family. Their journey takes them from the quiet and panoramic rice fields of northern Philippines, where Oscar struggles to make ends meet, and moves them to the impoverished surroundings of Manila.
Entering the slums and criminal back streets Oscar learns the hard way that his friendly personality will be taken advantage of. With everyone desperate to survive he has to stand on his own two feet for the sake of himself and his family.
The film paints a desperate picture of a big city bathed in crime and poverty and desperate people will do desperate things, especially when they are pushed into a corner as Oscar explains to his friend Ong after taking a job as a security guard driving an armoured truck.
As Ong and Oscar become close Ong explains the job and then his ulterior motives. With the second half of the film playing out as a tense well organised heist, encompassing a twist that is shocking yet wholly satisfying. It can be hard to watch at times and it is emotionally sapping, particularly when Oscar’s wife Mai has to take matters into her own hands by getting a job working in a hostess bar in order to earn enough to feed her children.
The film screams out that having faith is a clear necessity when you’re down. All around them there are signs that God is with them willing them to succeed. Oscar’s story about how he lost his job in the silk mill is a running subplot that connects with the story on almost every level.
The scenes are well shot and Ellis captures the trauma and euphoria that the family experience at different times. One cross over scene sees Mai being degraded while at the same time Oscar drinks with his new buddies, only to break down in the toilet in tears.
It’s a slow churning thriller that is expertly pieced together, building strong characters and story all the way through to the pulsating climax.
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BookInspector (124 KP) rated Thirteen in Books
Sep 24, 2020
More reviews on https://bbookinspector.wordpress.com
The story is told from a dual perspective – Eddie’s and Kane’s. These two characters would be our protagonists. Eddie is a defence attorney, a man with a very messed up personal life, who keeps making very dangerous decisions, and that is what makes him so awesome. Eddie has his faults and is not perfect, but at the same time, he is so intriguing and incredibly smart! Kane is a genius psychopath, (Hannibal Lecter could be his inspiration 😀 ), who can steal any identity he chooses. So, when you have these two amazingly developed personalities, the story can’t be boring. 😀
And of course, it is not! The narrative is very well paced, creating optical illusions and mind games in every chapter. It has plenty of twists, turns and unexpected findings, and the plot absolutely absorbed me. I love when authors include murderers and their thoughts in the thrillers, Kane’s actions and thoughts gave so much depth and intrigue to this book, and it was an absolute joy to read it. I really enjoyed Eddie’s smart moves while solving this case, but he was pretty lucky to get all the information delivered to him, without the help, I don’t think he could’ve succeeded as much. I really liked, that Steve Cavanagh utilized his knowledge of courts and jury in this book, there were plenty of new things I learned, and I am very grateful for that.
I loved the writing style of this book, it is easy and understandable, and this book can easily be read as stand alone. The characters used from the past are well explained and didn’t leave me confused. The chapters are pretty short, and due to constant change between the characters, the pages just fly by. I do have to throw in a disclaimer that there are plenty of blood, graphic murders, and other gross things described in this book, so before reading, make sure you can stomach that. 😀 I really enjoyed the ending and all the surprises it brought, I think it rounded up the story very nicely.
So, to conclude, Steve Cavanagh definitely knows what he is doing when it comes to writing. He is a master of crime novels, and even though this book was my first encounter with this author’s work, it definitely will not be the last. He chose perfect characters for this book, and the plot kept me guessing and always intrigued. I thoroughly enjoyed this court thriller, and it is an absolute must-read. I do hope you will like it as much as I did. Enjoy 🙂
The story is told from a dual perspective – Eddie’s and Kane’s. These two characters would be our protagonists. Eddie is a defence attorney, a man with a very messed up personal life, who keeps making very dangerous decisions, and that is what makes him so awesome. Eddie has his faults and is not perfect, but at the same time, he is so intriguing and incredibly smart! Kane is a genius psychopath, (Hannibal Lecter could be his inspiration 😀 ), who can steal any identity he chooses. So, when you have these two amazingly developed personalities, the story can’t be boring. 😀
And of course, it is not! The narrative is very well paced, creating optical illusions and mind games in every chapter. It has plenty of twists, turns and unexpected findings, and the plot absolutely absorbed me. I love when authors include murderers and their thoughts in the thrillers, Kane’s actions and thoughts gave so much depth and intrigue to this book, and it was an absolute joy to read it. I really enjoyed Eddie’s smart moves while solving this case, but he was pretty lucky to get all the information delivered to him, without the help, I don’t think he could’ve succeeded as much. I really liked, that Steve Cavanagh utilized his knowledge of courts and jury in this book, there were plenty of new things I learned, and I am very grateful for that.
I loved the writing style of this book, it is easy and understandable, and this book can easily be read as stand alone. The characters used from the past are well explained and didn’t leave me confused. The chapters are pretty short, and due to constant change between the characters, the pages just fly by. I do have to throw in a disclaimer that there are plenty of blood, graphic murders, and other gross things described in this book, so before reading, make sure you can stomach that. 😀 I really enjoyed the ending and all the surprises it brought, I think it rounded up the story very nicely.
So, to conclude, Steve Cavanagh definitely knows what he is doing when it comes to writing. He is a master of crime novels, and even though this book was my first encounter with this author’s work, it definitely will not be the last. He chose perfect characters for this book, and the plot kept me guessing and always intrigued. I thoroughly enjoyed this court thriller, and it is an absolute must-read. I do hope you will like it as much as I did. Enjoy 🙂
Joe Goodhart (27 KP) rated Justice League International, Vol. 1 in Books
Nov 30, 2020
I am a 50 year old comic reader. In this life, you should pick one hobby, stick with it, and make it your own. It's hard to do that when you have been reading "the funny pages" for pretty much most of your life. However, I am adapting, learning to leave the current Marvel and DC reboots and events be, as I am not the market they are aimed at. Instead, I have been content to re-read the old TPBs digitally, remembering what kept me interested in the comics.
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
Eleanor Luhar (47 KP) rated Hurt in Books
Jun 24, 2019
I am going to try to avoid spoilers as much as I can in this book, but I'm afraid there will be some. I'd also like to say that this book includes a lot of graphic details and references to rape and suicide.
At first I felt that Mathéo was a bit too in love with Lola - he's only seventeen, and his adoration for her was bordering on sickly. But then I suppose young love does feel as all-consuming and important as Mathéo made it out to be. Lola, his girlfriend, was a beautiful young lady who moved into Mathéo's rich town. Unlike him, her house is small and cluttered and comfy - very different to his strict and orderly lifestyle.
First, Mathéo's rich-boy lifestyle is too much for him; he's not happy. But then his memory of the most awful night returns, and things get a whole lot worse. After a diving accident (Mathéo is expected to win an Olympic gold medal in a year's time) and a couple of near-death experiences while on holiday, I really thought Mathéo's life couldn't get any worse. But it did. Oh god, it did.
I will not give away the ending, but it honestly made me cry. Maybe it just hit a little too close to home, or maybe the contrast of such a lively, bright character with such a dark event was just too much for me. Either way, the ending was so unexpected and so, so sad. But I liked how the epilogue sort of tied things up, without being too sappy or "feel-good". I felt like this was a brutally honest story. Not to mention that the events/themes in this book are incredibly important to talk about - I really appreciated that this focused on a male rape victim.
Although I kind of felt like Suzuma had written the openening this book with a theosaurus on hand, seeing how many new words she could include, I got sucked in really quick. I really wanted to know more about what had happened, what was going to happen, and I really got emotional for Mathéo. His relationship with his little brother, and the development of their relationship, was really nice. And the epilogue... God, it's sad, but it's honest. Most people don't stay in touch after school. Most people do move on and forget each other.
The ending was fantastic, so I'm going to have to give this 5 stars.
At first I felt that Mathéo was a bit too in love with Lola - he's only seventeen, and his adoration for her was bordering on sickly. But then I suppose young love does feel as all-consuming and important as Mathéo made it out to be. Lola, his girlfriend, was a beautiful young lady who moved into Mathéo's rich town. Unlike him, her house is small and cluttered and comfy - very different to his strict and orderly lifestyle.
First, Mathéo's rich-boy lifestyle is too much for him; he's not happy. But then his memory of the most awful night returns, and things get a whole lot worse. After a diving accident (Mathéo is expected to win an Olympic gold medal in a year's time) and a couple of near-death experiences while on holiday, I really thought Mathéo's life couldn't get any worse. But it did. Oh god, it did.
I will not give away the ending, but it honestly made me cry. Maybe it just hit a little too close to home, or maybe the contrast of such a lively, bright character with such a dark event was just too much for me. Either way, the ending was so unexpected and so, so sad. But I liked how the epilogue sort of tied things up, without being too sappy or "feel-good". I felt like this was a brutally honest story. Not to mention that the events/themes in this book are incredibly important to talk about - I really appreciated that this focused on a male rape victim.
Although I kind of felt like Suzuma had written the openening this book with a theosaurus on hand, seeing how many new words she could include, I got sucked in really quick. I really wanted to know more about what had happened, what was going to happen, and I really got emotional for Mathéo. His relationship with his little brother, and the development of their relationship, was really nice. And the epilogue... God, it's sad, but it's honest. Most people don't stay in touch after school. Most people do move on and forget each other.
The ending was fantastic, so I'm going to have to give this 5 stars.