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Rachel King (13 KP) rated Keridan's Journey in Books
Feb 11, 2019
I stopped reading this book at page 88. I just could not stand the blatant lack of proper grammar and punctuation so prevalent on every page. Since I could not understand how something so bad could actually get published, I looked up the "book imprint" and realized that this is self-publishing at its worst. Michelle Peterson runs an art website and teaches art, then conceives of the idea to write her own book and create her own Imprint so that the book can be considered published. Really??
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
There are so many examples of bad grammar in this book, I don't know where to begin. Commas are so lacking, I want to cry. Specifically, when using prepositions or preposition-like modifiers, commas are needed. Also, compound sentences require the use of a comma. You would be surprised at how much a simple comma allows the reader to garner the true meaning of a sentence. Another example that illustrates how badly this book needed an editor is found on page 86: "I was left to wonder wear my tough skin went." Yes, you read that correctly.
Another huge problem I had with the book is the author's complete disregard for the writer's tool of "show, don't tell." While I understand that sometimes the rule can be disregarded, this book lacks in "showing" so much that I have no connection to any of the characters, and none of the events transpiring can compel any interest or emotional response in me. For example, on page 13, Keridan is thrust into a dream to speak with her mother. It reads "The smells, the colors are only this vibrant in a dream." That's it. No description, no picture painted with words, nothing is detailed, except in the most basic of words, such as "forest grove with flowers", "fairy dress", etc. I don't know what any of the characters look like, nor can I tell the difference between any of them.
I usually love fantasy, especially because of the imaginative descriptions that defy reality and convention, but (see? Comma!) even with a great concept of using the Greek myths of Sirens to build a world, this book is too disappointing and frustrating to be worth my time and energy. In all honesty, this book reads like a first draft of a novel after NanoWrimo -- messy, disorderly, and badly in need of a rewrite.
Kyera (8 KP) rated Wonder Woman: Warbringer in Books
Jan 31, 2018
Leigh Bardugo takes the fierce heroine you know and love - and makes her human. Warbringer is an origin story, taking Diana back to her roots and showing readers the less sure side of the Amazonian Princess. Yes, Diana is strong, loyal, honest and hard-working but she is also prideful, ambitious and unsure. She hasn't yet made a name for herself in the world of man and isn't sure what she is capable of.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
This story focuses on the relationship between Diana and Alia, a New Yorker who finds herself on the island of Themiscyra, rather than the romance most readers have come to expect. Sorry Steve, but this story is all about girl power and friendship. The two girls learn from each other and what it means to have a sister.
<i>“Sister in battle,” murmured Diana, “I am shield and blade to you.”
“And friend.”
“And always your friend.”</i>
I really enjoyed the characters in this book and the diversity that Leigh effortlessly brought to the story. Each character is able to shine without seeming like they were only an addition to hit some invisible quotient. Alia and her brother Jason are New Yorkers, but they're also Greek and African American. Jason's best friend, Theo is Brazilian and a total technogeek. Nim is self-described as Indian, fat and gay, and while none of those things define her or are the most important aspects of her (obviously that award goes to her killer fashion sense) they are very important additions. The characters represent our diverse world today and give each one of us someone or something to relate to.
I have always loved Wonder Woman, so as long as Leigh Bardugo's story felt like the character I've grown to know and love - I was going to be happy, but she managed to raise the bar. She brought me a tale of the Diana that I didn't even know that I wanted, her true origin story and took her readers on a journey with Diana as she learned what it meant to be a true hero, an Amazon.
This book isn't just for fans of superheroes, but those looking for a tale of friendship, maybe a little betrayal and some pure gold lines coming from the Amazonian <s>Princess</s> Queen of comebacks.
Kristy H (1252 KP) rated The Mothers: A Novel in Books
Feb 8, 2018
Seventeen-year-old Nadia Turner is a beautiful high school senior. An intelligent girl, she's college bound. But Nadia is also reeling from the suicide of her mother and trying to make sense of a life that includes just her and her taciturn Marine father. Nadia founds herself drawn to Luke Sheppard, the son of the Pastor of the Upper Room, the church of her African American community. Twenty-one, Luke is a former football star who was derailed by injury in college. Now working at a local restaurant, he and Nadia embark on a secret romance, and Nadia winds up pregnant. Not ready to have a child, she chooses to have an abortion. But Nadia is unaware of the far reaching impact of her decision and how it will affect Luke, herself, and Nadia's best friend, Aubrey.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
Phil Leader (619 KP) rated Atlantis (Jack Howard, #1) in Books
Nov 8, 2019
Books where Atlantis is assumed to have been fact are nothing new, and quite a few adventure thrillers use it as the springboard for their plots. This is hardly suprising as it is a widely known myth and a handy way of drawing the reader in.
This book takes a slightly different approach, at least initially. His archaologist hero Jack Howard finds out about an ancient text that sheds more light on the story of the sunken civilization. Gibbins then does a good job of deconstructing the myths using real evidence of Egyptian, Minoan and Greek archaeology and rebuilding into a hypothesis which leads Howard on a quest to discover the source of the myth. I really enjoyed this part of the book, the author's knowledge in this area shows in some deft explanations.
However once on the trail of Atlantis a villainous adversary appears and this is the point where the book struggles as it tries to marry an interesting and plausible story of historical investigation and a thriller. Unfortunately I didn't think this worked as the book couldn't work out what it was anymore and the change between styles was very uneaven. There is a particular segment where the heroes are being pursued into the inner sanctum of Atlantis with all haste - and then spend a long time investigating the wonders of the frescos and artefacts they find within.
To my mind Gibbins is a good writer when what he is writing about is the archaeology and historical references. This novel didn't need the added threat of the villain and it just cheapened the deal. It's not exactly a bad book, just a bit confused about its identity. Howard himself is also a confused character, being essentially a charismatic history buff he has no problem being a hard-nosed killer and also seems to shrug off potential danger to his friends and colleagues without a thought.
I read The Tiger Warrior a little while ago and enjoyed that more simply because that book concentrated on the history and the archaeology with the threats being realistic and relevant to the plot.
The unevenness in this work can perhaps be forgiven as a first novel. As the Tiger Warrior showed Gibbins does have the potential for a good book if the ingredients are right. Unfortunately this isn't it.
This book takes a slightly different approach, at least initially. His archaologist hero Jack Howard finds out about an ancient text that sheds more light on the story of the sunken civilization. Gibbins then does a good job of deconstructing the myths using real evidence of Egyptian, Minoan and Greek archaeology and rebuilding into a hypothesis which leads Howard on a quest to discover the source of the myth. I really enjoyed this part of the book, the author's knowledge in this area shows in some deft explanations.
However once on the trail of Atlantis a villainous adversary appears and this is the point where the book struggles as it tries to marry an interesting and plausible story of historical investigation and a thriller. Unfortunately I didn't think this worked as the book couldn't work out what it was anymore and the change between styles was very uneaven. There is a particular segment where the heroes are being pursued into the inner sanctum of Atlantis with all haste - and then spend a long time investigating the wonders of the frescos and artefacts they find within.
To my mind Gibbins is a good writer when what he is writing about is the archaeology and historical references. This novel didn't need the added threat of the villain and it just cheapened the deal. It's not exactly a bad book, just a bit confused about its identity. Howard himself is also a confused character, being essentially a charismatic history buff he has no problem being a hard-nosed killer and also seems to shrug off potential danger to his friends and colleagues without a thought.
I read The Tiger Warrior a little while ago and enjoyed that more simply because that book concentrated on the history and the archaeology with the threats being realistic and relevant to the plot.
The unevenness in this work can perhaps be forgiven as a first novel. As the Tiger Warrior showed Gibbins does have the potential for a good book if the ingredients are right. Unfortunately this isn't it.
Tim Booth recommended Soviet Kitsch by Regina Spektor in Music (curated)
Annie Chanse (15 KP) rated Death is but a Dream in Books
Dec 19, 2017
Contains spoilers, click to show
*contains spoilers*
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
A police detective -- Callista, Callie for short -- saves a little girl from getting hit by a bus. She, herself, is then hit instead. She wakes up to find herself in the Underworld where she is taken before Hades and offered a deal. Protect his son, Plutus, and find out who wants him dead, and Hades will restore her to life. However, if Callie fails in her objective or dies while in the Underworld, she will die an eternal death, and her soul will never be allowed to have an afterlife.
It doesn't seem like a super great choice, but when a god offers you a deal, the "offering" part is really just a polite term to cover up the fact that you are going to do what that god wants you to do or your screwed. And so Callie has little choice but to accept Hades' offer. She meets several interesting characters along the way, including one of the Furies, Tisiphone, who becomes Callie's friend and ally in the Underworld.
Callie's job is complicated, however, by the fact that Hades forbids her to interview, interrogate, or even outwardly suspect any of his royal family of trying to kill his son, and even FURTHER complicated by the fact that Hades lies to her and manipulates her at every turn.
"Death is but a Dream" is a beautiful and original story of the Olympian gods, and it is quite unique in its view of Greek mythology. Perhaps the closest comparison I can make to a book/series already out there in the market is with Amber Benson's series that starts with "Death's Daughter." (I'm sorry. I can't actually remember what the series is called as a whole.) It has the same tone. Both feature strong, independent female protagonists who are thrown into a fantastical world that they want no part of, so yes, fans of Amber Benson's work will really enjoy this book, I think.
The only complaint I have is that the book could have benefited from some series editing. I had an e-book copy of the novel, and there were quite a few more errors than I would expect a published, completed book to have. Most of the errors were inconsequential -- missing commas, wrong words, etc. -- and could be easily overlooked or fixed by the reader simply inserting the correct word while reading, but still, a polished book should be as free of errors as is possible, and this book had a good number.
I still really, really enjoyed the book, though. I highly recommend it.
Rachel King (13 KP) rated River Marked (Mercy Thompson, #6) in Books
Feb 11, 2019
This book takes a different direction than previous books in the series, because Mercy is doing something that I think is quite rare in the typical Urban Fantasy heroine -- she is getting married. As a married woman, I quite like this turn and the extra confidence and sense of permanence it gives Mercy, but I don't think this is something that every reader will fully appreciate. Still, it feels fresh and new to me, and I think it has the potential to "breathe new life" into the series.
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
The loose ends of Stefan's mess from the previous book are quickly tied up, and the plot swiftly moves on to a "surprise" wedding for Mercy. The set-up of the wedding was quite endearing, and I even teared up a bit over it. These two sub-plots take place rather quickly, though, as the main focus of the book is what occurs during Mercy and Adam's honeymoon.
Mercy figures out quickly that they have been set up by certain fairy acquaintances for reasons that no one really knows. I was laughing at this, as it feels like a bumper sticker motto: If the world needs saving - send Mercy! So of course, Urban Fantasy heroine Mercy does not get a typical honeymoon, but one fraught with peril and impending doom.
While it may seem on the surface to be a random way to introduce new characters and magical elements into the series, I think that the events that happened at the Columbia River were a great way to focus on Mercy's native heritage and answer many of the questions that I have been harboring through the series about her ability to transform into a coyote. She makes some new friends of native descent that are able to help her tackle her looming battle with the river monster, and she discovers that she is not the only native who can become another animal. She also learns more about her father and his relationship with her mother. The walking stick also plays a major part, though I hope this is not the last we've seen of it. That stick has too many quirks to just let it go.
The river monster itself was quite a creation - as much fantasy as I have read, I've never come across anything quite like it, though some creatures of Greek mythology comes close. Abominations like that remind me why I avoid watching horror movies. The behavior of the otterkin also reminded me of the way members of a cult exalt their leader - creepy. I can't wait for the next book!
Rachel King (13 KP) rated The Lightning Thief in Books
Feb 11, 2019
I decided to read this partly because I had just seen the movie and partly because I heard that it was a good series for fans of the Harry Potter series. Well, in regards to the movie, it's appalling how much the producers changed the book's plot to make the movie. If they make a second movie, I likely will not be interested, as I much more prefer the book's plot. In regards to the book's similarities to Harry Potter, they are vast, but really, who wouldn't aim to write something as popular and complex as the Harry Potter series? J.K. Rowling owns a castle! So, on to the actual book.
Years ago I thought that writing a fantasy series that uses Greek mythology would be a great idea, so I was excited when I heard of the Percy Jackson series. I love the modernized spin on the various good and bad characters, bringing them to life in both creative and believeable ways, such as Ares on a Harley and "Mr." Charon wearing Italian suits. The "Gods" of mythology at times seemed more like immature teenagers or work-aholic parents, with as much flaws as any normal human, and I really appreciated that they were differentiated from The GOD early on, and their place in the known universe was explained in the context of Percy's world. I especially like the scene of Hephaestus' trap that Percy and Annabeth get caught in. How the "normal" humans explained away the activities of the mythological characters was probably the most creative of the whole text, and at times rather humorous. It actually makes me wonder how much of what I see everyday is only a cover for what is really happening in the spiritual realm.
The only element that really bugged me about the text was how Percy changed from this moody, victimized pre-teen to a rather mature young man with almost no transition - emotional or otherwise. It almost felt like Percy possessed two different personalities that shared the same body. While Percy often says that he did not want to be the son of Poseidon, I found evidence of inner termoil strangely absent throughout the text. I also felt that there were smaller issues that could have been more detailed and developed, such as the characters of Grover and Annabeth. I will be continuing the series with The Sea of Monsters (Percy Jackson and the Olympians, Book 2) in the near future.
Years ago I thought that writing a fantasy series that uses Greek mythology would be a great idea, so I was excited when I heard of the Percy Jackson series. I love the modernized spin on the various good and bad characters, bringing them to life in both creative and believeable ways, such as Ares on a Harley and "Mr." Charon wearing Italian suits. The "Gods" of mythology at times seemed more like immature teenagers or work-aholic parents, with as much flaws as any normal human, and I really appreciated that they were differentiated from The GOD early on, and their place in the known universe was explained in the context of Percy's world. I especially like the scene of Hephaestus' trap that Percy and Annabeth get caught in. How the "normal" humans explained away the activities of the mythological characters was probably the most creative of the whole text, and at times rather humorous. It actually makes me wonder how much of what I see everyday is only a cover for what is really happening in the spiritual realm.
The only element that really bugged me about the text was how Percy changed from this moody, victimized pre-teen to a rather mature young man with almost no transition - emotional or otherwise. It almost felt like Percy possessed two different personalities that shared the same body. While Percy often says that he did not want to be the son of Poseidon, I found evidence of inner termoil strangely absent throughout the text. I also felt that there were smaller issues that could have been more detailed and developed, such as the characters of Grover and Annabeth. I will be continuing the series with The Sea of Monsters (Percy Jackson and the Olympians, Book 2) in the near future.
Kyera (8 KP) rated Unborn (Unborn, #1) in Books
Feb 1, 2018
I was incredibly and pleasantly (surprised) autopsied by this novel. Don't get me wrong, there are a number of things that leave the reader wanting more (and not in a good way), but overall it was well thought out.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
There is a prevalent element of mythology in this novel. Aspects of Greek mythology like the Underworld, Hades, Ares, and other (demi-)godly players are rampant throughout the story. But, it's combined with the (fallen) angels and heaven of religious mythology and stories. It's a strange combination that doesn't lend itself to logical commingling, although it worked relatively well here. Perhaps I'm just biased because I adore the mythology in all cultures.
My highest praise for this novel is the writing quality, not the characters, world, or plot - just the simple allure of a book that's written in proper, intelligent English. A surprising rarity in Y.A. books. The author has a wonderful command of the English language and uses vocabulary that make a reader wonder, "What does that mean?" I love books that will chose to use words strode or sauntered, rather than another banal alternative when expressing how someone made their way down the street. You want them to reference a thesaurus to make their lexicon as diverse as possible. No one wants to hear, he said, she said, they said over and over. Perhaps they shouted, or she bit back her words? Anything to give the story real depth and reality.
The shortcomings? Character development and world building. Don't get me wrong, it was certainly there but not as well thought out as it should have been. Relationships were crafted much more quickly than reasonably could be expected and it created a sense of falseness. If more attention had been given to those two aspects, it would have been a strong 4-star rating (rather than my 3/4 rating.)
Another trait of a good story, be it in a book, movie, tv show, or something else is lack of predictability. If you can guess what it going to happen in the story from just the first 50 pages, than it seems less appealing to continue. On this account, the author both confirmed my suspicions and utterly surprised me. Not long into my reading, I was jotting down notes and thoughts as I felt a situation professing. I wanted to have quotes, events, and feelings to reference later - especially if my expectations were fufilled. The end of the book on the other hand - completely unexpected.
Gareth von Kallenbach (980 KP) rated 300: Rise of an Empire (2014) in Movies
Jun 19, 2019
Seven years have passed since Frank Miller’s classic Graphic Novel 300 was adapted into a hit film and made a star of the largely unknown Gerard Butler.
The follow up film, “300 Rise of an Empire” is both a sequel and a prequel to the original film as it takes place before and after the events of the first film and involves Themistocles (Sullivan Stapleton), a general from Athens who is tasked with defeating the invading Persian navy with only a handful of soldiers and ships who years earlier at the Battle of Marathon put the events of the two films in motion with his actions on the battlefield.
The film also chronicles the rise of the mortal turned god Xerxes (Rodrigo Santoro) and his brutal right hand Artemesia (Eva Green), who plays a deadly game against the Greeks and Themistocles based on a long standing desire for revenge against the Greeks despite being Greek herself.
While the film is slow getting started as there is a lot of back story and character introductions to chronicle, the film does start off nicely with the bloody battle of Marathon and then sets up several battles along the way.
Lena Headey is the only returning character of note aside from Xeres and she does a good job in her limited time as the Queen of Sparta who must make hard decisions for her people.
The film uses the same graphical style of the previous film and while there is tons of blood and splatter, it is done with CGI and this helps diminish the impact of seeing copious amounts of blood and gore flying through the air during the numerous battles.
The 3D in the film is effective and seeing the embers from the fires float around was a nice touch.
The cast was engaging and entertaining despite being largely unknown and Stapleton does a nice job with the lead as he does not try to recreate the performance of Butler and instead focuses on his own character.
While it plays out largely like it is, a film version of a comic, Zack Snyder who produced the film and wrote the screenplay has done a good job with the source material. Director Noam Murro keeps the action flowing and gives a nice mix of visuals and character to overcome some of the issues with plot and pacing.
In the end, the film is an enjoyable action film and a worthy follow up to the original which sets the stage well for future films.
http://sknr.net/2014/03/07/300-rise-of-an-empire/
The follow up film, “300 Rise of an Empire” is both a sequel and a prequel to the original film as it takes place before and after the events of the first film and involves Themistocles (Sullivan Stapleton), a general from Athens who is tasked with defeating the invading Persian navy with only a handful of soldiers and ships who years earlier at the Battle of Marathon put the events of the two films in motion with his actions on the battlefield.
The film also chronicles the rise of the mortal turned god Xerxes (Rodrigo Santoro) and his brutal right hand Artemesia (Eva Green), who plays a deadly game against the Greeks and Themistocles based on a long standing desire for revenge against the Greeks despite being Greek herself.
While the film is slow getting started as there is a lot of back story and character introductions to chronicle, the film does start off nicely with the bloody battle of Marathon and then sets up several battles along the way.
Lena Headey is the only returning character of note aside from Xeres and she does a good job in her limited time as the Queen of Sparta who must make hard decisions for her people.
The film uses the same graphical style of the previous film and while there is tons of blood and splatter, it is done with CGI and this helps diminish the impact of seeing copious amounts of blood and gore flying through the air during the numerous battles.
The 3D in the film is effective and seeing the embers from the fires float around was a nice touch.
The cast was engaging and entertaining despite being largely unknown and Stapleton does a nice job with the lead as he does not try to recreate the performance of Butler and instead focuses on his own character.
While it plays out largely like it is, a film version of a comic, Zack Snyder who produced the film and wrote the screenplay has done a good job with the source material. Director Noam Murro keeps the action flowing and gives a nice mix of visuals and character to overcome some of the issues with plot and pacing.
In the end, the film is an enjoyable action film and a worthy follow up to the original which sets the stage well for future films.
http://sknr.net/2014/03/07/300-rise-of-an-empire/