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Andy K (10823 KP) created a post in Movies are the shiz!
Apr 20, 2018
Kevin Phillipson (10022 KP) rated Doctor Who - Season 13 in TV
Nov 21, 2021
Jodie whittaker (3 more)
John bishop
Mandip gill
Weeping angels
Too short (1 more)
The plots can get confusing
After four episodes I can definitely say this season is better than the previous two seasons and after tonights episode best episode of this season for starters making the weeping angels scary again and the cliff hanger wow. What surprised me the this season is the edition of John Bishop as a companion I'm used to being a comedian but so far acting wise he been good overall doctor who is getting after two average seasons
Daniel Boyd (1066 KP) rated Game Of Thrones - Season 7 in TV
Sep 5, 2017
Inconsistent characters (2 more)
Lazy writing
Huge plot holes
Who Wrote This?
Contains spoilers, click to show
Full disclosure, I wasn't a huge GoT fan to begin with, but this season takes the cake for the amount of nonsense it expected the viewer to accept without question. The show is ahead of the books at this point, so its no longer based on George RR Martin's books and it shows.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
Debbie (52 KP) rated Storm Runners (Storm Runners, #1) in Books
Feb 23, 2019
Storm Runners
By: Roland Smith
Main Characters: Chase and John Masters
Side Characters: Tomas (employee of John Masters), Nicole (daughter of Marco and school friend), Momma Rossi (mother of Marco), Marco, Rashawn (school friend), Dr. Krupp (school principal),
Richard Krupp (TV anchor and principal's husband), Cindy Stewart (meteorologist), and Mark (cameraman)
Setting: Florida
The book starts out with John getting stroke by lightening as he gathers his tools from the backyard. As it is raining and Chase left them out after working a tree house.
One year later they are both traveling around the states with Tomas. they are helping people rebuild after hurricanes. Chase is never in one school long enough to make friends. His dad does make him carry a to go bag which has emergency supplies.
His dad changed after being stroke by lightening. He has an eternal clock that is extremely actarit. He no longer sleeps more than 4 hours a night. He is also very good at telling where a hurricane will hit.
John is dropping Chase off at a farm where Tomas' Brother works to go to school while they head to Saint Petersburg (Saint Pete). This is where John thinks that Hurricane Emily will hit.
On this farm he meets Marco, Nicole and Momma Rossi. Marco and Momma Rossi are little people and Nicole is normal size. This is no ordinary farm. This is a circus farm. There is a giraffe, loins, a pregnant elephant, monkey and leopard.
Chase goes to school with Nicole. He checks himself in because Dad is on his way to Saint Pete. This is unusual but he does it all the time. Dr. Krupp questions him but goes ahead and gives him a schedule. As the day goes on the weather in his area is getting worse. He realizes his Dad is wrong this time about where the Hurricane will hit. As school ends he try's to tell Dr. Krupp that they would safer at the school instead of on the bus heading home. She doesn't listen and sends them on their way. She wants to get home to her own children.
This is where the adventures begins and where they meet Rashawn another girl from school who lives by the farm.
Meanwhile in Saint Pete. John is waiting with Tomas for Hurricane Emily to hit. He talks with the Cindy and actually films a segment on the news. Richard is actually arguing a little with Cindy about the Hurricane. Cindy doesn't think the Hurricane will hit Saint Pete. As they realize that Hurricane Emily is in fact not going to hit Saint Pete but where Chase is John wants to go back.
He offers to take Cindy and Mark with him to get updated information on the storm. They both agree to go.
What happens to John and his crew? Do Chase, Rashawn and Nicole make it home?
This book leaves off on a cliff hanger, which makes you wonder.
I greatly enjoyed the book and have purchased the next book to read and see what happens.
I recommend that you read this book to your children or for yourself.
By: Roland Smith
Main Characters: Chase and John Masters
Side Characters: Tomas (employee of John Masters), Nicole (daughter of Marco and school friend), Momma Rossi (mother of Marco), Marco, Rashawn (school friend), Dr. Krupp (school principal),
Richard Krupp (TV anchor and principal's husband), Cindy Stewart (meteorologist), and Mark (cameraman)
Setting: Florida
The book starts out with John getting stroke by lightening as he gathers his tools from the backyard. As it is raining and Chase left them out after working a tree house.
One year later they are both traveling around the states with Tomas. they are helping people rebuild after hurricanes. Chase is never in one school long enough to make friends. His dad does make him carry a to go bag which has emergency supplies.
His dad changed after being stroke by lightening. He has an eternal clock that is extremely actarit. He no longer sleeps more than 4 hours a night. He is also very good at telling where a hurricane will hit.
John is dropping Chase off at a farm where Tomas' Brother works to go to school while they head to Saint Petersburg (Saint Pete). This is where John thinks that Hurricane Emily will hit.
On this farm he meets Marco, Nicole and Momma Rossi. Marco and Momma Rossi are little people and Nicole is normal size. This is no ordinary farm. This is a circus farm. There is a giraffe, loins, a pregnant elephant, monkey and leopard.
Chase goes to school with Nicole. He checks himself in because Dad is on his way to Saint Pete. This is unusual but he does it all the time. Dr. Krupp questions him but goes ahead and gives him a schedule. As the day goes on the weather in his area is getting worse. He realizes his Dad is wrong this time about where the Hurricane will hit. As school ends he try's to tell Dr. Krupp that they would safer at the school instead of on the bus heading home. She doesn't listen and sends them on their way. She wants to get home to her own children.
This is where the adventures begins and where they meet Rashawn another girl from school who lives by the farm.
Meanwhile in Saint Pete. John is waiting with Tomas for Hurricane Emily to hit. He talks with the Cindy and actually films a segment on the news. Richard is actually arguing a little with Cindy about the Hurricane. Cindy doesn't think the Hurricane will hit Saint Pete. As they realize that Hurricane Emily is in fact not going to hit Saint Pete but where Chase is John wants to go back.
He offers to take Cindy and Mark with him to get updated information on the storm. They both agree to go.
What happens to John and his crew? Do Chase, Rashawn and Nicole make it home?
This book leaves off on a cliff hanger, which makes you wonder.
I greatly enjoyed the book and have purchased the next book to read and see what happens.
I recommend that you read this book to your children or for yourself.
Rickey A. Mossow Jr. (689 KP) rated Rocketman (2019) in Movies
Jul 6, 2019
Good, but a little rushed.
Not really sure where I sit with this one. A gripping tale of one of music's biggest icons. While Egerton shines as the glorious John, all the surrounding characters seemed to be simple generic caricatures of staples from this kind of stories. And the story blazes by, many of the acts with little explanation of motives. It follows the basic by the numbers of the musical biopic, never really seeming to let the weight of one single action hit with the viewer before moving onto the next tragic act. While the characters and story seemed to ring a bit formulaic and hollow, Egerton's performance is able to carry the gravitas. And the music, oh the music. John's catalog is beautifully strewn throughout the film in all its glory, though Taron's vocals struggle in parts and he is outsung by his supporting cast at points. And in the end, the conclusion and resolution come, yet once again seemingly easily and out of nowhere as had the conflict earlier in the film. A great story of a great artist that just seemed to miss on a few points for me. Did I enjoy the movie? Yes. It just seemed like a cliff notes version of what could have been a deeper and more compelling story.
Goddess in the Stacks (553 KP) rated Like Water in Books
Dec 17, 2018
I'm always interested in queer young adult books, and this one especially caught my eye with its mention of "performing mermaids." Because y'all know I love my mermaid books! So Savannah isn't a real mermaid, she just plays one at a water park. But it was enough to make me pick up the book, and it's a good book. Young adult books about discovering your identity are always needed, and this book is about Savannah realizing she's bisexual.
Much of the angst in this book comes from Savannah not knowing if she has the same disease her father does, and she's not sure if she wants to know. Altogether, in this book we have chronic illness, hispanic teens, bisexual, lesbian, and genderqueer teens, small-town angst....there's really a LOT of demographics covered in this book.
I like Savannah, but I don't like her love interest, Leigh, very much. Leigh does NOT have her shit together, and between drinking and doing drugs, all while underage, she poses a very real threat to Savannah's well-being.
I'm a little nonplussed by the ending of the book. It leaves a few questions unanswered, but not in a cliff-hanger-y way. It's more of a possibilities-left-open kind of way. Which makes sense for a "first love" romance. It's not necessarily a "true love" story. It reminds me of John Green novels in that way.
So - it's a great book for representation, but don't expect a tidy, wrapped-up ending. You won't find that here.
You can find all my reviews at http://goddessinthestacks.com
Much of the angst in this book comes from Savannah not knowing if she has the same disease her father does, and she's not sure if she wants to know. Altogether, in this book we have chronic illness, hispanic teens, bisexual, lesbian, and genderqueer teens, small-town angst....there's really a LOT of demographics covered in this book.
I like Savannah, but I don't like her love interest, Leigh, very much. Leigh does NOT have her shit together, and between drinking and doing drugs, all while underage, she poses a very real threat to Savannah's well-being.
I'm a little nonplussed by the ending of the book. It leaves a few questions unanswered, but not in a cliff-hanger-y way. It's more of a possibilities-left-open kind of way. Which makes sense for a "first love" romance. It's not necessarily a "true love" story. It reminds me of John Green novels in that way.
So - it's a great book for representation, but don't expect a tidy, wrapped-up ending. You won't find that here.
You can find all my reviews at http://goddessinthestacks.com
Matthew Krueger (10051 KP) rated Pinocchio (1940) in Movies
Dec 5, 2019
An Actor's Life For Me
Pinocchio- was the second animated feature film produced by Disney, made after the first animated success Snow White and the Seven Dwarfs (1937).
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
LeftSideCut (3776 KP) rated The Lost World: Jurassic Park (1997) in Movies
May 20, 2019 (Updated Jun 24, 2019)
An underrated sequel
And so it begins....
The Lost World is the first of a handful of sequels that don't even scratch the original, but I've always thought this was an underappreciated follow up.
As with the first, I first saw this when I was very young, and naturally thought it was incredible (as any 10 year old boy would), but unlike the first one, it doesn't hold up watching it now.
Starting with a huge positive though - I will always, and I mean always have time for Jeff Goldblum. He has always been one of my top actors and he returns to the role of Ian Malcolm with aplomb here.
Another welcome member of the cast is Pete Postlethwaite as the token bad guy, and of course Richard Attenborough returning as John Hammond.
There are also some great set pieces, namely the now infamous trailer-hanging-from-the-side-of-cliff scene. The tension built up here is reminiscent of the first T-Rex scene from the first film.
But on the flip side you have the last 30 minutes. The change of location is jarring and the urban setting highlights just how rough around the edges the special effects are.
I have to give kudos to Spielberg for attempting such an ambitious twist at the last minute, but it doesn't quite work, and gives way to a huge plot hole involving the fates of the ship crew.
I also find myself not really caring about the rest of the cast, which is a shame, as I tend to enjoy Julianne Moore.
Overall - it's not terrible, it's not great, but enjoy this sequel for what it is as it's down hill from here!
The Lost World is the first of a handful of sequels that don't even scratch the original, but I've always thought this was an underappreciated follow up.
As with the first, I first saw this when I was very young, and naturally thought it was incredible (as any 10 year old boy would), but unlike the first one, it doesn't hold up watching it now.
Starting with a huge positive though - I will always, and I mean always have time for Jeff Goldblum. He has always been one of my top actors and he returns to the role of Ian Malcolm with aplomb here.
Another welcome member of the cast is Pete Postlethwaite as the token bad guy, and of course Richard Attenborough returning as John Hammond.
There are also some great set pieces, namely the now infamous trailer-hanging-from-the-side-of-cliff scene. The tension built up here is reminiscent of the first T-Rex scene from the first film.
But on the flip side you have the last 30 minutes. The change of location is jarring and the urban setting highlights just how rough around the edges the special effects are.
I have to give kudos to Spielberg for attempting such an ambitious twist at the last minute, but it doesn't quite work, and gives way to a huge plot hole involving the fates of the ship crew.
I also find myself not really caring about the rest of the cast, which is a shame, as I tend to enjoy Julianne Moore.
Overall - it's not terrible, it's not great, but enjoy this sequel for what it is as it's down hill from here!
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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Versusyours (757 KP) rated The Karate Kid, Part III (1989) in Movies
Nov 7, 2019 (Updated Nov 7, 2019)
War on bonsai and sporting decency
Contains spoilers, click to show
I remember this film from a trip to the cinema on its release in 1989 and I recall fly kicking my way out of the cinema and into the mean Scottish streets. I am now at an age where fly kicking would be an effort in itself I decided to review it from my older and more critical eye.
It begins with a return to Part 1 to re-establish the bad blood Daniel (Ralph Macchio) and his aging sidekick Mr Miyagi (Pat Morita) have with John “I saw things in Vietnam” Kreese. This part I couldn’t let slide with me this viewing as the attempted punches by Kreese to contact Mr. Miyagi were as expected as Xmas day falling on the 25th of December each year. One failed attempt was followed by the same type of punch and the same outcome of bloody and smashed knuckles and an insurance claim for the car owners. After this we return to the present and a skulking and hobo like Kreese seeks the refuge of his ponytailed, rich and so 80s stereotyped “you know he is evil due to his involvement in toxic waste” comrade from the past Terry Silver.
Possibly due to giving him his shampoo and conditioner in Vietnam to maintain his ponytail or his heroics in battle, this remains unknown at this time.
What about Daniel and Miyagi you may ask well they are in for an unwelcome surprise when the housing complex they live in has been earmarked for redevelopment. To make matters worse unbeknown to Daniel his Uncle is ill and his mum must have been too busy with this to let Daniel know he is homeless as well as heartbroken after his holiday romance turned sour. Great use of a sentence to end a previous films love interest and subsequent relationship, one of films greatest tricks. At least he has a wad of money for college in his pocket to repair his broken heart. Spoiler alert neither the wad of money and the broken heart are the same for long.
So as it stands not much karate from Daniel but the use of Mr. Miyagi’s subtle use of Daniel as a glorified maid still exists as they branch out in the cutting world of Bonsai. Remember that college money well now its rent and utilities money after luckily realising there are no more Bonsai shops in the street and even luckier there is a pottery shop with a young lady for Daniel to obsess over and fight for her honour as he shows a propensity for in the previous films. The fact that she has a boyfriend only spurs Daniel on like the initial film in the series and makes her more desirable in his lusting eyes.
Enter the 80s Dragon it a supped up Zach Morris Karate Bad Boy, Mike Barnes who is wearing black to dictate his evil intentions. This guy could spell trouble for Daniel as he has links to Silver and thus the plot to ruin Daniels life and happiness for winning a local karate competition the year before takes seed. As someone who has played sports the format of the All Valley Karate Championship, which has been inexplicably changes to allow the defending Champion to only fight in the final where his battle wary and exhausted opponent will be easy prey for a crane kicking Daniel, makes no sense. Maybe Daniel is sick of being typecast as The Karate Kid but this area of the story annoyed me more than a grown man should as initially Daniel can’t even be bothered to sign up for this one fight but after some lying and coercion and some innocent Bonsai paying the price for The Karateless Kid.
More pressure from Barnes and his goons and more Bonsai casualties before Daniel and Mr. Miyagi are split between the tournament and after Daniel decided he will fight that 10 minutes if his life for another sweet trophy. With his training regime disguised as housework and child labour now running low, Miyagi wont train Daniel and thus pushing him into Silvers ponytailed clutches. The once meek and defensive Daniel learns that attack is more effective than Miyagi’s training and with another wooden victim (a repeating plot line in this film) being pummelled and the wax punched off it, Daniel is ready to be the badass he always threatened to be. A night out ends in a broken nose of a Silver bribed punk, Daniel questions who he has become and changes his mind about the tournament once more, only for Silver to admit his true intentions to ruin Daniel as a human being and to avenge John Kreese who is not dead as first explained but high on revenge and the smoking of broken kids karate trophies. They give the new and improved Daniel a beating until appearance of Mr. Miyagi, who may or may not be stalking Daniel, who uses his small but deadly side step and legs to defeat the 3 grown men with ease. There is nothing like a good beating to mend a relationship and together the Bonsai Brothers are back and for the umpteenth time Daniel IS going to defend his title and we all hoped that Barnes would make it through the many rounds to get to the final. Hollywood prevails and after relaxing and watching his potential opponents tiring and having their face smashed in, Daniel like and later day Elvis gets on the stage for a quick round of his greatest hits. In Karate Kid tradition Daniel is good and Cobra Kai are bad, he has honour they are sneaky, they will cheat Daniel wont. Daniel wins as usual and takes his hollow victory and Cobra Kai is no more or until the invention of YouTube at least.
Overall this film fondly remembered until I watched it again. The lack of new ideas left me disappointed and broken like the cliff Bonsai and like that tree I will heal and grow but I will be left with the scars of the better and simple life I used to live. The inclusion of Glen Medeiros on the soundtrack was almost enough to save it and keep it respectable but alas it was not to be, this film is the 80s ponytail of memories; best left cut off.
It begins with a return to Part 1 to re-establish the bad blood Daniel (Ralph Macchio) and his aging sidekick Mr Miyagi (Pat Morita) have with John “I saw things in Vietnam” Kreese. This part I couldn’t let slide with me this viewing as the attempted punches by Kreese to contact Mr. Miyagi were as expected as Xmas day falling on the 25th of December each year. One failed attempt was followed by the same type of punch and the same outcome of bloody and smashed knuckles and an insurance claim for the car owners. After this we return to the present and a skulking and hobo like Kreese seeks the refuge of his ponytailed, rich and so 80s stereotyped “you know he is evil due to his involvement in toxic waste” comrade from the past Terry Silver.
Possibly due to giving him his shampoo and conditioner in Vietnam to maintain his ponytail or his heroics in battle, this remains unknown at this time.
What about Daniel and Miyagi you may ask well they are in for an unwelcome surprise when the housing complex they live in has been earmarked for redevelopment. To make matters worse unbeknown to Daniel his Uncle is ill and his mum must have been too busy with this to let Daniel know he is homeless as well as heartbroken after his holiday romance turned sour. Great use of a sentence to end a previous films love interest and subsequent relationship, one of films greatest tricks. At least he has a wad of money for college in his pocket to repair his broken heart. Spoiler alert neither the wad of money and the broken heart are the same for long.
So as it stands not much karate from Daniel but the use of Mr. Miyagi’s subtle use of Daniel as a glorified maid still exists as they branch out in the cutting world of Bonsai. Remember that college money well now its rent and utilities money after luckily realising there are no more Bonsai shops in the street and even luckier there is a pottery shop with a young lady for Daniel to obsess over and fight for her honour as he shows a propensity for in the previous films. The fact that she has a boyfriend only spurs Daniel on like the initial film in the series and makes her more desirable in his lusting eyes.
Enter the 80s Dragon it a supped up Zach Morris Karate Bad Boy, Mike Barnes who is wearing black to dictate his evil intentions. This guy could spell trouble for Daniel as he has links to Silver and thus the plot to ruin Daniels life and happiness for winning a local karate competition the year before takes seed. As someone who has played sports the format of the All Valley Karate Championship, which has been inexplicably changes to allow the defending Champion to only fight in the final where his battle wary and exhausted opponent will be easy prey for a crane kicking Daniel, makes no sense. Maybe Daniel is sick of being typecast as The Karate Kid but this area of the story annoyed me more than a grown man should as initially Daniel can’t even be bothered to sign up for this one fight but after some lying and coercion and some innocent Bonsai paying the price for The Karateless Kid.
More pressure from Barnes and his goons and more Bonsai casualties before Daniel and Mr. Miyagi are split between the tournament and after Daniel decided he will fight that 10 minutes if his life for another sweet trophy. With his training regime disguised as housework and child labour now running low, Miyagi wont train Daniel and thus pushing him into Silvers ponytailed clutches. The once meek and defensive Daniel learns that attack is more effective than Miyagi’s training and with another wooden victim (a repeating plot line in this film) being pummelled and the wax punched off it, Daniel is ready to be the badass he always threatened to be. A night out ends in a broken nose of a Silver bribed punk, Daniel questions who he has become and changes his mind about the tournament once more, only for Silver to admit his true intentions to ruin Daniel as a human being and to avenge John Kreese who is not dead as first explained but high on revenge and the smoking of broken kids karate trophies. They give the new and improved Daniel a beating until appearance of Mr. Miyagi, who may or may not be stalking Daniel, who uses his small but deadly side step and legs to defeat the 3 grown men with ease. There is nothing like a good beating to mend a relationship and together the Bonsai Brothers are back and for the umpteenth time Daniel IS going to defend his title and we all hoped that Barnes would make it through the many rounds to get to the final. Hollywood prevails and after relaxing and watching his potential opponents tiring and having their face smashed in, Daniel like and later day Elvis gets on the stage for a quick round of his greatest hits. In Karate Kid tradition Daniel is good and Cobra Kai are bad, he has honour they are sneaky, they will cheat Daniel wont. Daniel wins as usual and takes his hollow victory and Cobra Kai is no more or until the invention of YouTube at least.
Overall this film fondly remembered until I watched it again. The lack of new ideas left me disappointed and broken like the cliff Bonsai and like that tree I will heal and grow but I will be left with the scars of the better and simple life I used to live. The inclusion of Glen Medeiros on the soundtrack was almost enough to save it and keep it respectable but alas it was not to be, this film is the 80s ponytail of memories; best left cut off.