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Nicky Wire recommended Plastic Ono Band by John Lennon in Music (curated)

 
Plastic Ono Band by John Lennon
Plastic Ono Band by John Lennon
(0 Ratings)
Album Favorite

"The drum sound! The greatest bass sound ever! The rawness of it. ‘Isolation’ I absolutely love, and obviously we covered ‘Working Class Hero’. It’s really tight but there’s something about it that feels like they haven’t rehearsed much either - you see the film and they’re all coming in on the hoof. There’s some kind of bluesy nastiness - and I’m not a fan of the blues either - but there’s something about it, John Lennon’s guitar is really good on it, I think his guitaring was underrated actually. There’s so much savage bitterness there, ‘Mother’, just to start with the fucking bell chiming. I love that savageness. He’s having a go at McCartney, but he does it with so much wit, he can always glide over the top of it. I wish I had that ability, not to always drag it down with pure pettiness. “I don't believe in Elvis. I don't believe in Zimmerman/ I don't believe in Beatles” - I don’t think he could get “The Beatles” in, so it’s just “don’t believe in Beatles”. I love that album. There was a lot of that on [Wire’s solo album] I Killed The Zeitgeist actually, and there’s a lot on this album. I tried to learn that critical self-examination. I think John was a lot more psychoanalytical, he could use what he considered help, where as I was fucking on my own."

Source
  
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Awix (3310 KP) rated The Searchers (1956) in Movies

Oct 8, 2020  
The Searchers (1956)
The Searchers (1956)
1956 | Drama, Western
8
7.9 (7 Ratings)
Movie Rating Watch
Landmark western (very nearly literally) from John Ford. When his brother's family are killed by Comanches and his nieces taken prisoner, soldier Ethan Edwards (Wayne) and his brother's adopted son set off in pursuit. The son wants to rescue the girls, but just what does Edwards have in mind...?

On one level this is another colourful, slightly cheesy and rather sentimental 1950s western - but on another it has a darkness to it which is quite surprising, for all that this moral ambiguity arguably eventually consumed the genre. It's a film about racism and an obsessive desire for vengeance - the Native Americans in this film are given a degree of depth and generally treated respectfully, but the film is honest about the savage conflict between them and the colonial population, and Wayne's mania for revenge, though understated, is clear. The film's subtexts about the importance of family and what it means to be an American are well-presented, though no doubt problematic for many modern viewers. Still, this is a hugely important and influential western and probably a great movie too.
  
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Movie Metropolis (309 KP) rated Atomic Blonde (2017) in Movies

Jun 10, 2019  
Atomic Blonde (2017)
Atomic Blonde (2017)
2017 | Action, Mystery, Thriller
7
6.9 (89 Ratings)
Movie Rating Watch
Say hello to Mrs. John Wick
David Leitch is one of the most exciting film-makers of the current crop of directors working today. His brilliant John Wick reignited Keanu Reeves’ career in spectacular fashion and he’s worked behind-the-scenes on films like Captain America: Civil War and Jurassic World.

Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?

Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.

Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.

The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.

Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.

Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.

Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.

Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.

https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/