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Andy K (10821 KP) rated Zoo (2018) in Movies
Oct 19, 2019
Saving your marriage or zombie apocalypse?
I have to admit being new to the world of British cinema (since I live in the US) so those extreme British accents are still a struggle for me at times (especially when you guys talk so fast!). I have to admit to even putting subtitles on a few times so I could get all the words.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.
Interesting premise of this film and the recommendation from a friend to watch.
How would you feel if a zombie infestation began right while your marriage was on the rocks? Which would be your priority to correct?
This young couple grapples with this exact issue and it is relatively successful. They spend time disagreeing with each other and moping about in their flat since they cannot go outside without having to deal with infected hoards trying to devour them. They begin having meaningful dialogue and then they get a knock at their door. A random couple ask if they can come and hide within to remove themselves from danger and are obliged. They immediately become a nuisance asking for provisions which are already in short supply and to "borrow a toothbrush"? I thought that was funny.
Their stay at the apartment is short, but long enough to have the couple start to unite themselves against their new house guests. After their departure, the couple becomes more intimate and work on their relationship before even more unwanted guests arrive.
The dialogue was a bit corny at times, but worked overall. I enjoyed the fresh take on the zombie genre. If romantic comedy zombie horror is a new sub genre I'm all in.
YN
You're Not Dead Until You're Forgotten: A Memoir
John Dunning and Bill Brownstein
Book
Much to his chagrin, John Dunning was born into the movie business. But once he came to accept his...
Sarah (7798 KP) rated Parasite (2019) in Movies
Jul 17, 2020
Deserving of the hype
I very rarely rate Oscar winners when I eventually see them. For me, apart from a few exceptions, most tend to be overrated. However Parasite is definitely one of the exceptions.
It takes a lot of concentration to watch a foreign language film and constantly read the subtitles, but Parasite is that interesting and entertaining that I virtually forgot it was in Korean. I was so enthralled by the life and schemes of the Kim family. What surprised me the most was how funny this was. I'd been expecting a serious drama and whilst it was serious in parts, the first half of the film is quite humorous watching the Kim family scheme their way into the lives of the Parks. It really is a crazy plot but that's what makes it so enjoyable to watch. And the final act of the film is bonkers yet a work of absolute genius - I never would've predicted that the film would turn out that way.
There are a lot of great things about this film - a fantastic script, a clear message on the divide between rich and popt and a plot spanning a variety of genres from drama, comedy to even horror. It's wonderfully directed too and there's no surprise on the Oscar for that one. It's not perfect, there are a few niggles and unbelievable elements. But for the most part, this is a brilliant film. Is it deserving of the hype? Absolutely. Is it deserving of the Oscar? Possibly. Most likely. It's definitely as deserving as 1917 was, despite them being polar opposites.
It takes a lot of concentration to watch a foreign language film and constantly read the subtitles, but Parasite is that interesting and entertaining that I virtually forgot it was in Korean. I was so enthralled by the life and schemes of the Kim family. What surprised me the most was how funny this was. I'd been expecting a serious drama and whilst it was serious in parts, the first half of the film is quite humorous watching the Kim family scheme their way into the lives of the Parks. It really is a crazy plot but that's what makes it so enjoyable to watch. And the final act of the film is bonkers yet a work of absolute genius - I never would've predicted that the film would turn out that way.
There are a lot of great things about this film - a fantastic script, a clear message on the divide between rich and popt and a plot spanning a variety of genres from drama, comedy to even horror. It's wonderfully directed too and there's no surprise on the Oscar for that one. It's not perfect, there are a few niggles and unbelievable elements. But for the most part, this is a brilliant film. Is it deserving of the hype? Absolutely. Is it deserving of the Oscar? Possibly. Most likely. It's definitely as deserving as 1917 was, despite them being polar opposites.
Neon's Nerd Nexus (360 KP) rated Toy Story 4 (2019) in Movies
Jun 21, 2019 (Updated Jun 21, 2019)
Beyond
Toy Story 4 takes the series to the deepest places of the human psyche yet & as a result makes this instalment the darkest & hardest of them all to stomach as its themes are so relatable & current. There were moments in this film where i found myself looking down from the screen deep in thought about my own life, thinking back to mistakes I'd made & friends I've lost along the way. Toy Story 4 had successfully hit me hard in my heart & mind using ways & on levels no animated film has managed before & although this made me extremely sad I left the cinema fulfilled, happy & with a new outlook on life. Themes of finding a purpouse, not knowing who you are, suicided, relationships, letting go, moving on, finding happiness, feeling lost, cofidence, depression, self worth are all brought up here & gone into with such depth I was wondering if this film was actually intended more for adults than kids. What got to me the most is the stuff on relationships which is portrayed with Woody's hanging on to Andy & still not being able to let him go & move on, its extremely tuff to watch & although animated every inch of his pain is felt. Theres such a lot here about feeling lost in life & wanting a purpose which does get extremely heavy but the film also teaches & up lifts showing that as long as you keep your friends around you the world is a big exciting place with so much to do & see that wasting time being hung up on the past is silly. Also the stress of being a parent & how toys are also a crucial part of a childs up bringing, seriously its ridiculous how much theyve crammed in here. Amination is staggering from the insane dust particles, lighting & water effects to the textures of the plastic pixar out does every animated film that came before it. Sound design is also top tear with a moment of silence at one stage so on point it literally took my breath away. Comedy is also perfect with jokes hitting constantly & theres actually quite a bit of horror this time around which is done better than most horror films of today. I also loved seeing how Woody has progressed as a character too he has a deep sadness about him but also takes way more risks with being seen which also adds great tension. I simply can not recomend you see this film enough.
Matthew Krueger (10051 KP) rated House of Frankenstein (1944) in Movies
Jun 18, 2020 (Updated Jun 18, 2020)
Get The Gang All Together: The Crossover
House of Frankenstein- is the ultimate monster crossover. It has Frankenstein, Dracula played by John Carradine, the Hunchback and the Wolf-Man played by Lon Chaney Jr. and a mad scientist played by Boris Karloff.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
Daniel Holford (0 KP) rated It (2017) in Movies
Sep 20, 2017
The surprise hit film of the year is here and there's no wonder it's such a hit. Immediately from the outsit of the movie it is clear what this film is going to be. Frequent scares and creepiness, mixed with excellent visuals and directing, all spliced together with a great coming of age story. Think stranger things and stand by me, with added monsters and killer clowns.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.
Neon's Nerd Nexus (360 KP) rated One Cut of the Dead (Kamera o Tomeru na!) (2017) in Movies
May 13, 2019
A cut above
#onecutofthedead is an extremely #fun and stressful look into the #art of #lowbudget #filmmaking. #Zombie films have literally been done to #death now so when i got the chance to catch this one i was sceptical but still the zombie #fan in me decided it wouldn't hurt to give it a shot. I have to say one cut is possibly the most refreshing and unique take on the genre ive seen in quite some time. Essentially 2 films the first half is an impressive little low budget zombie movie creatively shot in one long take while the second half is a look into the film making process itself. Its essentially one big love letter to the art of film making (especially on a low budget) full of #nostalgia and nods to films we all grew up enjoying. We are shown all the passion, team work, #stress, mistakes, cost cutting, disasters, preparation, energy and #emotional investment and above all fun that goes into the making a movie which is extremely refreshing to see. Acting is full of life especially since most of the cast are unknowns and each of them manage to bring great #comedy, realisum and likability to the characters. Themes of #bullying and social awkwardness are touched on here too and the film touches on how a directors can sometimes go to far ending up pushing actors over the brink not only physicall but mentally. Fancy something #gory, #funny, different and quirky? one cut is a film about inspiration, passion, motivation and comitment that pleasantly surprised me and has successfully reanimated the art of zombie movie making. #gore #horror #friyay #scary #silly #movie #filmbuff #filmcritic #beautiful #oldschool #classic #georgeromero #dawnofthedead #throwback #walkingdead
Sarah (7798 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 14, 2018
Such a disappointment
I've seen a lot of horrendous reviews for this film and whilst I'd agree that it isn't great, it's not nearly as bad as expected.
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
The problem is that this film has a stellar cast with impressive comedy credentials, yet apart from one or two titters, it just isn't funny. The humour falls completely flat. Michael Sheen, Simon Pegg and Nick Frost ham it up the best they can but their performances border on cringeworthy. Even the cameo from Margot Robbie is wasted. I did quite like Asa Butterfield though, who managed to get away with some of the best lines in the film.
The plot isn't the worst, and is surprisingly relevant to current affairs. Considering the ongoing debate over fracking and the fracking going on in Lancashire (30 mins down the road from where I live), I was impressed at the relevance even if they didn't really touch on any of the serious issues. The start of the story is a little bit cliched too. Fish out of water Northerner going to a posh Southern boarding school? Some originality would be nice, as a northerner myself it's gets a little frustrating seeing so many films choose this sort of plot mechanism.
The creatures themselves are underdeveloped and aren't scary, although the amount of blood and gore was a nice touch. And it all just gets a little bit silly and ridiculous with them towards the end, which is a shame as there was some potential hidden here somewhere.
That said, as horror comedies go it's fairly inoffensive. Whilst I wouldn't recommend going out of your way to watch it, if you're ever at a loss for something easy to watch, there are worse films you could choose. Just don't expect another of the Cornetto films...
Andy K (10821 KP) rated Basket Case (1982) in Movies
Oct 26, 2019
Basket full o' fun!
What would your life be like if you were a former conjoined twin, couldn't tell anyone about it, and then also carried around your now separated deformed, menacing killer twin in a wicker basket?
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
Thus the premise of this entertaining, yet goofy 80s horror comedy.
Awkward, nerdy Duane Bradley comes to stay at a low rate hotel with a scummy array inhabitants in search of a normal life. He is always carrying this large basket which he holds dearly, but won't let anyone look inside. The basket occasionally makes unusual sounds and shimmies every once in a while, but its contents remain a mystery.
He goes to a doctor's office only to unleash the basket contents on the unsuspecting physician. Turns out his now unattached deformed brother survived their separation operation and is now a menacing, killer globule out for revenge. The killing spree continues for the other doctors and random hotel inhabitants, but then Barry meets a girl he likes. She likes him back. Barry struggles to keep his new love away from his brother who can also read his thoughts.
Will love survive?
Along with films like Braindead, Society or even Re-Animator, Basket Case makes its case as a cult 80s classic. Yeah fine, the dialogue and acting are cheesy and sometimes over the top, but the gore and interesting practical effect kills are there for fun. The creation of the basket creature was interesting and not something I had seen before. Once the revenge plot element was revealed, you are sort of rooting on the separated twins to continue and complete their quest of carnage just so you can see more clever murder sequences.
If you don't take it seriously it's pretty fun.
The Doctor Dissected: A Cultural Autopsy of the Burke and Hare Murders
Book
A series of bizarre disappearances filled the citizens of early nineteenth-century Scotland with...