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Smashbomb (4683 KP) created a video about track Illumination by DJ Koze in Knock Knock by DJ Koze in Music
May 3, 2018
Entertainment Editor (1988 KP) created a video about track Illuminant by Quicksand in Interiors by Quicksand in Music
Oct 17, 2017
ames_morgan (8 KP) rated Educated in Books
Jun 19, 2018
Wow what a story is all I can say! This book totally blew my mind and at times I had trouble believing parts of it were real and it terrified me even more to know that they were.
Tara Westover never set foot in a classroom until she was 17 years old. Raised by Mormon survivalists in the mountains of Idaho her life was incredibly different than anything I can even imagine. With a midwife/herbalist for a mother and a father who operated a junkyard and prepared for the end of the world and was obsessed with the Illuminati Tara was horribly unprepared for life as she set foot into the academic world.
With no one to make sure Tara and her brothers and sisters had an education or even basic healthcare Tara decided to educate herself. At the age of 17 she had never even heard of the Holocaust much to the shock and disbelief of her fellow students and professor. With determination and perseverance Tara went on from never being in a classroom to receiving a a PhD from Cambridge University.
All the while Tara still struggled with a sense of loyalty to her family yet a desire to recreate herself into something more.
This was an incredible journey and I thank Tara for sharing it with us!
Tara Westover never set foot in a classroom until she was 17 years old. Raised by Mormon survivalists in the mountains of Idaho her life was incredibly different than anything I can even imagine. With a midwife/herbalist for a mother and a father who operated a junkyard and prepared for the end of the world and was obsessed with the Illuminati Tara was horribly unprepared for life as she set foot into the academic world.
With no one to make sure Tara and her brothers and sisters had an education or even basic healthcare Tara decided to educate herself. At the age of 17 she had never even heard of the Holocaust much to the shock and disbelief of her fellow students and professor. With determination and perseverance Tara went on from never being in a classroom to receiving a a PhD from Cambridge University.
All the while Tara still struggled with a sense of loyalty to her family yet a desire to recreate herself into something more.
This was an incredible journey and I thank Tara for sharing it with us!
David McK (3172 KP) rated Angels and Demons in Books
Jul 4, 2021
First published back at the turn of the century (in the year 2000), this - while the second of the two Tom Hanks starring Robert Langdon movies, after The Da Vinci Code - is actually the first book in that particular series, albeit less well known than its sequel (the aforementioned The Da Vinci Code).
And, like, I'm sure, many others, I actually read that sequel first, only later discovering it was such (although, admittedly, not a direct sequel) and going back to read the first on the series.
This is the one largely set in and around Rome, with a high-tech ticking time-bomb counting down in Vatican City as the Cardinals all meet to elect a new Pope following the death of the previous incumbent of that role. It also makes lots of the (supposed?) divide between religion and science, drawing on lots of conspiracy theories and bringing back into the realms of popular culture that old secret society, the illuminati.
I have no problem with any of that, and I do like a bit of derring-do, mystery and romance, but even I found it hard at times to swallow some of the outlandish scenarios and set pieces of this novel - I think, for me, the icing on the cake was the surviving-a-jump-out-of-a-helicopter-without-a-parachute bit towards the end!
And, like, I'm sure, many others, I actually read that sequel first, only later discovering it was such (although, admittedly, not a direct sequel) and going back to read the first on the series.
This is the one largely set in and around Rome, with a high-tech ticking time-bomb counting down in Vatican City as the Cardinals all meet to elect a new Pope following the death of the previous incumbent of that role. It also makes lots of the (supposed?) divide between religion and science, drawing on lots of conspiracy theories and bringing back into the realms of popular culture that old secret society, the illuminati.
I have no problem with any of that, and I do like a bit of derring-do, mystery and romance, but even I found it hard at times to swallow some of the outlandish scenarios and set pieces of this novel - I think, for me, the icing on the cake was the surviving-a-jump-out-of-a-helicopter-without-a-parachute bit towards the end!
Matthew Krueger (10051 KP) rated Zombie Dice in Tabletop Games
Aug 5, 2020
The Strategy (2 more)
The Theme
5-15 minute rounds
Press Your Luck
Zombie Dice- is a excellent press your luck game. Its created by Steve Jackson Games. Which their made Munchkin, Chez Geek, Illuminati, and more. Zombie Dice is a excellent dice game, so let me explain more.
Gameplay: The gameplay of Zombie Dice is simple. The player has to shake a cup containing 13 dice and randomly select 3 of them without looking into the cup and then roll them. The faces of each die represent brains, shotgun blasts or "runners" with different colours containing a different distribution of faces (the 6 green dice have 3 brains, 1 shotgun and 2 runners, the 4 yellow dice have 2 of each and the 3 red dice have 1 brain, 3 shotguns and 2 runners). The object of the game is to roll 13 brains. If a player rolls 3 shotgun blasts their turn ends and they lose the brains they have accumulated so far that turn. It is possible for a player to roll 3 blasts in a single roll, but if only one or two blasts have been rolled the player will have to decide whether it is worth it to risk rolling again or "bank" the brains acquired so far and pass play to the next player. A "runner" is represented by feet and rolling a runner means that the player can roll that same dice if they choose to press their luck. A winner is determined if a player rolls 13 brains and all other players have taken at least one more turn without reaching 13 brains.
Its a excellent game and a must play if you havent already. Its fun, its easy and i love the theme of it. Thank you Steve Jackson Games.
Gameplay: The gameplay of Zombie Dice is simple. The player has to shake a cup containing 13 dice and randomly select 3 of them without looking into the cup and then roll them. The faces of each die represent brains, shotgun blasts or "runners" with different colours containing a different distribution of faces (the 6 green dice have 3 brains, 1 shotgun and 2 runners, the 4 yellow dice have 2 of each and the 3 red dice have 1 brain, 3 shotguns and 2 runners). The object of the game is to roll 13 brains. If a player rolls 3 shotgun blasts their turn ends and they lose the brains they have accumulated so far that turn. It is possible for a player to roll 3 blasts in a single roll, but if only one or two blasts have been rolled the player will have to decide whether it is worth it to risk rolling again or "bank" the brains acquired so far and pass play to the next player. A "runner" is represented by feet and rolling a runner means that the player can roll that same dice if they choose to press their luck. A winner is determined if a player rolls 13 brains and all other players have taken at least one more turn without reaching 13 brains.
Its a excellent game and a must play if you havent already. Its fun, its easy and i love the theme of it. Thank you Steve Jackson Games.
DiscoStu (6 KP) rated Bright (2017) in Movies
Jan 8, 2018 (Updated Jan 8, 2018)
“A competent buddy cop movie that offers solid pacing and character portrayals at the expense of building up the films (admittedly) interesting universe”.
Contains spoilers, click to show
Netflix’s ‘Bright’, directed by David Ayer (Suicide Squad) and starring Will Smith and Joel Edgerton, brings the big budget box office trappings of a fully fledged cinema release to their home streaming subscription service and arguably the end result is a fun and enjoyable, if slightly flawed, buddy-cop-movie-with-a-twist that sets up a universe you’ll likely want to see more of.
Smith plays Daryl Ward, a weary veteran L.A. cop reluctantly partnered with orc partner Nick, the first and only orc to make the force in this alternate earth story. The film opens with Ward taking a round of buckshot from an orc thug whilst Nick looks on waiting for a burrito from a street vendor. The incident leaves a distrust between Ward and Nick, with Ward unsure whether his partner really has his back after Nick not only failed to step up and prevent the shooting but also failed to apprehend the orc perpetrator during the ensuing foot chase. Ward also finds himself at odds with other members of the force who don’t share the police’s ‘progressive’ attitudes of allowing orcs into the force.
The film briefly touches on a two thousand year old conflict between the nine armies and the Dark Lord who was defeated when various races allied to defeat him. In the established lore the orcs allied with the Dark Lord and have been subjugated ever since. The film attempts to portray the orcs through a social commentary that reflects the black community today and how heavy handed the film tackles the subject will probably depend on the viewer. For me it was handled sensitively enough without being too in your face.
The film sees the two protagonists dispatched to a disturbance that quickly escalates to a situation that goes from bad to worse. Finding themselves on the run with a Bright, the film’s titular white haired magic wielders, and a coveted magic wand Ward and Nick have to navigate hostile L.A. gang land environments whilst pursued by Inferni (the magic version of the Illuminati), the police and human and orc gangsters, all who have their own plans for the wand.
The film is shot well, with plenty of scenery that builds up the shared world of humans, orcs, elves , centaurs and the other races that we don’t get to spend any time with. A montage at the start of the film shows various L.A. scenery graffiti tagged with striking imagery depicting the struggle of orcs in an oppressed landscape. Evidently, orc lives matter. The film also doesn’t struggle for pacing. The two hour runtime services the story well enough, even if some of the world building and character exploration suffers as a result. I would have liked to have spent more time exploring the shared history of the various races and understanding the motivations of the stories’ villains but sadly these elements are undersold in favour of a shorter runtime that hurries the narrative along. To the credit of the writers and the director this world bares revisiting and at the time of writing it sounds like Netflix know this too with a sequel already greenlit.
Bright is a fun jaunt in a world I’d like to get to know better. Smith and Edgerton are strong leads who share a strong chemistry and make you care about their characters. The bad guys don’t fare as well here, especially disappointing given that Noomi Rapace is the lead antagonist but hopefully a sequel will correct some of these missteps. Bright feels like a £20 cinema ticket movie and gives enough to the viewer that you’ll want to discuss it with friends afterwards. As a film bundled with your Netflix subscription it’s hard to be too critical.
Smith plays Daryl Ward, a weary veteran L.A. cop reluctantly partnered with orc partner Nick, the first and only orc to make the force in this alternate earth story. The film opens with Ward taking a round of buckshot from an orc thug whilst Nick looks on waiting for a burrito from a street vendor. The incident leaves a distrust between Ward and Nick, with Ward unsure whether his partner really has his back after Nick not only failed to step up and prevent the shooting but also failed to apprehend the orc perpetrator during the ensuing foot chase. Ward also finds himself at odds with other members of the force who don’t share the police’s ‘progressive’ attitudes of allowing orcs into the force.
The film briefly touches on a two thousand year old conflict between the nine armies and the Dark Lord who was defeated when various races allied to defeat him. In the established lore the orcs allied with the Dark Lord and have been subjugated ever since. The film attempts to portray the orcs through a social commentary that reflects the black community today and how heavy handed the film tackles the subject will probably depend on the viewer. For me it was handled sensitively enough without being too in your face.
The film sees the two protagonists dispatched to a disturbance that quickly escalates to a situation that goes from bad to worse. Finding themselves on the run with a Bright, the film’s titular white haired magic wielders, and a coveted magic wand Ward and Nick have to navigate hostile L.A. gang land environments whilst pursued by Inferni (the magic version of the Illuminati), the police and human and orc gangsters, all who have their own plans for the wand.
The film is shot well, with plenty of scenery that builds up the shared world of humans, orcs, elves , centaurs and the other races that we don’t get to spend any time with. A montage at the start of the film shows various L.A. scenery graffiti tagged with striking imagery depicting the struggle of orcs in an oppressed landscape. Evidently, orc lives matter. The film also doesn’t struggle for pacing. The two hour runtime services the story well enough, even if some of the world building and character exploration suffers as a result. I would have liked to have spent more time exploring the shared history of the various races and understanding the motivations of the stories’ villains but sadly these elements are undersold in favour of a shorter runtime that hurries the narrative along. To the credit of the writers and the director this world bares revisiting and at the time of writing it sounds like Netflix know this too with a sequel already greenlit.
Bright is a fun jaunt in a world I’d like to get to know better. Smith and Edgerton are strong leads who share a strong chemistry and make you care about their characters. The bad guys don’t fare as well here, especially disappointing given that Noomi Rapace is the lead antagonist but hopefully a sequel will correct some of these missteps. Bright feels like a £20 cinema ticket movie and gives enough to the viewer that you’ll want to discuss it with friends afterwards. As a film bundled with your Netflix subscription it’s hard to be too critical.