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Lee KM Pallatina (951 KP) rated X-Men (2000) in Movies
Jun 16, 2019
X-Men: first cast
Xmen follows Logan, a violent mutant without a past, eventually being forced back on the road he meets Rogue, a mutant with an unknown power that accidentally killed her boyfriend.
Attacked on the road and rescued by storm & Cyclops, the two quickly (for the plots sake) meet the X-Men, and after 50 no's and a yes, Wolverine reluctantly agrees to be an X-Men.
But with heroes come villains including, Magneto, toad, Sabretooth & mystique (because the studio couldn't afford more characters then either?)
A good movie at the time, which still holds up quite well today, decent graphics, acceptable action scenes and an easy to follow plot with some cheesy jokes.
Starring Patrick Stewart, Hugh Jackman, Halle Berry, Anna Paquin, Ian Mckellen, Famke Janssen, Rebecca Romijn, James Marsden, Ray Park & Tyler Mane.
Attacked on the road and rescued by storm & Cyclops, the two quickly (for the plots sake) meet the X-Men, and after 50 no's and a yes, Wolverine reluctantly agrees to be an X-Men.
But with heroes come villains including, Magneto, toad, Sabretooth & mystique (because the studio couldn't afford more characters then either?)
A good movie at the time, which still holds up quite well today, decent graphics, acceptable action scenes and an easy to follow plot with some cheesy jokes.
Starring Patrick Stewart, Hugh Jackman, Halle Berry, Anna Paquin, Ian Mckellen, Famke Janssen, Rebecca Romijn, James Marsden, Ray Park & Tyler Mane.
BankofMarquis (1832 KP) rated The Good Liar (2019) in Movies
Nov 20, 2019
Mirren and McKellen are acting in 2 different movies
In a time where large comic-book, CGI-infused monster fests are all the rage in the Cineplex, it is a welcome relief to find a cleverly written, acting-rich mystery story featuring two world class actors of "a certain age", defying the odds to make a memorable motion picture.
And...they almost succeeded.
Written by Twin Cities native Jeffrey Hatcher, THE GOOD LIAR tells the tale of a...well...good liar played by Ian McKEllen. His con-man, Roy Courtney, is a roguish scamp, bilking crooks and ne'er do wells out of their money. He then sets his sights on rich Widow Betty McLeish (Helen Mirren) and her millions of dollars.
We spend the first 3/4 of this film following Roy - and his con-man ways - and it is a pleasure to spend that time under the twinkling eyes of Sir Ian McKellen. He plays Roy with a bit of a light touch, driving down into the dirty work whenever he needs to, but spending most of his time outsmarting his opponents with a sly grin, a wry comment and a light step. He cares not for his marks, that is...until he meets Betty. And Mirren and McKellen have the ability to play off each other very well and this would have been a more effective film if both of them were acting in the same sort of film.
For, you see, McKellen is playing in a bit of light drama, landing his acting chops in a style reminiscent of con-man films like THE STING and NOW YOU SEE ME. Mirren, however, (who takes over the last 1/4 of the film) seems to be performing in a heavy drama like SOPHIE'S CHOICE or THE FRENCH LIEUTENANT'S WOMAN and I think it was the tone that each of these actors brought to their roles that drove both of these fine actors to this project.
Unfortunately, the dichotomy of the different acting styles, mood and tone ultimately derails this film and brings it down a peg from the austere heights it aspires to be.
I place the blame on Director Bill Condon (Mr. Holmes) who had two very good actors - and an interesting story - and just couldn't find the correct balance point for these actors, and this story. He also is not helped by Hatcher's script which really takes a dark turn (darker than is necessary for the story) that is a bit jarring. If this film wanted to be heavy and dark, then it shouldn't have been so light and fun at the beginning - and Sir Ian's performance needed to be heavier and darker at the beginning. Or it needed to "lighten up a bit" at the end and push Mirren's performance out of the darkness and a bit more into the light.
All-in-all it's a fine, throwback. A two actor film that is in short supplies these days - so well worth seeing. Though I will always pine for what could have been had the tone been evened out between these two veteran performers.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
And...they almost succeeded.
Written by Twin Cities native Jeffrey Hatcher, THE GOOD LIAR tells the tale of a...well...good liar played by Ian McKEllen. His con-man, Roy Courtney, is a roguish scamp, bilking crooks and ne'er do wells out of their money. He then sets his sights on rich Widow Betty McLeish (Helen Mirren) and her millions of dollars.
We spend the first 3/4 of this film following Roy - and his con-man ways - and it is a pleasure to spend that time under the twinkling eyes of Sir Ian McKellen. He plays Roy with a bit of a light touch, driving down into the dirty work whenever he needs to, but spending most of his time outsmarting his opponents with a sly grin, a wry comment and a light step. He cares not for his marks, that is...until he meets Betty. And Mirren and McKellen have the ability to play off each other very well and this would have been a more effective film if both of them were acting in the same sort of film.
For, you see, McKellen is playing in a bit of light drama, landing his acting chops in a style reminiscent of con-man films like THE STING and NOW YOU SEE ME. Mirren, however, (who takes over the last 1/4 of the film) seems to be performing in a heavy drama like SOPHIE'S CHOICE or THE FRENCH LIEUTENANT'S WOMAN and I think it was the tone that each of these actors brought to their roles that drove both of these fine actors to this project.
Unfortunately, the dichotomy of the different acting styles, mood and tone ultimately derails this film and brings it down a peg from the austere heights it aspires to be.
I place the blame on Director Bill Condon (Mr. Holmes) who had two very good actors - and an interesting story - and just couldn't find the correct balance point for these actors, and this story. He also is not helped by Hatcher's script which really takes a dark turn (darker than is necessary for the story) that is a bit jarring. If this film wanted to be heavy and dark, then it shouldn't have been so light and fun at the beginning - and Sir Ian's performance needed to be heavier and darker at the beginning. Or it needed to "lighten up a bit" at the end and push Mirren's performance out of the darkness and a bit more into the light.
All-in-all it's a fine, throwback. A two actor film that is in short supplies these days - so well worth seeing. Though I will always pine for what could have been had the tone been evened out between these two veteran performers.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The Beauty and the Beast
Gabrielle-Suzanna Barbot de Villenueve
Book
MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise...
Shakespeare on Stage: Thirteen Leading Actors on Thirteen Key Roles
Book
The performers interviewed represent a Who's Who of stage and screen actors (between them they have...
Neon's Nerd Nexus (360 KP) rated The Good Liar (2019) in Movies
Nov 9, 2019
Murder She Wrote
The good liar is creaky but enjoyable little movie that screams 80s British murder mystery Tv show and while its extreamly predictable theres enough twists to keep you entertained. Whats aparent right from the start is Ian Mckellen and Helen Mirren's on screen chemistry, the two are just fantastic to watch interacting with each other and really help to carry the entire film with thier acting skills alone. Sadly I really cant say the same about the rest of the cast most of whomb come across as stiff, lifeless souls with no personality making most of thier scenes dull and unitresting filler (russell toveys character especially). Plot wise its fine and actually tries some quite brave ideas for this kind of film taking the movie places I really didnt expect it to go. Trouble is the film feels caught between what it wants to be switching between grisly violent crime thriller back to tame old light hearted drama randomly without the two ever seeming connected. Also while ian mckellen is fantastic the film tries far to hard to make the viewer dislike him by using seemingly forced reasons eg showing him far to often randomly cursing profoudly, smoking, drinking or comitting a random out of place extreame act of violence its all very unnecisary and seems only there to hide a twist that comes later in the film. Music cues frustrate too cheaply placed into the film to tell us how we should be feeling during certain scenes but instead making the film feel outdated. Theres no real sense of nail biting tension either and while the story is fun to watch play out with no real danger, urgency or any griping scenes its all just one tone throughout. A big plot twist can also be seen coming right from the start too but thankfully theres enough twists and turns to make that not to much of a problem. All this being said I did have a good time with good liar the two leads clearly enjoyed working together and while the film is extreamly out dated as far as film making goes it will no doubt spark nostalgia and bring enjoyment to people that grew up with shows such a Poirot and Coloumbo.
LeftSideCut (3778 KP) rated X-Men (2000) in Movies
Jun 7, 2019 (Updated Jun 8, 2019)
The first X-Men has not aged particularly well, but it's important to recognise it's impact on the movie landscape, especially for comic book films.
Although there has been comic book movies before, X-Men paved the way for everything that has come since, the good and the awful!
At the time it was almost magical, seeing characters I had grown up with flying about the screen (I was 12 when it was released), and the casting was inspired for the most part - Patrick Stewart, Ian McKellen, Hugh Jackman and Anna Paquin in particular.
It also started the trend of lacing the theatrics and seriousness with subtle humour thought, and the balance here is pretty good.
Even now, the CGI isn't terrible (certainly better than the later released Origins)
By the same merit, the costumes look goofy these days, some of the scripting is very 2000s, and why on Earth did they cast Tyler Mane as a weirdly mute Sabretooth will always be beyond me.
All in all, there are much better X-Men films out there, and there are a lot worse, and I'll always have a soft spot for it!
Although there has been comic book movies before, X-Men paved the way for everything that has come since, the good and the awful!
At the time it was almost magical, seeing characters I had grown up with flying about the screen (I was 12 when it was released), and the casting was inspired for the most part - Patrick Stewart, Ian McKellen, Hugh Jackman and Anna Paquin in particular.
It also started the trend of lacing the theatrics and seriousness with subtle humour thought, and the balance here is pretty good.
Even now, the CGI isn't terrible (certainly better than the later released Origins)
By the same merit, the costumes look goofy these days, some of the scripting is very 2000s, and why on Earth did they cast Tyler Mane as a weirdly mute Sabretooth will always be beyond me.
All in all, there are much better X-Men films out there, and there are a lot worse, and I'll always have a soft spot for it!
Visual Companion
Book
The official Visual Companion for The Hobbit: The Battle of the Five Armies sees the devastating...
Great Shakespeare Actors: Burbage to Branagh
Book
Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to...
Sarah (7798 KP) rated Beauty and the Beast (2017) in Movies
Jul 27, 2017
Emma Watson (2 more)
The Beast
CGI
Just watch the original animated version instead
The original animated version is one of my all time favourite films from when I was a kid, so this was always going to be a hard sell.
Sadly it lived up to my very low expectations, they've really messed this up. One major problem is the casting. Emma Watson is just not right for Belle, I've said this from the second she was cast & I'm afraid she hasn't proven me wrong. Even some of the other fantastic actors like Ian McKellen and Emma Thompson seem strangely out of place as the voices. The second major issue is the CGI. The beast looks ridiculous (and what's with his voice?!) and the household appliances just don't translate over well into CGI. The only saving graces for this film were the fact that it gave you a sense of nostalgia for the original (something it seemed to rely on) and the only decent casting was Luke Evans and Josh Gad as Gaston and Le Fou. They're the only ones that seemed to be having fun and are the only thing I enjoyed, and it's them alone that deserve the very few stars I've given this.
Sadly it lived up to my very low expectations, they've really messed this up. One major problem is the casting. Emma Watson is just not right for Belle, I've said this from the second she was cast & I'm afraid she hasn't proven me wrong. Even some of the other fantastic actors like Ian McKellen and Emma Thompson seem strangely out of place as the voices. The second major issue is the CGI. The beast looks ridiculous (and what's with his voice?!) and the household appliances just don't translate over well into CGI. The only saving graces for this film were the fact that it gave you a sense of nostalgia for the original (something it seemed to rely on) and the only decent casting was Luke Evans and Josh Gad as Gaston and Le Fou. They're the only ones that seemed to be having fun and are the only thing I enjoyed, and it's them alone that deserve the very few stars I've given this.
The National Theatre Story
Book
"The National Theatre Story is filled with artistic, financial and political battles, onstage...