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ClareR (5726 KP) rated The Other People in Books

Feb 9, 2020 (Updated Feb 11, 2020)  
The Other People
The Other People
C. J. Tudor | 2020 | Fiction & Poetry, Mystery, Thriller
9
9.0 (1 Ratings)
Book Rating
This is the first book I’ve read by C J Tudor, and if I’d known that she could write such a disturbing, haunting thriller that would follow me around all day, I would have wised up and read her previous books!

Gabe drives up and down a motorway for three years, looking for his daughter. His supposedly dead daughter. Except on the day that she died, he saw her in the back of a car on the motorway. When he got home, it was to find out that his wife and daughter had been murdered in a botched burglary. But Gabe saw his daughter in the back of that car...

Two other stories become intertwined with Gabe’s: Katie, a woman who works in a coffee shop on the motorway, a single mother struggling to support her two children. She sees Gabe regularly and knows his story. She knows something of how he feels, because her father was murdered in another, unconnected, botched burglary nine years before. And then there’s Fran and Alice. A mother and her child, permanently on the run, knowing that if the people who are chasing them actually catch them, they will be dead. Quite how these people are connected is at first a mystery.

And then there’s the girl that Alice sees in the mirror, and the Other People...

Boy this was creepy. I LOVED how creepy it was. And there’s an underlying menace throughout the book. This is precisely my kind of book - and it’s well worth a read!

Many thanks to NetGalley and Penguin for my copy of this book to read and review.
  
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LoganCrews (2861 KP) rated Halloween (1978) in Movies

Oct 29, 2020 (Updated Oct 29, 2020)  
Halloween (1978)
Halloween (1978)
1978 | Horror
7
8.4 (83 Ratings)
Movie Rating Watch
I think this is so good that it actually sort of suffers because of it, if that makes any sense? Starts off phenomenally - exemplifies what the best of horror movies can be and quite honestly does continue most of the way through. The formal precision is just insane, Dean Cundey naturally makes sure this looks nothing short of remarkable and the music is some of the all-time best ever contributed to a horror movie. So simple yet so effective, so suspenseful all these decades later. It never really loses any sort of quality outside of waning some of its tightness near the middle, but despite the fact that it's objectively exemplary it still feels like it lacks something, that oomph that this by all means should have. A huge factor, I think, is that truthfully this overuses a lot of its tricks. I mean Michael Myers, mysterious and intimidating, often framed from below the neck or behind the head is a staggering image in horror history - him disappearing and suddenly reappearing outside of a window or doorway? Truly haunting the first couple times, even a time or two after that. But again, then again, then again? It starts to lose its luster fast and really flattens the eerie wavelength of not really knowing what's going on. Though I think even this movie's fans don't give enough credit to how it (quite obviously and vocally) portrays Laurie, Loomis, and Michael as being tied irreversibly by fate where each attempt at either one getting out is merely one of a never-ending amount of predetermined actions merely to mirror randomness.