"I mean, Jeff Bridges, John Turturro — so f**king funny, man. The Coens too."

"So the The Wolf King Of L.A. and There's A Riot Goin' On were both recorded in the same studio. John Phillips bought Jeanette McDonald, a Hollywood actress, a mansion in Bel Air. And he illegally built a studio in the attic, which was huge. I guess there were building restrictions, but he just wanted to build a recording studio in there. He recorded the album in that place. Now coming on to the transcendent, joyous, pop glory of The Mamas & The Papas, The Wolf King Of L.A. is a very strange album. I think John was hanging out with Gram Parsons and as a result, the record is a country-soul-pop album. In The Mamas & The Papas, he was writing for a pop audience and I guess that was a message to Michelle Phillips because they're both adulterers, I think. John would write a song and get Denny Doherty to sing it because he knew he was having an affair with his wife. John was quite a dark guy! They were very personal songs, but also universal because he was writing for a pop audience. But with Wolf King, he went solo. Phillips became deeply addicted to heroin, coke and everything else. He was a very advanced drug addict. Wolf King Of L.A. is a very soulful album. John wrote and arranged the songs for The Mamas & The Papas but his voice was hidden in the mix as Denny and Michelle had incredible voices. But on this album, it's just his voice. And I believe that the session musicians were Phil Spector's Wrecking Crew and are the same guys who played on The Mamas & The Papas records. They loved John Phillips and thought he was a fucking great guy. It's one of those records I haven't stopped playing for 30 years and a great document of rock and LA culture in the late '60s. It's also got a great cover with John wearing a top hat standing on Malibu beach with the sun setting looking absolutely wasted."

"I know three right off the bat. Planes, Trains, and Automobiles. How’d it influence me? Big Steve Martin fan. Knew I wanted to be a comedian when I was very young. And my sister brought the Wild and Crazy Guy album home, which I still have in my office. When Planes, Trains came out, that was the first film that really I looked at and said, “I’d love to, someday if I’m lucky enough to have a comedy audience, bring them into film and make that kind of movie.” Big heart, big laughs. And, of course, Steve Martin at the car rental shop, you know, “I want my f–king car right f–king now.” Unbelievably funny movie. Of course, John Hughes, John Candy, one of my favorites ever. Can I take two minutes to tell a story? Awesome f–king John Hughes story. [My Best Friend’s Girl director] Howie [Deutch] was directing Some Kind of Wonderful and the studio wanted a four-page rewrite on a scene. So Howie’s all, “I can’t figure out what to do.” Calls John, says, “Can you come over and help me write these four pages?” For two-and-a-half hours they’re just pacing around, John is just smoking incessantly. Howie says, “I need to lay down. I’m beat. I’m going to sleep a few hours and then we’ll finish it.” Then he says, “Dane, I wake up at about five in the morning and John is scribbling like crazy. He hands it to me and says, ‘Read this. It’s only 50 pages right now, but read it. I’m calling it Ferris Bueller’s Day Off.’"

"My all-time favorite film is unequivocally The Man Who Would Be King. I love the film. First of all, I love John Huston; I love Sean Connery; I love Michael Caine. I just think it’s one of the best examples of classic 1970s action adventure epics that I’ve ever seen and I don’t know how many times I’ve seen it, maybe a dozen times. It’s my favorite movie of all time."