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BankofMarquis (1832 KP) rated The Spy Who Dumped Me (2018) in Movies
Nov 20, 2018
If you like the leads, you'll like this film
The family was surfing through the "Pay-Per-View" films the other night when we settled on THE SPY WHO DUMPED ME. I knew that this action.comedy came and went pretty quickly this past summer, so I wondered what was wrong with it. But with 2 strong leads in Mila Kunis and Kate McKinnon, we decided to give it a try.
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And we're glad we did, for THE SPY WHO DUMPED ME is a very fun, very funny action/comedy that delivers the goods with 2 charismatic and very watchable lead actresses.
Kunis stars as Audrey, a waitress who's boyfriend dumps her. Unbeknownst to her, her boyfriend was...any guesses...a spy! And in his things in Audrey's apartment is an item that other spies want to get. Audrey must go on the run with her roommate and best friend, Morgan to escape the "bad guys" and figure out what to do to stay alive while keeping the item safe.
Pretty standard plot set-up, to be sure. But in the hands of 2 comics like Kunis and McKinnon, it rises above average fair. Kunis is winning in her role and is pleasant enough personality to spend 2 hours with. McKinnon, on the other hand, is hilarious. Now, some say that "a little Kate McKinnon goes a long way". I don't agree with that. I find her fascinatingly funny to watch. Ranking right up there with Will Ferrell as a comedian who will go anywhere and do anything for a joke. Joining in on the fun are Jane Curtin and Paul Reiser as the parents of one of the characters. They are a welcome addition to the proceedings.
Writer and Director Susanna Fogel does a nice job of keeping the plot moving and mixes fun action/chase scenes in between the comedy sequences in a formula that works very well, indeed.
I was pleasantly surprised by how much I enjoyed THE SPY WHO DUMPED - and you (and your house guests) will, too.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Can You Ever Forgive Me? (2018) in Movies
Sep 28, 2021
McCarthy and Grant in a memorable double act.
I have a big apology to make to Melissa McCarthy. A few months ago, at the excellent Picturehouse Harbour Lights film trivia quiz (every 2nd Tuesday of the month in Southampton… “be there and be… well… a bit of a film geek”!) there was a fun round of suggesting New Year’s resolutions for movie stars. Mine was the rather spiteful and cutting “Melissa McCarthy…. to retire”. In my defence, I did have the truly dreadful “Happytime Murders” fixed in my memory, and McCarthy’s track record since “Bridesmaids” has not exactly been stellar. As the quiz’s host – Stephen ‘Grand Moff’ Sambrook – justly admonished me for at the time “McCarthy is about to come out with a very different role which is supposed to be pretty good”. This film is that role…. and I take it all back.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.
For McCarthy is a revelation in a dramatic role which, whilst having moments of levity, is largely downbeat and very moving.
The Plot.
Based on a true story, McCarthy plays Lee Israel; a cat-loving bestselling biography writer who has seen better days. Her work is now so poor that her publisher (“3rd Rock”‘s Jane Curtin) no longer returns her call. She doesn’t help herself by having an alcohol problem and an ability to get on with other people that borders on the sociopathic.
Stumbling by accident on a letter from a famous author, she sells it for a decent sum to a dealer in such documents and is asked if she has any similar documents. What follows is a criminal trail of counterfeiting and grand larceny, into which she introduces her only friend: the gay and itinerant Jack Hock (Richard E. Grant).
With newfound success can Lee find criminally-induced happiness? Or will the authorities eventually catch up with her and Jack.
A great double-act.
The reason to see this film is the tremendous double-act between McCarthy and Grant which is just magic. Both have been lauded with nominations during awards season, and both are richly deserved.
Without aspersions against the excellent Shakespearean actress Brenda Fricker, this film could have turned into a 2 hour downer featuring a literary-equivalent of the bird-woman from “Home Alone 2”. The fact it doesn’t – notwithstanding a Central Park scene that just about re-films the final scene of HA/2! – is wholly down to McCarthy’s stunning performance. Although having some scenes of darker comedy, the majority of her performance is dramatically convincing as the conflicted and depressed victim of chronic writer’s block.
Grant as well is just superbly entertaining, all teeth and over-confidence in the face of all odds. If he wasn’t up for an Oscar nomination at one point in the process, then his final scene in the film absolutely nailed it. If you are not moved by this scene, you have a very hard heart indeed.
Ephron-esque.
The script is by the relatively unknown Nicole Holofcener and the debut writer Jeff Whitty, who are nominated for best adapted screenplay for both BAFTA and Oscar award: not bad going! It’s ironic that the late Nora Ephron is (comically) referenced by the screenplay, since there is a strong whiff of Ephron-esque about the film. (This is further enforced through reference to struggling book shops, that harked me back to “You’ve Got Mail”). The movie’s directed by the up and coming Marielle Heller, who’s debut was the well-regarded “Diary of a Teenage Girl”.
Cheer on the anti-hero.
Once again, like last year’s disappointing “Ocean’s 8“, for the film to work we have to emotionally support the actions of a criminal woman and, in this case, her damaged man-friend. This movie almost gets away with it, in that a) the ‘victims’ are unseen wealthy ‘collectors’ who ‘probably have too much money to burn’ anyway and b) Lee expresses such a wondrous delight in the quality of her work; delight that pulls her out of her destructive downward spiral of depression. It’s hard not to get behind her to at least some degree.
Given the movie dives into subjects including animal – or at least animal owner – cruelty, death, depression, homelessness and terminal illness, will you enjoy it? My bell-weather here is my wife Sue, who was unwillingly dragged along to see this, but ended up enjoying it mightily.