The Art Book
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The Art Book, an award-winning art survey Spotlighting more than 600 great artists from medieval...
News Quiz: Soundbites: Four Episodes of the BBC Radio 4 Comedy Panel Game
Sandi Toksvig and Jeremy Hardy
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Sandi Toksvig chairs four sparkling episodes of the ever-popular topical comedy show The News Quiz,...
Pets in a Pickle
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Foreword by Jim Wight, son of James Herriot and author of The Real James Herriot James Herriot...
CSI: Crime Scene Investigation - Season 15
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Finlay finds her car rigged to explode ("The CSI Effect") as Sara and Greg are quarantined ("Bad...
CSI: Crime Scene Investigation - Season 14
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D.B. and Finn lead the hunt for Morgan, while Brody makes a shocking discovery that endangers her...
Brooks's, 1764-2014: The Story of a Whig Club
Hugh Johnson, John Ingamells, Philipp Ziegler and Charles Sebag-Montefiore
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One of the many aspects of London that never failed to attract comment from foreign visitors in the...
Gareth von Kallenbach (971 KP) rated My All American (2015) in Movies
Aug 6, 2019
Clarius Entertainment. It stars Finn Wittrock as Freddie Steinmark,
Sarah Bolger as Linda Wheeler, Aaron Eckhart as Darrell Royal, Robin
Tunney as Gloria Steinmark, Michael Reilly Burke as Fred Steinmark, Rett
Terrell as Bobby Mitchell, and Juston Street as James Street.
Based on true events, and coinciding with the release of the recently
published biography, Freddie Steinmark: Faith, Family, Football, this
film is a heartwarming tale of the grit and determination that one boy
has from the time he is small all the way through college.
The determination to push through any obstacle, and any challenge thrown
his way was the hallmark of Freddie Steinmark and forever etched him
into the hearts of his fellow players, his coach Darrell K Royal, and
his family.
At only five feet nine inches tall, and 150 pounds, Freddie had to work
harder, practice longer, run faster and be altogether tougher than any
of his other team mates just to be noticed.
The movie follows Freddie through his career starting with pee-wee
football practice, to being drilled by his dad for extra practice after
his school day was done in high school, to tryouts for University of
Texas Longhorns. His high school sweetheart Linda Wheeler applies to and
is accepted at University of Texas and follows him to college.
I don’t generally like football. It annoys me that it takes so long for
the game to be played (hello…. its supposed to be four QUARTERS…. a
quarter is 25 minutes. So a game should be just over an hour and a
half…. right? Nope, it never ever is only an hour and a half long….)
HOWEVER, I really enjoyed watching this movie!
It was funny, it was inspiring, it was sad. It tugged on my heartstrings
and made me wonder how, exactly, a parent goes about raising a kid with
that much drive and “want to”.
It is completely family friendly and I will be making another trip to
the theatre to watch it with my 7 year old son, and my friends son who
is 8 and her daughter that is 6, as well.
The movie shares a great message and good lessons that all children
should learn.
The ending is sad, and might upset some younger children, but since it
is a true-to-life movie, it had to follow actual events.
BankofMarquis (1832 KP) rated The Black Phone (2022) in Movies
Jul 19, 2022
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated The Purge: Election Year (2016) in Movies
Jun 11, 2019
Its successor, Anarchy, was warmly received – namely for its greater focus on the night of crime itself, rather than the plight of one family. Naturally, another sequel was always going to be on the cards and Election Year continues the franchise. But does it continue the positive trend?
With only one returning cast member, Frank Grillo’s brooding Leo Barnes, The Purge: Election Year goes for a more political approach than its horror-rooted predecessors and director James DeMonaco was brave in altering the formula. He gets through it – but only by the skin of his teeth.
As a young girl, Senator Charlie Roan (Elizabeth Mitchell) survived the annual night of lawlessness that took the lives of her family members. As a presidential candidate, Roan is determined to end the yearly tradition of blood lust once and for all. When her opponents hatch a deadly scheme, the senator finds herself trapped on the streets of Washington, D.C., just as the latest Purge gets underway. Now, it’s up to Leo Barnes (Frank Grillo), her head of security, to keep her alive during the next 12 hours of mayhem.
The first major stumbling block Election Year faces is its lack of originality. Yes, the basic formula goes for a more political tone but the story itself is a near carbon copy of its predecessor. It’s unfortunate that once again, despite the plight of fans, the production studio continues to overlook the most fascinating part of the Purge, its inception.
Once again we are forced to sit through the hack and slash killings, only this time the acting isn’t as good and the majority of scares are signposted from the off. The ones that aren’t; well they’re in the trailer. It’s such a shame that a series with such promise has resorted to rehashing the same “tricks” to sell tickets.
The cast gel together well but the acting is below par and the dialogue is at times, dreadful with the same three expletives doing the rounds from character to character. Frank Grillo is underused with Elizabeth Mitchell’s preachy politician mistakenly put in the foreground. By far the most interesting person throughout the course of the film is Mykelti Williamson’s deli owner Joe, but he is lumbered with shockingly bad catchphrases.
The cinematography is very plain and the city setting isn’t utilised well at all. Washington should’ve been an exceptional place to helm a film about a night of legalised murder, but instead the audience is confined to its dimly-lit backstreets and alleys.
Overall, The Purge: Election Year is a step in the wrong direction for a series that showed such promise. Creating a film that, despite its intriguing political intentions, is exactly the same as its predecessor is sheer laziness and I don’t like to use this word when reviewing films, but it’s just completely and utterly boring.
https://moviemetropolis.net/2016/08/26/deathly-dull-the-purge-election-year-review/