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Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Gareth von Kallenbach (980 KP) rated The Good Dinosaur (2015) in Movies
Jun 19, 2019
Over the years dinosaurs have often been portrayed as lumbering oafs, vicious killers, or cuddly playthings. With the reinvigorated “Jurassic” franchise interest in the creatures is at an all-time high. Disney/PIXAR are hoping this interest translates into box office gold with the release of their new film “The Good Dinosaur” which looks to continue the successful and award winning streak of their earlier efforts.
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.
We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.
When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.
While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.
My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.
While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.
http://sknr.net/2015/11/24/the-good-dinosaur/
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Feb 13, 2018
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
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This book, oh this book. Wow, what a journey. <i>I'm so very glad I finally picked it up. </i> Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. <i>The plot is striking-- an amazing combination of heartbreaking and tender.</i> My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. <i>The entire book is mesmerizing and beautiful. </i>
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is a lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. <i>One of my favorites so far this year.</i> 4.5 stars.
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Movie Metropolis (309 KP) rated A Monster Calls (2016) in Movies
Jun 10, 2019
A Masterpiece
J.A. Bayona is one of the most exciting rising stars behind the camera lens. His knack for creating superbly shot, engaging films like The Orphanage and The Impossible has meant many in Hollywood have been keeping an intrigued eye on him.
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
His hard work paid off last year when it was announced he would be taking over directorial duties on the as yet unnamed Jurassic World sequel. In the meantime, Bayona has been busy working on A Monster Calls, based on the book of the same name by Patrick Ness, but does it continue the director’s brilliant work?
12-year-old Conor (Lewis MacDougall), dealing with his mother’s (Felicity Jones) illness, a less-than-sympathetic grandmother (Sigourney Weaver), and bullying classmates, finds a most unlikely ally when a Monster (Liam Neeson) appears at his bedroom window. Ancient, wild, and relentless, the Monster guides Conor on a journey of courage, faith, and truth through three dramatic tales.
The first thing to say is that the film is visually stunning with detail seeping from every frame. Every shot is breath-taking in its own way and the tall tales in which Liam Neeson’s booming voice narrate are beautiful. Bayona yet again demonstrates his flair for cinematography, but this time his creativeness is set free in Conor’s imagination, where he literally paints pictures with superb animations.
Acting wise, A Monster Calls is sublime. With talent like Liam Neeson, Sigourney Weaver and Felicity Jones making up the bulk of the cast, you’d be forgiven for thinking it’d be easy for newcomer Lewis MacDougall to get lost in the fray, but he doesn’t. His performance throughout the film is exceptional and the chemistry he shares with on-screen mum Felicity is entirely believable, making his plight all the more heart-breaking.
But the real winners here are the special effects. Liam Neeson’s gravelly tone lends itself perfectly to creating ‘the Monster’ in all its woody glory. The incredible CGI used to bring him to life is some of the best I’ve ever seen, all the more remarkable given the film’s relatively modest $43million budget. The effects are better than those in some blockbusters costing three times this.
Then there’s the plot. Essentially a coming of age story as one young man tries desperately to hang on to his youth and escape the tragedies of life; A Monster Calls is one of the most heartfelt and emotionally resonant films in the genre. It is a testament to author and screenwriter Patrick Ness that his novel’s gut-wrenching themes are carried across perfectly to the silver screen; that is by no means an easy thing to accomplish.
Overall, A Monster Calls is a mesmerising 115 minutes that stays with you long after the end credits roll. Everything from the acting to the direction is spot on, with the story being relatable to every single one of us. This time last year I was sat in the cinema watching Daddy’s Home; what a difference 12 months makes.
https://moviemetropolis.net/2017/01/07/a-masterpiece-a-monster-calls-review/
Ivana A. | Diary of Difference (1171 KP) rated Happy Girl Lucky (The Valentines, #1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2685992062">Happy Girl Lucky</a> - ★★★★★
<img src="https://gipostcards.files.wordpress.com/2019/02/book-review-title.png?w=636"/>;
<b> I am hosing a GIVEAWAY on my instagram page, ending on 22nd February 2019. Enter for a chance to win 5 signed copies with 5 pop sockets! </b>
Happy Girl Lucky is the first book from The Valentines Series. This is a story about a famous family, The Valentines, who have been Hollywood stars for ages. Hope is one of the daughters of the famous couple, but she grows up without all that paparazzi attention and hype. It is a family rule not to involve their children into the famous world until they are sixteen. Hope can’t wait to turn sixteen and start living this amazing life.
Hope spends her teenage years as a normal girl – she steals clothes from her sisters and makes movie scenarios in her head. She reads her horoscope every day and knows what the magazines say is true. She is naive and funny and so unique. And when one day, her horoscope says she is on her way to finally meet her true love, she has to make everything possible to make this come true.
And when she meets this boy, we follow Hope’s adventures from touring London, to travelling to the US, to making decisions she never thought she could make. I loved how we are with Hope every minute of her journey and we watch her slowly grow and make us giggle.
Even though Hope gives the life of this story, and makes us all want to be friends with her, all of the other characters have their own little unique spark, which I loved so much.
A wonderfully written story, but also a very meaningful one. Holly Smale managed to perfectly capture some of the issues that some teenage girls are facing today. Living their own reality while their family lives a completely different world is not so uncommon, and girls need to know this. Sometimes, we wake in a reality we don’t know and think we are the ones to blame, but there is nothing wrong with you. All you ladies out there, you need to hear this. There is nothing wrong with you. Don’t let anyone tell you otherwise. You are unique, and you should believe in what you are, who you are, and what makes you truly happy. And through Hope’s story, we can understand this so well, and I am forever grateful!
A fun and entertaining story, meant to capture all the teenage hearts out there. This is definitely a must-read for every girl out there, to find her true self and be happy for what she truly is.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2685992062">Happy Girl Lucky</a> - ★★★★★
<img src="https://gipostcards.files.wordpress.com/2019/02/book-review-title.png?w=636"/>;
<b> I am hosing a GIVEAWAY on my instagram page, ending on 22nd February 2019. Enter for a chance to win 5 signed copies with 5 pop sockets! </b>
Happy Girl Lucky is the first book from The Valentines Series. This is a story about a famous family, The Valentines, who have been Hollywood stars for ages. Hope is one of the daughters of the famous couple, but she grows up without all that paparazzi attention and hype. It is a family rule not to involve their children into the famous world until they are sixteen. Hope can’t wait to turn sixteen and start living this amazing life.
Hope spends her teenage years as a normal girl – she steals clothes from her sisters and makes movie scenarios in her head. She reads her horoscope every day and knows what the magazines say is true. She is naive and funny and so unique. And when one day, her horoscope says she is on her way to finally meet her true love, she has to make everything possible to make this come true.
And when she meets this boy, we follow Hope’s adventures from touring London, to travelling to the US, to making decisions she never thought she could make. I loved how we are with Hope every minute of her journey and we watch her slowly grow and make us giggle.
Even though Hope gives the life of this story, and makes us all want to be friends with her, all of the other characters have their own little unique spark, which I loved so much.
A wonderfully written story, but also a very meaningful one. Holly Smale managed to perfectly capture some of the issues that some teenage girls are facing today. Living their own reality while their family lives a completely different world is not so uncommon, and girls need to know this. Sometimes, we wake in a reality we don’t know and think we are the ones to blame, but there is nothing wrong with you. All you ladies out there, you need to hear this. There is nothing wrong with you. Don’t let anyone tell you otherwise. You are unique, and you should believe in what you are, who you are, and what makes you truly happy. And through Hope’s story, we can understand this so well, and I am forever grateful!
A fun and entertaining story, meant to capture all the teenage hearts out there. This is definitely a must-read for every girl out there, to find her true self and be happy for what she truly is.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Daniel Boyd (1066 KP) rated Blade Runner 2049 (2017) in Movies
Oct 9, 2017 (Updated Oct 13, 2017)
One of the most visually stunning movies I have ever seen. (8 more)
Awesome production design.
Brilliant direction.
Beautiful cinematography.
Solid performances.
Incredible SFX.
Great score.
Good use of lighting.
Well written script and dialogue.
Villeneuve Strikes Gold Yet Again
Wow, this movie is a feast for your eyeballs. I won't go on about the visuals too much, as I'm sure that you have already heard how good looking this movie is, all I'll say is this; the movie deserves to be seen in the biggest screen possible. What is even better though, is unlike a Zack Snyder film, Blade Runner 2049 has more to it than just surface level, pretty visuals.
Somehow, Denis Villeneuve has achieved the impossible. He has directed a movie every year for the last five years and they have all been absolutely incredible, also he has managed to pull off a fantastic sequel to a 35 year old classic.
I loved almost every part of this movie. The direction was masterful to watch, with the movie being moved along at a deliberate, purposeful pace, rather than rushing through from action scene to action scene. The sets in this were out of this world, some props were really cool to look at and the use of mostly practical backdrops made a huge difference as opposed to using an abundance of green screen. Rodger Deakins' cinematography was astonishing, you could honestly screen grab an image from any time stamp in this movie and it would work perfectly as a beautiful desktop background.
I also thought that the performances were fantastic and everyone did a great job. Although Ford doesn't appear until the movie's third act, when he does he is great. Gosling commands his leading man role as we've come to expect him to. Robin Wright and Dave Bautista were the other standouts for me in terms of their performances.
The more technical elements of the movie worked perfectly in tandem with the story being told as well. The special effects were beautifully implemented and the lighting in the movie added a whole other layer of visual depth as well. The score also worked for the tone that the movie was aiming to achieve. The script was also solid and tightly woven.
The only thing I will say is; if you are going into the film expecting a sci-fi action blockbuster, you will come out disappointed. This is a slow paced, sci-fi noir, detective story. There are a few sparse moments of action and it does feel impactful when it occurs, but it is not the focus of the movie at all.
The one small element that bothered me was Jared Leto's performance. He took me out of the movie and was the only cast member who didn't feel like a real character within this world. Maybe I'm just being biased, as Jared Leto has always annoyed me in general, but for me he was the one bad part of this near masterpiece. Thankfully he doesn't get that much screen time, so it could have been worse. Also, the fact that David Bowie was originally cast in that role adds an extra sprinkle of salt in the wound.
Unfortunately, much like the original movie, this hasn't done great at the box office on its opening weekend. If like me, you are sick of mindless sequel cash cows that are total garbage such as Jurassic World, go and see this movie and vote with your wallet. If you don't, we are telling Hollywood that as a collective, we don't want sequels with depth and integrity, we want dumb, rushed, forgettable nonsense and that is what we will end up getting. Support this movie for the betterment of filmmaking and cinema, even if you haven't seen the original.
Overall I loved the movie, but I can see why people are finding it divisive. For me though, the vast majority of this movie's parts were absolutely fantastic and come together to form a journey that you must experience for yourself.
Somehow, Denis Villeneuve has achieved the impossible. He has directed a movie every year for the last five years and they have all been absolutely incredible, also he has managed to pull off a fantastic sequel to a 35 year old classic.
I loved almost every part of this movie. The direction was masterful to watch, with the movie being moved along at a deliberate, purposeful pace, rather than rushing through from action scene to action scene. The sets in this were out of this world, some props were really cool to look at and the use of mostly practical backdrops made a huge difference as opposed to using an abundance of green screen. Rodger Deakins' cinematography was astonishing, you could honestly screen grab an image from any time stamp in this movie and it would work perfectly as a beautiful desktop background.
I also thought that the performances were fantastic and everyone did a great job. Although Ford doesn't appear until the movie's third act, when he does he is great. Gosling commands his leading man role as we've come to expect him to. Robin Wright and Dave Bautista were the other standouts for me in terms of their performances.
The more technical elements of the movie worked perfectly in tandem with the story being told as well. The special effects were beautifully implemented and the lighting in the movie added a whole other layer of visual depth as well. The score also worked for the tone that the movie was aiming to achieve. The script was also solid and tightly woven.
The only thing I will say is; if you are going into the film expecting a sci-fi action blockbuster, you will come out disappointed. This is a slow paced, sci-fi noir, detective story. There are a few sparse moments of action and it does feel impactful when it occurs, but it is not the focus of the movie at all.
The one small element that bothered me was Jared Leto's performance. He took me out of the movie and was the only cast member who didn't feel like a real character within this world. Maybe I'm just being biased, as Jared Leto has always annoyed me in general, but for me he was the one bad part of this near masterpiece. Thankfully he doesn't get that much screen time, so it could have been worse. Also, the fact that David Bowie was originally cast in that role adds an extra sprinkle of salt in the wound.
Unfortunately, much like the original movie, this hasn't done great at the box office on its opening weekend. If like me, you are sick of mindless sequel cash cows that are total garbage such as Jurassic World, go and see this movie and vote with your wallet. If you don't, we are telling Hollywood that as a collective, we don't want sequels with depth and integrity, we want dumb, rushed, forgettable nonsense and that is what we will end up getting. Support this movie for the betterment of filmmaking and cinema, even if you haven't seen the original.
Overall I loved the movie, but I can see why people are finding it divisive. For me though, the vast majority of this movie's parts were absolutely fantastic and come together to form a journey that you must experience for yourself.
The Wines of Austria: 2016
Book
Austrian wine has experienced a truly sensational quality boom in the last twenty years and is...
Gareth von Kallenbach (980 KP) rated Hacksaw Ridge (2016) in Movies
Jul 15, 2019
World War II was an event that changed America’s standing globally and ensured the end of Hitler’s tyranny over Europe. It witnessed an isolated nation enter the war after being attacked by the Japanese at Pearl Harbor. The war forced men from all walks of life to step up in defense of their nation and for the freedom of those abroad. Desmond Dawes was one of these men, however, he sought to serve a different function in war. Instead of taking lives, he wanted to save them.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Hacksaw Ridge brings viewers a different perspective of war and the soldiers that were fighting it. Unlike previous films, this one discusses and displays the contributions made by a pacifist, a contentious objector, something that we look at as an anomaly and counter to the personalities and individuals that we are accustomed to seeing in a warfighting capacity. We don’t typically think about those who would resist fighting, other than those who dodged the draft or sought deferments. This film allows for a glimpse into how one man’s principles and faith allow him to resist actively fighting in order to serve as a combat medic in order for his fellow soldiers to return home. The story is harrowing and audiences will find themselves rooting for Private Dawes while questioning how his principles could remain so strong despite all of the obstacles that are put in his way. He wants to serve his country in the war, but does not want to kill in service to it. He is constantly referred to and treated as a coward for his stance. Despite this, he proves himself of heroism that cannot be measured.
The film is beautiful in displaying the various complexities in warfare and individual soldiers’ experiences. We get to see how Dawes is shaped into having the beliefs that guide him in his quest to become a soldier. We see the relationships that he develops in his hometown, his family, and the conflict that erupts between him and other members of his unit. We see that war is more complex than men fighting and killing. There is depth. There is character. These men are not simply numbers on a board or text. There is something about each one of them that played into the success of taking Okinawa as part of the Pacific campaign.
Hacksaw Ridge is not simply a film about one man’s journey to serve his principles and God while struggling against various agents seeking to break his spirit and demean who he is. The battle scenes and brutality rival that of Saving Private Ryan. Audiences seeking to see a traditional “rah rah” war film are going to be surprised with the way that this film will, hopefully, make them think more deeply about the calamity and horror of war. It will hopefully have them think about how far we have come as a people. More importantly, it will make us think differently about the men who served and helped to ensure democracy globally.
The film, overall, is strong with its presentation of information, action, sequences and storytelling. It may surpass previous WWII films with respect to significance and allowing itself to serve as a historical lens to the past. Audiences will be satisfied, shocked, and a bit disgusted with what is on display whether it is how war is conducted or in how we treat others with different beliefs or stances. Hacksaw Ridge may be an instant classic in not only its approach to the Pacific Theater, but in how we look at the soldiers and their contributions to this period.
Mine, Body and Soul: Trilogy (The Playroom #1-3)
8.0
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Part One Was it possible that there was a man out there who could see past Lenny’s damaged body...
Contemporary MM Romance BDSM