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Darren (1599 KP) rated In the Tall Grass (2019) in Movies
Oct 14, 2019
Characters – Becky is the pregnant lady travelling across country to start a life with her baby, her maternal instincts take over when she hears a young boy calling for help in the grass, which sees her get trapped, she experiences different pregnancy problems while trying to find her way out. Cal is the protect brother, who couldn’t win a fight to save his life, he wants his sister to date somebody with a future and an education. Ross is the father of Tobin who has gone too far into the grass before, he knows what is happening making him a real threat to the rest. Tobin is the little boy that is calling out for help, he desperate cries for help lead to the events of the film as Becky and Cal go in search for the answer.
Performances – When it comes to the performances this is a hard one to hate or enjoy anybody in the film, nobody is bad, Laysla De Oliveira and Avery Whitted as the brother sister don’t have the best chemistry. Patrick Wilson does go full crazy for parts of the film and it is the best part to watch.
Story – The story here follows a group of people that lost in tall grass which seems to have a mind of itself which will see them needing to figure out how to make it out alive. This is a story that does do a lot of confusing things because we do try to capture the magic of ‘Triangle’ only for it to be way to confusing for the most part because we are going over and over through different points of view which just doesn’t give us enough to work with because a lot happens in pitch black too which doesn’t make it clear just what was happening. This is a story you could break down and figure out what happened, but it isn’t a causal watch when figuring out the loops.
Horror – The horror in the film is meant to come from the unknown in the grass and just what happens within the grass.
Settings – The film wants to use the tall grass for the settings, I guess this is an American thing for it to be scary.
Special Effects – The effects used in the film are mostly shock for gore, which are fine, but just don’t shock the way they want too.
Scene of the Movie – Ross finds a way in.
That Moment That Annoyed Me – Too many attempts to create a reset.
Final Thoughts – This is a horror that just doesn’t get to any horror levels, if you have seen ‘Triangle’ you will have seen a much more interesting and better version of this story.
Overall: Just not Triangle.
Performances – When it comes to the performances this is a hard one to hate or enjoy anybody in the film, nobody is bad, Laysla De Oliveira and Avery Whitted as the brother sister don’t have the best chemistry. Patrick Wilson does go full crazy for parts of the film and it is the best part to watch.
Story – The story here follows a group of people that lost in tall grass which seems to have a mind of itself which will see them needing to figure out how to make it out alive. This is a story that does do a lot of confusing things because we do try to capture the magic of ‘Triangle’ only for it to be way to confusing for the most part because we are going over and over through different points of view which just doesn’t give us enough to work with because a lot happens in pitch black too which doesn’t make it clear just what was happening. This is a story you could break down and figure out what happened, but it isn’t a causal watch when figuring out the loops.
Horror – The horror in the film is meant to come from the unknown in the grass and just what happens within the grass.
Settings – The film wants to use the tall grass for the settings, I guess this is an American thing for it to be scary.
Special Effects – The effects used in the film are mostly shock for gore, which are fine, but just don’t shock the way they want too.
Scene of the Movie – Ross finds a way in.
That Moment That Annoyed Me – Too many attempts to create a reset.
Final Thoughts – This is a horror that just doesn’t get to any horror levels, if you have seen ‘Triangle’ you will have seen a much more interesting and better version of this story.
Overall: Just not Triangle.
LeftSideCut (3778 KP) rated Friday the 13th Part 2 (1981) in Movies
Jul 19, 2020
After the runaway success of the first Friday the 13th a mere year earlier, Part 2 is the first of many sequels spaffed out in a short space of time. The sequels are mostly ok, certainly watchable, with only a couple that I would say step into crappy territory.
Part 2 is one of the half decent ones, and for better or worse, I actually quietly love it.
Not too dissimilar to its predecessor, it's overflowing with over acting. This time around, the dialogue is pretty much balls awful and cheesy, but it's not enough to stop me from enjoying what is a damn fun horror sequel.
It set the stage for what slasher follow ups would become known for - more gore, more victims, more nudity, more silliness. It's just the way these things go and Friday the 13th Part 2 arguably introduced these sequel tropes to the world.
Of course, this is our first proper introduction to Jason, pre hockey mask, and I've always found Part 2 Jason to be quite intimidating. The hockey mask is undoubtedly iconic, and cemented Jason as a horror icon, but here he dons some dungarees and a potato sack over his face. There's something truly unsettling about a big dude in that get up, chasing people with a massive pick axe.
The closing moments of the movie boasts a memorable 'gotcha' moment once again, whilst showing off the decent make up and effects work, and a returning Harry Manfredini is present once again to provide a jarring music score.
Part 2 is trashy in parts but I can't help but love it. 💀
Part 2 is one of the half decent ones, and for better or worse, I actually quietly love it.
Not too dissimilar to its predecessor, it's overflowing with over acting. This time around, the dialogue is pretty much balls awful and cheesy, but it's not enough to stop me from enjoying what is a damn fun horror sequel.
It set the stage for what slasher follow ups would become known for - more gore, more victims, more nudity, more silliness. It's just the way these things go and Friday the 13th Part 2 arguably introduced these sequel tropes to the world.
Of course, this is our first proper introduction to Jason, pre hockey mask, and I've always found Part 2 Jason to be quite intimidating. The hockey mask is undoubtedly iconic, and cemented Jason as a horror icon, but here he dons some dungarees and a potato sack over his face. There's something truly unsettling about a big dude in that get up, chasing people with a massive pick axe.
The closing moments of the movie boasts a memorable 'gotcha' moment once again, whilst showing off the decent make up and effects work, and a returning Harry Manfredini is present once again to provide a jarring music score.
Part 2 is trashy in parts but I can't help but love it. 💀
LeftSideCut (3778 KP) rated Better Watch Out (2016) in Movies
Dec 19, 2020
Better Watch Out isn't just another unconventional Christmas movie to throw into the ever growing pile, no sir. As much as it sets itself up as another fun festive horror, it's actually possesses one hell of a mean streak, and is genuinely uncomfortable to watch for a huge chunk of it's runtime.
The basic premise revolves around 12 year old Luke. When his parents head out for the evening, his babysitter Ashley is hired one last time before she moves away from the area. Not long into the evening, weird shit starts happening, and it's soon apparent that the two of them and Luke's friend Garrett are all falling victim to a home invasion, and they have to fight to survive the night. Without going into spoiler territory, the plot isn't quite this straightforward, and there's a midway twist that gives us a properly sadistic main antagonist.
This is all portrayed superbly by its main cast. Levi Miller is great as Luke, and the other main cast are played by The Visit alumni Olivia DeJonge, and Ed Oxenbould (thankfully not constantly rapping this time around). The three of them absolutely carry this film to it's bloody climax.
The gore isn't too shabby, and is done fairly tastefully all things considered. When shit starts to hit the fan, we are treated to some genuinely tense moments, and a couple of jump scares that have that rare honour of feeling somewhat earned.
All in all, Better Watch Out is a decent slice of Christmas horror. It's different, it's clever, and has a fucked up Home Alone kind of vibe for good measure. Worth checking out!
The basic premise revolves around 12 year old Luke. When his parents head out for the evening, his babysitter Ashley is hired one last time before she moves away from the area. Not long into the evening, weird shit starts happening, and it's soon apparent that the two of them and Luke's friend Garrett are all falling victim to a home invasion, and they have to fight to survive the night. Without going into spoiler territory, the plot isn't quite this straightforward, and there's a midway twist that gives us a properly sadistic main antagonist.
This is all portrayed superbly by its main cast. Levi Miller is great as Luke, and the other main cast are played by The Visit alumni Olivia DeJonge, and Ed Oxenbould (thankfully not constantly rapping this time around). The three of them absolutely carry this film to it's bloody climax.
The gore isn't too shabby, and is done fairly tastefully all things considered. When shit starts to hit the fan, we are treated to some genuinely tense moments, and a couple of jump scares that have that rare honour of feeling somewhat earned.
All in all, Better Watch Out is a decent slice of Christmas horror. It's different, it's clever, and has a fucked up Home Alone kind of vibe for good measure. Worth checking out!
Emma @ The Movies (1786 KP) rated The Little Stranger (2018) in Movies
Sep 25, 2019
I can't say that this is a horror. It's a little bit creepy. It's also somehow engaging, despite it not having that horror aspect you're expecting.
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Domhnall Gleeson is an interesting leading actor. He plays the roll well and it feels fitting for the period. But for me Will Poulter really was the best performance. Entirely believable and quite possibly the best thing I've seen him do. I can't say that I was particularly excited about anyone else in this.
The music, or the lack thereof, is very atmospheric. It's really noticable and brings that creepy sense just when it's needed. The visuals get the atmosphere just right too. There's a fantastic slightly out of focus (lets call it squiggly feeling) shot that was used when the supernatural was in the air and it worked intriguingly well.
At the time of writing this I have been out of the screening for six hours... and for six hours I've been annoyed with how the film ended. I've been scouring the internet for a full synopsis of the novel, and while the whole thing seems to match up well, the ending does have a slightly different spin... or it is just handled really weirdly in the film... I really don't know but what I can say is that I came out feeling incredibly unsatisfied.
Based on the book The Little Stranger by Sarah Walters.
What should you do?
I'm tempted to say read the book instead of going to see this one.
Movie thing you wish you could take home
Can I take home Will Poulter?
Merissa (12066 KP) rated This is Not a Horror Movie in Books
Jun 4, 2021 (Updated Jul 18, 2023)
THIS IS NOT A HORROR MOVIE is a gorgeous story of first love and scary happenings.
Emory is a late bloomer and happy to hide behind horror movies and books so he doesn't have to socialise. He has been in the snarky shadow of his twin sister for a long time and doesn't understand the looks he's now getting. Liz helps to put him on the right track, much to his disgust at the thought of girls wanting to make out with him! Enter Connor, the crush Emory had and shows no signs of dissipating.
This was a great story, full of sibling snark, and romance with the boy of his dreams. Luckily for Emory, Connor feels the same way, and seeing these two grow and develop their feelings was a warm and fuzzy moment for me. Connor is very protective, and with good reason, as Emory doesn't appear to realise just when he's in danger. I loved the supernatural element to the story, although the realtor wasn't much of a surprise! I'm also happy about Leland!!! I was worried about him.
I enjoyed the pacing of this story, the sweet times with Connor and Emory, the promise of the future, and the amazing supporting cast that helped them. A great addition to the Sara Dobie Bauer collection, and absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
Emory is a late bloomer and happy to hide behind horror movies and books so he doesn't have to socialise. He has been in the snarky shadow of his twin sister for a long time and doesn't understand the looks he's now getting. Liz helps to put him on the right track, much to his disgust at the thought of girls wanting to make out with him! Enter Connor, the crush Emory had and shows no signs of dissipating.
This was a great story, full of sibling snark, and romance with the boy of his dreams. Luckily for Emory, Connor feels the same way, and seeing these two grow and develop their feelings was a warm and fuzzy moment for me. Connor is very protective, and with good reason, as Emory doesn't appear to realise just when he's in danger. I loved the supernatural element to the story, although the realtor wasn't much of a surprise! I'm also happy about Leland!!! I was worried about him.
I enjoyed the pacing of this story, the sweet times with Connor and Emory, the promise of the future, and the amazing supporting cast that helped them. A great addition to the Sara Dobie Bauer collection, and absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 4, 2021
David McK (3425 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 15, 2022
Marvel's first horror (themed) movie?
So, Benedict Cumberbatch's Doctor Strange?
He's now appeared in six MCU movies, including this one (which is only his second solo outing). In order, they are:
Doctor Strange (2016)
Thor: Ragnorak (2017)
Avengers: Infinity War (2018)
Avengers: Endgame (2019)
Spider-Man: No Way Home (2021)
Doctor Strange in the Multiverse of Madness (2022)
As well as that, he's also appeared in perhaps the best episode of Marvels animated 'What If ...' series, titled 'What if ... Doctor Strange lost his heart instead of his hands?@
The reason I mention the latter?
Because, roughly halfway through this, Dr Strange falls through the Multiverse (first shown on the big screen in No Way Home): one of which looks very much like the animation style used in said series.
The films also relies heavily on the aftermath from TVs WandaVision (although a brief reprise of that is given by Wanda herself, with Vision barely getting a mention), in that Wanda is now desperate to find her missing children and has the Darkhold in her possession.
She also goes on to show why she is one of - if not the - most powerful beings in the MCU, which is where a lot of the horror elements in this story come into play. It is a Sam Raimi film, so if you've seen The Evil Dead (or even the original Spider-man trilogy, in particular Spider-Man 2), you know the type of thing: crazy camera angles, unsettling imagery, zombies, the damned ....
Oh, and it also definitely - finally! - opens up the MCU for the inclusion of the X-Men or The Fantastic Four.
He's now appeared in six MCU movies, including this one (which is only his second solo outing). In order, they are:
Doctor Strange (2016)
Thor: Ragnorak (2017)
Avengers: Infinity War (2018)
Avengers: Endgame (2019)
Spider-Man: No Way Home (2021)
Doctor Strange in the Multiverse of Madness (2022)
As well as that, he's also appeared in perhaps the best episode of Marvels animated 'What If ...' series, titled 'What if ... Doctor Strange lost his heart instead of his hands?@
The reason I mention the latter?
Because, roughly halfway through this, Dr Strange falls through the Multiverse (first shown on the big screen in No Way Home): one of which looks very much like the animation style used in said series.
The films also relies heavily on the aftermath from TVs WandaVision (although a brief reprise of that is given by Wanda herself, with Vision barely getting a mention), in that Wanda is now desperate to find her missing children and has the Darkhold in her possession.
She also goes on to show why she is one of - if not the - most powerful beings in the MCU, which is where a lot of the horror elements in this story come into play. It is a Sam Raimi film, so if you've seen The Evil Dead (or even the original Spider-man trilogy, in particular Spider-Man 2), you know the type of thing: crazy camera angles, unsettling imagery, zombies, the damned ....
Oh, and it also definitely - finally! - opens up the MCU for the inclusion of the X-Men or The Fantastic Four.
Steve Fearon (84 KP) rated Lake Placid (1999) in Movies
Sep 5, 2018
The Toothless Croc Adventure that bit off more than it could chew
If you are big horror fan, like I am, then you will no doubt have seen and loved Jaws at some point.
The spectacular fear of something huge and unseen in the water, a perfectly evolved marine predator capable of tremendous power and speed, with a jaw size capable of cutting you in half.
Jaws hit on a very primal fear, that there is an unreasoning, prehistoric simplicity to the shark, that reminds us that until the last few thousand years, we were just another form of food for many creatures on this planet, and that we could be again, in the right circumstances.
It is this fear that also informs our love of Zombie movies, our disgust at cannibals and keeps us watching endless episodes of dirty, tired-looking people arguing in 'The Walking Dead'.
Where Jaws created a whole genre of horror in 'Killer Shark' movies, their reptilian counterparts have had to make do with a somewhat less successful series of outings, with Alligator, Croc etc
They just haven't quite hit our imagination in the same way, whether that be because of their comical waddle on land, or having watched an excited Australian man jumping all over them on TV (RIP Steve Irwin)...
Regardless, Lake Placid is the one that most remember from recent history, and having listened to a 'Horrow Show' Podcast on the film recently, I mentioned to my better half I wouldn't mind seeing it again, to see if it is as bad as it sounded.
Well last night, said better half suggested we watch it and boy oh boy...
So first off, Brendan Gleeson was by far the best thing about this movie, his one liners and grumpy demeanor were, for long periods, the best thing about this movie, shortly followed by the hilarious Betty White.
Stan Winstone, legendary physical creature effects maestro turns in some great stuff, and when they are dealing withe the physical creature, it is very effective but all too often they resort to CGI, which is passable but still tends to take you out of the moment..
Oliver Platt's casting as a crocodile expert playboy is amusing at first, then confusing and eventually just...well not laughable exactly as it isnt very funny, but strange certainly.
The movie languishes for long periods, focusing on the incredibly inert chemistry between leading lady Fonda, and wooden cardboard cut out Pullman, giving you poorly written rom com scripts where we signed up to see a giant Croc eat people.
Long story short, this movie is light on tension and action, heavy on clumsy exposition and strange casting choices, and it a poor relation to Jaws, which is more worthy of your time.
The spectacular fear of something huge and unseen in the water, a perfectly evolved marine predator capable of tremendous power and speed, with a jaw size capable of cutting you in half.
Jaws hit on a very primal fear, that there is an unreasoning, prehistoric simplicity to the shark, that reminds us that until the last few thousand years, we were just another form of food for many creatures on this planet, and that we could be again, in the right circumstances.
It is this fear that also informs our love of Zombie movies, our disgust at cannibals and keeps us watching endless episodes of dirty, tired-looking people arguing in 'The Walking Dead'.
Where Jaws created a whole genre of horror in 'Killer Shark' movies, their reptilian counterparts have had to make do with a somewhat less successful series of outings, with Alligator, Croc etc
They just haven't quite hit our imagination in the same way, whether that be because of their comical waddle on land, or having watched an excited Australian man jumping all over them on TV (RIP Steve Irwin)...
Regardless, Lake Placid is the one that most remember from recent history, and having listened to a 'Horrow Show' Podcast on the film recently, I mentioned to my better half I wouldn't mind seeing it again, to see if it is as bad as it sounded.
Well last night, said better half suggested we watch it and boy oh boy...
So first off, Brendan Gleeson was by far the best thing about this movie, his one liners and grumpy demeanor were, for long periods, the best thing about this movie, shortly followed by the hilarious Betty White.
Stan Winstone, legendary physical creature effects maestro turns in some great stuff, and when they are dealing withe the physical creature, it is very effective but all too often they resort to CGI, which is passable but still tends to take you out of the moment..
Oliver Platt's casting as a crocodile expert playboy is amusing at first, then confusing and eventually just...well not laughable exactly as it isnt very funny, but strange certainly.
The movie languishes for long periods, focusing on the incredibly inert chemistry between leading lady Fonda, and wooden cardboard cut out Pullman, giving you poorly written rom com scripts where we signed up to see a giant Croc eat people.
Long story short, this movie is light on tension and action, heavy on clumsy exposition and strange casting choices, and it a poor relation to Jaws, which is more worthy of your time.
LeftSideCut (3778 KP) rated Brightburn (2019) in Movies
Jan 9, 2020
Contains spoilers, click to show
Brightburn is a mostly solid 'superhero' horror that sets out what it means to do. The narrative plays out a bit like an issue of Marvel's What If? - in this case, what if an alien baby crashed to earth, much like Superman, but grew up to be a danger to mankind.
One of the main issues I had with Brightburn rears it head pretty early on - it doesn't spend a huge amount of time establishing 12 year old Brandon (Jackson A. Dunn) before hurtling straight into his turn to evil. It's not the biggest deal I guess, the movie does enough to set up the main bulk of the plot, but I can't help but feel that the execution would have been more effective if the set up had been a bit more drawn out.
We're also introduced to Brandon's parents, the people who found him when he was a baby and raised him as their own, Tori and Kyle, played by Elizabeth Banks and David Denman. Both actors are great throughout, but their characters are a bit iffy. There's a lot silliness going on - Tori takes an abnormally long time to accept that Brandon in dangerous, even when loved ones are being murdered around her - she purposefully keeps information from Kyle about Brandon nearly stumbling across the spaceship he arrived in, even though that should really be something shared considering how Brandon is an alien and all that - at one point, Kyle tries to get one over on Brandon by shooting him in the head when he's not looking, despite clearly stating earlier on in the movie that Brandon has never even bled throughout his whole life...
It sounds like nitpicking, but it's just silliness that is very obviously included to easily advance the plot, and it's a little distracting.
The special effects used are mostly good, but they are purposely done quickly to avoid much room for scrutiny, however, there are some really great shots throughout Brightburn, especially in the third act. Brandon's costume design is suitably creepy, his mask looks almost Mothman-esque, and his glowing red eyes make him a genuinely sinister looking villain.
The violence in Brightburn really packs a punch as well... It doesn't happen often, but when it does, it's creative, and brutal. The movie leans a little into jump scare territory, but just about toes the line, and provides a decent enough unsettling atmosphere to justify it.
On a final note, it always refreshing when a Hollywood film like this has the balls to end in the way it does. The movie sets up Brandon for defeat and failure, and it just doesn't happen. The bad guys win and that's that. The ending credits feature news reports showing Brandon in the following weeks wreaking havoc all over the place, and it sets up a sequel which I don't think will happen due to box office reasons. Which is a shame, because even though Brightburn has its flaws, it still kept me involved.
Worth checking out for superhero and horror fans alike.
One of the main issues I had with Brightburn rears it head pretty early on - it doesn't spend a huge amount of time establishing 12 year old Brandon (Jackson A. Dunn) before hurtling straight into his turn to evil. It's not the biggest deal I guess, the movie does enough to set up the main bulk of the plot, but I can't help but feel that the execution would have been more effective if the set up had been a bit more drawn out.
We're also introduced to Brandon's parents, the people who found him when he was a baby and raised him as their own, Tori and Kyle, played by Elizabeth Banks and David Denman. Both actors are great throughout, but their characters are a bit iffy. There's a lot silliness going on - Tori takes an abnormally long time to accept that Brandon in dangerous, even when loved ones are being murdered around her - she purposefully keeps information from Kyle about Brandon nearly stumbling across the spaceship he arrived in, even though that should really be something shared considering how Brandon is an alien and all that - at one point, Kyle tries to get one over on Brandon by shooting him in the head when he's not looking, despite clearly stating earlier on in the movie that Brandon has never even bled throughout his whole life...
It sounds like nitpicking, but it's just silliness that is very obviously included to easily advance the plot, and it's a little distracting.
The special effects used are mostly good, but they are purposely done quickly to avoid much room for scrutiny, however, there are some really great shots throughout Brightburn, especially in the third act. Brandon's costume design is suitably creepy, his mask looks almost Mothman-esque, and his glowing red eyes make him a genuinely sinister looking villain.
The violence in Brightburn really packs a punch as well... It doesn't happen often, but when it does, it's creative, and brutal. The movie leans a little into jump scare territory, but just about toes the line, and provides a decent enough unsettling atmosphere to justify it.
On a final note, it always refreshing when a Hollywood film like this has the balls to end in the way it does. The movie sets up Brandon for defeat and failure, and it just doesn't happen. The bad guys win and that's that. The ending credits feature news reports showing Brandon in the following weeks wreaking havoc all over the place, and it sets up a sequel which I don't think will happen due to box office reasons. Which is a shame, because even though Brightburn has its flaws, it still kept me involved.
Worth checking out for superhero and horror fans alike.
Lee (2222 KP) rated Host (2020) in Movies
Sep 2, 2020
The concept of an entire movie playing out on a computer screen isn’t exactly a new one. A great example of this style of filmmaking was 2018 movie Searching, which I am a huge fan of. Back in 2014, Unfriended took the online chat room and managed to turn it into a horror movie, proving what could be achieved within such basic confines. And now, new Shudder horror Host continues in that theme, presenting us with a Zoom chat that goes horribly wrong.
Where Host differs from Unfriended is in its timely release. Filmed over a 12 week period during lockdown, and taking place entirely within the timeframe of a 60 minute Zoom call, Host portrays what we’ve all experienced in recent months – the socially distanced meetup with friends or colleagues online. And then it throws in some supernatural jump scares to terrify us into never wanting to participate in one ever again!
Host follows six friends, as they logon for their weekly Zoom catch-up. Only this time, Haley has suggested that they also hold an online séance, and has invited Irish spiritualist Seylan to join in and guide them through the experience. Before Seylan joins the chat though, we get to spend some time with the friends and you can’t help but feel at ease with the familiarity of seeing a group of people chatting together on screen, each in a different location. Even more so if you’re watching all of this play out on a small screen, as I was.
It’s clear from the start though that some of the group aren’t looking to take the séance too seriously, with one of them suggesting that they also play a drinking game. Whenever Seylan says the phrase “astral plane”, they decide they will try and down a drink without her realising what they’re up to. Consequently, it’s not long before one of the group has managed to ‘disrespect the spirits’, and when Seylan gets cut off the chat following connection issues, all manner of strange things begin happening to each of the group.
A number of them are in darkened rooms, so obviously you find yourself straining your eyes, searching for something out of the ordinary in every corner of the screen. There are the usual strange noises, lights flashing, with the occasional rational explanation behind it. And then there are plenty of big scares too – practical, effective effects that really pack a punch and are truly terrifying.
Important to all of this is the believability of our cast. Thankfully, their performances all feel believable, their friendship and conversation natural. I did find Teddy, the only male of the group, to be pretty annoying, but luckily he only appears briefly at the beginning and at the end of the movie.
Host came about after director and co-writer, Rob Savage, made a Zoom prank, which went viral after sharing on Twitter back in April. It’s a fortunate side effect of the pandemic that filmmakers have been forced to explore new and creative ways of making movies. And Host is an excellent, shining example of just how well that can pay off.
Where Host differs from Unfriended is in its timely release. Filmed over a 12 week period during lockdown, and taking place entirely within the timeframe of a 60 minute Zoom call, Host portrays what we’ve all experienced in recent months – the socially distanced meetup with friends or colleagues online. And then it throws in some supernatural jump scares to terrify us into never wanting to participate in one ever again!
Host follows six friends, as they logon for their weekly Zoom catch-up. Only this time, Haley has suggested that they also hold an online séance, and has invited Irish spiritualist Seylan to join in and guide them through the experience. Before Seylan joins the chat though, we get to spend some time with the friends and you can’t help but feel at ease with the familiarity of seeing a group of people chatting together on screen, each in a different location. Even more so if you’re watching all of this play out on a small screen, as I was.
It’s clear from the start though that some of the group aren’t looking to take the séance too seriously, with one of them suggesting that they also play a drinking game. Whenever Seylan says the phrase “astral plane”, they decide they will try and down a drink without her realising what they’re up to. Consequently, it’s not long before one of the group has managed to ‘disrespect the spirits’, and when Seylan gets cut off the chat following connection issues, all manner of strange things begin happening to each of the group.
A number of them are in darkened rooms, so obviously you find yourself straining your eyes, searching for something out of the ordinary in every corner of the screen. There are the usual strange noises, lights flashing, with the occasional rational explanation behind it. And then there are plenty of big scares too – practical, effective effects that really pack a punch and are truly terrifying.
Important to all of this is the believability of our cast. Thankfully, their performances all feel believable, their friendship and conversation natural. I did find Teddy, the only male of the group, to be pretty annoying, but luckily he only appears briefly at the beginning and at the end of the movie.
Host came about after director and co-writer, Rob Savage, made a Zoom prank, which went viral after sharing on Twitter back in April. It’s a fortunate side effect of the pandemic that filmmakers have been forced to explore new and creative ways of making movies. And Host is an excellent, shining example of just how well that can pay off.
Gareth von Kallenbach (980 KP) rated Chernobyl Diaries (2012) in Movies
Aug 7, 2019
What do you get when you pair the director of “Paranormal Activity” with a handful of unknown actors, a one-hit wonder soap-star-turned-singer, and a plot based upon the Chernobyl meltdown? You guessed it: a sub-par suspense film with a poorly executed ending.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.