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Matthew Krueger (10051 KP) rated Rocky (1976) in Movies
Nov 24, 2020
Underdog Tale
Rocky is a classic. A tale of a underdog rising to the top. At the same time its a story of rocky. A underdog, a fighter, a lover, a southpaw, a man who wont give up.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
The plot: Rocky Balboa (Sylvester Stallone), a small-time boxer from working-class Philadelphia, is arbitrarily chosen to take on the reigning world heavyweight champion, Apollo Creed (Carl Weathers), when the undefeated fighter's scheduled opponent is injured. While training with feisty former bantamweight contender Mickey Goldmill (Burgess Meredith), Rocky tentatively begins a relationship with Adrian (Talia Shire), the wallflower sister of his meat-packer pal Paulie (Burt Young).
The film, made on a budget of just over $1 million, was a sleeper hit; it earned $225 million in global box office receipts, becoming the highest-grossing film of 1976. The film was critically acclaimed and solidified Stallone's career as well as commenced his rise to prominence as a major movie star of that era.
Among other accolades, it went on to receive ten Academy Award nominations, winning three, including Best Picture. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". Rocky is considered to be one of the greatest sports films ever made and was ranked as the second-best in the genre, after Raging Bull, by the American Film Institute in 2008.
The film has spawned seven sequels: Rocky II (1979), Rocky III (1982), Rocky IV (1985), Rocky V (1990), Rocky Balboa (2006), Creed (2015), and Creed II (2018). Stallone portrays Rocky in all eight films, wrote seven of the eight films, and directed four of the six titular installments.
Sylvester Stallone wrote the screenplay for Rocky in three and a half days.
United Artists liked Stallone's script, and viewed it as a possible vehicle for a well-established star such as Robert Redford, Ryan O'Neal, Burt Reynolds, or James Caan.
Stallone's agents, Rumar and Kubik, insisted that Stallone portray the title character, to the point of issuing an ultimatum. Stallone later said that he would never have forgiven himself, had the film become a success with somebody else in the lead.
During filming, both Stallone and Weathers suffered injuries during the shooting of the final fight; Stallone suffered bruised ribs and Weathers suffered a damaged nose, the opposite injuries of what their characters had.
The first date between Rocky and Adrian, in which Rocky bribes a janitor to allow them to skate after closing hours in a deserted ice skating rink, was shot that way only because of budgetary pressures. This scene was originally scheduled to be shot in a skating rink during regular business hours. However, the producers decided that they could not afford to hire the hundreds of extras that would have been necessary for that scene.
Its a excellent movie.
Ross (3282 KP) rated The Witchwood Crown in Books
May 1, 2019
700 pages that feel like so much more
I haven't read the preceding series but had researched and general consensus was that it was not mandatory. This was my first experience of Tad Williams. And indeed, I did not feel I was missing out on any information - there is enough discussion of past events to make me want to read that series, but it is done in such a way as to give the new reader enough insight.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
Neon's Nerd Nexus (360 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 8, 2020 (Updated Feb 12, 2020)
SWING BATTER BATTER BATTER!
Birds Of Prey is yet another win for the DC universe and a huge step up from one of the most hated films of all time Suicide Squad. Right off the bat Birds Of Prey is an absolute blast and what you will notice immediately is just the sheer amount of explosive energy it has has to offer. Its this energy that constantly gives you the feeling of being on a rollar coaster travelling through a circus of pure amusement, the visuals are loud, the colour pallet is striking and vibrant, the sound is immersive/atmospheric and the soundtrack brings everything together beautify using old classic songs that have been remixed with a modern day kick which help to really give the film pace. Fight scenes are really fun, violent and also well choreographed with a nice crunch to all the impacts too. Infact fights do all feel very John Wick inspired becoming more of a beautifully synchronised dance routine flowing perfectly like the ice skating scenes from itonya rather than using messy quick cuts. BOP also seemingly borrows from Deadpool too as far as plot, humour and mature content go but im happy to report it works really well and manages to feel much more at home/gritty and adult here and less forced/childish than it is in Deadpool in my opinion. Margot robbie shines as Harley Quinn even more so than she did in suicide squad, she really has got this character down to a T now and its so so satisfying to see her own the screen as her again as she struggles to find her independence and make a name for herself. Ewan Mcgregor is also magnificent in a part that he clearly enjoyed playing beacuse boy was he entertaining as hell as a guy thats almost an obsessive man child whose only feared and powerul because of his status and money. Hes also unpredictable with a spoilt brat like temper and the way the film shifts in tone when he becomes angry can be chilling especially when its mixed with such savage and brutal violence. Plot is fairly basic and not the most intresting but that doesnt matter here because the movie holds its own with the constant thrills/variety it provides and just like a looney tunes carton its such pure addictive madness that it will suck you right in and leave you with a chelsea smile from ear to ear. Possibly the most enjoyable and visually awsome comic book adaptations yet well worth seeing.
Gareth von Kallenbach (965 KP) rated My Spy (2019) in Movies
Jun 22, 2020
STX made headlines when they agreed to sell their upcoming film “My SPY” to Amazon so the movie could debut on the streaming service versus waiting for the highly uncertain time when audiences will be able to return to theaters in significant numbers to make films profitable.
The movie stars Dave Bautista as a C.I.A. agent named JJ. JJ was a former Special Forces member who joined the agency after his military career ended. After an operation does not go as planned; JJ’s boss David Kim (Ken Jeong) questions whether JJ is right for the type of work that is required.
JJ is assigned with an overzealous analyst named Bobbi (Kristen Schaal) to conduct surveillance on a single mother named Kate (Parisa Fitz-Henley) and her nine-year-old daughter Sophie (Chloe Coleman).
Kate Sophie had just moved from Paris and are struggling to adapt to the new situation. It seems that Sophie’s father was deeply involved in all sorts of illegal operations and JJ and Bobbi are keeping an eye on them to see if their uncle attempts to contact them as he’s a key figure in an ongoing plutonium arms deal.
Things take an unexpected turn when the precocious Sophie figures out that their apartment is loaded with surveillance gear and soon tracks it to an adjacent apartment and confronts JJ and Bobbi.
Unwilling to have to admit to his superiors that their cover was blown by a nine-year-old girl; JJ soon becomes Sophie’s new friend as she forces him to take her ice-skating and to appear at a school career day as she is desperate to make friends following her move.
This arrangement causes issues with Bobbi and she believes that JJ needs to be training her in the finer aspects of his career.
Further complicating matters is a growing attraction between JJ and Kate thanks to Sophie repeatedly finding ways for her mother and JJ to be together.
While most viewers will be able to see where the film is heading; the enjoyable cast and the chemistry between them makes the movie rise above standard family comedies.
Bautista does a great job poking fun at his action persona and clearly showed in his “Guardians of the Galaxy” performances that he is certainly capable of mixing comedy and action.
While the film does not offer much in the way of surprises; it does offer some very charming and enjoyable moments with enough humor to make it an enjoyable viewing experience for the entire family.
3.5 stars out of 5
The movie stars Dave Bautista as a C.I.A. agent named JJ. JJ was a former Special Forces member who joined the agency after his military career ended. After an operation does not go as planned; JJ’s boss David Kim (Ken Jeong) questions whether JJ is right for the type of work that is required.
JJ is assigned with an overzealous analyst named Bobbi (Kristen Schaal) to conduct surveillance on a single mother named Kate (Parisa Fitz-Henley) and her nine-year-old daughter Sophie (Chloe Coleman).
Kate Sophie had just moved from Paris and are struggling to adapt to the new situation. It seems that Sophie’s father was deeply involved in all sorts of illegal operations and JJ and Bobbi are keeping an eye on them to see if their uncle attempts to contact them as he’s a key figure in an ongoing plutonium arms deal.
Things take an unexpected turn when the precocious Sophie figures out that their apartment is loaded with surveillance gear and soon tracks it to an adjacent apartment and confronts JJ and Bobbi.
Unwilling to have to admit to his superiors that their cover was blown by a nine-year-old girl; JJ soon becomes Sophie’s new friend as she forces him to take her ice-skating and to appear at a school career day as she is desperate to make friends following her move.
This arrangement causes issues with Bobbi and she believes that JJ needs to be training her in the finer aspects of his career.
Further complicating matters is a growing attraction between JJ and Kate thanks to Sophie repeatedly finding ways for her mother and JJ to be together.
While most viewers will be able to see where the film is heading; the enjoyable cast and the chemistry between them makes the movie rise above standard family comedies.
Bautista does a great job poking fun at his action persona and clearly showed in his “Guardians of the Galaxy” performances that he is certainly capable of mixing comedy and action.
While the film does not offer much in the way of surprises; it does offer some very charming and enjoyable moments with enough humor to make it an enjoyable viewing experience for the entire family.
3.5 stars out of 5
Bob Mann (459 KP) rated I, Tonya (2017) in Movies
Sep 29, 2021
Some Darwin award winners.
Man, I personally found this one to be an exceedingly uncomfortable watch.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
Kyera (8 KP) rated Lola and the Boy Next Door (Anna and the French Kiss, #2) in Books
Feb 1, 2018
The second book in the series follow anna to San Francisco, but tells the story of Lola. Lola is a unique girl with a penchant for fashion and boy troubles. Mainly, an older boy(friend) that her parents don't approve of. After falling in love with Anna and the French Kiss, I was excited to immediately begin Lola and the Boy Next Door. While it is still a good book, I didn't connect with the main character as much as I did the first book. It takes a while for you to fall in love with the book and Lola grows on you as the story progresses.
I was happy to see more of ANna and St. Clair, as theirs was the story that I fell in love with. Anna reads as older than she is, in my opinons. Where she seemed like a twenty-year-old college student in the first novel, she now feels older even though its only been a few months. Her relationship with Etienne, as well as her demeanor, make them feel like theyre now in their mid-twenties... or maybe they're just starting to feel like a happy, married couple.
Lola is faced with one of those typical YA love triangles - she's in a relationship but she's faced with unresolved feelings for another boy. Its obvious and you know who she's going to end up with at the end. A relationship isn't right if you are uncomfortable imagining a future with them - or if you fall for someone else. Love and committment don't lead to considering other people.
All that being said, I much prefer Cricket as her suitor than Max (so I shant complain that Lola questions her feelings). He doesn't have a fiery temper, he's kind and thoughtful, plus he's creative and smart in the way that inventors are. Max is angsty and although he's there for Lola, its more superficial and forced than it should be. He once said, "Do you have any idea what I've put up with to be with you?" You shouldn't have to <i>put up with</i> things. You do them because you love the person and it makes <i>them</i> happy.
Anna sums up the dilemma beautifully, "Sometimes a mistake isn't a what. It's a who." Her mistake is Max, but it will take her time to discover that. Even her friendship with Cricket is more healthy and full of love, than the lustful one she has with Max. Let's be honest when she says, "I care about you. I want to be connected to you." even though it's only in her head, you know who she's going to end up with. She just hasn't admitted it yet.
While I haven't fallen in love with Lola like I did Anna, there are still characters that I've fallen for in this novel. Cricket, the boy next door, is lovable because he's kind, a little unsure of himself and so self-less. He's an architect, an inventor, a creator and must learn to take pride in what he's good at. I'm fond of her best friend, Lindsey, although I find her woefully underdeveloped. (But who can't fall in love with the introverted, studious best friend with a Nancy Drew book collection, detective obsession, and desire to be a spy? That was my entire childhood.)
Calliope is the golden child, who is too possessive over her brother and takes on the role of mean girl in this novel. Late in the book there's a moment that gives much-needed depth to her character when Lola fixes her costume and she realizes that her family needs to appreciate Cricket more. Overall, the characters seemed more developed in the first book so I'm a little disappointed by the new ones.
"You have to do the hard thing... you have to be honest with yourself." You should not stay in a relationship, the wrong relationship, because you are only delaying the time until you find yourself in the right one. Why be unhappy longer than you need to be? The author portrays this wonderfully and maybe readers can learn from Lola's missteps. She also shows you how to be the person they deserve to love. If you feel that you don't yet deserve them, earn it. It's a good lesson for anyone to learn.
The author description of Calliope's ice skating actually gave me chills. Although I don't know what all the technically terms translate to visually, I could still imagine her routine and the emotion of the arena.
The ending was great, as the author leaves the reader satisfied but wanting to hear more of the story. There are no glaring cliff-hangers or unresolved plot points. Of course, you want to know if Calliope goes to the Olympics and does well - but maybe that will be addressed in Isla's book.
I was happy to see more of ANna and St. Clair, as theirs was the story that I fell in love with. Anna reads as older than she is, in my opinons. Where she seemed like a twenty-year-old college student in the first novel, she now feels older even though its only been a few months. Her relationship with Etienne, as well as her demeanor, make them feel like theyre now in their mid-twenties... or maybe they're just starting to feel like a happy, married couple.
Lola is faced with one of those typical YA love triangles - she's in a relationship but she's faced with unresolved feelings for another boy. Its obvious and you know who she's going to end up with at the end. A relationship isn't right if you are uncomfortable imagining a future with them - or if you fall for someone else. Love and committment don't lead to considering other people.
All that being said, I much prefer Cricket as her suitor than Max (so I shant complain that Lola questions her feelings). He doesn't have a fiery temper, he's kind and thoughtful, plus he's creative and smart in the way that inventors are. Max is angsty and although he's there for Lola, its more superficial and forced than it should be. He once said, "Do you have any idea what I've put up with to be with you?" You shouldn't have to <i>put up with</i> things. You do them because you love the person and it makes <i>them</i> happy.
Anna sums up the dilemma beautifully, "Sometimes a mistake isn't a what. It's a who." Her mistake is Max, but it will take her time to discover that. Even her friendship with Cricket is more healthy and full of love, than the lustful one she has with Max. Let's be honest when she says, "I care about you. I want to be connected to you." even though it's only in her head, you know who she's going to end up with. She just hasn't admitted it yet.
While I haven't fallen in love with Lola like I did Anna, there are still characters that I've fallen for in this novel. Cricket, the boy next door, is lovable because he's kind, a little unsure of himself and so self-less. He's an architect, an inventor, a creator and must learn to take pride in what he's good at. I'm fond of her best friend, Lindsey, although I find her woefully underdeveloped. (But who can't fall in love with the introverted, studious best friend with a Nancy Drew book collection, detective obsession, and desire to be a spy? That was my entire childhood.)
Calliope is the golden child, who is too possessive over her brother and takes on the role of mean girl in this novel. Late in the book there's a moment that gives much-needed depth to her character when Lola fixes her costume and she realizes that her family needs to appreciate Cricket more. Overall, the characters seemed more developed in the first book so I'm a little disappointed by the new ones.
"You have to do the hard thing... you have to be honest with yourself." You should not stay in a relationship, the wrong relationship, because you are only delaying the time until you find yourself in the right one. Why be unhappy longer than you need to be? The author portrays this wonderfully and maybe readers can learn from Lola's missteps. She also shows you how to be the person they deserve to love. If you feel that you don't yet deserve them, earn it. It's a good lesson for anyone to learn.
The author description of Calliope's ice skating actually gave me chills. Although I don't know what all the technically terms translate to visually, I could still imagine her routine and the emotion of the arena.
The ending was great, as the author leaves the reader satisfied but wanting to hear more of the story. There are no glaring cliff-hangers or unresolved plot points. Of course, you want to know if Calliope goes to the Olympics and does well - but maybe that will be addressed in Isla's book.