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Heather Cranmer (2721 KP) rated The Last Time I Lied in Books
Aug 19, 2018
Pacing is a bit slow (1 more)
Characters act a lot younger than their age
An Alright Read
I was so excited to read The Last Time I Lied by Riley Sager. It had such an interesting synopsis, definitely one that piqued my interest. While this book didn't meet my expectations of it, it was still a fairly good read.
The pacing starts off painfully slow in The Last Time I Lied. I had to force myself to keep reading. I was so bored. Luckily, the pacing picks up around chapter 12 or thereabouts. Each chapter is more fast paced than the previous one.
The plot was definitely interesting even if it does take awhile to really get going. I found myself sucked into the mystery of what happened to Vivian, Allison, and Natalie. I couldn't get enough of the story. The Last Time I Lied had quite a few plot twists that I didn't see coming! Every time I thought I had figured out who the guilty party was, I was proved wrong. Saying all that, I definitely felt like some of my questions weren't answered especially one at the end involving Emma. I don't want to say what it is because it would give away a spoiler. I also don't understand why a certain area wasn't searched and why a certain character didn't retrace their steps when the girls went missing. I don't want to say too much because I don't want to give away any spoilers. Also, the ending felt a little rushed to me, and I didn't like how the author uses "you" to describe what is actually happening to Emma. He does this in two chapters only, thankfully.
The world building was done almost perfectly. I did feel like I was in camp with Emma. I felt like I was experiencing everything Emma did. Riley Sager, the author, did a fantastic job of setting up everything with his wonderful descriptions and what not. The only problem is that the dialogue makes this book sounds more like a young adult novel rather than an adult novel. During my whole time reading The Last Time I Lied, it was hard to picture all the adult characters as adults. The way they spoke and acted reminded me of the way a bunch of teenagers would act. One other thing that took away from the world building being perfect was that I had a hard time believing the main culprit could have gotten away with the crime for so long without being discovered. Again, I can't say too much because of spoilers.
I enjoyed the characters in The Last Time I Lied. I empathized with Emma. I admired her bravery, and I could definitely relate to her sense of wanting to fit in especially with the older girls. However, even though Emma was supposed to be 28 in the book, she came across as sounding like she was about 16. The rest of the grown up characters, with the exception of Franny and Ben, also reminded me of a bunch of 16 year olds. Saying that, I did enjoy all the characters, and while they did sound younger than their actual age, I thought they were fleshed out well enough. Two of my other favorite characters were Vivian and Miranda. There was just something about them that I enjoyed reading about. One character I thought was pointless was Mindy. She's not important to the story, and I just felt like the book could have done without her.
There are scenes of violence, swearing, a sex scene (although not graphic), alcohol use (of age and underage), smoking, and mental illness is mentioned a few times.
Overall, The Last Time I Lied by Riley Sager is a good read. The plot is interesting enough, and the characters are fun. However, there were a few things that kept this from being a great read such as the characters not acting like their age and some unanswered questions. The ending also lets the book down a little. However, I would recommend The Last Time I Lied by Riley Sager to others.
The pacing starts off painfully slow in The Last Time I Lied. I had to force myself to keep reading. I was so bored. Luckily, the pacing picks up around chapter 12 or thereabouts. Each chapter is more fast paced than the previous one.
The plot was definitely interesting even if it does take awhile to really get going. I found myself sucked into the mystery of what happened to Vivian, Allison, and Natalie. I couldn't get enough of the story. The Last Time I Lied had quite a few plot twists that I didn't see coming! Every time I thought I had figured out who the guilty party was, I was proved wrong. Saying all that, I definitely felt like some of my questions weren't answered especially one at the end involving Emma. I don't want to say what it is because it would give away a spoiler. I also don't understand why a certain area wasn't searched and why a certain character didn't retrace their steps when the girls went missing. I don't want to say too much because I don't want to give away any spoilers. Also, the ending felt a little rushed to me, and I didn't like how the author uses "you" to describe what is actually happening to Emma. He does this in two chapters only, thankfully.
The world building was done almost perfectly. I did feel like I was in camp with Emma. I felt like I was experiencing everything Emma did. Riley Sager, the author, did a fantastic job of setting up everything with his wonderful descriptions and what not. The only problem is that the dialogue makes this book sounds more like a young adult novel rather than an adult novel. During my whole time reading The Last Time I Lied, it was hard to picture all the adult characters as adults. The way they spoke and acted reminded me of the way a bunch of teenagers would act. One other thing that took away from the world building being perfect was that I had a hard time believing the main culprit could have gotten away with the crime for so long without being discovered. Again, I can't say too much because of spoilers.
I enjoyed the characters in The Last Time I Lied. I empathized with Emma. I admired her bravery, and I could definitely relate to her sense of wanting to fit in especially with the older girls. However, even though Emma was supposed to be 28 in the book, she came across as sounding like she was about 16. The rest of the grown up characters, with the exception of Franny and Ben, also reminded me of a bunch of 16 year olds. Saying that, I did enjoy all the characters, and while they did sound younger than their actual age, I thought they were fleshed out well enough. Two of my other favorite characters were Vivian and Miranda. There was just something about them that I enjoyed reading about. One character I thought was pointless was Mindy. She's not important to the story, and I just felt like the book could have done without her.
There are scenes of violence, swearing, a sex scene (although not graphic), alcohol use (of age and underage), smoking, and mental illness is mentioned a few times.
Overall, The Last Time I Lied by Riley Sager is a good read. The plot is interesting enough, and the characters are fun. However, there were a few things that kept this from being a great read such as the characters not acting like their age and some unanswered questions. The ending also lets the book down a little. However, I would recommend The Last Time I Lied by Riley Sager to others.
Darren (1599 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 20, 2019
Story: This follows up from the first one so we have to remember unlike the Avengers and Dark Knight we are dealing with a teenage superhero. He has different problems like whether he wants a girlfriend or whether to go to college, you know the serious stuff. We have him putting out all the cheesy lines against the person he fights not taking anything seriously. While Peter is trying to figure out what his life holds next, the people against him start their own stories. We have the generic loner scientist who ends up having an accident, gaining powers and using them for evil, been there seen that in every Spider-man film. We also have the Harry Osborn who wants Spider-Man’s blood to cure his sickness and when he can’t have it he goes on a rampage against Spider-Man. It would be fair this is a slow moving film and it really is building up for the next chapter. (7/10)
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Before beginning this book readers need to be aware, particularly those of a more fragile nature, that it contains themes of mental illness, sexual abuse and suicidal tendencies; but that does not mean this is not a great book. The strap line on the cover of <i>Black Box</i> by Cassia Leo says “Not just another love story” implying that whilst it does fall under the romantic genre there is something more to the novel.
The book begins, in a way, with a cliffhanger. The date is January 8th and the narrator appears to be about to experience, and possibly die, in a plane crash. Before the author reveals the outcome she back tracks to January 3rd where the story, <i>Black Box</i>, genuinely begins.
There are two main characters and the narrative constantly changes from one point of view to the other. This helps the reader to understand both characters’ experiences: past and present. Nineteen-year old Mikki wants to kill herself. She has tried more than once in the past but this time she has a more detailed plan, one that her family would be unable to interfere with. By lying about her real intentions she books a flight to Los Angeles to get as far away from Boston as she can, however she does not anticipate the severe snowy weather which cancels all flights for the next few days.
Stranded at the airport she meets Crush, a guitar playing Harvard student who was meant to be on the same flight as her. With the niggling feeling that he has met her before, Crush convinces Mikki to go to a coffee shop with him and later, sensing her reluctance to return home, offers to share a double bedroom suite with her at a local hotel until the flights can be rescheduled. During this time together Crush works out why he recognizes Mikki. He once saved her life after she was physically abused and can prove this as he left the only copy of a book his grandpa wrote, titled <i>Black Box</i>, with her that night; a book she still possesses.
The few days they spend in each other’s company helps Mikki more than the years of therapy she has endured since being diagnosed with bipolar. It also helps Crush deal with his own demons and both of them begin to realize they want to live. They also have fallen in love for the first time in their lives and begin to believe they were meant to be together.
It always seems unrealistic that characters in novels fall in love so quickly but their devastating pasts make the reader yearn for them to stay together; they both deserve some happiness and a life worth living. The first person narratives are written so well it is like reading a true story rather than fiction, which makes their experiences even more distressing. Sadly there are people in the world that would be able to relate to either Mikki or Crush, and depending on their current situation may prefer not to read this book. However, Leo has mentioned in her acknowledgments that readers have contacted her to share their own personal experiences.
The downside of this novel was the use of foul language. That may not bother some people, and it is evident that the world today is less shocked by swear words, but it is not necessary to include so much of it. The language was probably intended to make it more realistic and emphasize the pain the two characters feel. If it had only been during the dialogue that these words were used it would have been better than reading them throughout the narrative.
Although shocking and dark in nature, <i>Black Box</i> gets very gripping, especially as life seems to be looking up for Mikki, yet the reader has already read about the upcoming plane crash. With breath held in hope that everything will turn out okay, it is easy to rush through the final chapters. Whether or not there is a happy ending is something you will have to find out by reading it…
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Before beginning this book readers need to be aware, particularly those of a more fragile nature, that it contains themes of mental illness, sexual abuse and suicidal tendencies; but that does not mean this is not a great book. The strap line on the cover of <i>Black Box</i> by Cassia Leo says “Not just another love story” implying that whilst it does fall under the romantic genre there is something more to the novel.
The book begins, in a way, with a cliffhanger. The date is January 8th and the narrator appears to be about to experience, and possibly die, in a plane crash. Before the author reveals the outcome she back tracks to January 3rd where the story, <i>Black Box</i>, genuinely begins.
There are two main characters and the narrative constantly changes from one point of view to the other. This helps the reader to understand both characters’ experiences: past and present. Nineteen-year old Mikki wants to kill herself. She has tried more than once in the past but this time she has a more detailed plan, one that her family would be unable to interfere with. By lying about her real intentions she books a flight to Los Angeles to get as far away from Boston as she can, however she does not anticipate the severe snowy weather which cancels all flights for the next few days.
Stranded at the airport she meets Crush, a guitar playing Harvard student who was meant to be on the same flight as her. With the niggling feeling that he has met her before, Crush convinces Mikki to go to a coffee shop with him and later, sensing her reluctance to return home, offers to share a double bedroom suite with her at a local hotel until the flights can be rescheduled. During this time together Crush works out why he recognizes Mikki. He once saved her life after she was physically abused and can prove this as he left the only copy of a book his grandpa wrote, titled <i>Black Box</i>, with her that night; a book she still possesses.
The few days they spend in each other’s company helps Mikki more than the years of therapy she has endured since being diagnosed with bipolar. It also helps Crush deal with his own demons and both of them begin to realize they want to live. They also have fallen in love for the first time in their lives and begin to believe they were meant to be together.
It always seems unrealistic that characters in novels fall in love so quickly but their devastating pasts make the reader yearn for them to stay together; they both deserve some happiness and a life worth living. The first person narratives are written so well it is like reading a true story rather than fiction, which makes their experiences even more distressing. Sadly there are people in the world that would be able to relate to either Mikki or Crush, and depending on their current situation may prefer not to read this book. However, Leo has mentioned in her acknowledgments that readers have contacted her to share their own personal experiences.
The downside of this novel was the use of foul language. That may not bother some people, and it is evident that the world today is less shocked by swear words, but it is not necessary to include so much of it. The language was probably intended to make it more realistic and emphasize the pain the two characters feel. If it had only been during the dialogue that these words were used it would have been better than reading them throughout the narrative.
Although shocking and dark in nature, <i>Black Box</i> gets very gripping, especially as life seems to be looking up for Mikki, yet the reader has already read about the upcoming plane crash. With breath held in hope that everything will turn out okay, it is easy to rush through the final chapters. Whether or not there is a happy ending is something you will have to find out by reading it…
Despite running in very different circles in school, Sam Jones and Zoe Miller have more in common than they think: they both want to escape the difficulty that is their home lives. Sam is a quiet loner, content to spend Sundays with her best friend, Will. She loves the stars, but isn't sure she'll ever be able to study them, thanks to her mom, whose life is ruled by obsessive compulsive disorder. Ever since her Dad moved overseas, the burden of caring for her Mom falls squarely on Sam. Meanwhile, at school, Zoe seems carefree and popular. But her charisma hides her secrets: she struggles with the fact that she's adopted. She also has a mom in remission from cancer and a disabled younger brother who is the main focus of her parents. When the girls have a chance meeting at school, they exchange phone numbers, and suddenly find themselves bonding over text messages and a land they've created together: Starworld. Starworld gives Zoe and Sam the escape from reality they both so desperately need. But can it survive all the outside influences and stress each are facing?
"If I have a superpower, it's invisibility. Like the perpetually overcast skies of Portland in winter, I'm part of the background -- a robot with a disappearance drive, the dullness against which everyone else shines."
~Sam
This was an interesting and somewhat different YA novel. I enjoyed the story of two brave girls battling tough circumstances. Boy, poor Zoe and Sam certainly had the weight of the world on their shoulders. I really liked both of our main characters. The book tells the story from each of their perspectives, making it easy to know each girl. I found myself a bit more aligned to Sam--probably because she was queer and shy (like drawn to like, right?). As other reviews have mentioned, some of the book is in texting format, as Sam and Zoe fall into Starworld. Being far removed from teenagehood myself (sigh), I will admit that I did sometimes sort of "fast read" or skim those sections. I appreciated them--because Starworld meant so much to these girls and their friendship--but the text-speak wasn't always the easiest to read and digest.
I had picked this up thinking it was a love story, but it's not a true romance, though there's love in other forms. There's some great representation in this book: a queer character in Sam, plus discussion of adoption, mental illness (OCD and anxiety), disabilities, and more. All were very well treated too, I felt.
The book felt a little slow at times. It felt a little repetitive in its insistence on Zoe feeling different due to being adopted. Still, I was very drawn to Sam and Zoe's story. There was a strength in each of them, and I was intrigued to see what was going to happen. Sam's arc as she struggled with her romantic feelings was especially strong and wonderfully done.
Even though much of the book is serious, it's also very funny at times, with some excellent quotes and zingers. (I really did love Sam and her sense of humor; she was right up my alley.)
"I hate using phones for their original intended purpose. It's like Alexander Graham Bell wondered, Hey, what could maximize the awkwardeness of human-to-human communication? And then answered himself by giving us the ability to speak to one another through stupid disembodied little boxes."
I mean, right? One of the best quotes ever.
So, overall, this book is really a love story of friendship and triumph. It's very easy to root for the characters and get caught up in their lives. I was often just aghast at how much these poor girls had to go through. If you're not necessarily used to text-speak, it may give you a pause, but Starworld is a big part of the book (obviously!) and it's woven well into the story. This was a different and intriguing read, and I'm glad I picked it up. 3.5+ stars (rounded up to 4 here).
"If I have a superpower, it's invisibility. Like the perpetually overcast skies of Portland in winter, I'm part of the background -- a robot with a disappearance drive, the dullness against which everyone else shines."
~Sam
This was an interesting and somewhat different YA novel. I enjoyed the story of two brave girls battling tough circumstances. Boy, poor Zoe and Sam certainly had the weight of the world on their shoulders. I really liked both of our main characters. The book tells the story from each of their perspectives, making it easy to know each girl. I found myself a bit more aligned to Sam--probably because she was queer and shy (like drawn to like, right?). As other reviews have mentioned, some of the book is in texting format, as Sam and Zoe fall into Starworld. Being far removed from teenagehood myself (sigh), I will admit that I did sometimes sort of "fast read" or skim those sections. I appreciated them--because Starworld meant so much to these girls and their friendship--but the text-speak wasn't always the easiest to read and digest.
I had picked this up thinking it was a love story, but it's not a true romance, though there's love in other forms. There's some great representation in this book: a queer character in Sam, plus discussion of adoption, mental illness (OCD and anxiety), disabilities, and more. All were very well treated too, I felt.
The book felt a little slow at times. It felt a little repetitive in its insistence on Zoe feeling different due to being adopted. Still, I was very drawn to Sam and Zoe's story. There was a strength in each of them, and I was intrigued to see what was going to happen. Sam's arc as she struggled with her romantic feelings was especially strong and wonderfully done.
Even though much of the book is serious, it's also very funny at times, with some excellent quotes and zingers. (I really did love Sam and her sense of humor; she was right up my alley.)
"I hate using phones for their original intended purpose. It's like Alexander Graham Bell wondered, Hey, what could maximize the awkwardeness of human-to-human communication? And then answered himself by giving us the ability to speak to one another through stupid disembodied little boxes."
I mean, right? One of the best quotes ever.
So, overall, this book is really a love story of friendship and triumph. It's very easy to root for the characters and get caught up in their lives. I was often just aghast at how much these poor girls had to go through. If you're not necessarily used to text-speak, it may give you a pause, but Starworld is a big part of the book (obviously!) and it's woven well into the story. This was a different and intriguing read, and I'm glad I picked it up. 3.5+ stars (rounded up to 4 here).
Bob Mann (459 KP) rated Lucy in the Sky (2019) in Movies
Mar 9, 2020
Natalie Portman and Jon Hamm together (1 more)
Interesting premise
Mind. Blown - A thoughtful film that's hard to like.
Natalie Portman plays the eponymous Lucy Cola, a NASA astronaut who has achieved her ambition of reaching space and experienced the enormity of the universe first hand. Her mind is officially blown. Such that, on returning to earth, nothing seems ‘enough’ any more. Her family; her comfortable home; her life.
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
She becomes desperate to be selected for the next program… to get that literal) ‘high’ all over again. So desperate that her mind and morals burn up on trying to re-enter.
You look at the career choices of Natalie Portman, and they have often revolved around cool and detached woman: “Black Swan” and “Jackie” for example. Here, looking incredibly fit and strong (as you would expect from an astronaut at the peak of her powers) , she again plays something of an ice queen. She is – of course – brilliant at it.
Starring with her here is the ever-watchable Jon Hamm as fellow astronaut Mark Goodwin, the omni-present – at the moment – Zazie Beetz as a fellow program competitor and Dan Stevens (from “Downton”) as her exasperated colleague and husband Drew. (Stevens was COMPLETELY UNRECOGNISABLE to me in this movie…. just like in “Beauty and the Beast“! To the extent that I had to wind back the film from the end-titles after seeing his name to check!).
This was always a film that was going to struggle to identify its audience. Yes, it starts in space, but it is in NO WAY a “Sci-Fi” movie (which is one of its tags on IMDB. Shameful!). This is a drama about a woman progressively losing her grip on reality: almost a PTSD movie, but without the “S” being “T” in the normal sense of things.
Lucy’s ‘other-worldliness’ is reflected in the aspect ratio of the movie, which varies from a claustrophobic ‘old-TV’ format 4:3 ratio to a ratio bordering on ‘Cinemascope’. (This makes for a very challenging watch on a small airline TV screen, as I was doing!). It’s a motif that’s obviously meant to reflect Lucy’s drifting grip on reality. But it eventually gets irritating…. I had the sense that first-time feature director Noah Hawley was ‘trying too hard’ for something quirky and different.
Far more successful is a ‘green-screened’ trippy sequence seeing Lucy being transported to a hospital bedside to the rendition of The Beatles iconic song, performed by Lucy Hannigan (listen here). It’s dreamlike and unsettling. In fact, one of the high-spots of the movie for me was Jeff Russo‘s score, which I have made a mental note to make sure to listen to again on Spotify. It’s more electronica than orchestral but matches the mood of the film really well.
But, here’s the thing. I didn’t enjoy it. The problem is (and no spoilers here) that Portman’s Lucy is such a downright BITCH that it is impossible to warm to her as the movie’s star. There is, in fact, only one of the characters that you really side with, and she’s the one doing the most damage to them.
This shouldn’t be a problem to the story, since the film is reflecting (loosely) true events: the astronauts in question were Lisa Nowak and William Oefelein. And there are lots of ‘feel-bad’ films about mental illness (“One Flew over the Cuckoo’s Nest”, for example) that stand on their own merits. But this one just seemed to be a fairly miserable and destructive story that didn’t have enough of a payoff – either positive or negative – to merit the journey.
This was disappointing, since after hearing the premise, I’d been looking forward to this one.
For those who love movies, and the way movies are structured, it is an interesting watch. But it is not by any stretch an entertaining mainstream movie. The director Noah Hawley will need to do better in the “commercially-appealing” stakes for his next film: since he’s been (rather surprisingly) given the helm for the sequel to “Star Trek: Beyond“.
(For the full graphical review, check out the review on One Mann's Movies here - https://bob-the-movie-man.com/2020/03/09/one-manns-movies-dvd-review-lucy-in-the-sky-2019/ ).
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Ivana A. | Diary of Difference (1171 KP) rated To Best the Boys in Books
Oct 5, 2020
I love Mary Weber as much as her food recipes she shares with us every single month! I don’t usually decide whether to read a certain book by its cover, but this cover made me want to find out more about it. When I read the synopsis, I had to read it, as it captures women fighting for their rights in a young-adult format, and it simply was something I couldn’t miss.
I will be honest with you and say that this book didn’t deliver. Maybe it was my expectations, after all, that got me too excited for my own good.
Let’s start with Rhen. She is a girl that loves science, and her father has taught her everything he knows. They are poor family and don’t have all the equipment in the world, but that doesn’t stop them to keep discovering and learning every day. In their kingdom, an unknown disease comes around, and Rhen’s mum is ill, with no cure yet. Rhen wants desperately to find a cure, and a rich boy wanting to marry her might promise her all the equipment she needs, but now it’s time that she lacks.
When the men’s annual tournament is about to begin, with boys fighting for the science scholarship, Rhen knows that she has no choice but to enter, disguised as a boy, and try to win this – for her, for her dad, and most importantly, for her mum.
The book flows really slowly. We get to about half of the book when Rhen decides to enter the tournament. I expected this to happen in the first couple of chapters, and to then have the adventure from within the labyrinth. For me, it was quite a slow beginning, but some of you might enjoy that. The writing is beautiful throughout.
>I loved the fighter within Rhen. She is a fierce person, determined to fight for what she wants. Even though throughout the book she has trouble with realising what is it that she really wants, we can see a bit of character development in her.
As a book that is supposed to cover gender equality, and women fighting for the same rights as men, this book didn’t really deliver. The letter states that every gentleperson – not gentleman. Which means, that inequality never truly exists at all. Women could have entered this competition, but they just chose not to.
The whole competition, the labyrinth and the scholarship lacks details and has enormous loopholes: one scholarship is given to one person – the one that wins the labyrinth. And after the winner is chosen, we have a scene where they all take a test, including the winner?
The disguise was a huge and important part of this book, as Rhen and her friend are pretending to be boys. Rhen cuts her hair, and her friend just pins it and ties it with a hat. They both wear boy clothes and barely remember to lower their voices. And that is all they do to not get recognised. And somehow, the people that know them their whole life fail to recognise them. A bit unbelievable…
I wish I loved this book, because I truly fell in love with the cover and the synopsis. But the whole labyrinth set-up seemed to be a side-story, with the illness being the main story, and the realisation of what Rhen actually wants to achieve. Random characters were introduced, that didn’t drive the story one bit, and the author also happened to throw in an inconsistent romance and a love triangle.
I hate to say this, but the book seems like an unfinished draft. It seemed so promising, and all I thought I would get out of this was non-existent.
I am not sure if I would want to recommend this book to you guys. If you want to give it a try, I encourage you, and would love to talk about it and hear what you think, but if you are here because you loved the synopsis, this book will probably not satisfy you
I will be honest with you and say that this book didn’t deliver. Maybe it was my expectations, after all, that got me too excited for my own good.
Let’s start with Rhen. She is a girl that loves science, and her father has taught her everything he knows. They are poor family and don’t have all the equipment in the world, but that doesn’t stop them to keep discovering and learning every day. In their kingdom, an unknown disease comes around, and Rhen’s mum is ill, with no cure yet. Rhen wants desperately to find a cure, and a rich boy wanting to marry her might promise her all the equipment she needs, but now it’s time that she lacks.
When the men’s annual tournament is about to begin, with boys fighting for the science scholarship, Rhen knows that she has no choice but to enter, disguised as a boy, and try to win this – for her, for her dad, and most importantly, for her mum.
The book flows really slowly. We get to about half of the book when Rhen decides to enter the tournament. I expected this to happen in the first couple of chapters, and to then have the adventure from within the labyrinth. For me, it was quite a slow beginning, but some of you might enjoy that. The writing is beautiful throughout.
>I loved the fighter within Rhen. She is a fierce person, determined to fight for what she wants. Even though throughout the book she has trouble with realising what is it that she really wants, we can see a bit of character development in her.
As a book that is supposed to cover gender equality, and women fighting for the same rights as men, this book didn’t really deliver. The letter states that every gentleperson – not gentleman. Which means, that inequality never truly exists at all. Women could have entered this competition, but they just chose not to.
The whole competition, the labyrinth and the scholarship lacks details and has enormous loopholes: one scholarship is given to one person – the one that wins the labyrinth. And after the winner is chosen, we have a scene where they all take a test, including the winner?
The disguise was a huge and important part of this book, as Rhen and her friend are pretending to be boys. Rhen cuts her hair, and her friend just pins it and ties it with a hat. They both wear boy clothes and barely remember to lower their voices. And that is all they do to not get recognised. And somehow, the people that know them their whole life fail to recognise them. A bit unbelievable…
I wish I loved this book, because I truly fell in love with the cover and the synopsis. But the whole labyrinth set-up seemed to be a side-story, with the illness being the main story, and the realisation of what Rhen actually wants to achieve. Random characters were introduced, that didn’t drive the story one bit, and the author also happened to throw in an inconsistent romance and a love triangle.
I hate to say this, but the book seems like an unfinished draft. It seemed so promising, and all I thought I would get out of this was non-existent.
I am not sure if I would want to recommend this book to you guys. If you want to give it a try, I encourage you, and would love to talk about it and hear what you think, but if you are here because you loved the synopsis, this book will probably not satisfy you
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
Heather Cranmer (2721 KP) rated The Safe Place in Books
May 30, 2020
I'm a sucker for psychological thrillers, so when the opportunity arose to read The Safe Place by Anna Downes, I jumped at the chance! Luckily, I ended up loving this book!
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)
Emily Proudman just can't catch a break. After losing her job as well as her acting agent, things are looking grim. After being late on the rent again, she's also facing eviction from her apartment. However, things start looking up when she runs into Scott Denny. Scott, a successful CEO of the company she's just been fired from, feels like Emily would be perfect working for his wife, Nina, and living on their very remote property in France. Things seem perfect, but they are a little too perfect. When Emily finds out the truth behind Nina's and Scott's ideal life, she puts herself in grave danger and finds out how far some people will go to protect their secrets.
While the idea behind The Safe Place has been done before, Downes does a fantastic job of making it feel like it was her idea and hers alone. To me, The Safe Place felt like it was a slow burn as the action didn't really take place until towards the end. I would say the first 85 percent of the book or so is just the backstory and build up to all the action which happens in the last few chapters. The pacing is a little slow throughout most of the book, but it isn't so slow that I became bored - quite the contrary. While the pacing is fairly slow, I did enjoy what I read thanks to Downes' brilliant way with words. There are a few plot twists although I found them fairly easy to figure out, but I think that's only because I've read so many psychological thrillers before. Some of my guesses were wrong though, I admit. Even though there's an epilogue, I would have liked to have known more about what happened with Denny family. I just need a little more closure when it came to that.
Downes did a fantastic job with all of her characters. It was easy to imagine every single character in The Safe Place as a real person. The main characters all had plenty of backstory (or just enough to keep them mysterious), and the minor characters were all described very well. I liked how Emily seemed to want to please those around her. While she didn't feel like a pushover, it was nice to see her wanting to fit in with her new employer as well as Yves, the sometimes handyman. Nina was definitely an interesting character. I didn't know what to make of her before Emily met her in the book, but once Emily met Nina, and I read more about her, I ended up liking her. (I kept trying to figure out why Scott didn't want to be around her though.) Aurelia, the Denny's daughter, was my favorite character. She seemed like such a sweet little girl who had been through so much. I found myself wishing I could meet Aurelia and give her a hug (only if she'd let me since she took a long time to warm up to people).
Trigger warnings for The Safe Place include profanity, mental illness, alcohol use, prescription pill abuse, self harm, violence, and attempted murder.
Overall, The Safe Place is a highly intriguing book that makes each and every word on the page come alive. With a great set of characters, beautiful descriptions of the scenery, and a highly intriguing plot, this is one book that's sure to become a best seller. I would definitely recommend The Safe Place by Anna Downes to those aged 20+ who enjoy psychological thrillers and/or want to be instantly transported into a fantastic book!
--
(A special thank you to Minotaur Books for sending me a paperback ARC of The Safe Place by Anna Downes. A review was not required but appreciated. This was my honest and unbiased review.)
Bob Mann (459 KP) rated Stan & Ollie (2018) in Movies
Sep 28, 2021
When the laughter has to end.
The problem with any comedy double act is that if illness or death get in the way (think Dustin Gee and Les Dennis; or Morecambe and Wise) the wheels can come off for the other partner. “Stan and Ollie” tells the story of the comic duo starting in 1937 when they reached their peak of global popularity, albeit when Laurel was hardly on speaking terms with their long-term producer Hal Roach (Danny Huston).
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.
As you might guess from this, the emotional direction for the film is downwards, but not necessarily in a totally depressing way. The film depicts the duo’s tour of Laurel’s native country (he was born in Lancashire) and this has its ups as well as its downs.
Not knowing their life story, this is one where when the trailer came on I shut my eyes and plugged my ears so as to avoid spoilers: as such I will say nothing further on the details of the plot.
My wife and I were reminiscing after seeing this flick about how our parents used to crack up over the film antics of Laurel and Hardy. And they were, in their own slapstick way, very funny indeed. The film manages to recreate (impecably) some of their more famous routines and parodies others: their travel trunk gallops to the bottom of the station steps, mimicking the famous scenes with a piano from 1932’s “The Music Box”. “Do we really need that trunk” Hardy deadpans to Laurel.
The turns
There are four star turns at the heart of the film and they are John C. Reilly as Ollie; Steve Coogan as Stan; Shirley Henderson (forever to be referenced as “Moaning Myrtle”) as Ollie’s wife Lucille and Nina Arianda (so memorable as the ‘pointer outer’ in the ‘Emperor’s New Clothes’ segment of “Florence Foster Jenkins“) as Stan’s latest wife Ida.
Coogan and Reilly do an outstanding job of impersonating the comic duo. Both are simply brilliant, playing up to their public personas when visible but subtly delivering similar traits in private. Of the two, John C. Reilly’s performance is the most memorable: he IS Oliver Hardy. Not taking too much away from the other performance, but there are a few times when Coogan poked through the illusion (like a Partridge sticking its head out from a Pear Tree you might say).
Henderson and Arianda also add tremendous heart to the drama, and Arianda’s Ida in particular is hilarious. Also delivering a fabulous supporting role is Rufus Jones as the famous impressario Bernard Delfont: all smarm and Machiavellian chicanery that adds a different shape of comedy to the film.
Another Fine Mess?
Actually, no: it’s one of those pleasant and untaxing cinema experiences that older audiences in particular will really enjoy. However, the film’s far from perfect in my view: the flash-forwards/flash-backs I felt made the story bitty and disjointed; and ultimately the life story of the duo doesn’t have a huge depth of drama in it to amaze or excite, the way that 2004’s “Beyond the Sea” (the biopic of Bobby Darin) did for example. But the film never gets boring or disappoints.
I’d like to say that the script by Jeff Pope (“Philomena“) is historically accurate, but a look at the wikipedia entries for the pair show that it was far from that. Yes, the tours of the UK and Europe did happen, but over multiple years and the actual events in their lives are telescoped into a single trip for dramatic purposes. But I think the essence of the pair comes across nicely. Laurel’s wikipedia entry records a nice death-bed scene that sums up the guy:
“Minutes before his death, he told his nurse that he would not mind going skiing, and she replied that she was not aware that he was a skier. “I’m not,” said Laurel, “I’d rather be doing that than this!” A few minutes later, the nurse looked in on him again and found that he had died quietly in his armchair.”
“Stan and Ollie” has a few preview screenings before the New Year, but goes on UK general release on January 11th. Recommended.