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Rob P (30 KP) rated Avengers: Endgame (2019) in Movies
May 6, 2019
Sheer scope and spectacle (2 more)
satisfying conclusion to the Infinity/Avengers saga
Pretty much a 90 minute end battle scene
Unfair arc for some characters (1 more)
The end of an era! #cry
Love you 3000 - *Seriously - S P O I L E R S*
Contains spoilers, click to show
Well, what a long, strange, amazing trip it's been.
Assuming that everyone who sees this film is invested in the MCU, this doesn't disappoint. Although I'm a fan of the comics, you can't really compare the comic universe to the cinematic universe in terms of plot, it stands alone with its own intricacies, strengths and weaknesses.
I don't have a lot of negative things to say about this one, it's an involving, dramatic, action packed and beautiful piece of work from the Russo brothers, but I'll start with the one or two gripes I had.
From the start, they went with an odd route, one that I wasn't expecting . *SPOILERS* - Thanos as we know him, dies in the first 15 minutes of the film. Honestly was not expecting that. Robbed the satisfaction of build up for me, but ultimately the build up starts again, as the Avengers then go about stopping an alternate timeline Thanos from BEFORE the events of Guardians of the Galaxy by going to retrieve the infinity stones from different points in time (and the MCU movies), before Thanos finds them, so all is not lost on that front, there's still a Thanos to face.
One gripe was the arc of one particular character - our big green rage machine. After the events of infinity war, you'll remember, Hulk was left somewhat lacking, after getting his arse handed to him by Thanos and then refusing to come out for the rest of the film. I felt there was atonement due for him. Here we see Banner has now found catharsis with the Hulk, by staying in Hulk form with his own personality in the five years since the snap. That's all well and good, but after the death of a certain other member of the Avengers after retrieving the Soulstone, I thought - right. Now Hulk will smash. Now we have to see him go ham on someone. Nothing. Not even an action shot of Hulk fighting in the entire last battle scene, which only would have taken 20 seconds out of an entire 90 minute battle. I would have liked to have seen Hulk Vs Thanos, even if for a brief moment, whether Banner came out on top or not. Banner actually using his own anger, which by his own admission in Avengers Assemble, he has. All the time. It felt an unfair way to end one of the major characters stories, for seemingly what would have taken so little to make. it's not like they lacked the CGI budget, after all. Instead, Scarlet Witch gets a showdown with Thanos, and she's not even a particularly major player within the Avengers team, again don't get me wrong, after Vision she deserves a shot. But Hulk more so... It seemed silly to me.
The other negative for me, was Thor. Another slightly disappointing arc for the god of thunder. I felt he was robbed of all the awesomeness Taika rejuvenated him with from Ragnarok, which then continued into Infinity War. They turned him into God of amazing lightning and patron saint of badassery, with a new axe that just gives him a look as cool as they other side of the pillow. Now, the Russo's have had him drink himself to death, making him bloated and filled with sadness and regret. Don't get me wrong. Thor has more reason than most to be that way, he's lost everything over his story arc. I think that by letting him kill Thanos at the beginning, they robbed him of his real purpose, which is to be the strongest of the avengers (arguably) and just be the badass we all know he is. The one positive thing about this, is Thor's new aesthetic actually makes him look like a viking, which was amazing. Braided beard, heavy set, long hair. Great stuff, made him feel much more realistic in that sense, just again I think it was a bit of an unfair arc for him. Although, as he's now set to join GOTG, there's plenty of time to atone.
That's my two cents on the negs of this one. Now for positives:
My god, the scope and sheer spectacle of the MCU films rarely disappoint, this is no exception. just some absolutely jaw dropping sequences, especially when you have the big three (Stark, Cap and Thor) trying to stop Thanos before the major battle scene. It's stuff to make you weep tears of pure joy.
Following on from that, the moment where it's confirmed the snap has been reversed and the portals open up, the armies of Wakanda come out chanting along with just EVERYBODY, and that Avengers music starts up... goosebumps just thinking about it.
The involvement and rounding of previous MCU films in the first half of the movie is intense and satisfying, as the group split up into different places in time to retrieve the stones. Lots of nods to different franchises, nice bit of exposition, and certain parts in particular are just happy, like seeing Tony talking to his father back in the 70's without him realising who he is. Wonderful Stuff.
We all knew there would be deaths, I felt that these were handled gracefully and tactfully, giving the best service for the characters and fans. At the same time, they were not predictable, which i felt was definitely important.
As a last word, anyone who's ever watched a marvel film or had interest in the comics needs to see this. There is a list published of the films you need to see beforehand to fully appreciate the time travel segments, but it's not absolutely necessary. It just helps you appreciate the thought that has gone into rounding off the biggest cinematic series in history, all the in jokes and nuances that the Russo's included to really make this serviceable to the fans.
The end of an era, and as a crescendo to the the symphony started by the rest of MCU, it's just plain beautiful.
Love you 3000, folks.
- Rob
Assuming that everyone who sees this film is invested in the MCU, this doesn't disappoint. Although I'm a fan of the comics, you can't really compare the comic universe to the cinematic universe in terms of plot, it stands alone with its own intricacies, strengths and weaknesses.
I don't have a lot of negative things to say about this one, it's an involving, dramatic, action packed and beautiful piece of work from the Russo brothers, but I'll start with the one or two gripes I had.
From the start, they went with an odd route, one that I wasn't expecting . *SPOILERS* - Thanos as we know him, dies in the first 15 minutes of the film. Honestly was not expecting that. Robbed the satisfaction of build up for me, but ultimately the build up starts again, as the Avengers then go about stopping an alternate timeline Thanos from BEFORE the events of Guardians of the Galaxy by going to retrieve the infinity stones from different points in time (and the MCU movies), before Thanos finds them, so all is not lost on that front, there's still a Thanos to face.
One gripe was the arc of one particular character - our big green rage machine. After the events of infinity war, you'll remember, Hulk was left somewhat lacking, after getting his arse handed to him by Thanos and then refusing to come out for the rest of the film. I felt there was atonement due for him. Here we see Banner has now found catharsis with the Hulk, by staying in Hulk form with his own personality in the five years since the snap. That's all well and good, but after the death of a certain other member of the Avengers after retrieving the Soulstone, I thought - right. Now Hulk will smash. Now we have to see him go ham on someone. Nothing. Not even an action shot of Hulk fighting in the entire last battle scene, which only would have taken 20 seconds out of an entire 90 minute battle. I would have liked to have seen Hulk Vs Thanos, even if for a brief moment, whether Banner came out on top or not. Banner actually using his own anger, which by his own admission in Avengers Assemble, he has. All the time. It felt an unfair way to end one of the major characters stories, for seemingly what would have taken so little to make. it's not like they lacked the CGI budget, after all. Instead, Scarlet Witch gets a showdown with Thanos, and she's not even a particularly major player within the Avengers team, again don't get me wrong, after Vision she deserves a shot. But Hulk more so... It seemed silly to me.
The other negative for me, was Thor. Another slightly disappointing arc for the god of thunder. I felt he was robbed of all the awesomeness Taika rejuvenated him with from Ragnarok, which then continued into Infinity War. They turned him into God of amazing lightning and patron saint of badassery, with a new axe that just gives him a look as cool as they other side of the pillow. Now, the Russo's have had him drink himself to death, making him bloated and filled with sadness and regret. Don't get me wrong. Thor has more reason than most to be that way, he's lost everything over his story arc. I think that by letting him kill Thanos at the beginning, they robbed him of his real purpose, which is to be the strongest of the avengers (arguably) and just be the badass we all know he is. The one positive thing about this, is Thor's new aesthetic actually makes him look like a viking, which was amazing. Braided beard, heavy set, long hair. Great stuff, made him feel much more realistic in that sense, just again I think it was a bit of an unfair arc for him. Although, as he's now set to join GOTG, there's plenty of time to atone.
That's my two cents on the negs of this one. Now for positives:
My god, the scope and sheer spectacle of the MCU films rarely disappoint, this is no exception. just some absolutely jaw dropping sequences, especially when you have the big three (Stark, Cap and Thor) trying to stop Thanos before the major battle scene. It's stuff to make you weep tears of pure joy.
Following on from that, the moment where it's confirmed the snap has been reversed and the portals open up, the armies of Wakanda come out chanting along with just EVERYBODY, and that Avengers music starts up... goosebumps just thinking about it.
The involvement and rounding of previous MCU films in the first half of the movie is intense and satisfying, as the group split up into different places in time to retrieve the stones. Lots of nods to different franchises, nice bit of exposition, and certain parts in particular are just happy, like seeing Tony talking to his father back in the 70's without him realising who he is. Wonderful Stuff.
We all knew there would be deaths, I felt that these were handled gracefully and tactfully, giving the best service for the characters and fans. At the same time, they were not predictable, which i felt was definitely important.
As a last word, anyone who's ever watched a marvel film or had interest in the comics needs to see this. There is a list published of the films you need to see beforehand to fully appreciate the time travel segments, but it's not absolutely necessary. It just helps you appreciate the thought that has gone into rounding off the biggest cinematic series in history, all the in jokes and nuances that the Russo's included to really make this serviceable to the fans.
The end of an era, and as a crescendo to the the symphony started by the rest of MCU, it's just plain beautiful.
Love you 3000, folks.
- Rob
Gareth von Kallenbach (977 KP) rated The Twilight Saga: Breaking Dawn Part 2 (2012) in Movies
Aug 7, 2019
Fans all around the world have been waiting for the fifth and final installment of the film adaption of Stephanie Meyer’s best selling book series, “The Twilight Saga: Breaking Dawn part 2” and without skipping a beat, part two begins right where its predecessor left off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
Bella opens her eyes with heightened vampire senses and embraces her new life as a wife, a mother and more importantly as a vampire. With her uncontrollable thirst she and Edward go for a run in the woods so that she can learn to hunt. She suddenly becomes enamored with her sudden speed and amazing strength. There certainly is no need for Edward to show her the tools of the trade as with Bella’s new found strength she is able to do that on her own.
Another perk to being vampire newlyweds who for that matter don’t have to rest or eat certainly leaves room for only one other thing to do and they sure love doing it! This finally provides the audience with a much steamier scene then in the last installment and in my opinion exactly how the writer intended it to be.
When Renesmee is born she is half vampire and half human and therefore poses no risk to anybody. Unfortunately for the Cullen family, she is mistaken to be one of the “immortal children”. In the past the “immortal children” were done away with by the Volturi as they posed a huge risk because being children they had no self control and posed a risk of showing humans that there were in fact monsters that had been living among them. This leads to a massive showdown with the leader of the Volturi, Aro and his cohorts against the Cullens and other clans who have come to their aid along with Jacob and his wolf pack. Will Bella and Edward get the “happily ever after” they so desire?
This is probably the hardest review that I have had to write and I say that because I am as a lot of you already know one of the biggest Twilight fans out there. This installment, film wise, is my favorite one because of all of the action and suspense. Parts of the film will surprise you and parts will tug on your heart strings but all in all, it is the best film of all of them by far.
You would at least need to know the back story before getting in to it or you will be completely lost! The cinematography and colors against the Northwest backdrops are beautiful. Bill Condon did a great job! I am not a fan by any means of computer generated humans, especially babies so I could have done without that but honestly how else could they have portrayed little Renesmee as she grew at such a fast rate?
This film is worth seeing and the guys will get at least some really cool fighting scenes and pretty ladies to look at while taking there girlfriends to see this film. All joking aside it is a fantastic story and should be not be missed. There is a reason why they bring in the big bucks and its not just because of teen girls going to see Jacob taking his shirt off.
Animated Essential Atlas
Medical and Education
App
The Focus Animated Essential Atlas of Anatomy and Physiology includes a full chapter on: -Cell –...
Night Reader Reviews (683 KP) rated Outland Exile: Book 1 of Old Men and Infidels in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
Outland Exile Book 1: Old Men and Infidels by W. Clark Boutwell was very enjoyable to read after I got into it a bit. The book was somewhat confusing to start out but the author unfolds the story layer by layer to slowly explain the world that the main character lives in. The vocabulary in this book made me consult a dictionary a few different times to check words that were strange to me, an unusual occurrence for someone who reads frequently.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
graveyardgremlin (7194 KP) rated The Taken (Celestial Blues, #1) in Books
Feb 15, 2019
Even though I'm not especially fond of angels, I decided to try out this new series based on my previous experiences with Vicki Pettersson's work. Sadly, after an intriguing first chapter, any enjoyment I may have expected never came knocking (guess it was too busy knockin' on heaven's door).
Meet one of the two main characters, rockabilly girl Katherine "Kit" Craig. She's an eternally optimistic and peppy reporter whose best friend and co-worker, Nicole, was just murdered while following a lead. Our other MC is a haunted Centurion angel named Griffin Shaw who ushers the newly murdered into the afterlife, otherwise known as the Everlast, while bemoaning the murders of both himself and his wife Evie back in 1960. After making a mistake concerning Nicole, he's been sent back to earth as a human with some angelic senses still intact. Kit and Grif soon meet up and begin investigating the circumstances around Nicole's death, whilst Griffin seeks out any details involving his own.
Problem Number One:
The Cardboard Characters
Character development is supposed to unfold over the course of a book, in this case it actually appeared to deteriorate as the book went on. Kit never developed into anything but one of those annoyingly chipper people you just want to hit with a sledgehammer, while Grif started promisingly enough but then stagnated. They were both very shallow characterizations, and on top of that, I never understood Kit's actions or reactions to just about anything. I never felt her sadness about her best friend's death, whom she rarely gave a passing thought, believed she was smart (by the end, I thought her a dolt), or seem in any way human with nary a rational thought in her head. About mid-way through the book, Grif tells her he's an angel after they kiss, so what does she do? Does she a) run away screaming, b) think he's a few feathers short of a goose and tell him to get hell out of her house and life, or c) have a calm Q&A session followed by giving him a whatfor that consists of "I won't kiss you again" and "you're watching me walk out that door (in her own house) because you can't handle any emotion blah, blah, blah by pretending you're an angel" and then proceed to attend a charity event wherein she acts and converses normally, like nothing happened? If you picked "c" *ding ding ding*, you're a winner! Because as we all know, any sensible guy will pull out the "I'm an angel" trick and expect a woman to believe him. *rolls eyes* Never was it ever crystal clear if Kit thought Grif was either crazy or a liar. It was all a bit hazy, but what can you expect from someone we're never allowed to know? All we discern is she dresses and lives (somewhat) rockabilly, but it's all a veneer to her hollowness inside, which led me to dub her Rockabilly Barbie.
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/reviews/RockabillyBarbie.jpg">;
Because that's all she is and nothing more. The only character that I found a little more well-rounded was the secondary character Bridget Moore and the two Centurions introduced close to the end. Everyone else was either forgettably two-dimensional or they were a caricature, a la Caleb Chambers and Paul Raggio.
Problem Number Two:
The Relationship(s)
I'm expected to believe in a possible relationship between Grif and Rockabilly Barbie, err I mean Kit, but there's not much there to believe in. Like the characters, it was shallow with the same descriptions reiterated over and over again. Basically it's a case of telling instead of showing. I felt no love, maybe some attraction, but that's all she wrote. Likewise I never bought that Kit and Paul could ever have gotten far enough to be married, they were just too different. Most people don't do a 180 after they get married, the seed of who Paul really was deep down inside would have already been there and if Kit was even a fraction astute, she should have caught that. All this served was to be a plot point in the book.
Problem Number Three:
The Plot(s)
The main plot involving Nicole's death and Chambers had a "been there, done that" quality to it. The plot didn't shock me or seem like anything new, I've come across the same before or at least plots that were very close, and it wasn't even told in a fresh way. So I wasn't as affected by anything in the book as I probably should have been, partially due to the indifference I felt and the fact that I figured out everything long before the author dropped, what I guess she thought, were informational bombshells.
The book had three major plotlines: Grif and Evie's deaths, Nicole's death/prostitution ring, and Grif and the Pure Anas' philosophical moments. They weren't juggled well at all. Ms. Pettersson should have picked only one and paid more attention to developing that specific plot and the characters. The scenes with Anas (or Anne) especially didn't mesh with the other stories and felt as if the author was overreaching the boundaries set up by the book. One scene in particular was extremely bizarre and pointless to the book as a whole.
Where was the noir? I've seen enough film noirs to know it ain't here.
Problem Number Four:
The Ending
What happened at the end is what I'd expect in a book that's exclusively romance and not in a mystery/urban fantasy hybrid, which made the rushed ending seem even more ridiculous and sappy. It was incredibly unbelievable to the story and didn't seem to set up the next book in any way. Also, one of the plotlines was all but left dangling with no foreshadowing or anything. Poor, poor, poor execution. Don't expound on a storyline if you're not going to finish it up or at least leave it dangling in a way that makes the reader want to come back. All that boring set-up for a completely stupid and cheesy ending. I expected rainbows and unicorns to pop out at any moment.
Overall the book felt more like a rough copy than a finished one and definitely could have used a few more goings over. Several descriptions were rushed and chaotic or simply poorly done so that I was scrambling to picture what was going on. The book is almost 400 pages and it is simply too long. With so many storylines, I'm not sure how they managed to both crawl and have very little action at the same time. I was going to give this two stars because I didn't hate the book, that would imply that it elicited any feelings what-so-ever, but the truth of the matter is that there isn't one thing I really liked about the book either. The only way I'd read a sequel to the bafflingly-named Celestial Blues series is if it featured different leads like the aforementioned Centurions, and even then I'd cautiously dip my toes into the book.
Originally reviewed: June 29
Received: Amazon Vine
Meet one of the two main characters, rockabilly girl Katherine "Kit" Craig. She's an eternally optimistic and peppy reporter whose best friend and co-worker, Nicole, was just murdered while following a lead. Our other MC is a haunted Centurion angel named Griffin Shaw who ushers the newly murdered into the afterlife, otherwise known as the Everlast, while bemoaning the murders of both himself and his wife Evie back in 1960. After making a mistake concerning Nicole, he's been sent back to earth as a human with some angelic senses still intact. Kit and Grif soon meet up and begin investigating the circumstances around Nicole's death, whilst Griffin seeks out any details involving his own.
Problem Number One:
The Cardboard Characters
Character development is supposed to unfold over the course of a book, in this case it actually appeared to deteriorate as the book went on. Kit never developed into anything but one of those annoyingly chipper people you just want to hit with a sledgehammer, while Grif started promisingly enough but then stagnated. They were both very shallow characterizations, and on top of that, I never understood Kit's actions or reactions to just about anything. I never felt her sadness about her best friend's death, whom she rarely gave a passing thought, believed she was smart (by the end, I thought her a dolt), or seem in any way human with nary a rational thought in her head. About mid-way through the book, Grif tells her he's an angel after they kiss, so what does she do? Does she a) run away screaming, b) think he's a few feathers short of a goose and tell him to get hell out of her house and life, or c) have a calm Q&A session followed by giving him a whatfor that consists of "I won't kiss you again" and "you're watching me walk out that door (in her own house) because you can't handle any emotion blah, blah, blah by pretending you're an angel" and then proceed to attend a charity event wherein she acts and converses normally, like nothing happened? If you picked "c" *ding ding ding*, you're a winner! Because as we all know, any sensible guy will pull out the "I'm an angel" trick and expect a woman to believe him. *rolls eyes* Never was it ever crystal clear if Kit thought Grif was either crazy or a liar. It was all a bit hazy, but what can you expect from someone we're never allowed to know? All we discern is she dresses and lives (somewhat) rockabilly, but it's all a veneer to her hollowness inside, which led me to dub her Rockabilly Barbie.
<img src="http://i272.photobucket.com/albums/jj183/piscesrain/reviews/RockabillyBarbie.jpg">;
Because that's all she is and nothing more. The only character that I found a little more well-rounded was the secondary character Bridget Moore and the two Centurions introduced close to the end. Everyone else was either forgettably two-dimensional or they were a caricature, a la Caleb Chambers and Paul Raggio.
Problem Number Two:
The Relationship(s)
I'm expected to believe in a possible relationship between Grif and Rockabilly Barbie, err I mean Kit, but there's not much there to believe in. Like the characters, it was shallow with the same descriptions reiterated over and over again. Basically it's a case of telling instead of showing. I felt no love, maybe some attraction, but that's all she wrote. Likewise I never bought that Kit and Paul could ever have gotten far enough to be married, they were just too different. Most people don't do a 180 after they get married, the seed of who Paul really was deep down inside would have already been there and if Kit was even a fraction astute, she should have caught that. All this served was to be a plot point in the book.
Problem Number Three:
The Plot(s)
The main plot involving Nicole's death and Chambers had a "been there, done that" quality to it. The plot didn't shock me or seem like anything new, I've come across the same before or at least plots that were very close, and it wasn't even told in a fresh way. So I wasn't as affected by anything in the book as I probably should have been, partially due to the indifference I felt and the fact that I figured out everything long before the author dropped, what I guess she thought, were informational bombshells.
The book had three major plotlines: Grif and Evie's deaths, Nicole's death/prostitution ring, and Grif and the Pure Anas' philosophical moments. They weren't juggled well at all. Ms. Pettersson should have picked only one and paid more attention to developing that specific plot and the characters. The scenes with Anas (or Anne) especially didn't mesh with the other stories and felt as if the author was overreaching the boundaries set up by the book. One scene in particular was extremely bizarre and pointless to the book as a whole.
Where was the noir? I've seen enough film noirs to know it ain't here.
Problem Number Four:
The Ending
What happened at the end is what I'd expect in a book that's exclusively romance and not in a mystery/urban fantasy hybrid, which made the rushed ending seem even more ridiculous and sappy. It was incredibly unbelievable to the story and didn't seem to set up the next book in any way. Also, one of the plotlines was all but left dangling with no foreshadowing or anything. Poor, poor, poor execution. Don't expound on a storyline if you're not going to finish it up or at least leave it dangling in a way that makes the reader want to come back. All that boring set-up for a completely stupid and cheesy ending. I expected rainbows and unicorns to pop out at any moment.
Overall the book felt more like a rough copy than a finished one and definitely could have used a few more goings over. Several descriptions were rushed and chaotic or simply poorly done so that I was scrambling to picture what was going on. The book is almost 400 pages and it is simply too long. With so many storylines, I'm not sure how they managed to both crawl and have very little action at the same time. I was going to give this two stars because I didn't hate the book, that would imply that it elicited any feelings what-so-ever, but the truth of the matter is that there isn't one thing I really liked about the book either. The only way I'd read a sequel to the bafflingly-named Celestial Blues series is if it featured different leads like the aforementioned Centurions, and even then I'd cautiously dip my toes into the book.
Originally reviewed: June 29
Received: Amazon Vine
todayee voice
Productivity and Business
App
"The idea was sprung falling" "Inspiration sudden" "That you do not want to forget" "It was felt...
Kristy H (1252 KP) rated Our Kind of Cruelty: A Novel in Books
May 15, 2018
Eerily mesmerizing & creepy thriller
Mike Hayes had a terrible childhood, where he was neglected by his drunken mother and beaten by her string of hapless boyfriends. At ten, he was taken into care, eventually winding up with a nice couple. With their help, Mike went on to a good university, where he met Verity (V), with whom he fell madly in love. V helped Mike learn the ways of the world and society. They also played a sexual game called the Crave that brought them even closer together. However, after Mike went to New York for two years for work, their relationship ended. Even worse, Verity is now getting married to another man, Angus. At first, Mike is devastated. But soon, he realizes that V's wedding invitation is just another piece of Crave. As such, he must watch her, track her, and prepare his home for her inevitable return--all parts of the tense and careful game that is Crave.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Whatchareadin (174 KP) rated The Underwriting in Books
Apr 9, 2019
Hook is the hottest new dating app. It's location based and as long as two users match each other they can "hook" up in a matter of minutes.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
MelanieTheresa (997 KP) rated Connections In Death (In Death #48) in Books
Mar 11, 2019
I've said it before and I'll say it again: the In Death series is hands down my favorite series from any author in any genre. Terrific, well-written characters in a not-so-distant future NYC; the series manages to be both familiar and fresh, even after 48 installments. That's saying something.
The very first line of the very first chapter made me laugh out loud, and is so perfectly Eve Dallas:
"The legalized torture of socializing lined right up to premeditated murder when you added the requirement of fancy shoes."
Beginning with a cocktail party during which Eve and Roarke and other recurring characters are socializing and being generally hilarious, this installment was in my opinion a bit more "fun" than the previous installment. That's not to say that there aren't plenty of serious moments, of course, but I found a bit more levity throughout. For example, Eve's complete bewilderment when Roarke shows her the progress on the farm in Nebraska which he purchased on a bet between the two of them. This may have been one of my favorite moments.
The case Eve is working is gang-related, and much easier to navigate than the convoluted case at the center of #47. Crack's new girlfriend, Rochelle - who is also Roarke's top pick to run An Didean - loses her recovered addict/gangbanger brother in a gang hit, and we go from there. It was nice seeing Crack in a different light, as well, and I enjoy him with Rochelle.
Overall, a worthy installment. Can't wait for #49!
The very first line of the very first chapter made me laugh out loud, and is so perfectly Eve Dallas:
"The legalized torture of socializing lined right up to premeditated murder when you added the requirement of fancy shoes."
Beginning with a cocktail party during which Eve and Roarke and other recurring characters are socializing and being generally hilarious, this installment was in my opinion a bit more "fun" than the previous installment. That's not to say that there aren't plenty of serious moments, of course, but I found a bit more levity throughout. For example, Eve's complete bewilderment when Roarke shows her the progress on the farm in Nebraska which he purchased on a bet between the two of them. This may have been one of my favorite moments.
The case Eve is working is gang-related, and much easier to navigate than the convoluted case at the center of #47. Crack's new girlfriend, Rochelle - who is also Roarke's top pick to run An Didean - loses her recovered addict/gangbanger brother in a gang hit, and we go from there. It was nice seeing Crack in a different light, as well, and I enjoy him with Rochelle.
Overall, a worthy installment. Can't wait for #49!
The 50 Things: Lessons for When You Feel Lost, Love Dad
Book
Praise for The 50 Things: "This book is that rare thing: a non-preachy and super-helpful guide....