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BobbiesDustyPages (1259 KP) rated Kingsman: The Secret Service (2015) in Movies
Jul 23, 2017
Merissa (11643 KP) rated Lone Wolf in Books
Dec 17, 2018
Lone Wolf kicks off with Jackson being a reluctant saviour and helping someone get to the hospital. He literally crashes into his soulmate, causing the heart bump and tunnel vision he has been told about. Of course, the heart bumps could be because his soulmate is a male, which throws Jackson completely. Leo has heard of the soulmate bond, but doesn't really know much about it. He doesn't have a problem with wolves, and lives with one in a purely platonic manner. Leo is gay, and has no issues with being so. These two have a number of hurdles to jump before they can get their HEA.
This story brings a new twist to the soulmate bond, in that although both sides know when it happens, the human side of the bond is harder to feel, and BOTH parties can walk away if they decide they don't want to follow through with the bond for whatever reason.
There is angst in this book as Jackson tries to deal with having a male soulmate, and he does act like a massive jerk for part of the book. I personally think Leo is too forgiving, but I understand the bond is there. There isn't much of a connection between Jackson and Leo for most of the book, because of issues, but once it happens, it's all good. Not only do they have their relationship problems to contend with, but they also have to deal with arson and the Human Protection League, who are fervently against wolves, and especially human-wolf bonding.
Not everything is answered in this book, and I would say Jackson and Leo get a HFN ending, so I'm wondering if there will be a second book to this one?
On the whole, even though it didn't blow me out of the water, I enjoyed this book and would be interested to see where it's going next. I would still recommend Lone Wolf.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story brings a new twist to the soulmate bond, in that although both sides know when it happens, the human side of the bond is harder to feel, and BOTH parties can walk away if they decide they don't want to follow through with the bond for whatever reason.
There is angst in this book as Jackson tries to deal with having a male soulmate, and he does act like a massive jerk for part of the book. I personally think Leo is too forgiving, but I understand the bond is there. There isn't much of a connection between Jackson and Leo for most of the book, because of issues, but once it happens, it's all good. Not only do they have their relationship problems to contend with, but they also have to deal with arson and the Human Protection League, who are fervently against wolves, and especially human-wolf bonding.
Not everything is answered in this book, and I would say Jackson and Leo get a HFN ending, so I'm wondering if there will be a second book to this one?
On the whole, even though it didn't blow me out of the water, I enjoyed this book and would be interested to see where it's going next. I would still recommend Lone Wolf.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Buzz (5 KP) rated The Hitman's Bodyguard (2017) in Movies
Sep 13, 2017
The Hitmans Bodyguard
Ryan is very good at being a funy guy but when you combine the funny element with Mr S L Jackson you get a combination where it increase the fun to the extreme. The movie has some great fighting scenes and sometimes you think your watching a Bond movie with all the running and car chases. But this has to be one of my fav movies of 2017. Worth a watch.
David McK (3185 KP) rated xXx: State of the Union (2005) in Movies
Feb 22, 2024
Sequel (of a sort) to the Vin Diesel James Bond wannabe action film, with Samuel L Jackson again in the supporting role as the 'recruiter' - for want of a better word - to the xXX programme.
As an aside, I believed the first film was called xXx as that was Vind Diesel's characters name (Xander).
Here, Ice Cube is no patch in Vin Diesel at all.
It's no surprise they brought Diesel back (despite being killed, off screen) for the third entry.
As an aside, I believed the first film was called xXx as that was Vind Diesel's characters name (Xander).
Here, Ice Cube is no patch in Vin Diesel at all.
It's no surprise they brought Diesel back (despite being killed, off screen) for the third entry.
Nick Friesen (96 KP) rated Kingsman: The Secret Service (2015) in Movies
Jul 20, 2017
Taron Egerton Excels in the Lead Role (3 more)
Samuel Jackson Makes a Memorable Villain
Stylized Action & Humor Abounds
Intriguing, Well-Written Story
R-Rated Homage to Classic James Bond
If you've ever thought that only problem with James Bond is a lack of black humor and bloody violence, then Kingsman: The Secret Service. Essentially, it does for the spy genre what Kick-Ass did for the superhero genre (oddly enough, Mark Strong stars in both movies). It's a wild and very fun ride; each scene feels fun and exciting. One in particular is most memorable to me, where graphic violence is used to an extreme inside a Westboro Baptist-type Church. I do feel a bit bad for anyone drawn in by the promise of Colin Firth alone though (particularly older folks), they may be more than a little shocked by what they witness.
Stephen (210 KP) rated Heavenly Creatures (1994) in Movies
Mar 12, 2019
Wealthy and precocious teenager Juliet (Kate Winslet) transfers from England to Christchurch, New Zealand, with her family, and forms a bond with the quiet, brooding Pauline (Melanie Lynskey) through their shared love of Mario Lanza and their games of make believe. But when their parents begin to suspect that their increasingly intense friendship is becoming unhealthy, the girls decide to run away together, hatching a dark plan for those who threaten to keep them apart.
The movie is one of Peter Jackson’s earlier works, and demonstrates his unique sense of directing which featured in his first few films. Both Kate Winslett and Melanie Lynskey give outstanding performances - Melanie’s scowling face is especially disturbing.
Based on a true story, Jackson focuses a lot on the dream world element of the girls’ story, which I feel gives the film’s ending even more shock appeal.
I won’t spoil the ending, but let me say that the first time I saw the movie I felt so disturbed I felt as if I was actually there, and even now, when I rewatch the movie, I still get chills when the girls are walking down that path....
I appreciate that the film is not going to appeal to everyone, but the amazing performances of the two main characters, and the horrifying insight into how deep obsessive friendships can go, makes this an essential but very disturbing watch.
The movie is one of Peter Jackson’s earlier works, and demonstrates his unique sense of directing which featured in his first few films. Both Kate Winslett and Melanie Lynskey give outstanding performances - Melanie’s scowling face is especially disturbing.
Based on a true story, Jackson focuses a lot on the dream world element of the girls’ story, which I feel gives the film’s ending even more shock appeal.
I won’t spoil the ending, but let me say that the first time I saw the movie I felt so disturbed I felt as if I was actually there, and even now, when I rewatch the movie, I still get chills when the girls are walking down that path....
I appreciate that the film is not going to appeal to everyone, but the amazing performances of the two main characters, and the horrifying insight into how deep obsessive friendships can go, makes this an essential but very disturbing watch.
Adam Colclough (3 KP) rated Slow Horses in Books
Mar 12, 2018
The awkward squad to the rescue
Slough House is the place where the secret service dumps those operatives who don’t’ make the grade. A bureaucratic limbo as far away from the glamourous world inhabited by James Bond as Biarritz is from the outer moons of Saturn.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
Merissa (11643 KP) rated Thorn of Secrets (My Darkest Secret #2) in Books
Jan 25, 2022 (Updated Jul 18, 2023)
THORN OF SECRETS is the second book in the My Darkest Secret series and we return to Madi's life as she tries to continue after the events of book one. And you REALLY need to read that for this one to make any sense.
Both Madi and Justin have someone else, and yet their bond refuses to be broken. They ignore it, or put it under the heading of 'family relations' but it is obvious that isn't what it is, and you read to find out just when they both stop fighting the inevitable.
Madi is determined not to let what happened with Jackson ruin her life. She is in college; Justice is being raised with a loving mom and family on hand to help, and Madi meets a new man, Chauncey, who allows her to feel comfortable.
Once again, told from Madison's perspective, you are with her through every situation, every emotion. As with the first book, this deals with some heavy topics so please be aware if you have any triggers. We reunite with old characters as well as meet new ones. You see Madi in different situations, although her inner core doesn't change.
There were parts of the book that didn't do anything for me - some of which are personal preferences, and some I felt had no bearing on moving the story forward - but overall, I enjoyed the story and felt it to be a good continuation of Madi's story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 25, 2022
Both Madi and Justin have someone else, and yet their bond refuses to be broken. They ignore it, or put it under the heading of 'family relations' but it is obvious that isn't what it is, and you read to find out just when they both stop fighting the inevitable.
Madi is determined not to let what happened with Jackson ruin her life. She is in college; Justice is being raised with a loving mom and family on hand to help, and Madi meets a new man, Chauncey, who allows her to feel comfortable.
Once again, told from Madison's perspective, you are with her through every situation, every emotion. As with the first book, this deals with some heavy topics so please be aware if you have any triggers. We reunite with old characters as well as meet new ones. You see Madi in different situations, although her inner core doesn't change.
There were parts of the book that didn't do anything for me - some of which are personal preferences, and some I felt had no bearing on moving the story forward - but overall, I enjoyed the story and felt it to be a good continuation of Madi's story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 25, 2022
Gareth von Kallenbach (965 KP) rated King Kong (2005) in Movies
Aug 14, 2019
Following up the box office and Oscar success of the Lord of the Rings Trilogy is an undertaking that is sure to have its dangers. Expectations of the fans notwithstanding, the ability to recapture the magic of the trilogy could be akin to capturing lightning in a bottle. When it was announced that Peter Jackson would follow his Oscar success by doing yet another adaptation of King Kong, there were plenty of questions amidst the excitement.
When an earlier remake was a critical and commercial bomb, “Would Jackson be able to do justice to one of the all time classics?” was one of the biggest questions. When it was announced that comedian Jack Black would be in the film, people began to wonder what Jackson had brewing. Black, as well as Academy Award winner Adrian Brody were seen as offbeat choices. As the release date for the film neared, so did speculation over the look of the film, the running time, and its decision to follow the screenplay of the original rather than adapt to a modern setting.
The film follows a filmmaker named Carl Denham (Jack Black), who in an act of desperation flees New York for a mysterious and uncharted island in an attempt to finish his latest movie before the studio can shut him down. Amidst the backdrop of the Great Depression, it is clear that Denham knows that failure now could be the end of his livelihood and his long term future. As he embarks on his fly by night production, Denham encounters Ann Darrow (Naomi Watts), a recently unemployed Vaudeville performer who is enticed into the film in the hopes of meeting its writer Jack Driscoll (Adrian Brody). It seems that Ann has long coveted a part in Driscoll’s plays and hopes that by meeting him, she will obtain her long sought after audition.
With the cops and studio hot on their heels, the cast and crew board a tramp steamer named “The Venture” as they set off for the mysterious island that is known only to Denham via a mysterious map he obtained through methods unknown.
As the voyage unwinds, not only does Denham get the chance to film segments of the film, but Ann and a stranded Jack find themselves becoming an item. Jack is inspired by Ann, and he works like a man inspired turning out page after page of material for various projects which he hopes Ann will star.
Eventually the ship finds its way to the mysterious Skull Island surrounded in fog, and the crew venture ashore to take in the bizarre and exotic land that has previously been unexplored. Upon finding a fortified wall and settlement the crew has a run in with some dangerous natives which in turn leads to Ann being kidnapped and offered up sacrificial style to a gigantic creature the Islanders refer to as Kong. Undaunted, Jack and the crew set off to rescue Ann while Denham shoots footage along the way, as the island offers visuals the likes of which have never been seen by mankind.
Along the way, the crew encounters deadly creatures and obstacles at every turn, as does Ann who plays a dangerous game of cat and mouse with Kong as she comes to grips with her situation. Kong is taken with the lovely Ann and protects her against numerous dangers including a pack of Tyrannosauruses in one of the film’s best action sequences.
Of course few will be surprised at the final act of the film so I will leave it to say that the fish out of water nature of the previous versions remains intact as Kong finds himself dealing with an urban jungle which leads to a spectacular finale atop the Empire State Building.
In many ways Jackson’s film is three separate films. The first hour of the film is an interesting and, at times witty, character piece where the lead characters assemble. The look of the city is amazing, making it very clear that enormous amounts of effort went into crafting the look of Depression Era New York, and to remind the audience that Prohibition was also in effect. The interplay between the characters is decent.Black does standout work as the slick Denham, as does Watts as the wholesome and lovable Ann.
The second hour of the film is the special effects showcase where the mysteries of Skull Island and Kong are shown complete with all manner of CGI creatures and action sequences. While most of them are well staged, I could not help but note that on more than one occasion the CGI backdrops did not match up well with their live action counterparts. There is one scene of a stampede where it looked like the actors had been drawn in and that they were running in place as they clearly did not mesh with the spectacle behind them.
Throughout the film this occurrence happened more and more which really had me wondering if the effects house was overtaxed. A film with a budget reportedly over 100 million should not have these technical issues. Thankfully Kong himself is a wonder, with everything from his expressive eyes and facial features, captured in a remarkable way. It is just a shame that the other effects did not get the same treatment as the films namesake, as he truly is a site to behold. Andy Serkis who did the character mannerisms for the animators program did a phenomenal job. The movements of Kong progress with a strength and agility that bellies a simian rather than a skilled performer.
I do not want it to sound as if I did not enjoy the film, as much of the film worked very well, technical issues aside. What my biggest issue with the film was that at over 3 Hours, it was far too long for the material to support. We get numerous scenes of Ann and Kong flirting, bonding, fighting, running, and more. What is cute the first couple of times becomes dull the more it is repeated. It is obvious that they have a bond; we do not need to see it over and over ad nauseum to get the message. Also, the character development and interplay between the characters that was so effective in the first part of the film all but vanishes amidst the effects.
The finale of the film is a rousing success as the daring visuals and camera angles are very inventive and thrilling. This segment with its fury of motion and sound will have viewers on the edge of their seat as it certainly delivers the goods. The biggest issue again is having to sit through three hours to get to it. Anyone who has seen either version of Kong knows exactly where the film is heading, and after two hours of screen time I found myself wishing they would just hurry up and get to it.
Jackson has crafted a very entertaining and lavish film that packs its share of thrills. What the film needed is someone to reign in Jackson and his boundless enthusiasm for the project to remind him that sometimes less is more. Jackson has said that he had over 4 hours worth of material filmed but trimmed it down to its current running time. When the film is almost twice the running time of the original, I found myself thinking that minus 45 minutes the same story could have been told.
Despite the flaws and the hype, King Kong is a solid film that for me was more satisfying in many ways than any of the “Rings” films. While not quite a masterpiece, this Kong is worthy of the name and pedigree of the timeless original that inspired it.
When an earlier remake was a critical and commercial bomb, “Would Jackson be able to do justice to one of the all time classics?” was one of the biggest questions. When it was announced that comedian Jack Black would be in the film, people began to wonder what Jackson had brewing. Black, as well as Academy Award winner Adrian Brody were seen as offbeat choices. As the release date for the film neared, so did speculation over the look of the film, the running time, and its decision to follow the screenplay of the original rather than adapt to a modern setting.
The film follows a filmmaker named Carl Denham (Jack Black), who in an act of desperation flees New York for a mysterious and uncharted island in an attempt to finish his latest movie before the studio can shut him down. Amidst the backdrop of the Great Depression, it is clear that Denham knows that failure now could be the end of his livelihood and his long term future. As he embarks on his fly by night production, Denham encounters Ann Darrow (Naomi Watts), a recently unemployed Vaudeville performer who is enticed into the film in the hopes of meeting its writer Jack Driscoll (Adrian Brody). It seems that Ann has long coveted a part in Driscoll’s plays and hopes that by meeting him, she will obtain her long sought after audition.
With the cops and studio hot on their heels, the cast and crew board a tramp steamer named “The Venture” as they set off for the mysterious island that is known only to Denham via a mysterious map he obtained through methods unknown.
As the voyage unwinds, not only does Denham get the chance to film segments of the film, but Ann and a stranded Jack find themselves becoming an item. Jack is inspired by Ann, and he works like a man inspired turning out page after page of material for various projects which he hopes Ann will star.
Eventually the ship finds its way to the mysterious Skull Island surrounded in fog, and the crew venture ashore to take in the bizarre and exotic land that has previously been unexplored. Upon finding a fortified wall and settlement the crew has a run in with some dangerous natives which in turn leads to Ann being kidnapped and offered up sacrificial style to a gigantic creature the Islanders refer to as Kong. Undaunted, Jack and the crew set off to rescue Ann while Denham shoots footage along the way, as the island offers visuals the likes of which have never been seen by mankind.
Along the way, the crew encounters deadly creatures and obstacles at every turn, as does Ann who plays a dangerous game of cat and mouse with Kong as she comes to grips with her situation. Kong is taken with the lovely Ann and protects her against numerous dangers including a pack of Tyrannosauruses in one of the film’s best action sequences.
Of course few will be surprised at the final act of the film so I will leave it to say that the fish out of water nature of the previous versions remains intact as Kong finds himself dealing with an urban jungle which leads to a spectacular finale atop the Empire State Building.
In many ways Jackson’s film is three separate films. The first hour of the film is an interesting and, at times witty, character piece where the lead characters assemble. The look of the city is amazing, making it very clear that enormous amounts of effort went into crafting the look of Depression Era New York, and to remind the audience that Prohibition was also in effect. The interplay between the characters is decent.Black does standout work as the slick Denham, as does Watts as the wholesome and lovable Ann.
The second hour of the film is the special effects showcase where the mysteries of Skull Island and Kong are shown complete with all manner of CGI creatures and action sequences. While most of them are well staged, I could not help but note that on more than one occasion the CGI backdrops did not match up well with their live action counterparts. There is one scene of a stampede where it looked like the actors had been drawn in and that they were running in place as they clearly did not mesh with the spectacle behind them.
Throughout the film this occurrence happened more and more which really had me wondering if the effects house was overtaxed. A film with a budget reportedly over 100 million should not have these technical issues. Thankfully Kong himself is a wonder, with everything from his expressive eyes and facial features, captured in a remarkable way. It is just a shame that the other effects did not get the same treatment as the films namesake, as he truly is a site to behold. Andy Serkis who did the character mannerisms for the animators program did a phenomenal job. The movements of Kong progress with a strength and agility that bellies a simian rather than a skilled performer.
I do not want it to sound as if I did not enjoy the film, as much of the film worked very well, technical issues aside. What my biggest issue with the film was that at over 3 Hours, it was far too long for the material to support. We get numerous scenes of Ann and Kong flirting, bonding, fighting, running, and more. What is cute the first couple of times becomes dull the more it is repeated. It is obvious that they have a bond; we do not need to see it over and over ad nauseum to get the message. Also, the character development and interplay between the characters that was so effective in the first part of the film all but vanishes amidst the effects.
The finale of the film is a rousing success as the daring visuals and camera angles are very inventive and thrilling. This segment with its fury of motion and sound will have viewers on the edge of their seat as it certainly delivers the goods. The biggest issue again is having to sit through three hours to get to it. Anyone who has seen either version of Kong knows exactly where the film is heading, and after two hours of screen time I found myself wishing they would just hurry up and get to it.
Jackson has crafted a very entertaining and lavish film that packs its share of thrills. What the film needed is someone to reign in Jackson and his boundless enthusiasm for the project to remind him that sometimes less is more. Jackson has said that he had over 4 hours worth of material filmed but trimmed it down to its current running time. When the film is almost twice the running time of the original, I found myself thinking that minus 45 minutes the same story could have been told.
Despite the flaws and the hype, King Kong is a solid film that for me was more satisfying in many ways than any of the “Rings” films. While not quite a masterpiece, this Kong is worthy of the name and pedigree of the timeless original that inspired it.
Gareth von Kallenbach (965 KP) rated Kingsman: The Secret Service (2015) in Movies
Jun 19, 2019
When it was delayed from a planned October 2014 release to be placed against “50 Shades of Grey”, many worried that the new film “Kingsman: The Secret Service” was being relegated to nothing more than counter-programming by the studio. Thankfully the film is a hyper kinetic romp that gives audiences a new approach to the traditional spy film genre with a tongue in cheek approach.
The film revolves around a secret group of agents who take their operational names from the Knights of the Round Table. The organization was started by wealthy clothiers of London to make the world a better place, and since they operate outside the influence or control of any government, they have maintained a small but effective operational force for decades.
Following the loss of an operative, Galahad (Collin Firth), struggles to come to grips with being partially to blame for the death of his friend and trainee. Years later, Galahad recruits the son of the deceased agent, Eggsy (Taron Egerton), to train and join the ranks of The Kingsman. His working class upbringing rubs some of his more posh fellow trainees the wrong way, but Eggsy’s past scholastic and military skills are evident as he takes on the challenges of his highly-competitive and dangerous training.
At the same time, billionaire tech mogul Valentine (Samuel L. Jackson), is hatching a diabolical plan to cull the population of the world to make those that are left more manageable and under his control. Facing a race against time to literally save the word, the Kingsman, new and old, must battle an army to save the day.
While the plot of the film follows what the James Bond series have long established, an evil person with an army of deadly henchmen under their control bent on destroying/conquering the world, this film takes it in a new direction. The action is fast and frantic but despite the R rated violence is never as gory or overly gratuitous as one may expect. The blood is actually restrained to smaller red spots and a splash here or there which is interesting given the large number of slicing, impalings, close range gunshots, and bladed weapons deployed in the film.
The plot does at times seem absurd and naturally there are tons of questions like why they would use their two new recruits rather than calling in more experienced agents in their current crisis for help. All that aside, the film has a wink-and-a- smile attitude as it unfolds, almost as if they were trying to tell the audience to just accept that parts of it will play as a parody on the genre so just sit back and enjoy the ride.
In the end the film has enough action and interesting characters to make it a fun, if flawed, romp and the cast is interesting enough that I am already hoping for future adventures for the Kingsman.
http://sknr.net/2015/02/13/kingsman-secret-service/
The film revolves around a secret group of agents who take their operational names from the Knights of the Round Table. The organization was started by wealthy clothiers of London to make the world a better place, and since they operate outside the influence or control of any government, they have maintained a small but effective operational force for decades.
Following the loss of an operative, Galahad (Collin Firth), struggles to come to grips with being partially to blame for the death of his friend and trainee. Years later, Galahad recruits the son of the deceased agent, Eggsy (Taron Egerton), to train and join the ranks of The Kingsman. His working class upbringing rubs some of his more posh fellow trainees the wrong way, but Eggsy’s past scholastic and military skills are evident as he takes on the challenges of his highly-competitive and dangerous training.
At the same time, billionaire tech mogul Valentine (Samuel L. Jackson), is hatching a diabolical plan to cull the population of the world to make those that are left more manageable and under his control. Facing a race against time to literally save the word, the Kingsman, new and old, must battle an army to save the day.
While the plot of the film follows what the James Bond series have long established, an evil person with an army of deadly henchmen under their control bent on destroying/conquering the world, this film takes it in a new direction. The action is fast and frantic but despite the R rated violence is never as gory or overly gratuitous as one may expect. The blood is actually restrained to smaller red spots and a splash here or there which is interesting given the large number of slicing, impalings, close range gunshots, and bladed weapons deployed in the film.
The plot does at times seem absurd and naturally there are tons of questions like why they would use their two new recruits rather than calling in more experienced agents in their current crisis for help. All that aside, the film has a wink-and-a- smile attitude as it unfolds, almost as if they were trying to tell the audience to just accept that parts of it will play as a parody on the genre so just sit back and enjoy the ride.
In the end the film has enough action and interesting characters to make it a fun, if flawed, romp and the cast is interesting enough that I am already hoping for future adventures for the Kingsman.
http://sknr.net/2015/02/13/kingsman-secret-service/