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BookInspector (124 KP) rated Eat, Drink, Run: How I Got Fit Without Going Too Mad in Books
Sep 24, 2020
The blurb describes this book pretty accurately. After meeting The Royals, Bryony accidentally offered to run a marathon for Heads Together charity, who helps people suffering from mental health issues. I really loved how brutally honest and funny this memoir was. Bryony tells the reader the darkest and most shameful events of her life with pride! I think many people can relate to Bryony and her life lessons in one way or another. She openly speaks about her weight, OCD, depression, personal life struggles as well as her achievements with Mental Health Mates, her interview with Prince Harry and finishing the marathon.
Bryony talks a lot about mental health in this book, sometimes it did feel a little bit too much for me. I do understand the importance of it, but it got a little bit repetitive at times. I really liked the way it was written, it feels like an old friend, telling her life story, Bryony is unapologetic and states the facts the way they are. This book carries plenty of foul language, alcohol, strange relationships, and it was an absolute joy to read. 😀 I found the chapters to be a little bit too long for my liking, but because they were really funny, the book didn’t drag to me.
So, to conclude, I know that I learned a lot from Bryony. I learned that many people suffer from mental health issues, even though it is hard to see it with a naked eye. Bryony offers few easy and simple ways how to deal with those pesky demons, and enjoy your life as much as you can. I really enjoyed this memoir, and I hope you will give this book a try when you are looking for some inspiration.
Bryony talks a lot about mental health in this book, sometimes it did feel a little bit too much for me. I do understand the importance of it, but it got a little bit repetitive at times. I really liked the way it was written, it feels like an old friend, telling her life story, Bryony is unapologetic and states the facts the way they are. This book carries plenty of foul language, alcohol, strange relationships, and it was an absolute joy to read. 😀 I found the chapters to be a little bit too long for my liking, but because they were really funny, the book didn’t drag to me.
So, to conclude, I know that I learned a lot from Bryony. I learned that many people suffer from mental health issues, even though it is hard to see it with a naked eye. Bryony offers few easy and simple ways how to deal with those pesky demons, and enjoy your life as much as you can. I really enjoyed this memoir, and I hope you will give this book a try when you are looking for some inspiration.
Janeeny (200 KP) rated English Pastoral in Books
Sep 7, 2021
A love letter to Old English farming
English Pastoral is a beautiful love letter to traditional English farming.
Rebanks takes us through the journey of three generations on the farm in three parts. The first part talks about his childhood on the farm and his grandfather teaching him the ways of the land. The second part is Rebanks in his twenties, he’s experienced modern farming overseas and has ideas on how to move the farm forward, this includes using chemicals to protect the crops and enhance the livestock. Part three is Rebank’s time on the farm and their realisation that all they’ve been doing to keep up with modern farming has actually been having a counterproductive event.
It is a story of hope, a farming family brought to the brink of collapse that realise, in time, the real way forward can sometimes be backwards.
There is just too much goodness in this book to cover it all here. It’s beautifully written, it’s heartfelt and evocative. It pulls you into the pages, and I could have quite happily stayed living on that hardworking little farm on the fells.
There are some charming little anecdotes in this book, and the reverence with which Rebanks tells them is palpable. Rebanks is acutely aware of the contrast in farming techniques and frequently draws comparisons. From his grandfather gently moving a nest from one part of a field he’s cutting back (then moving in back again), to modern-day combines just hacking their way through a field regardless of the wildlife within.
This also re-affirms his grandfathers earlier statement that modern-day farmers sitting up in the cabs of their tractors have lost touch with the land.
This modern-way of farming doesn’t quite sit right with Rebanks and his father, they know that something is not quite right with the way they do things, but what else can they do to keep up with modern demands. The pivotal moment comes when Harry passes away. Harry is a local farmer of the same generation as Redbank’s grandfather, he’s stayed connected to the land and hasn’t gone in for all these modern ways. Another farmer who plans to buy the land gets the soil tested (in anticipation of what nutrients he may have to put into it) the soil inspector explains that the soil is healthy. In fact, it’s some of the best soil he’s ever seen.
This is when Rebanks begins to realise that the farmers themselves are the problem with the land. The ultimate irony that the very people who are supposed to be caring for the land are also the ones slowly destroying it.
Not only is this an exquisite little memoir, it is also a lesson on looking after the land. Rebanks lays it out as it is; in cold hard detail, this is what happened this is what he did about it. There is no preaching, but if we’re lucky we’ll learn something from it
Rebanks takes us through the journey of three generations on the farm in three parts. The first part talks about his childhood on the farm and his grandfather teaching him the ways of the land. The second part is Rebanks in his twenties, he’s experienced modern farming overseas and has ideas on how to move the farm forward, this includes using chemicals to protect the crops and enhance the livestock. Part three is Rebank’s time on the farm and their realisation that all they’ve been doing to keep up with modern farming has actually been having a counterproductive event.
It is a story of hope, a farming family brought to the brink of collapse that realise, in time, the real way forward can sometimes be backwards.
There is just too much goodness in this book to cover it all here. It’s beautifully written, it’s heartfelt and evocative. It pulls you into the pages, and I could have quite happily stayed living on that hardworking little farm on the fells.
There are some charming little anecdotes in this book, and the reverence with which Rebanks tells them is palpable. Rebanks is acutely aware of the contrast in farming techniques and frequently draws comparisons. From his grandfather gently moving a nest from one part of a field he’s cutting back (then moving in back again), to modern-day combines just hacking their way through a field regardless of the wildlife within.
This also re-affirms his grandfathers earlier statement that modern-day farmers sitting up in the cabs of their tractors have lost touch with the land.
This modern-way of farming doesn’t quite sit right with Rebanks and his father, they know that something is not quite right with the way they do things, but what else can they do to keep up with modern demands. The pivotal moment comes when Harry passes away. Harry is a local farmer of the same generation as Redbank’s grandfather, he’s stayed connected to the land and hasn’t gone in for all these modern ways. Another farmer who plans to buy the land gets the soil tested (in anticipation of what nutrients he may have to put into it) the soil inspector explains that the soil is healthy. In fact, it’s some of the best soil he’s ever seen.
This is when Rebanks begins to realise that the farmers themselves are the problem with the land. The ultimate irony that the very people who are supposed to be caring for the land are also the ones slowly destroying it.
Not only is this an exquisite little memoir, it is also a lesson on looking after the land. Rebanks lays it out as it is; in cold hard detail, this is what happened this is what he did about it. There is no preaching, but if we’re lucky we’ll learn something from it
Kaz (232 KP) rated Library of Souls: The Third Novel of Miss Peregrine's Home for Peculiar Children in Books
May 15, 2019
The Best Book So Far in the Series
The 'Blurb':
'The Peculiar Children are back in the third installment in the bestselling series of YA novels by Ransom Riggs. Time is running out for the Peculiar Children. With a dangerous madman on the loose, and their beloved Miss Peregrine still in danger, it's up to Jacob Portman to channel his newfound abilities and defeat Caul before he loses his friends--and their world--forever. This action-packed adventure features all-new Peculiar photographs from times and places all over the world.'
I've recently finished reading 'Library of Souls' by Ransom Riggs and I thought that this was the best book in the series. I'm not sure if this book was the last in a trilogy or the new book due to come out, follows on from what happened in 'Library of Souls', but I liked the plot of this novel.
Whilst I enjoyed the other two books, I think with 'Library of Souls', the story really gets going and this book was really well-paced and exciting.
I liked the development of the characters and I also thought that the themes running through the book, about how power use others to gain power for themselves, was thought provoking and mature. The teen romance is the only thing that lets this down slightly throughout the other books, but that element was dealt with well in 'Library of Souls'.
Also I think that the writing style is better in this novel. In the first novel, there were a few times where the writing seemed a bit awkward, but I think 'Library of Souls' is well written and at times, funny. At times, the story mirrored 'Harry Potter', but I still thought that it was still quite original.
I hope the new book continues Jacob's story, but even if that's the last thing we hear of this set of characters, this was a fitting end to their adventures.
My Rating **** 1/2 Stars
'The Peculiar Children are back in the third installment in the bestselling series of YA novels by Ransom Riggs. Time is running out for the Peculiar Children. With a dangerous madman on the loose, and their beloved Miss Peregrine still in danger, it's up to Jacob Portman to channel his newfound abilities and defeat Caul before he loses his friends--and their world--forever. This action-packed adventure features all-new Peculiar photographs from times and places all over the world.'
I've recently finished reading 'Library of Souls' by Ransom Riggs and I thought that this was the best book in the series. I'm not sure if this book was the last in a trilogy or the new book due to come out, follows on from what happened in 'Library of Souls', but I liked the plot of this novel.
Whilst I enjoyed the other two books, I think with 'Library of Souls', the story really gets going and this book was really well-paced and exciting.
I liked the development of the characters and I also thought that the themes running through the book, about how power use others to gain power for themselves, was thought provoking and mature. The teen romance is the only thing that lets this down slightly throughout the other books, but that element was dealt with well in 'Library of Souls'.
Also I think that the writing style is better in this novel. In the first novel, there were a few times where the writing seemed a bit awkward, but I think 'Library of Souls' is well written and at times, funny. At times, the story mirrored 'Harry Potter', but I still thought that it was still quite original.
I hope the new book continues Jacob's story, but even if that's the last thing we hear of this set of characters, this was a fitting end to their adventures.
My Rating **** 1/2 Stars
Phil Leader (619 KP) rated Adrianna's Surge in Books
Nov 8, 2019
Starting out as the story of Jayden, rescued from a life on the streets by a mysterious benefactor and enrolled into an advanced (and secretive) school, the Sanctum series has gone from strength to strength, and the fifth installment is no exception.
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Emma @ The Movies (1786 KP) rated Finding Steve McQueen (2019) in Movies
Nov 9, 2020
This heist comedy (we'll come to that later) sounds pretty good from the synopsis, I can't really elaborate much on it like I normally would because, for once, it's spot on!
I had a big issue almost straight off the bat... "In 1972"... that's how the synopsis starts. I had reread it just before starting the film and as it begins it actually flashes up "1980", very quickly it's explained (and it makes sense) but I didn't enjoy starting the film with that confusion. Now, if I was seeing this in the cinema it wouldn't have been an issue because you don't tend to sit there in the trailers reading the synopsis before it starts, but with it hitting digital you will be instantly seeing it before you press play... I know it's a really minor thing to be bugged by... but it did bug me.
The reason for the jump in years is that we're seeing Harry Barber telling his girlfriend, Molly, the story of his past and the heist. Flashbacks are a time-honoured tradition in films, but they're difficult to get right. The story jumps several times, but there's very little differentiation between time unless the diner is involved on one side of the jump. At one point it jumps because he talks at the camera and we hop back to Molly talking, it stuck out... it either never happened again or it blended in so well that I didn't notice it. It wouldn't be the first film to add something random like that and abandon the style choice. Some else will have to let me know if it happened more than I think it did.
These two things, combined with some free moving camerawork (that you know I hate) meant that I found the beginning of Finding Steve McQueen, especially when the heist that is pushed in the marketing doesn't appear for quite a while.
IMDb lists crime thriller as a guide... thriller is definitely the wrong word. Heist comedy (as per the PR I saw) is definitely more accurate, though I didn't find it particularly funny. It did bring a mild laugh out of me, but not enough to stamp it with the comedy tag. Even "heist" feels like it doesn't fit well, it may be about one but what's presented is much heavier on other parts of the story. It's more like a biopic with romance than crime. In the end that's a little bit disappointing when you're looking forward to crime.
William Fichtner was an instant standout for me, I thought he handled the role of Enzo Rotella particularly well, and there was a great dynamic with Louis Lombardi as Pauly. Rachael Taylor as Molly Murphy was great too, when she wasn't freaking me out with how much she looked like Nicole Kidman. Somehow I've never noticed that before so I'll have to put it down to a cunning makeup artist.
From there though I was underwhelmed. I'm not familiar with Travis Fimmel, and sadly, from this performance I've not been convinced to check out anything in his back catalogue. Apart from two well-played emotional scenes I didn't enjoy the character of Harry Barber at all.
Had this been advertised as a biography instead of a crime/heist then I probably would have had a more favourable opinion, but we're presented with a slow and light film. I'm not expecting all crime films to be gritty and dark, but I do expect them to focus more on the actual crime and investigation. That's also where I found the flashback idea falling apart because we're shown things for context that Harry wouldn't have known and been able to tell Molly.
What I did love about this film was the setting and the look of everything. It had a wonderful freshness about it and that coupled with the costumes felt natural and like it captured the era perfectly.
I by no means hated this film, but I was extremely disappointed. The way the story was balanced means that the heist gets lost in everything else that's happening and although it's hailed as an amazing feat in American history it doesn't feel all that impressive in this portrayal. The only real criminal thing about this film was the underuse of Forest Whitaker.
As a biography I could have seen clear to give this a 3, maybe a 3.5, but as a crime I can't give it more than a 2. It feels entirely misrepresented, had it not been for the few excellent performances, and the hope of exciting crime drama, I think I would have turned it off.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/finding-steve-mcqueen-movie-review.html
I had a big issue almost straight off the bat... "In 1972"... that's how the synopsis starts. I had reread it just before starting the film and as it begins it actually flashes up "1980", very quickly it's explained (and it makes sense) but I didn't enjoy starting the film with that confusion. Now, if I was seeing this in the cinema it wouldn't have been an issue because you don't tend to sit there in the trailers reading the synopsis before it starts, but with it hitting digital you will be instantly seeing it before you press play... I know it's a really minor thing to be bugged by... but it did bug me.
The reason for the jump in years is that we're seeing Harry Barber telling his girlfriend, Molly, the story of his past and the heist. Flashbacks are a time-honoured tradition in films, but they're difficult to get right. The story jumps several times, but there's very little differentiation between time unless the diner is involved on one side of the jump. At one point it jumps because he talks at the camera and we hop back to Molly talking, it stuck out... it either never happened again or it blended in so well that I didn't notice it. It wouldn't be the first film to add something random like that and abandon the style choice. Some else will have to let me know if it happened more than I think it did.
These two things, combined with some free moving camerawork (that you know I hate) meant that I found the beginning of Finding Steve McQueen, especially when the heist that is pushed in the marketing doesn't appear for quite a while.
IMDb lists crime thriller as a guide... thriller is definitely the wrong word. Heist comedy (as per the PR I saw) is definitely more accurate, though I didn't find it particularly funny. It did bring a mild laugh out of me, but not enough to stamp it with the comedy tag. Even "heist" feels like it doesn't fit well, it may be about one but what's presented is much heavier on other parts of the story. It's more like a biopic with romance than crime. In the end that's a little bit disappointing when you're looking forward to crime.
William Fichtner was an instant standout for me, I thought he handled the role of Enzo Rotella particularly well, and there was a great dynamic with Louis Lombardi as Pauly. Rachael Taylor as Molly Murphy was great too, when she wasn't freaking me out with how much she looked like Nicole Kidman. Somehow I've never noticed that before so I'll have to put it down to a cunning makeup artist.
From there though I was underwhelmed. I'm not familiar with Travis Fimmel, and sadly, from this performance I've not been convinced to check out anything in his back catalogue. Apart from two well-played emotional scenes I didn't enjoy the character of Harry Barber at all.
Had this been advertised as a biography instead of a crime/heist then I probably would have had a more favourable opinion, but we're presented with a slow and light film. I'm not expecting all crime films to be gritty and dark, but I do expect them to focus more on the actual crime and investigation. That's also where I found the flashback idea falling apart because we're shown things for context that Harry wouldn't have known and been able to tell Molly.
What I did love about this film was the setting and the look of everything. It had a wonderful freshness about it and that coupled with the costumes felt natural and like it captured the era perfectly.
I by no means hated this film, but I was extremely disappointed. The way the story was balanced means that the heist gets lost in everything else that's happening and although it's hailed as an amazing feat in American history it doesn't feel all that impressive in this portrayal. The only real criminal thing about this film was the underuse of Forest Whitaker.
As a biography I could have seen clear to give this a 3, maybe a 3.5, but as a crime I can't give it more than a 2. It feels entirely misrepresented, had it not been for the few excellent performances, and the hope of exciting crime drama, I think I would have turned it off.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/11/finding-steve-mcqueen-movie-review.html
Movie Metropolis (309 KP) rated Doctor Strange (2016) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Marvel Meets Inception
Let’s face it; Marvel rarely gets it wrong when it comes to crafting cracking superhero blockbusters. Sure, Avengers: Age of Ultron was an overstuffed mess but it had ambition and Iron Man 2 was fine when not compared to its predecessor.
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Now, one of the biggest film studios in the world takes on its biggest gamble yet – more so than Guardians of the Galaxy was, and that’s saying something! But does Doctor Strange hit all the right notes or are we looking at Marvel’s first true dog’s dinner?
Dr. Stephen Strange’s (Benedict Cumberbatch) life changes after a car accident robs him of the use of his hands. When traditional medicine fails him, he looks for healing, and hope, in a mysterious enclave. He quickly learns that the enclave is at the front line of a battle against unseen dark forces bent on destroying reality. Before long, Strange is forced to choose between his life of fortune and status or leave it all behind to defend the world as the most powerful sorcerer in existence.
Harry Potter meets Inception as director Scott Derrickson’s ambitious vision for the Marvel comic comes to life on screen. It’s one of the best looking films in the studio’s catalogue, and one that’s definitely worth paying the extra dosh for the 3D version.
When it comes to acting, the cast is, on the whole, very good. Tilda Swinton is perhaps the best character in the entire film as the ‘Ancient One’. She’s an incredible actress given the right material and despite being thinly written, she shines in this intriguing role. The rest of the cast, including Benedict Wong, Chiwetel Ejiofor and Rachel McAdams are poorly realised and make no measurable impact on the final cut.
Mads Mikkelsen’s portrayal of Kaecilius, the film’s main antagonist, is good but Marvel continuously struggle to create interesting villains and unfortunately, Mikkelsen falls into that pot, though he’s not quite as bad as Oscar Issac’s Apocalypse from this year’s X-Men entry. Let’s hope Mikkelsen is given more time to shine in Rogue One: A Star Wars Story in December.
Assessing Benedict Cumberbatch’s performance as the titular character is a little more difficult. On the one hand, he plays the deeply unlikeable Stephen Strange with the same class he brings to all his other personas; and then on the other, he seems at odds with Marvel’s global universe – the comedic elements almost feeling a little too forced, that is, in comparison to Chris Hemsworth’s mighty Thor or Paul Rudd’s sarcastic Ant-Man.
Luckily, the engaging special effects and magical story ensure Doctor Strange’s negatives are kept few and far between. Superhero films are beginning to grow a little tiresome with at least six being released this year alone, but the unique plot to this one makes certain you won’t have seen anything like it in the genre before.
Overall, Doctor Strange is a pleasing addition to the MCU, though one that isn’t quite as special as Guardians of the Galaxy was in 2014. It’s nice to have yet another character to join the growing list of Avengers but it’ll take another solo outing for Benedict Cumberbatch’s surgeon to make any sort of lasting impact.
https://moviemetropolis.net/2016/10/27/marvel-meets-inception-doctor-strange-review/
Jake (52 KP) rated Honor's Price (Fury of a Rising Dragon, #2) in Books
Jul 25, 2019
Let me preface my review by saying that this book has very defined themes that really hit home for me. Things like: Friendship, trial, sacrifice, perseverance, study and reward, defined magic rules, war / training themes, rich history, and how love and grit will get you through tough times. Some of those themes are prevalent in books like Harry Potter, Lord of the Rings, or even things like Mistborn, etc. If you enjoyed those series, you may enjoy this series as well. For me, those themes really resonate with me, and this book is no exception.
Id like to recommend that you read Arcane The Arinthian Line Series (Books 1 -5) first. Really, so much is set up before this book that you cant just jump in blindly now. If you read those books and loved them, then KEEP READING: it just keeps getting more and more awesome. I love these books, and this book in the series just continues to help solidify my feeling that this has got to be one of the best book series I have ever read.
There are many ups and downs in this book. The author does a great job of making you feel like there is no hope, that all is lost, and that theres no way they can ever get out of what theyre up against. I cant say too much other than this: the few wins that there are do really hit hard on you: you just FEEL so much for the characters vindication and justice that everything was worth it.
There were definitely some slow scenes and definitely some exciting scenes. There was rich history woven in a tapestry of friendship and growth and pain. Although the story might slow here and there, I felt it was very cohesive and realistic, and couldnt find any gaps or issues with it. I felt that the characters development (emotionally and otherwise) was so satisfying and raw. I love the villains and I love the heroes and everyone in between.
Honestly its been awhile since the last book, and since the first 5 books in the series, so I kinda forgot a few of the side characters, but I quickly was able to jump back in, and nothing weird about any side characters ever was enough of an issue to keep me from being engaged in the story.
Sever, keep up the good work. To me, this book and this whole series is the most under-rated gem of the 21st century. (Insert meme of me at a table with a sign that says just that, and underneath says change my mind. But then those words Change my mind are crossed out as youll never be able to do so!)
I hope that there is only 1 more book in this particular series as I think that would be a great way to end things, but realistically I plan on reading ANY book that Sever puts out at this point. Its just so great that these books, while good for teens, can also hit home for adults as well. Also, as one who is mindful of content, this book is generally between PG & PG-13 rated, mainly due to fighting, and so Im glad to be able to enjoy quality literature thats NOT R-rated. From the bottom of my heart, thank you Sever.
I received this book for free in exchange for an honest review, and I recommend buying this book for an honest-to-goodness great experience.
Id like to recommend that you read Arcane The Arinthian Line Series (Books 1 -5) first. Really, so much is set up before this book that you cant just jump in blindly now. If you read those books and loved them, then KEEP READING: it just keeps getting more and more awesome. I love these books, and this book in the series just continues to help solidify my feeling that this has got to be one of the best book series I have ever read.
There are many ups and downs in this book. The author does a great job of making you feel like there is no hope, that all is lost, and that theres no way they can ever get out of what theyre up against. I cant say too much other than this: the few wins that there are do really hit hard on you: you just FEEL so much for the characters vindication and justice that everything was worth it.
There were definitely some slow scenes and definitely some exciting scenes. There was rich history woven in a tapestry of friendship and growth and pain. Although the story might slow here and there, I felt it was very cohesive and realistic, and couldnt find any gaps or issues with it. I felt that the characters development (emotionally and otherwise) was so satisfying and raw. I love the villains and I love the heroes and everyone in between.
Honestly its been awhile since the last book, and since the first 5 books in the series, so I kinda forgot a few of the side characters, but I quickly was able to jump back in, and nothing weird about any side characters ever was enough of an issue to keep me from being engaged in the story.
Sever, keep up the good work. To me, this book and this whole series is the most under-rated gem of the 21st century. (Insert meme of me at a table with a sign that says just that, and underneath says change my mind. But then those words Change my mind are crossed out as youll never be able to do so!)
I hope that there is only 1 more book in this particular series as I think that would be a great way to end things, but realistically I plan on reading ANY book that Sever puts out at this point. Its just so great that these books, while good for teens, can also hit home for adults as well. Also, as one who is mindful of content, this book is generally between PG & PG-13 rated, mainly due to fighting, and so Im glad to be able to enjoy quality literature thats NOT R-rated. From the bottom of my heart, thank you Sever.
I received this book for free in exchange for an honest review, and I recommend buying this book for an honest-to-goodness great experience.
Haley Mathiot (9 KP) rated Wings (Wings, #1) in Books
Apr 27, 2018
This book had some good, some bad, some supremacy, some mediocrity. here's my warning now, that this has spoilers in it.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
good: a wild twist. the idea that fairy's are plants never once crossed my mind, the idea that Laurel had flowers growing out of her back instead of actual wings was... kinda weird but also really cool. and in my opinion, the good over-weighed the bad.
bad: i remember very vividly that the boy she falls in love with is introduced in the first paragraph (or second, or something like that.) and that totally gave away that part of the plot. i knew right away she'd become involved with him. i would have liked the author to develop his character a little more, or develop Laurel's character a little more, before introducing him.
supremacy: it had me hooked from about the fifth chapter to the twenty-second. i literally read for five hours. that's a long time for me. i mean, i read A LOT and ALL THE TIME, but five hours at once? seriously. the only other times that's ever happened was for twilight and harry potter. very nice, Aprilynne.
mediocrity: the writing itself, the prose, the sentence structure, was not all that fabulous. it was just basic sentence structure most of the time, and ok vocabulary. the words themselves were not poetic and artful, something that you find in Edger Allen Poe or J K Rowling.
the last thing was the end. it left you hanging, a little. which, as a writer, is a smart and mean thing to do at the same time. i'm a writer, and in every single one of my books i leave my audience hanging. but as a reader, it's annoying. i the one thing i want to know is what happens about her and the boy thing? who does she end up with? i'll bet that the boy she met at school ends up with the girl who's had a crush on him forever, and she goes back to her fairy-boy. (can you tell i've forgotten some names and don't have the book with me?) whatever. but i hope there's a second one, because that one little thing will bug me from now until whenever the new one comes out (if there is one.)
of course, again, the book was addictive, and had a great twist. i will say that if i ever had a chance to read it again, i would probably not do it. but i will (if there is one) read the sequel. all in all, i did like this book. quite a lot. and i do recommend it to anyone who likes romance, fantasy, or adventure.
RəX Regent (349 KP) rated The Goonies (1985) in Movies
Feb 25, 2019
Classic
Contains spoilers, click to show
I first watched this seminal 80's classic in 1988, when it first appeared on TV and I was blown away by it. I was 10, roughly the same age as the lads and here was a film with a raucous sense of humour, strong child characters and large-scale plot which has made this film a multi-generational classic, with our parents, us as parents and our children all investing in the spirit of adventure of The Goonies.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
James Koppert (2698 KP) rated Thorn in Books
Mar 29, 2020
A Phenomenon
There are some young adults books, Harry Potter, Letter for the King, His Dark Materials that can be translated through the languages of the world and for decades or more, be held up as classics of young literature, deserved to be read and bring joy for all ages. Thorn deserves to be held up in equal company as these. I won't beat about the bush, this is an exceptional, beautiful entertaining tale deserving to be a global best-seller for many many years. If you read my reviews I don't thrust such extreme praise on everything I read, but Thorn is the type of book you end up taking a days holiday off work just to carry on engaging with this wonderful story.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.
Intisar Khanani is a very special writer, like Neil Gaiman, she takes the world and weaves an understated thread of magic and fantasy into the story that provides an undercurrent which bubbles to the surface. The fact it is understated brings you a acceptance without question of the world you are reading, so magic spells and talking horses are as accepted as characters eating a meal. Intisar Khanani's writing flows effortlessly. When you are reading a true master of the art, they write in a way where you forget you are reading at all and are simply viewing a world from the pages. This is such a book.
Thorn contains very human characters who you will feel a deep tenderness for. It contains morality and dilemma asking you to question whether you put your happiness first or the duty of bettering the world? What is justice and rule? Do you seek justice through revenge or lessons as just a few. Yet these moralities are not there to beat you round the head, they are part of the grain of the story where you raise the questions alongside that of the adorable lead character whose gentle female strength is ferocious, again in a beautifully subtle way.
I don't want to give away any of the plot, I want you t pick up the book and let it unravel before your eyes like I did. Be wicked away into a rich multicultural world full of what i hope are many stories yet to be told.
Thorn may not just be the best young adult book of the decade, it could well be one of the best fantasy novels as well, that will be read and then re-read for the next few decades and beyond. Intisar Khanani is about to be a global superstar and deserves every particle of light the spotlight is made up of shining on her.