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Kristy H (1252 KP) rated The Last Place You Look in Books
Feb 1, 2018
Roxane Weary is good at finding things. She always has been. So when she's hired by Brad Stockton's sister, Danielle, to find Brad's teenage girlfriend, Sarah, she doesn't think it will be a difficult case. Danielle is convinced she spotted Sarah at a gas station--despite the fact she disappeared fifteen years ago. Meanwhile, Brad is in jail--set to soon be executed--for the brutal murder of Sarah's parents the night Sarah disappeared; the prosecution also alleged that Brad killed Sarah as well. Brad did not put up much of a fight in his defense, but Danielle refuses to give up. Roxane quickly becomes caught up in Sarah's story and finds ties between her disappearance and other girls in the seemingly idyllic town of Belmont-- as well as connections to cases worked by her father, a police officer.
<i>This is just a great book.</i> It's easy to read and funny, albeit dark and sad at times. Roxane's dark, sarcastic humor is perfect. She gives off a Kinsey Millhone type vibe, if Kinsey was a functioning alcoholic with major Daddy issues. She's a complicated character (a complicated, real, female character - so refreshing!). She's bisexual (so wonderful to see reflected realistically in a novel). The other characters are well-formed and range from awful to sweet, but they support Roxane and the story perfectly.
As for the plot, it draws you immediately and keeps you constantly guessing, wondering what people know, who is telling the truth, and what's the actual story. I actually didn't figure this one out, so kudos to Lepionka. There are a few amazing "aha" moments that basically made me gasp. The town of Belmont is creepy and dark, and you'll find yourself completely wrapped up in its twisted, sad characters.
It looks like this is the first in a series, and I couldn't be happier; I can't wait to see where Roxane is headed next. Definitely recommend this one to mystery and thriller fans alike.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 06/13/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
<i>This is just a great book.</i> It's easy to read and funny, albeit dark and sad at times. Roxane's dark, sarcastic humor is perfect. She gives off a Kinsey Millhone type vibe, if Kinsey was a functioning alcoholic with major Daddy issues. She's a complicated character (a complicated, real, female character - so refreshing!). She's bisexual (so wonderful to see reflected realistically in a novel). The other characters are well-formed and range from awful to sweet, but they support Roxane and the story perfectly.
As for the plot, it draws you immediately and keeps you constantly guessing, wondering what people know, who is telling the truth, and what's the actual story. I actually didn't figure this one out, so kudos to Lepionka. There are a few amazing "aha" moments that basically made me gasp. The town of Belmont is creepy and dark, and you'll find yourself completely wrapped up in its twisted, sad characters.
It looks like this is the first in a series, and I couldn't be happier; I can't wait to see where Roxane is headed next. Definitely recommend this one to mystery and thriller fans alike.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 06/13/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated The Survivor's Guide to Family Happiness in Books
Feb 13, 2018
Nina Popkin's mother has recently passed away and she's also freshly divorced. Adopted as a child, her mother's death rekindles Nina's desire to search for her birth mother. She's always felt as she's never belonged anywhere, searching strangers' faces and eyes for her potential birth mother. Amazingly, Nina manages to find her biological sister, Lindy, whom she actually knew as a kid from her neighborhood. But Lindy, who is obsessed with creating a perfect house and life, isn't too thrilled about her wayward sister bursting into her life. Lindy has three kids, a busy salon to run, and a lot of (hidden) anxiety to deal with. But Nina is force to be reckoned with and she's determined to bring Lindy on her journey to find their mother. But will this journey finally bring Nina the sense of peace and belonging she's always desired?
Dawson's novel is told from the varying points of view of its main women: Nina, Lindy, and their biological mother. It's a humorous--and sometimes heartbreaking--look at family and the different forms it can take. Dawson has created a cast of characters who seem incredibly real. She captures the little details just right, from family life with kids, to Nina's romantic woes. Nina is a trip: you can't help but love her and her relentless optimism. Even when the novel drags a bit in the middle, when you feel like Nina and the plot need a bit of a push, it recovers through its humor and Nina's personality. Perhaps the only part I found slightly weird was that Nina and Lindy's childhood neighborhood was so full of adopted children that they grew up knowing each other (though not knowing they were sisters), but perhaps that was truly par for the course for the era... who knows.
In the end, I really enjoyed this novel. It combines several other supporting characters, including the children of Nina's boyfriend, into a great read. At times it's truly laugh out loud funny, even if it gets a bit preposterous. But it's also heartfelt and touching and a lovely look at the bonds of family.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 10/25/2016.
Dawson's novel is told from the varying points of view of its main women: Nina, Lindy, and their biological mother. It's a humorous--and sometimes heartbreaking--look at family and the different forms it can take. Dawson has created a cast of characters who seem incredibly real. She captures the little details just right, from family life with kids, to Nina's romantic woes. Nina is a trip: you can't help but love her and her relentless optimism. Even when the novel drags a bit in the middle, when you feel like Nina and the plot need a bit of a push, it recovers through its humor and Nina's personality. Perhaps the only part I found slightly weird was that Nina and Lindy's childhood neighborhood was so full of adopted children that they grew up knowing each other (though not knowing they were sisters), but perhaps that was truly par for the course for the era... who knows.
In the end, I really enjoyed this novel. It combines several other supporting characters, including the children of Nina's boyfriend, into a great read. At times it's truly laugh out loud funny, even if it gets a bit preposterous. But it's also heartfelt and touching and a lovely look at the bonds of family.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 10/25/2016.
Cyn Armistead (14 KP) rated Places to Be, People to Kill in Books
Mar 1, 2018
I enjoyed this anthology more than one might expect from a collection of stories about killers, but then I've read a couple of volumes edited by [a:Brittiany A. Koren|12300|Brittiany A. Koren|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] and [a:Martin H. Greenberg|26064|Martin H. Greenberg|http://photo.goodreads.com/authors/1247759305p2/26064.jpg] now, and I trust the pair. (Greenberg has turned out so many anthologies that I don't assume anything at all when I see his name.)
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
I had to explain to my family why I kept laughing while reading "Exactly" by [a:Tanya Huff|1967|Tanya Huff|http://photo.goodreads.com/authors/1207242126p2/1967.jpg]. I'm a long-time fan of her work, so was already familiar with sibling assassins Vree and Bannon from [b:Fifth Quarter|175312|Fifth Quarter (Quarters, #2)|Tanya Huff|http://photo.goodreads.com/books/1172433365s/175312.jpg|169357] and [b:No Quarter|175300|No Quarter (Quarters, #3)|Tanya Huff|http://photo.goodreads.com/books/1172433338s/175300.jpg|169345]. While all of Huff's work includes some humor, this story is particularly funny.
"Breia’s Diamond" by [a:Cat Collins|380276|Cat Collins|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg] was a memorable low in the book. In addition to the inappropriate and inept use of romance clichés, it's all too obvious early on that the mercenaries are being paid far too much for too little work by the necromancer. That isn't foreshadowing, it's foreshouting—or just plain stupidity on the part of the mercenaries. They are murderers for hire, nothing else, and I've never felt any sympathy for such. Why would I start now, simply because a story is told from their point of view?
[a:Bradley H. Sinor|2282520|Bradley H. Sinor|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]'s "Money's Worth" has the feel of something excerpted from a larger work. It's good and I enjoyed it, but I think I would have enjoyed it far more in its proper context.
The only other story that is memorable enough to single out is "The Hundredth Kill" by [a:John Marco|9266|John Marco|http://photo.goodreads.com/authors/1244460712p2/9266.jpg]. It is a lovely jewel of a story, one that stands for itself, leaving little to be said other than "read it." I don't believe that I've read any of Marco's novels, but obviously I've missed out on something very good. I intend to remedy that omission shortly.
Gareth von Kallenbach (977 KP) rated Fluster Cluck in Video Games
Jun 19, 2019
One of the more interesting aspects of the Playstation 4 and Xbox One is that they have allowed many independent publishers to enjoy access to a mass audience in much the same way as Steam did for PC games.
When things like Playstion Plus are factored in in which subscribers are given free access to a series of games each month, and when you look at the price of such games being far lower than a studio release, there has been a rush of developers eager to get out there to the public.
One of the more interesting and humor laden games in this genre has arrived in the form of Fluster Cluck. The game offers a frantic and comedy based adventure where players can play against the system or in a 2vs 2 mode to gather resources for the Chikkinizer.
In a battle of corporate politics, players fly around maps in flying saucers to use their capture beams on cows, camels, and other objects, to transport them to the Chikkinizer for processing. The player with the biggest haul wins the round and then moves onto the next level where it all starts again.
Of course the other players will not go down without a fight and they fire their lasers at you as well as all manner of tricks at their disposal to take you out, distract you, your objectives, and so on.
It can take a few moments to get used to the controls as the left stick moves you and the right stick directs and fires your weapons but in no time flat you will be spinning around. I did have a bit of frustration with the requirement to win the round in order to move on as repeating rounds is never ideal when your getting a sense for the game. We also had some issues with the game not pairing with the Dualshock 4 one evening but that has not happened since and we have been able to play without issues.
The casual graphics and gameplay style are fun but do reflect the independent nature of the game but the developer Loot, knows the audience and infuses the game with as much fun as it can.
http://sknr.net/2014/10/21/fluster-cluck/
When things like Playstion Plus are factored in in which subscribers are given free access to a series of games each month, and when you look at the price of such games being far lower than a studio release, there has been a rush of developers eager to get out there to the public.
One of the more interesting and humor laden games in this genre has arrived in the form of Fluster Cluck. The game offers a frantic and comedy based adventure where players can play against the system or in a 2vs 2 mode to gather resources for the Chikkinizer.
In a battle of corporate politics, players fly around maps in flying saucers to use their capture beams on cows, camels, and other objects, to transport them to the Chikkinizer for processing. The player with the biggest haul wins the round and then moves onto the next level where it all starts again.
Of course the other players will not go down without a fight and they fire their lasers at you as well as all manner of tricks at their disposal to take you out, distract you, your objectives, and so on.
It can take a few moments to get used to the controls as the left stick moves you and the right stick directs and fires your weapons but in no time flat you will be spinning around. I did have a bit of frustration with the requirement to win the round in order to move on as repeating rounds is never ideal when your getting a sense for the game. We also had some issues with the game not pairing with the Dualshock 4 one evening but that has not happened since and we have been able to play without issues.
The casual graphics and gameplay style are fun but do reflect the independent nature of the game but the developer Loot, knows the audience and infuses the game with as much fun as it can.
http://sknr.net/2014/10/21/fluster-cluck/
Gareth von Kallenbach (977 KP) rated Captain Marvel (2019) in Movies
Jun 19, 2019
Marvel Studios has once again launched a new franchise within their expansive Marvel Cinematic Universe with the arrival of “Captain Marvel”. The film tells the origin of the title character (Brie Larson), who struggles with gaps in her memory while serving as a Kree Protector under the supervision of Yon-Rogg (Jude Law).
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/
When things do not go as planned during a mission; the good Captain finds herself on Earth forced to wait for her crew to retrieve her. The gaps in her memory combined with the arrival of the shape-shifting Skrulls are bad enough, but now there is also the arrival of S.H.I.E.L.D. agent Nick Fury (Samuel L. Jackson) for her to contend with.
Being set in the 90s we get a Fury that has yet to be awakened to what is truly out there so he finds the claims of alien beings a bit hard to grasp until fate pairs him with the Captain who must stop the threat posed by the aliens and unlock the mystery of her missing memories.
While the film takes a while to get going; there is enough action scattered throughout to keep your interest and the finale is a rousing FX showcase that really helps establish the character and delivers what fans expect.
Naturally there is a good amount of humor along the way and the dynamic between Larson and Jackson is very good and I hope we get to see them paired on future Marvel adventures.
The supporting cast of Jude Law, Annette Bening, and Ben Mendelsohn is great and it was nice to see many other characters from past Marvel films appear as younger versions of themselves.
The film had to balance establishing the character and setting up further adventures with making sure audiences understood her importance and why her presence in “Avengers: Endgame” is connected and does so very well.
Larson was amazing in the title role as she portrays a strength and confidence without ever being arrogant but there is also a quick wit and at times; a vulnerability that makes her character more well-rounded than people would expect from a comic based film.
It is amazing to me how Marvel Studios can take some of their lesser known characters and turn them into Box Office gold and their winning formula continues with this entertaining new franchise.
http://sknr.net/2019/03/05/captain-marvel/
Gareth von Kallenbach (977 KP) rated Sisters (2015) in Movies
Jun 19, 2019
Life for sisters Maura (Amy Poehler), and Kate (Tina Fey) has not worked out the way they had planned. Maura is a nurse who lives in Atlanta and two years after her divorce is busy doing do-good projects and learning to make cheese in her spare time.,
Kate is a single mom who cannot hold a job and has recently been kicked out of the place she was living in. When their parents inform Maura that they are selling their childhood home, Maura helps Kate travel to Orlando in an effort to convince their parents to change their minds.
Seeing that the deal is pretty much done and that their parents are now in a condo, Maura and Kate opt to spend their time in their old home, and do whatever they can to discourage the prospective new buyers from following through on the purchase.
Kate has always been the wilder of the bunch and decides that Maura needs to let loose for once. As such they opt to recreate a party from their teens with as many of their former classmates as they can gather.
Naturally as anyone who has ever seen a house comedy knows, this is a disaster in the making as everything from drunken party games to a drug mishap and sex accidents follow.
It is different to hear Poehler and Fey use R-rated language as they have kept much of their career to the wink and a nod style of adult humor that their pioneered on Saturday Night Live but once you get used to it, it does not seem overly forced.
The two have a real chemistry and there are many funny scenes in the film, the biggest issue is the transition and setups can be a bit slow and at times awkward. This is to be expected from people who started in sketch comedy and neither of the two had a hand in writing the film as well.
Ike Barinholtz does great supporting work as a love interest and his “accident” is one of the funniest and most cringe worthy moments in film comedy.
If you can handle the slow parts and need some good laughs, then you will want to check out “Sisters’ as it is mindless and raunchy fun.
http://sknr.net/2015/12/18/sisters/
Kate is a single mom who cannot hold a job and has recently been kicked out of the place she was living in. When their parents inform Maura that they are selling their childhood home, Maura helps Kate travel to Orlando in an effort to convince their parents to change their minds.
Seeing that the deal is pretty much done and that their parents are now in a condo, Maura and Kate opt to spend their time in their old home, and do whatever they can to discourage the prospective new buyers from following through on the purchase.
Kate has always been the wilder of the bunch and decides that Maura needs to let loose for once. As such they opt to recreate a party from their teens with as many of their former classmates as they can gather.
Naturally as anyone who has ever seen a house comedy knows, this is a disaster in the making as everything from drunken party games to a drug mishap and sex accidents follow.
It is different to hear Poehler and Fey use R-rated language as they have kept much of their career to the wink and a nod style of adult humor that their pioneered on Saturday Night Live but once you get used to it, it does not seem overly forced.
The two have a real chemistry and there are many funny scenes in the film, the biggest issue is the transition and setups can be a bit slow and at times awkward. This is to be expected from people who started in sketch comedy and neither of the two had a hand in writing the film as well.
Ike Barinholtz does great supporting work as a love interest and his “accident” is one of the funniest and most cringe worthy moments in film comedy.
If you can handle the slow parts and need some good laughs, then you will want to check out “Sisters’ as it is mindless and raunchy fun.
http://sknr.net/2015/12/18/sisters/
Gareth von Kallenbach (977 KP) rated Unfinished Business (2015) in Movies
Jun 19, 2019
Dan Trunk man (Vince Vaughn), is a man barely holding on. After leaving his job due to being asked to take a pay cut for the second straight year, he ventures off to form his own company and compete directly with his former employer.
After a year on his own, Dan is about to conclude a long-term negotiation and complete a much needed business deal which is essential to the survival of his company and being able to keep his two employees Tim (Tom Wilkinson), and Mike (Dave Franco), employed.
All he needs to do is fly with his team to meet the client in Portland Maine to shake hands and close the deal which will pave the way for financial security and personal redemption for Dan and his team. Sadly he learns that his former boss Chuck (Sienna Miller), is also competing for the same deal. Dan slowly realizes that he may have been used as leverage to allow his rival to up their offer and as was never been seriously considered for the deal.
If this was not enough pressure for Dan, his son and daughter are having issues are school and his wife is persistently suggestion that they send their kids to a private school which forces Dan and his team to fly to Germany to make a master pitch to the head of the company he is trying to do business with,
Their meeting gets bumped and with several events in town, the team is forced to take some serious and hilarious actions in order to find lodging during their stay.
With his well-meaning and yet dysfunctional team in tow, Dan must find a way to beat the odds and save the day for everyone in his life by landing the deal no matter the cost.
The film has some very funny moments and the crude humor is cringe worthy at times but also very effective. What really makes the film stand out is that Vaughn is more restrained than usual and almost plays the straight man.
“Unfinished Business” also has a nice undertone of sentimentality to it that makes the film have a heart and purpose that resonates which is rare for R-rated comedies.
The film is an unexpected surprise with enough laughs and heart to give the enjoyable cast a pleasant if albeit predictable story.
http://sknr.net/2015/03/06/unfinished-business/
After a year on his own, Dan is about to conclude a long-term negotiation and complete a much needed business deal which is essential to the survival of his company and being able to keep his two employees Tim (Tom Wilkinson), and Mike (Dave Franco), employed.
All he needs to do is fly with his team to meet the client in Portland Maine to shake hands and close the deal which will pave the way for financial security and personal redemption for Dan and his team. Sadly he learns that his former boss Chuck (Sienna Miller), is also competing for the same deal. Dan slowly realizes that he may have been used as leverage to allow his rival to up their offer and as was never been seriously considered for the deal.
If this was not enough pressure for Dan, his son and daughter are having issues are school and his wife is persistently suggestion that they send their kids to a private school which forces Dan and his team to fly to Germany to make a master pitch to the head of the company he is trying to do business with,
Their meeting gets bumped and with several events in town, the team is forced to take some serious and hilarious actions in order to find lodging during their stay.
With his well-meaning and yet dysfunctional team in tow, Dan must find a way to beat the odds and save the day for everyone in his life by landing the deal no matter the cost.
The film has some very funny moments and the crude humor is cringe worthy at times but also very effective. What really makes the film stand out is that Vaughn is more restrained than usual and almost plays the straight man.
“Unfinished Business” also has a nice undertone of sentimentality to it that makes the film have a heart and purpose that resonates which is rare for R-rated comedies.
The film is an unexpected surprise with enough laughs and heart to give the enjoyable cast a pleasant if albeit predictable story.
http://sknr.net/2015/03/06/unfinished-business/
Phillip McSween (751 KP) rated Rear Window (1954) in Movies
Dec 24, 2018
Great Mystery
A photojournalist is wheelchair-ridden, watching people in his apartment complex from his window for hours. He’s thrown for a loop when he witnesses what he thinks is a murder. He wants to get to the bottom of it or die trying.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
Acting: 10
Beginning: 10
Characters: 10
I’ll start with Stella (Thelma Ritter) who is easily my favorite character in the entire movie. She is an in-home nurse who is taking care of main character L.B. Jeffries (James Stewart). Out of all the characters in the story, she has the brightest sense of humor. I also loved that she takes zero guff from L.B., sometimes even making it seem like he works for her. She was stern and went beyond the parameters of her job doing everything from offering love advice to helping L.B. dive into the murder.
Of course I appreciated a number of the other characters as well, including the creepy Lars Thorwald (Raymond Burr). He is the object of L.B.’s accusation. Lars does a great job of making you think L.B. could be right. At other times, Lars seems like just a normal guy going about his daily routine. He takes strange to new heights. Each of the characters, the important ones anyway, help to frame the story and keep you intrigued.
Cinematography/Visuals: 10
Conflict: 8
Genre: 5
Memorability: 10
Pace: 9
Plot: 10
Rear Window succeeds with a script that’s extremely crisp and engaging. Mystery and tension abound as you try and figure out what’s going to happen next. The story is simple, yet is peeled back in layers. Very well done.
Resolution: 10
I won’t dive in too much here but I will say that the ending is perfect to the point that it answers all the right questions. It doesn’t overdo things and try and unnecessarily put a bow on things. We find out what we need to know and that’s that.
Overall: 92
Alfred Hitchcock puts together stories like a boxer puts together a fight. He hits you with little jabs that wake you up. Eventually he goes in for the kill with harder punches that you’re not ready for. He is definitely one of the greats and Rear Window is yet another one of his classics to show for it.
BankofMarquis (1832 KP) rated Zombieland: Double Tap (2019) in Movies
Nov 1, 2019
I ended up enjoying this film
I really enjoyed the 2009 Horror/Comedy ZOMBIELAND - a truly unique and original film that blends the trendy (at the time) Zombie genre with really smart comedy populated by some truly charismatic comedic performers and a GREAT surprise cameo.
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
MaryAnn (14 KP) rated LuLu’s Cafe in Books
Nov 1, 2019
Contemporary Romance
When a damaged young woman is given a chance to reclaim her life in a small South Carolina town, she must reckon with the dark secrets she left behind in order to accept the love she deserves. On the run from a violent past, Leah Allen arrived in tiny Rivertown, South Carolina, battered and broken, but ready to reinvent herself. By a stroke of fate, Leah is drawn to the Southern hospitality of a small café, looking for a warm meal but finding so much more. Lulu, the owner, offers her a job, a place to stay and a new lease on life. Through Lulu’s tenacious warmth and generosity, Leah quickly finds herself embraced by the quaint community as she tries to put herself back together. Given she’s accustomed to cruelty, the kindness is overwhelming. Soon Leah meets Crowley Mason, the most eligible bachelor in town. A lawyer and friend of Lulu’s, Crowley is wary of Leah’s sudden, mysterious arrival. Despite his reserve, something sparks between them that can’t be denied. But after all she’s been through, can Leah allow herself to truly love and be loved, especially when her first urge is to run? Exploring the resiliency of both the heart and the spirit, Lulu’s Café gorgeously illustrates how old scars can finally heal no matter how deep they seem.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.
My Thoughts: This is such an enjoyable read; it was hard to put this novel down; the author's writing draws the reader into the story and jkeeps the readers attention. This is a book about overcoming abuse, finding love, kindness, and healing. It's about people learning patience with those who are broken and giving people second chances. Leah is a broken abused woman who finds solace and healing in a small southern town. She slowly learns that she can trust those who have shown her nothing but kindness and love. The readers will love Lulu, a woman who is grounded in Christ's love who pours kindness and love on those around her. She always seems to have the right answer and always has a cheerful attitude.
This is a book that although it deals with the topic of abuse, it is full of humor, romance, and love. The readers will fall in love with this small southern town and its townspeople. A wonderful story of a woman who finally finds the meaning of true love.