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Purple Phoenix Games (2266 KP) rated Unmatched: Cobble & Fog in Tabletop Games
Mar 19, 2021
You know when you read a rulebook and you just know you are going to love the game? This was me whilst reading the rulebook for Unmatched: Cobble & Fog. I will go into more detail why I enjoy the game near the end of my review, but just know, I loved it from the start.
In Unmatched: Cobble & Fog (which I will be calling Unmatched from here) players will be taking on the roles of either Dracula and his Sisters, Sherlock Holmes and Dr. Watson, Invisible Man, or Dr. Jekyll and Mr. Hyde in a battle to the death to claim victory in this, “Who would win in a fight”-style skirmish fighting game. The last hero standing wins, so as one of my favorite characters in literary history says, “The game is afoot.”
DISCLAIMER: Even though this review is for the Cobble & Fog version of Unmatched, the rules are the same throughout the entire Unmatched family of games. I have the original Unmatched: Battle of Legends, Vol. 1 and it plays exactly the same. I prefer the characters in this version, so that’s why I am reviewing it specifically. -T
To setup, the players will choose which side of the board they wish to play and set it on the table. Next, players will choose their hero and gather all accoutrements associated with their choice. All heroes come with a deck of 30 action cards, a mini of their figure, a character card, at least one health dial (more if their sidekicks have more than one health point), and some characters will have sidekicks that have tokens, or tokens for other reasons. The youngest player places their mini on the space with the number 1 on the board, and then the rest of the players place theirs on subsequently-numbered spaces. Players shuffle their decks of action cards and draw five cards for their first hand.
On a turn a player may take two actions from the choice of: Maneuver, Scheme, Attack. When a player chooses to Maneuver they will draw a card into their hand, then move the amount of spaces noted on their character card (typically two spaces). These movement values may be boosted by also discarding additional cards for their boost value and adding it to the number of spaces moved.
All action cards will specify which character may use it for attack, defense, or Scheme action. These Scheme cards have a lightning bolt icon on them to indicate that they are played face-up to the table, resolved, and then discarded.
Finally, if a melee-based character is positioned adjacent to an opponent, or if a ranged character is in the same zone as an opponent, they may Attack said opponent. To Attack, the active player declares which opponent will be attacked, and each player involved will choose cards from their hands to use in the battle. The attacking player will need to use attack or versatile (either used for attack or defense) cards to try to inflict damage, while the defending player will need to play defense or versatile cards in defense. The difference of the values printed on the cards will determine which character wins the battle and if health points are to be deducted from the health dial.
Many cards will have action instructions that trigger either immediately during battle or even after the battle concludes. Resolve these actions when appropriate and try to stay on your feet.
Play continues in this fashion of moving around the board to gain cards or using the cards to scheme or attack/defend. The winning player is they who survives at the end and vanquishes all foes on the board.
Components. I love everything about the components in this game. The box is great. The insert is really incredible and well thought out. The cards are great quality and the game features spectacular art all around. The minis are cool and luckily are fitted inside colored bases to remind players which mini is theirs. The sidekick tokens are excellent thick plastic and color-matched to the bases of their hero counterparts. The board is nice and double-sided, and all the rest of the cardboard components are excellent.
It’s no secret here – I absolutely love this game. I have always been a big fan of Sherlock Holmes, and this set also includes other interesting characters to play. Each one is highly unique in style and that’s one of the reasons I am so intrigued by this system. I say system because this is not the only game in the Unmatched family. As of today the Unmatched system boasts all of these as playable characters from different sets: King Arthur, Alice, Medusa, and Sinbad from the “Battle of Legends, Vol 1” set; Robert Muldoon and raptors from the “Jurassic Park, InGen vs Raptors” set; the “Robin Hood vs Bigfoot” set; Bruce Lee; and Buffy, Spike, Willow, and Angel from the “Buffy the Vampire Slayer” set in addition to these here. I know more Jurassic Park sets are on the horizon, and I just cannot wait to see what other sets will be released in time.
Why do I love this game so much when I am not really a fan of moving and dueling games (I’m looking at you Mage Wars)? In these style of games I feel the movement is unnecessary as I just stand and fight. In this system, the only way to draw more cards from your deck is to enact the Maneuver action. There have been several times where I didn’t necessarily want to initiate a battle, but I saw opponents sitting with no cards in their hand. That means no defense cards can be played. Easy chunks of health taken by picking off the stationary few. Unmatched forces players to move around and I love that. Yes, there are opportunities to unleash giant blows or have double-digit health drops in battle, and that’s just delicious. Also there are times during play where mathing out exactly where to place your mini or sidekick is paramount to lay plans of ambush.
I mentioned earlier that I knew right away I would love this one. Opening the cover of the rulebook sold me immediately. As this set utilizes literary characters found in old timey Europe the game utilizes a period art style as well and I’m still fawning over it. Everything clicks for me and I can now understand why so many people were dying (not literally) to get copies of the game Unmatched is based on, Star Wars: Epic Duels. It is extremely fun and each character is interesting and unique. Purple Phoenix Games gives this one a well-earned GOLDEN FEATHER AWARD! If you need a skirmish style game with excellent theme and art, you must grab this post haste. If you and I fall on the same side of the coin with our gaming preferences you NEED to have this in your collection.
I don’t know how many other sets I will be looking to add to my collection at this point, but I cannot tell you how excited I would be to pit Bigfoot against Bruce Lee. Or King Arthur against Dracula. It just feels epic and wonderful. Great job to the team at Restoration Games. This is a huge win for my collection.
In Unmatched: Cobble & Fog (which I will be calling Unmatched from here) players will be taking on the roles of either Dracula and his Sisters, Sherlock Holmes and Dr. Watson, Invisible Man, or Dr. Jekyll and Mr. Hyde in a battle to the death to claim victory in this, “Who would win in a fight”-style skirmish fighting game. The last hero standing wins, so as one of my favorite characters in literary history says, “The game is afoot.”
DISCLAIMER: Even though this review is for the Cobble & Fog version of Unmatched, the rules are the same throughout the entire Unmatched family of games. I have the original Unmatched: Battle of Legends, Vol. 1 and it plays exactly the same. I prefer the characters in this version, so that’s why I am reviewing it specifically. -T
To setup, the players will choose which side of the board they wish to play and set it on the table. Next, players will choose their hero and gather all accoutrements associated with their choice. All heroes come with a deck of 30 action cards, a mini of their figure, a character card, at least one health dial (more if their sidekicks have more than one health point), and some characters will have sidekicks that have tokens, or tokens for other reasons. The youngest player places their mini on the space with the number 1 on the board, and then the rest of the players place theirs on subsequently-numbered spaces. Players shuffle their decks of action cards and draw five cards for their first hand.
On a turn a player may take two actions from the choice of: Maneuver, Scheme, Attack. When a player chooses to Maneuver they will draw a card into their hand, then move the amount of spaces noted on their character card (typically two spaces). These movement values may be boosted by also discarding additional cards for their boost value and adding it to the number of spaces moved.
All action cards will specify which character may use it for attack, defense, or Scheme action. These Scheme cards have a lightning bolt icon on them to indicate that they are played face-up to the table, resolved, and then discarded.
Finally, if a melee-based character is positioned adjacent to an opponent, or if a ranged character is in the same zone as an opponent, they may Attack said opponent. To Attack, the active player declares which opponent will be attacked, and each player involved will choose cards from their hands to use in the battle. The attacking player will need to use attack or versatile (either used for attack or defense) cards to try to inflict damage, while the defending player will need to play defense or versatile cards in defense. The difference of the values printed on the cards will determine which character wins the battle and if health points are to be deducted from the health dial.
Many cards will have action instructions that trigger either immediately during battle or even after the battle concludes. Resolve these actions when appropriate and try to stay on your feet.
Play continues in this fashion of moving around the board to gain cards or using the cards to scheme or attack/defend. The winning player is they who survives at the end and vanquishes all foes on the board.
Components. I love everything about the components in this game. The box is great. The insert is really incredible and well thought out. The cards are great quality and the game features spectacular art all around. The minis are cool and luckily are fitted inside colored bases to remind players which mini is theirs. The sidekick tokens are excellent thick plastic and color-matched to the bases of their hero counterparts. The board is nice and double-sided, and all the rest of the cardboard components are excellent.
It’s no secret here – I absolutely love this game. I have always been a big fan of Sherlock Holmes, and this set also includes other interesting characters to play. Each one is highly unique in style and that’s one of the reasons I am so intrigued by this system. I say system because this is not the only game in the Unmatched family. As of today the Unmatched system boasts all of these as playable characters from different sets: King Arthur, Alice, Medusa, and Sinbad from the “Battle of Legends, Vol 1” set; Robert Muldoon and raptors from the “Jurassic Park, InGen vs Raptors” set; the “Robin Hood vs Bigfoot” set; Bruce Lee; and Buffy, Spike, Willow, and Angel from the “Buffy the Vampire Slayer” set in addition to these here. I know more Jurassic Park sets are on the horizon, and I just cannot wait to see what other sets will be released in time.
Why do I love this game so much when I am not really a fan of moving and dueling games (I’m looking at you Mage Wars)? In these style of games I feel the movement is unnecessary as I just stand and fight. In this system, the only way to draw more cards from your deck is to enact the Maneuver action. There have been several times where I didn’t necessarily want to initiate a battle, but I saw opponents sitting with no cards in their hand. That means no defense cards can be played. Easy chunks of health taken by picking off the stationary few. Unmatched forces players to move around and I love that. Yes, there are opportunities to unleash giant blows or have double-digit health drops in battle, and that’s just delicious. Also there are times during play where mathing out exactly where to place your mini or sidekick is paramount to lay plans of ambush.
I mentioned earlier that I knew right away I would love this one. Opening the cover of the rulebook sold me immediately. As this set utilizes literary characters found in old timey Europe the game utilizes a period art style as well and I’m still fawning over it. Everything clicks for me and I can now understand why so many people were dying (not literally) to get copies of the game Unmatched is based on, Star Wars: Epic Duels. It is extremely fun and each character is interesting and unique. Purple Phoenix Games gives this one a well-earned GOLDEN FEATHER AWARD! If you need a skirmish style game with excellent theme and art, you must grab this post haste. If you and I fall on the same side of the coin with our gaming preferences you NEED to have this in your collection.
I don’t know how many other sets I will be looking to add to my collection at this point, but I cannot tell you how excited I would be to pit Bigfoot against Bruce Lee. Or King Arthur against Dracula. It just feels epic and wonderful. Great job to the team at Restoration Games. This is a huge win for my collection.
Merissa (13942 KP) rated Lady of Thorns (Two Thrones #3) in Books
Dec 13, 2017
Lady of Thorns (Two Thrones #3) by Nicola M. Cameron
Lady of Thorns is the third book in the Two Thrones series, and we focus on two characters we met in the previous book. Amelie and Alain are about as opposite as you can get - noble-born and street rat who has worked hard and got himself a career. However, their births play no part as the sparks fly between these two. They are evenly matched in intelligence, wit, and humour. And then, through Amelie's courage, they find out they are matched in other areas too. With the Harvest Ball coming up, her mother to contend with, and a husband to find, Amelie is happy to take her chances whilst she can. And of course, it doesn't hurt to have a Queen as your best friend!
It was wonderful returning to this world. It is easy to read, and the characters are all superb. It is smoothly written, with no editing or grammatical errors that I found. I would have loved to have heard more about Matthias and Danae, but then I am greedy where they are concerned. All in all, this book was thoroughly enjoyable, and completely un-put-downable. Palace of Scoundrels is still my favourite so far, but Lady of Thorns is absolutely recommended in every way.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
It was wonderful returning to this world. It is easy to read, and the characters are all superb. It is smoothly written, with no editing or grammatical errors that I found. I would have loved to have heard more about Matthias and Danae, but then I am greedy where they are concerned. All in all, this book was thoroughly enjoyable, and completely un-put-downable. Palace of Scoundrels is still my favourite so far, but Lady of Thorns is absolutely recommended in every way.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Whatchareadin (174 KP) rated Triptych (Will Trent, #1) in Books
May 10, 2018
It goes show, you should really read the first book in a series before heading to the next. I was trying to prepare myself for a Q&A session with the author and so I grabbed the first book that was available to me and that was her third Will Trent novel, Undone. I really enjoyed that book as well. And while I enjoyed Triptych as well, it seemed to move a bit slower for me. There was a lot of character development, which of course I expected and was looking for in the other book. Now, I've got it.
Will Trent is an orphan and a bit illiterate. He is a detective with the Georgia Bureau of Investigation and he has just been assigned a new case. When a hooker is found dead, raped, and with her tongue cut out, questions start to arise. There have been other cases like this one, but the girls were much younger, so why the change in M.O.? Will is working with Dekalp County police officer Michael Ormewood on the case. And when Ormewood's neighbor becomes one of the victims, the story takes and unusual turn.
Angie Pulaski and Will Trent go way back. Angie is also a police officer, but she is undercover as a hooker. Helping Will with this case, she meets someone who has an interesting connection. John Shelly, recently released from prison, his rap sheet looks a lot like these recent murders.
Will John Shelly be heading back to jail?
Will Trent is an orphan and a bit illiterate. He is a detective with the Georgia Bureau of Investigation and he has just been assigned a new case. When a hooker is found dead, raped, and with her tongue cut out, questions start to arise. There have been other cases like this one, but the girls were much younger, so why the change in M.O.? Will is working with Dekalp County police officer Michael Ormewood on the case. And when Ormewood's neighbor becomes one of the victims, the story takes and unusual turn.
Angie Pulaski and Will Trent go way back. Angie is also a police officer, but she is undercover as a hooker. Helping Will with this case, she meets someone who has an interesting connection. John Shelly, recently released from prison, his rap sheet looks a lot like these recent murders.
Will John Shelly be heading back to jail?
Mark @ Carstairs Considers (2532 KP) rated Word to the Wise in Books
Mar 26, 2021 (Updated Mar 26, 2021)
Stalking Lindsey
It all starts innocently enough. Lindsey Norris is more than happy to help out Aaron Grady when he walks into the library asking for help with his roses. But when he begins to show up with roses to offer to her as a thank you, she begins to grow concerned. Despite repeated confrontations, Aaron doesn’t take no for an answer and shows up in places he doesn’t belong. Until he turns up dead behind the library. Lindsey’s fiancé, Sully, quickly becomes the prime suspect. Lindsey knows that Sully wouldn’t have killed Aaron despite the growing evidence. So, what is really going on?
This book is definitely a cozy with a thriller edge to it. It worked for this fan, and kept me glued to the book until I reached the very end. I did have a problem with how a couple of minor characters reacted to Lindsey’s situation, mainly because I found it unbelievable given their position. Then again, maybe it’s just wishful thinking that they’d react like I would in that situation. I did feel things were slowing down a tad at one point, but then the plot kicked into high gear and didn’t slow down again. All the series characters are here and are just as charming as usual. The new characters fit in well. We have the usual assortment of extras at the end of the book. This may be a more serious book, but we get some humor, and the two were balanced perfectly. Once again, this is a book that fans will enjoy.
This book is definitely a cozy with a thriller edge to it. It worked for this fan, and kept me glued to the book until I reached the very end. I did have a problem with how a couple of minor characters reacted to Lindsey’s situation, mainly because I found it unbelievable given their position. Then again, maybe it’s just wishful thinking that they’d react like I would in that situation. I did feel things were slowing down a tad at one point, but then the plot kicked into high gear and didn’t slow down again. All the series characters are here and are just as charming as usual. The new characters fit in well. We have the usual assortment of extras at the end of the book. This may be a more serious book, but we get some humor, and the two were balanced perfectly. Once again, this is a book that fans will enjoy.
Mark @ Carstairs Considers (2532 KP) rated Finn and the Intergalactic Lunchbox in Books
Feb 16, 2021 (Updated Feb 16, 2021)
Traveling the Galaxy via…a Lunchbox?
Finn is a typical almost twelve-year-old. He’s got a younger sister who annoys him, he’s struggling to make friends at his new school, he’s being picked on by a bully, and he has a crush on a classmate. His life changes when he accidentally takes his sister’s lunchbox to school one day. When it starts to glow, he discovers that it’s become a portal to another part of our galaxy. On, and this portal is the key to a battle against a race called The Plague that destroys planets. With The Plague now looking at Earth as their next target, Finn is going to have to come up with some kind of plan to save the world.
It’s been a few years since I picked up one of Michael Buckley’s books, so I was thrilled to see he had a new series out. As you might suspect from the description, this is a wild, fast-paced right that I found hard to put down. And I haven’t even mentioned the seven-foot-tall robot yet. I did feel it got a little too apocalyptic for me at times, but that’s a matter of personal taste. The characters are good, although the one that got the most development here was a cliché. The creativity that went into this book is outstanding with lots of details that are fun. Kids will eat this book up and be anxious for the next one when they are done.
It’s been a few years since I picked up one of Michael Buckley’s books, so I was thrilled to see he had a new series out. As you might suspect from the description, this is a wild, fast-paced right that I found hard to put down. And I haven’t even mentioned the seven-foot-tall robot yet. I did feel it got a little too apocalyptic for me at times, but that’s a matter of personal taste. The characters are good, although the one that got the most development here was a cliché. The creativity that went into this book is outstanding with lots of details that are fun. Kids will eat this book up and be anxious for the next one when they are done.
Christine A. (965 KP) rated The Night Swim: A Novel in Books
Aug 4, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
Having worked in the criminal court system for years, I was looking forward to The Night Swim by Megan Goldin. The premise that you follow along with a podcast to reach your own verdict of a current and controversial trial sounded intriguing. I found myself angry by the main character's obvious slant on her podcast. If her role was to present an unbiased reporting of the events in court, she failed at her job. Her reporting of the case proceedings and the investigation taken are accurate, detailed, and complete. Goldin successfully captures the emotions involved in sensitive cases such as the one podcaster Rachel Krall covers for the third season of her podcast, Guilty or Not Guilty.
Goldin's story of the trial, the people involved, and the overlapping, interconnected tale from the past are woven into a clever novel narrated by Bailey Carr, January LaVoy, and Samantha Desz. All three narrators are accomplished voice actors. LaVoy narrated books by Patterson, Deaver, Grisham, and Goldin's New York Times Bestseller, The Escape Room.
The narrators' voices matched the story well, but the speed in which they spoke was too slow for me, and I listened to the story at a faster rate.
This 200-word review was published on Philomathinphila.com on 8/3/20.
Having worked in the criminal court system for years, I was looking forward to The Night Swim by Megan Goldin. The premise that you follow along with a podcast to reach your own verdict of a current and controversial trial sounded intriguing. I found myself angry by the main character's obvious slant on her podcast. If her role was to present an unbiased reporting of the events in court, she failed at her job. Her reporting of the case proceedings and the investigation taken are accurate, detailed, and complete. Goldin successfully captures the emotions involved in sensitive cases such as the one podcaster Rachel Krall covers for the third season of her podcast, Guilty or Not Guilty.
Goldin's story of the trial, the people involved, and the overlapping, interconnected tale from the past are woven into a clever novel narrated by Bailey Carr, January LaVoy, and Samantha Desz. All three narrators are accomplished voice actors. LaVoy narrated books by Patterson, Deaver, Grisham, and Goldin's New York Times Bestseller, The Escape Room.
The narrators' voices matched the story well, but the speed in which they spoke was too slow for me, and I listened to the story at a faster rate.
This 200-word review was published on Philomathinphila.com on 8/3/20.
Merissa (13942 KP) rated Fire in the Rain (Wraidd Elfennol #4) in Books
Aug 27, 2020
Fire in the Rain is the fourth and final book in the Wraidd Elfennol series and brings this fantastical series to a fitting end.
Afon and Necia are a married couple, which makes a nice change, who have been together for five years. They are both Chosen to bring back the balance once more although Necia copes with it easier than Afon does.
Just the same as with Of Land and Sky, time has moved on and we meet the great-grandchildren of Bran and Shyla, Rhosyn and Opal. I love how past characters are brought into the story whilst each story stands by itself, although I would recommend reading them as a series as there is an overall story arc.
This book has a faster pace than the others but it is just as nail-biting in places. Packed full of emotions, this story deals with self-confidence and self-worth as well as other subjects.
This has been a full-on fantasy series that I have thoroughly enjoyed and highly recommend to all fantasy lovers, especially if you have a love of Welsh mythology.
"The one thing that always remained true, no matter what other change occurred, was the love to be found within the silence of beats of the heart of Wraidd Elfennol."
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Afon and Necia are a married couple, which makes a nice change, who have been together for five years. They are both Chosen to bring back the balance once more although Necia copes with it easier than Afon does.
Just the same as with Of Land and Sky, time has moved on and we meet the great-grandchildren of Bran and Shyla, Rhosyn and Opal. I love how past characters are brought into the story whilst each story stands by itself, although I would recommend reading them as a series as there is an overall story arc.
This book has a faster pace than the others but it is just as nail-biting in places. Packed full of emotions, this story deals with self-confidence and self-worth as well as other subjects.
This has been a full-on fantasy series that I have thoroughly enjoyed and highly recommend to all fantasy lovers, especially if you have a love of Welsh mythology.
"The one thing that always remained true, no matter what other change occurred, was the love to be found within the silence of beats of the heart of Wraidd Elfennol."
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Phil Leader (619 KP) rated The Magicians' Guild (Black Magician Trilogy, #1) in Books
Nov 20, 2019
Trudi Canavan has been on my 'to read' list for a long time (far too long really). I finally found the time to read The Magicians' Guild - book one of the Black Magician trilogy.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.
The story revolves around Sonea, a girl living amongst the poor and near-poor of Imardin. The city is home to the titular guild, where the greatest magicians in the world learn and teach.
Those showing magical talent only come from the ruling classes. But Sonea has magical talent so the guild need to either break tradition and train her or block her powers as unless she is trained they will unleash themselves and kill her. The problem is that Sonea (along with the rest of the less privileged city dwellers) distrusts and fears the guild.
The book is in two parts - the first involves Sonea hiding from the guild and their attempts to find her. This is quite a clever strategy from a story telling point of view since the world and characters can be gradually introduced. We meet Sonea and her friends, and also the Thieves that control the slums. On the magicians' side we find some are sympathetic towards Sonea while others are outraged at the thought of training a slum girl - some for more personal reasons than others.
The second half involves Sonea's initial training at the guild. I do try not to give away major plot direction in these reviews, but I don't think it's much of a spoiler that she does end up in the guild, given the name of the book. In this part we find out more about magic and the guild, plus the plot that forms the core of this book moves forward and is resolved in a satisfactory - and dramatic - style.
Canavan's writing is focused firmly on character, although the world around them is fully realised, with the slums suitably dingy and grubby and the guild grand and opulent. The characters are allowed to develop through the pages. I found the start a little slow going, but I think that was mostly because the previous book I read was for more action based. There is also very little dramatic tension about Sonea ending up in the guild, but I don't think that is the purpose of the first half of the book anyway.
This story is clearly there to set up the characters for the trilogy as a whole - and as the plot progresses Sonea discovers some things that are clearly going to be important in her future. The way the ending is left is therefore very finely balanced between the resolution of the main plot and leaving the threads for the next book, and Canavan is spot on in delivering this.
Overall I really liked this book and will read the other installments as time allows without hesitation. If you are looking for some brutal anti-hero cutting a swathe of destruction through his enemies this is not the book for you. If you want some careful characterisation and a personality driven and human-scale plot, pick up this book. It is also refreshing to have a female main protagonist in the traditionally macho world of fantasy. Recommended.
Bob Mann (459 KP) rated Life Itself (2018) in Movies
Sep 28, 2021
Love Actually with all the saccharine squeezed out.
Not the documentary of the same name from 2014 about the critic Rogert Ebert. This is an Amazon Studios/Sky Cinema Original Film (trying to follow where Netflix is boldly going), and as such it only had a very limited release in UK cinemas which I managed to miss.
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
The plot.
This is an anthology film in the style of “Crash” or – actually, “Love Actually” – featuring a series of inter-linked stories. We start with a depressed Will (Oscar Isaac) flashing back to his apparently idyllic life with pregnant wife Abby (Olivia Wilde). Apparantly? Well, perhaps the narrator is unreliable. So what actually happened? Where is Abby now? Where is his child?
Mid-film we switch into a Spanish-language section, set in Spain, featuring an ambitious olive-picker Javier González (Sergio Peris-Mencheta), his sweetheart Isabel (Laia Costa) and his employer Mr. Saccione (Antonio Banderas).
(“What the F!”, you are saying to yourself at this point, “How is this all related?”).
To say any more would provide spoilers: but, confused as you may be, it’s a journey worth sticking with.
Messing with time and your mind.
The film plays fast and loose with chronology and we zap backwards and forwards through the story which can be unsettling. It’s a film that keeps you on your toes, and you need to listen to director/writer Dan Fogelman‘s dialogue as there are clues as to where you are going next. It’s certainly not the ‘sit-back-and-relax’ “rom-com” that I mistakenly sold it to my wife as for our evening viewing!
A star of the film is the editor Julie Monroe (“Midnight Special“). There are some significant twists in the film, some of which are well signposted; others very much not so!
The turns
Has Oscar Isaac done a bad film? (I’m sure some haters of the latest Star Wars episodes might have an answer!). Here he has to execute an enormous range and he just about pulls it off. Olivia Wilde is also convincing as Abby.
In the Spanish section, Antonio Banderas is as impressive as you expect, and Laia Costa – an actress not previously known to me – is initially good as the young love interest, but I thought she was rather over-extended in the later scenes in her story.
Elsewhere, the rising star Olivia Cooke again impresses as a troubled teen; Annette Bening is a psychologist; “Homeland”‘s Mandy Patinkin plays Will’s father; and an f-ing and blinding Samuel L Jackson even appears at the start of the film (a blink and you’d miss it line of dialogue explains the context).
Good?
I wasn’t expecting to, but I really enjoyed this one. I’ve read some completely eviscerating reviews of the movie, but I’ve not sure where those were coming from. I found it a non-standard journey requiring a level of intelligence to appreciate the nuances of the script. My guess would be that many of the naysayers on IMDB never made it past the Spanish interlude. Others will not have liked the coincidence in the final reel (no spoilers). I do appreciate that it needs a suspension of belief. But this is a movie about the random coincidences of life. I remember running into a work colleague on the backstreets of Lone Pine in California, 5,271 miles away from where we both worked. Coincidences DO happen.
I’m not a fan of this whole new “almost straight to streaming” approach: I wish I could have seen this one on the big screen. But my view would be that it’s well worth catching if you have access to Amazon or Sky services (Sky or Now TV in the UK).
Haley Mathiot (9 KP) rated Hourglass (Hourglass, #1) in Books
Apr 27, 2018
Let me just say right now that I'm glad I didn't judge this book by its cover, because I never would have requested it. The cover doesn't particularly appeal to me; for that matter, the title didn't make me curious either. Even after I read the back cover I wasn't convinced. I like to be intrigued and the cover/summary fooled me. But I saw a good review for it somewhere, so I snatched it up. I'm very happy I did.
Time travel has been done poorly so many times, but Hourglass was fantastic. It was original and creative, and it met every requirement for a perfect book: it had tension, awesome characters, a well thought out and multi-layered plot, and good writing.
There was tension in every sentence of ever paragraph of every chapter. It was nearly impossible to put down. I completely lost track of time while I read it. (haha, lost track of…get it?…. it's a time travel book…never mind.) I was forced to put it down to do things like work and chores and food, but except for things like that, it kept me reading, and there were no empty scenes.
The characters were amazing. Can I just say that I want to marry Michael right now? omigoodness. He's going on my list. Any author who can write a character like that is going on my favorites list right now. Emerson is strong-willed, kick-ass, and has to remind herself that she's short because her personality is the opposite. She was the perfect heroine because she was real and fragile and head over heels in love with someone she wasn't supposed to love. Michael was the brave proud chivalrous attractive protagonist who has a major hero complex, and of course is trying not to be in love with Em (and failing miserably). Both of them together had humorous conversations and explosive chemistry. (like, things short circuit when they touch, and light bulbs break when they kiss.)
The plot kept me guessing all the way to the end, and the last quarter of the book threw so many twists and turns at me that I found myself thinking, "Ok wait, what? are you serious?" But it wasn't overdone, there was no overkill, and it worked perfectly in the end. (I'll keep it spoiler free, but I'll just say don't worry, it does work out. Don't get mad and throw the book against the wall like I did.)
And of course, the writing. I find that many young adult novels have mediocre writing. McEntire is a good writer in the sense that she can keep the tension real and controlling, she has good descriptions and great pacing, and there are no dead words.
Hourglass was fast-paced, exciting, unique, and completely enthralling. I anxiously await more from McEntire hope for more of Michael and Emerson's story in the future.
Content/recommendation: some mild language, no sex. Ages 16+
Time travel has been done poorly so many times, but Hourglass was fantastic. It was original and creative, and it met every requirement for a perfect book: it had tension, awesome characters, a well thought out and multi-layered plot, and good writing.
There was tension in every sentence of ever paragraph of every chapter. It was nearly impossible to put down. I completely lost track of time while I read it. (haha, lost track of…get it?…. it's a time travel book…never mind.) I was forced to put it down to do things like work and chores and food, but except for things like that, it kept me reading, and there were no empty scenes.
The characters were amazing. Can I just say that I want to marry Michael right now? omigoodness. He's going on my list. Any author who can write a character like that is going on my favorites list right now. Emerson is strong-willed, kick-ass, and has to remind herself that she's short because her personality is the opposite. She was the perfect heroine because she was real and fragile and head over heels in love with someone she wasn't supposed to love. Michael was the brave proud chivalrous attractive protagonist who has a major hero complex, and of course is trying not to be in love with Em (and failing miserably). Both of them together had humorous conversations and explosive chemistry. (like, things short circuit when they touch, and light bulbs break when they kiss.)
The plot kept me guessing all the way to the end, and the last quarter of the book threw so many twists and turns at me that I found myself thinking, "Ok wait, what? are you serious?" But it wasn't overdone, there was no overkill, and it worked perfectly in the end. (I'll keep it spoiler free, but I'll just say don't worry, it does work out. Don't get mad and throw the book against the wall like I did.)
And of course, the writing. I find that many young adult novels have mediocre writing. McEntire is a good writer in the sense that she can keep the tension real and controlling, she has good descriptions and great pacing, and there are no dead words.
Hourglass was fast-paced, exciting, unique, and completely enthralling. I anxiously await more from McEntire hope for more of Michael and Emerson's story in the future.
Content/recommendation: some mild language, no sex. Ages 16+