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Simply Crazy
9.3
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Forget apps, websites and singles events - clearly the best way to meet a guy is to move in next...
Common Powers Box Set
6.0
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Soul Bonds It’s not how big the power, it’s how you use it. Mitchell’s tired of one...
CONTEMPORARY EROTIC ROMANCE GAY GLBTQI
Big Button Box - funny sound effects & loud sounds
Entertainment and Lifestyle
App
Big Button Box™ gives you OVER 100 individual BIG BUTTONS that let off the BEST BOOMING FUNNY...
An Echo of Ashes
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An Echo of Ashes is a story lost to time, then found again in century-old letters that lay in a...
Historical World War I
ClareR (5884 KP) rated The Lock In in Books
Jun 27, 2021
The Lock In is a funny, entertaining story about three housemates and a boyfriend who accidentally get locked in the attic. It’s the morning after a a heavy night of drinking, and Ellen wakes up to find the kitchen is flooding - and she doesn’t know how to turn the water off. She assumes the stopcock is somewhere in the attic, because hey - that’s where everything is, isn’t it? Now this concept may seem far-fetched, unlikely even, but I have lived with people when I was a student, who would have thought that this was the logical place to put the stopcock. After all, everything important is in the attic, isn’t it?! 🤷🏼♀️
One thing leads to another, and the three housemates (Ellen, Alexa and Jack) along with Ellen’s date from the previous night (Ben), end up locked in the attic with no way out, and no phone signal! Their only chance of attracting attention, is by shouting out of the sky light to passers-by. Which would be great if someone actually walked down their street!
And as for the toilet situation (because out of everything, this was my first though - it’s very important, actually!), Ellen finds herself having to use a box!
They’re all funny, interesting and engaging characters, and when Ellen realises that she and Ben have ‘met’ before and things become very awkward, they still remain nice people that I’d be happy to spend time with (just not in a locked room, thanks!)
This is an ideal pick-me-up book: I think I smiled and laughed from beginning to end!
One thing leads to another, and the three housemates (Ellen, Alexa and Jack) along with Ellen’s date from the previous night (Ben), end up locked in the attic with no way out, and no phone signal! Their only chance of attracting attention, is by shouting out of the sky light to passers-by. Which would be great if someone actually walked down their street!
And as for the toilet situation (because out of everything, this was my first though - it’s very important, actually!), Ellen finds herself having to use a box!
They’re all funny, interesting and engaging characters, and when Ellen realises that she and Ben have ‘met’ before and things become very awkward, they still remain nice people that I’d be happy to spend time with (just not in a locked room, thanks!)
This is an ideal pick-me-up book: I think I smiled and laughed from beginning to end!
Darren (1599 KP) rated A Few Good Men (1992) in Movies
Jun 20, 2019
Plot: At Guantanamo Marine Base, a private is attacked by 2 other marines and dies as a result. An investigation is conducted by Lt. Commander Jo Galloway and reveals to her superiors that she believes that the private was attacked by because he was going over the head of Colonel Jessup, the base commander and was threatening to reveal something unless he gets a transfer, so Jessup ordered a “code red” which is basically a type hazing done which is not legal. Galloway wants to be assigned to defend the 2 marines but her superior prefers that the whole go away quietly so he denies her request and has the case assigned to Lt. Dan Kaffee, a Naval lawyer who hasn’t tried a case in court and prefers to plea his cases out. But Galloway warns him that if he pleads the case out, Jessup will get away with murder. Kaffee decides not to plead the case out and tries to defend them but there’s no proof that Jessup actually gave the order.
Verdict: Courtroom Masterpiece
Story: Who doesn’t like a good investigation story? Well this gives us a look at how a team of lawyers need to uncover the truth about a marine’s death. We know who is meant to have committed the crime but we need to see who gave the final order. The team of lawyers are all very different and clash over every decision. They must put the differences behind them to work together to gain the evidence to prove the truth and it all comes to a clash in the courtroom creating one of the most iconic scenes in film history. It seems like quite a boring subject but put together it is one of the most engrossing stories in film. (9/10)
Actor Review
Tom Cruise: Lt. Daniel Kaffee top lawyer who comes off as a slacker, he has never lost a case but he now has to take one of the biggest of his career. Cruise nails this using his charm to get over how easy it all seems but also shows he can go toe to toe with the best in the business with the courtroom scene with Jack. (9/10)
cruise
Jack Nicholson: Col. Nathan R. Jessup believes he is top of any chain, he gives out orders to anyone and his old fashion techniques will be his downfall. Great performance from Jack showing what one man with all the power can do. (9/10)
jack
Demi Moore: Lt. Cdr. JoAnne Galloway officer who wants to take the case and wants to make it her own but if forced to work with Kaffee very much against her will. Good performance but sometime gets out shown by Cruise. (7/10)
demi
Kevin Bacon: Capt. Jack Ross an old friend of Kaffee who is going up against him in court, he will do what is right in his role but he won’t go over any laws to make sure he wins. Good supporting performance. (7/10)
Director Review: Rob Reiner – Great directing throughout to create one of the most interesting films of all time. (9/10)
Crime: Searching for the truth has never been so interesting. (10/10)
Drama: Top drama showing how each line is leading to something much bigger. (10/10)
Mystery: We have to watch as the lawyers uncover the truth. (9/10)
Thriller: Brings you to the edge of your seat from start to finish. (10/10)
Settings: Most of the settings work well, but the courtroom is the highlight arena of choice. (6/10)
Suggestion: This is a must watch for all, it is a classic that has one of the most iconic film scenes of all time. (Watch)
Best Part: Tom v Jack in courtroom.
Worst Part: Not one
Favourite Quote: See Video
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for four Oscars including ‘Best Picture, Best Supporting Actor, Best Sound, Best Film Editing.
Box Office: $243 Million
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: In the heart of the nation’s capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.
Overall: Brilliant Thriller
https://moviesreview101.com/2014/12/17/a-few-good-men-1992/
Verdict: Courtroom Masterpiece
Story: Who doesn’t like a good investigation story? Well this gives us a look at how a team of lawyers need to uncover the truth about a marine’s death. We know who is meant to have committed the crime but we need to see who gave the final order. The team of lawyers are all very different and clash over every decision. They must put the differences behind them to work together to gain the evidence to prove the truth and it all comes to a clash in the courtroom creating one of the most iconic scenes in film history. It seems like quite a boring subject but put together it is one of the most engrossing stories in film. (9/10)
Actor Review
Tom Cruise: Lt. Daniel Kaffee top lawyer who comes off as a slacker, he has never lost a case but he now has to take one of the biggest of his career. Cruise nails this using his charm to get over how easy it all seems but also shows he can go toe to toe with the best in the business with the courtroom scene with Jack. (9/10)
cruise
Jack Nicholson: Col. Nathan R. Jessup believes he is top of any chain, he gives out orders to anyone and his old fashion techniques will be his downfall. Great performance from Jack showing what one man with all the power can do. (9/10)
jack
Demi Moore: Lt. Cdr. JoAnne Galloway officer who wants to take the case and wants to make it her own but if forced to work with Kaffee very much against her will. Good performance but sometime gets out shown by Cruise. (7/10)
demi
Kevin Bacon: Capt. Jack Ross an old friend of Kaffee who is going up against him in court, he will do what is right in his role but he won’t go over any laws to make sure he wins. Good supporting performance. (7/10)
Director Review: Rob Reiner – Great directing throughout to create one of the most interesting films of all time. (9/10)
Crime: Searching for the truth has never been so interesting. (10/10)
Drama: Top drama showing how each line is leading to something much bigger. (10/10)
Mystery: We have to watch as the lawyers uncover the truth. (9/10)
Thriller: Brings you to the edge of your seat from start to finish. (10/10)
Settings: Most of the settings work well, but the courtroom is the highlight arena of choice. (6/10)
Suggestion: This is a must watch for all, it is a classic that has one of the most iconic film scenes of all time. (Watch)
Best Part: Tom v Jack in courtroom.
Worst Part: Not one
Favourite Quote: See Video
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for four Oscars including ‘Best Picture, Best Supporting Actor, Best Sound, Best Film Editing.
Box Office: $243 Million
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: In the heart of the nation’s capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.
Overall: Brilliant Thriller
https://moviesreview101.com/2014/12/17/a-few-good-men-1992/
Rozen Maiden
5.5
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TV Show
Traumatized by school, Jun Sakurada spends his days at home as a shut-in, purchasing things online,...
Magic Seinen
Debbiereadsbook (1444 KP) rated Common Powers Box Set in Books
Aug 14, 2019
good, but not great.
Indepedent reviewer for Archaeolibrarian, I was gifted my copy of this box set.
Four stories, of men coming together when they need each other the most.
Sammi is running away from being a sex slave, can Mitchell keep him safe?
Brian and Rush have chemistry, and they haven't even touched, but can Rush step out of the dark for Brian?
Edward is in town to visit his grandmother. The Chief of Police, Jack, is so NOT his type. So why is he drawn so badly to the man?
After a homophobic attack, Phillip finds himself taken in by Brian and Rush, and Phillip can only hope to have the kind of relationship they do.
For the most part, I did enjoy these four books, but maybe reading them back to back wasn't the best idea.
The general plot lines are very similar, and some dialogue is repaeted, particularly in the final book, when ALL four guys have a say, and it is especially when the guys are getting down and dirty! And they get down and dirty a LOT in that last book! And I'm not usually one to bawk at a lot of down and dirty but I did feel that it overshadowed Phillip's story.
I did enjoy the paranormal aspect: Sammi can read minds, Brian has premonitions, Rush can see in the dark, Edward can heal by touch and Phillip can influence by touch.
I liked that all the guys in the pairings have a say, so we hear from everyone and you know that makes me happy.
I did not like the SPEED at which things moved for the first three couples. Phillip's tale was a good deal slower, with everyone else having some thing to say. The previous three though?? Very quickly it went from attraction to love, for Sammi and Mitchell, it was the first chapter! I'm all for insta-love in places, but I did not like here, especailly for Sammi because of what he was running from. But equally, Jack and Rush are hiding, deep in their only personal hall closets, and you have expected there to be a bit more reluctancy to fall in love from those two (although they DID fight it, tooth and nail!) It was just too mcuh too soon.
It is explicit, heavily so; it also carries references to murder, rape and stalking and deals with the sex industry and being held against their will.
Still, a good read, just not a brilliant one.
3 GOOD stars
**same worded review will appear elewhere**
Four stories, of men coming together when they need each other the most.
Sammi is running away from being a sex slave, can Mitchell keep him safe?
Brian and Rush have chemistry, and they haven't even touched, but can Rush step out of the dark for Brian?
Edward is in town to visit his grandmother. The Chief of Police, Jack, is so NOT his type. So why is he drawn so badly to the man?
After a homophobic attack, Phillip finds himself taken in by Brian and Rush, and Phillip can only hope to have the kind of relationship they do.
For the most part, I did enjoy these four books, but maybe reading them back to back wasn't the best idea.
The general plot lines are very similar, and some dialogue is repaeted, particularly in the final book, when ALL four guys have a say, and it is especially when the guys are getting down and dirty! And they get down and dirty a LOT in that last book! And I'm not usually one to bawk at a lot of down and dirty but I did feel that it overshadowed Phillip's story.
I did enjoy the paranormal aspect: Sammi can read minds, Brian has premonitions, Rush can see in the dark, Edward can heal by touch and Phillip can influence by touch.
I liked that all the guys in the pairings have a say, so we hear from everyone and you know that makes me happy.
I did not like the SPEED at which things moved for the first three couples. Phillip's tale was a good deal slower, with everyone else having some thing to say. The previous three though?? Very quickly it went from attraction to love, for Sammi and Mitchell, it was the first chapter! I'm all for insta-love in places, but I did not like here, especailly for Sammi because of what he was running from. But equally, Jack and Rush are hiding, deep in their only personal hall closets, and you have expected there to be a bit more reluctancy to fall in love from those two (although they DID fight it, tooth and nail!) It was just too mcuh too soon.
It is explicit, heavily so; it also carries references to murder, rape and stalking and deals with the sex industry and being held against their will.
Still, a good read, just not a brilliant one.
3 GOOD stars
**same worded review will appear elewhere**
Lee KM Pallatina (951 KP) rated Deadpool 2 (2018) in Movies
Jun 14, 2019
When Wade met Cable aka deadpool 2: Judgment day
Ryan Reynolds returns as the foul mouthed, gun toting, wise cracking, fourth wall breaking merc with a mouth known as deadpool, this time around wade finds himself lumped with a kid, an angry muntant kid named Russell aka firefist. After failing to calm Russell and killing a bunch of dodgey looking "medical professionals" (deadpool? Kill? Never.....) they are both arrested and locked up in the ice box, mutant prison.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
Things escalate quicky for the two as the prison is broken into by a time travelling bio-organic mutant known as Cable, whose objective is to kill a future terrorist and stop millions from dying - so naturally, wade find himself on the wrong side of Cable.
This genius masterpiece is hilarious from start to finish and does not tone down and features cameos from, Terry crews, Matt Damon, brad Pitt and more.
Starring pikachu....I mean Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy.
RəX Regent (349 KP) rated Pandora's Box (1929) in Movies
Feb 18, 2019
Pandora’s Box was one of the last films of the silent era, a period of transition to sound which I believe set the art of cinematography back a decade.
In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.
But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.
With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.
And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.
This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.
Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.
There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.
But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.
Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.
In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.
But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.
With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.
And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.
This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.
Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.
There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.
But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.
Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.