Search
Search results
LeftSideCut (3778 KP) rated Halloween III: Season of the Witch (1982) in Movies
Mar 9, 2021
It's a shame that this movie gets generally overlooked due to the absence of Michael Myers. As its own thing, Halloween III is a suitably ridiculous piece of horror/sci-fi/mystery cheese that deserb s more love dammit!
It has the always reliable Tom Atkins in the lead role, Dan O'Herlihy as this movies James Bond level villain, some pretty fun gory moments, a sub plot that has something to do with Stonehenge, a wonderful music score from John Carpenter and Alan Howarth (ignoring that truly grating Silver Shamrock jingle), and a mostly solid mystery narrative. There's a lot to love here that unfortunately get buried under nothing more than its title.
It has the always reliable Tom Atkins in the lead role, Dan O'Herlihy as this movies James Bond level villain, some pretty fun gory moments, a sub plot that has something to do with Stonehenge, a wonderful music score from John Carpenter and Alan Howarth (ignoring that truly grating Silver Shamrock jingle), and a mostly solid mystery narrative. There's a lot to love here that unfortunately get buried under nothing more than its title.
Gareth von Kallenbach (974 KP) rated Paycheck (2003) in Movies
Aug 14, 2019
In the year 2007, memories can be erased almost as easily as they can be created. With corporate security being of top concern, this technology is in high demand for corporations who hire people to work on sensitive projects.
Michael Jennings (Ben Affleck), is a master of technology, and as such, is in high demand for his ability to reverse engineer technology. Companies hire him to work in private to unlock technological secrets of their competition and upon completion of his work; Jennings has his memories of his work and time at the company removed. This arrangement protects the companies, as they do not have to disclose how they came about the new technologies and the only person who can attest to the source of the work has no memory of it making the claim valid, and keeping him from being able to recoup long-term profits from the company.
Jennings is well paid for his work, and has recently completed a two-month job when his friend Rethrick (Aaron Eckhart), asks Michael to come work on a secret thee-year project for his company. Michael is told only that it deals with optics and that he will be paid with stock options worth hundreds of millions of dollars.
After thinking about the deal, Michael agrees to the job and sets out to complete the task ahead of him.
In what seems like a few minutes to him, Michael comes to in the office of Rethrick and is stunned to learn that he has completed his work and that it was a huge success.
Pleased, Michael sets out to collect his payment but is surprised to learn that he forfeited his stocks four days earlier and sent himself an envelope containing various mundane items such as paperclips, ball bearings, matches, and keys.
Before long, Michael is running for his life and attempting to unravel the mystery of the missing three years in his memory.
Based on the short story by renowned Sci-Fi author Phillip K. Dick, and directed by famed action helmer John Woo, “Paycheck” is a pleasant and entertaining surprise. The previews do not do this film justice, as it is an entertaining and engrossing film with good supporting work by Uma Thurman and Paul Giamatti.
There are a number of twists and turns to the story and some good action and humor along the way. Affleck does solid work as a man desperate to solve the mystery and struggling to cope with his life spun out of control.
While the ending was a bit to Hollywood for me, “Paycheck” is a solid and entertaining film and worth seeing.
Michael Jennings (Ben Affleck), is a master of technology, and as such, is in high demand for his ability to reverse engineer technology. Companies hire him to work in private to unlock technological secrets of their competition and upon completion of his work; Jennings has his memories of his work and time at the company removed. This arrangement protects the companies, as they do not have to disclose how they came about the new technologies and the only person who can attest to the source of the work has no memory of it making the claim valid, and keeping him from being able to recoup long-term profits from the company.
Jennings is well paid for his work, and has recently completed a two-month job when his friend Rethrick (Aaron Eckhart), asks Michael to come work on a secret thee-year project for his company. Michael is told only that it deals with optics and that he will be paid with stock options worth hundreds of millions of dollars.
After thinking about the deal, Michael agrees to the job and sets out to complete the task ahead of him.
In what seems like a few minutes to him, Michael comes to in the office of Rethrick and is stunned to learn that he has completed his work and that it was a huge success.
Pleased, Michael sets out to collect his payment but is surprised to learn that he forfeited his stocks four days earlier and sent himself an envelope containing various mundane items such as paperclips, ball bearings, matches, and keys.
Before long, Michael is running for his life and attempting to unravel the mystery of the missing three years in his memory.
Based on the short story by renowned Sci-Fi author Phillip K. Dick, and directed by famed action helmer John Woo, “Paycheck” is a pleasant and entertaining surprise. The previews do not do this film justice, as it is an entertaining and engrossing film with good supporting work by Uma Thurman and Paul Giamatti.
There are a number of twists and turns to the story and some good action and humor along the way. Affleck does solid work as a man desperate to solve the mystery and struggling to cope with his life spun out of control.
While the ending was a bit to Hollywood for me, “Paycheck” is a solid and entertaining film and worth seeing.
Chris Sawin (602 KP) rated Halloween (2007) in Movies
Jun 19, 2019 (Updated Jun 21, 2019)
You probably already know the story of Michael Myers and the horror that took place in Haddonfield, Illinois on Halloween night. How Michael Myers became one of the biggest slasher icons in horror movie history. Now we get to hear the story told by Rob Zombie, the man who brought us House of 1,000 Corpses and The Devil's Rejects. He gives us some insight as to why Michael Myers is the way he is by showing us some of his childhood, the environment he grew up in, and how his family was. After he's institutionalized, we see how his progress continues to deteriorate as Dr. Samuel Loomis tries to do everything he can to save this young boy. Fifteen years go by when Loomis finally throws in the towel and Myers escapes Smith's Grove. Now on his way back to Haddonfield, Myers seeks his sister, Laurie, to finish what he started almost two decades ago.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
There seems to be a huge debate amongst horror fans about whether this film was good or not. The results seemed to be pretty one-sided in favor of the original horror film from 1978, but now it seems the remake has almost just as many fans. I wouldn't say it was a 50/50 ratio, but 60/40 (60% of horror fans either hate the remake or prefer the original, 40% like the remake or prefer it over the original) seems about right these days. I managed to see the work print a few years ago and I wasn't impressed. With the release of Halloween 2 at the end of this month though, I promised myself I would give this film another shot. So that time has finally come and I can honestly say that the film isn't as bad as I remembered.
A few aspects of the film are actually quite good. Tyler Mane is a great Michael Myers. He's almost seven feet tall and is built like a giant. He's a total monster and the destruction and mayhem he causes is believable given his size. The adult version of Michael Myers is spot-on for a re-imagining of the film. Malcolm McDowell also does a good job as Dr. Loomis. He's no Donald Pleasance, but McDowell's take on the character isn't bad. Scout Taylor-Compton is also a worthy mention. She slips into the shoes of a modern day Laurie Strode rather flawlessly. Moving on from the acting though, the film is pretty solid from the time Michael gets his iconic mask through the finale. The way Michael made so many masks while he was in Smith's Grove was an interesting idea and the scene where you see his room fifteen years later with nothing but masks on every wall is one of the best in the film. The cinematography is also something that is often overlooked, which is a shame since it's actually pretty exceptional. It seemed to stand out most during the scenes where Michael was stalking Laurie, especially in the abandoned Myers house at the end. There's a scene right after Michael gets out of Smith's Grove where he goes to a truck stop and winds up getting the jumpsuit we're all familiar with. While there, he runs into Big Joe Grizzly in the bathroom stall and is banging Grizzly's hand, which is holding a knife, against the bathroom stall wall. As he's doing this though, the bathroom stall is just getting demolished but with every smashing blow, the camera violently shakes. The camera just always seemed to have a knack for giving a good perspective of what the character was going through, whether it was Michael or Laurie.
The disappointing part of this is pretty much everything leading up to Michael getting his mask back after his escape is pretty terrible. The dialogue, especially in the first ten to fifteen minutes of the film, is horrendous. Everything that's said between Deborah Myers and Ronnie White is just awful. The white trash upbringing just doesn't seem worthy for a horror icon like Michael Myers. It's just hard to believe that Michael Myers is the way he is because his mom was a stripper and his older sister was a whore. Logic seems to just be thrown by the way side as the film progresses. After Michael escapes from Smith's Grove, he returns to his old house where his mask and knife that he used to kill his family happen to just be lying under the floorboards. So did the police just pick up the bodies without searching the house or what? So he got his jumpsuit by stealing it from a guy taking a dump at a truck stop? Really? Hearing some of the original music return from John Carpenter's version of the film was a bit bittersweet. On one hand, it was great hearing it again. On the other, however, it just didn't seem to fit. Made me miss the original film more than anything. Giving Michael Myers a specific origin was probably Zombie's biggest mistake. The most terrifying thing about Michael Myers was that he was The Shape and had a bit of mystery to him. You knew he was going after Laurie, but other than that you had Loomis' word to fall back on. Michael was the human incarnation of pure evil. That's it. That's all you need. Humanizing the character and introducing us to his childhood only watered down the Michael Myers character.
There's a scene with Michael Myers and Dr. Loomis in Smith's Grove Sanitarium where Michael has made a mask that he's colored completely black. When Loomis asks him why it's black, Michael says that it's his favorite color. Loomis goes into an explanation about the color spectrum. Black is on one end and is the absence of color while white is at the opposite end and is every color. That's actually a great explanation of the differences between the original film and the remake. The original film would be the black segment of the spectrum. Carpenter's version leaves more to the viewer's imagination as the only explanation for Michael Myers is that he is "pure evil." While the remake would be the white segment of the spectrum as it goes into full detail why Michael Myers is the way he is and it shows every little violent and vulgar detail. Some people would say that having a little bit of mystery would be a good thing when it comes to a film like this while others like having everything laid out for them. It all depends on the viewer and which end of the spectrum they prefer. In my opinion though, that's the biggest mistake Rob Zombie made. There's no mystery left with the Michael Myers character. He's no longer The Shape, but is a psychopathic killer because he was raised by a white trash family, liked to torture animals, and whose sister didn't take him trick or treating.
The best thing Zombie can do is distance himself from the original film(s) as much as possible. To do something original with these characters. He looks like he'll do just that when Halloween 2 hits theaters on August 28th. One thing re-watching the remake accomplished was that it made me look forward to the sequel. The trailer looks really good (but to be fair, so did the trailer for the original film) and I was on the fence about it until I saw this again. The only problem I have is that Zombie seems to be telling the same story with the same initial cast with all of his films. House of 1,000 Corpses, The Devil's Rejects, and Halloween (first half of the film) are all way too similar. Zombie needs something new to add to his resume. Will Halloween 2 deliver that? Probably not, but a guy can hope.
Kevin Wilson (179 KP) rated Halloween (2018) in Movies
Mar 4, 2019
Great tension throughout (2 more)
John Carpenter returns for the music
Jamie lee curtis is back
The best halloween movie?
I loved this movie. There was so much tension all the way through and i enjoyed every second. A lot of that is down to the amazing but eerie score in which we see John Carpenter return for.
Another return is Jamie Lee Curtis as Laurie Strode who is great as usual. The whole cast does a good job. With a couple of familiar faces.
This is a direct sequel to original movie. In some ways i like that. It retcons some stupid stuff where they turned Michael Myers into a supernatural entity. But in other ways it means Halloween H20 is pointless and nor canon which i actually enjoyed. It wasnt as scary but it was entertaining.
This movie goes back to scary Michael. He is brutal and for some someone who does not say a single word, speaks volumes with just his presence and proves to be a real threat to anyone he comes into contact with. We even see the original Myers actor, Nick Castle, see a return for a cameo in a window shot which was a nice touch.
Its easily 1 of the creepiest horrors ive seen in a while and 1 of the greats of 2018 and would happily watch again. From what i hear, development is already going for a sequel with a story already written and i am excited. I just hope they can keep that tension.
Another return is Jamie Lee Curtis as Laurie Strode who is great as usual. The whole cast does a good job. With a couple of familiar faces.
This is a direct sequel to original movie. In some ways i like that. It retcons some stupid stuff where they turned Michael Myers into a supernatural entity. But in other ways it means Halloween H20 is pointless and nor canon which i actually enjoyed. It wasnt as scary but it was entertaining.
This movie goes back to scary Michael. He is brutal and for some someone who does not say a single word, speaks volumes with just his presence and proves to be a real threat to anyone he comes into contact with. We even see the original Myers actor, Nick Castle, see a return for a cameo in a window shot which was a nice touch.
Its easily 1 of the creepiest horrors ive seen in a while and 1 of the greats of 2018 and would happily watch again. From what i hear, development is already going for a sequel with a story already written and i am excited. I just hope they can keep that tension.
David McK (3358 KP) rated Jurassic Park (Jurassic Park, #1) in Books
Jan 28, 2019 (Updated Oct 1, 2022)
The first of the late Michael Crichton books that I've read, and this is still the best.
While the film of the same name is very good, it's really only a watered down version of the story contained within here, with several of the characters (most notably Alan Grant and John Hammond) undergoing a personality/trait change between print and screen. Presumably for reasons of cost and running time, the film also leaves out some of the dinosaurs and events of the books (eg the Pterodactyl lodge, although that is later used in the film Jurassic Park III).
For me, this was further proof of what I've always found: that films based on books are never quite as good as the source material.
While the film of the same name is very good, it's really only a watered down version of the story contained within here, with several of the characters (most notably Alan Grant and John Hammond) undergoing a personality/trait change between print and screen. Presumably for reasons of cost and running time, the film also leaves out some of the dinosaurs and events of the books (eg the Pterodactyl lodge, although that is later used in the film Jurassic Park III).
For me, this was further proof of what I've always found: that films based on books are never quite as good as the source material.
Chris Sawin (602 KP) rated Antikörper (Antibodies) (2007) in Movies
Jun 18, 2019
A serial killer named Gabriel Engel (André Hennicke, Pandorum) that the police have been after for months has finally been captured. This is where most stories would end happily ever after, but instead this is how Antibodies begins. Michael Martens (Wotan Wilke Möhring, Valkyrie), a cop from a small, rural town had an unsolved case from a year ago concerning a 12-year-old girl named Lucia Flieder and Michael intends to interrogate Gabriel in hopes of a confession for her murder.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gareth von Kallenbach (974 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Andrew Kennedy (199 KP) rated Halloween (1978) in Movies
Jul 8, 2019
The night HE came home
John Carpenter and Debra Hill created in just 30 days what some horror directors couldn't achieve in 30 months, a perfectly paced, well acted and truly tense slasher movie.
From the opening tracking shot to the final montage everything about this film is on point.
Donald Pleasance as Dr Sam Loomis delivers each of his warnings about Michael Myers with such gusto that you truly believe that Myers is the embodiment of evil.
Jamie Lee Curtis is brilliantly believable as the girl next door Laurie Strode, who Myers hunts down this Halloween night.
Nick Castle as Myers has such suttle movements and the now much copied head tilt.
The story of the young Michael Myers who viciously murders his sister Judith at age 6. Now 21 Myers escapes from Smith's Grove sanitarium and heads for his home town of Haddenfield.
Once there in one night Micheal will raise unholy hell and with Dr Loomis in pursuit trying to stop his escaped patient.
The music is iconic not just Carpenter's memorable theme but the music throughout helps to raise the tension. The camera work is amazing, one very famous scene in particular always delivers a chill.
This is truly a horror masterpiece.
From the opening tracking shot to the final montage everything about this film is on point.
Donald Pleasance as Dr Sam Loomis delivers each of his warnings about Michael Myers with such gusto that you truly believe that Myers is the embodiment of evil.
Jamie Lee Curtis is brilliantly believable as the girl next door Laurie Strode, who Myers hunts down this Halloween night.
Nick Castle as Myers has such suttle movements and the now much copied head tilt.
The story of the young Michael Myers who viciously murders his sister Judith at age 6. Now 21 Myers escapes from Smith's Grove sanitarium and heads for his home town of Haddenfield.
Once there in one night Micheal will raise unholy hell and with Dr Loomis in pursuit trying to stop his escaped patient.
The music is iconic not just Carpenter's memorable theme but the music throughout helps to raise the tension. The camera work is amazing, one very famous scene in particular always delivers a chill.
This is truly a horror masterpiece.
Lindsay (1714 KP) rated Death Logs Out in Books
Jan 4, 2019
Really Make you look at your real world
Do we ever really know what really happens after death? Did Alex really die or is he still alive somewhere? The author put us in to story as Michael is wondering about this as he find out that his brother Alex as somehow getting in touch with several of his ex-wives.
Sofia is reached out by her uncle but doe not really know for sure. Then she is kidnapped? Will she survive or is this a mad woman going to get her revenge on Michael? Michael goes to his buddy a retired policeman. Whatever happens when they recruit a friend to save Sofia? There seem to be more going on that someone once Sindy Steel gone?
What does the Vatican want? There seems to be more of terrifying going on? Who is the Free Force Party? Kurt seem to want more power then what he got. We got back to learn some history about the Nazi occupation. There are more action and twist as you turn the page.
The author takes you for a ride of a lifetime. Learn a bit about the Vatican church. You also get to tour a bit of Paris. What will happen to Michael as he goes to hunt down the bad guys that murdered his to brothers. Alex is mentioned and talked to though out the book. What is AI? Is it real?
What does John Goldstin want with Michael? I know that once you start reading this book you will not want to put it down. It action packed. I do wish to that parent are aware that his is book has a lot of deaths in it. I would suggest this to be for children of ages 16 + with Mature in it. Please know this is only what i suggest and the parents have the right to allow there children to read it if choose to or not.
I thought this book acted like a lot of my real world that going on around me. Though not at lot but you might remember 9/11 and think of how real that might be if or what really happen to Malaysia plane that when down over the ocean. I know that fact or there but they may not be real in the story but sure feel that way when reading the book. Thank to the author I have enjoyed these books. I can not wait for more. Check out my review for Death Never Sleeps and Death Logs In
Sofia is reached out by her uncle but doe not really know for sure. Then she is kidnapped? Will she survive or is this a mad woman going to get her revenge on Michael? Michael goes to his buddy a retired policeman. Whatever happens when they recruit a friend to save Sofia? There seem to be more going on that someone once Sindy Steel gone?
What does the Vatican want? There seems to be more of terrifying going on? Who is the Free Force Party? Kurt seem to want more power then what he got. We got back to learn some history about the Nazi occupation. There are more action and twist as you turn the page.
The author takes you for a ride of a lifetime. Learn a bit about the Vatican church. You also get to tour a bit of Paris. What will happen to Michael as he goes to hunt down the bad guys that murdered his to brothers. Alex is mentioned and talked to though out the book. What is AI? Is it real?
What does John Goldstin want with Michael? I know that once you start reading this book you will not want to put it down. It action packed. I do wish to that parent are aware that his is book has a lot of deaths in it. I would suggest this to be for children of ages 16 + with Mature in it. Please know this is only what i suggest and the parents have the right to allow there children to read it if choose to or not.
I thought this book acted like a lot of my real world that going on around me. Though not at lot but you might remember 9/11 and think of how real that might be if or what really happen to Malaysia plane that when down over the ocean. I know that fact or there but they may not be real in the story but sure feel that way when reading the book. Thank to the author I have enjoyed these books. I can not wait for more. Check out my review for Death Never Sleeps and Death Logs In
Scott Tostik (389 KP) rated Halloween (2018) in Movies
Nov 2, 2018
.....Fuckin comedians
Michael Myers is back.... And this is supposed to be what actually happened... 40 years later???
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.
I'm sorry if any of you disagree with me... But this movie blew....
Don't get le wrong. I love the fact that Jamie Lee is back and more of a badass than i wpuld have ever expected.
But come on...
Denying the fact that almost 40 years worth of mythology happened... Thats a hard sell. Let's do some math as well.
You expect me to believe that Michael is wandering around at 61 years old, after being locked up for 40 years... And he's picking up 200 pound men one handed and crushing their windpipes???
I love the Halloween series of films. Even the Rov Zombie offerings... I love the fact that Rob gave us a back story. You found out why Michael was the way he was...
But this??? This was nothing more than two morons... And yes, I think Danny McBride is an idiot. And he should stick to Vice Principals and Eastbound and Down. And stay the fuck away from horror films.
He should've taken a hint from his lackluster and shitty preformance in Alien Covenant... And leave horror to the pros.
I'm sorry but the only person who should've carried on this franchise was John Carpenter himself... But even he knows that you shouldn't dip your pen in the company ink too many times.
Ignoring the mythology of the films and expecting die hard fans to believe that characters like Jamie Lloyd and Tommy Doyle didn't exist in the history is ludicrous.
Some people enjoyed the sequels and some people didnt. But expecting us to forget forty years of horror history???
Not on your life, comedian.