"My first girlfriend used to listen to Joni Mitchell, and the album that she got me into was Court And Spark. I was 15 or 16 when I first heard it, and the acoustic playing is more like a jazzy sort of thing. I found that really cool. “I love her style as a guitarist, and I love the songs on that album, too. They’re quite funny, and they put you in a certain mood, like Free Man In Paris and People’s Parties. I like it a lot more than Blue and a lot more than Hejira, and the other ones that people go on about. It’s just really good. “Nick Drake’s Pink Moon [1972] also deserves a mention as a very important acoustic album for me. Can we have it as a bonus record?"

"I think it's one of my favourite records of the last 20 years. I hadn't really listened to them that much and we were going to work with Dave Sitek. While on our way to NY to record with him in 2008, I thought, "I should probably give them a proper listen". It slowly unveiled its power - it's very dense and like nothing else I've ever really heard. I think it's very unique in the way it was made and it feels like it's a distillation of those characters at that time in NY. The lyrics are incredible, I like that it's political - it's not blatant, there's no sloganeering, but it is politically charged. There's no lead track: the way that it's sequenced is off-kilter but in its way makes sense. It's just great."

"I typically don’t like Western-type movies that much, but Red Hill. I really enjoyed that. I’m very picky about the bad guy, and whether or not he looks intimidating to me, you know? Like, I saw the I Spit on Your Grave remake, and all of the bad guys looked like soap opera actors that let their stubble grow. They didn’t have the aura of being a badass. And I’m sorry to those actors. They’re probably going to ****ing hate me, but this didn’t come across as intimidating or scary or anything, or even convincing as criminals, whereas this guy in Red Hill was the best bad guy I’ve seen in a long time. Just when he would look, he would look scary as ****. I love a bad guy that really convinces me."

"The next one is The Thing, the remake with Keith David. That was the first Rated-R movie my mother ever let me see, and oh, dude, I was scarred. I was scarred in a good way. [laughs] John Carpenter’s The Thing took me to a whole other place, man. I was like, “Oh my god!” It was almost like losing your virginity. [laughs] Remember what I said about coming out of the theater a different way? The Thing was so violent and so creatively crazy, no one had ever seen anything like that on screen. You know, heads growing legs and walking away? I think Rob Bottin was the special effects guy on that. But, you know, heads ripping themselves off, dogs having three heads, it was just “Oh my god, there’s no stopping this!” One of my favorite movies; if it’s ever on, I can’t turn it off. I just can’t. It’s impossible. And the thing is, you see how most of the movies that I’m mentioning have always had copies, you know what I mean? It’s like, any movie that’s out there, you can see they’re trying to be like The Thing, or they’re trying to be like Aliens. It’s so wild how you see this kind of dynamic, because it changed for those filmmakers when they saw it too. So those are my top five for today. I tell you, that’s so hard to say. [laughs] Again, I love movies man. I just love it."

"Grand Budapest Hotel is probably my favorite movie ever. I don’t know why, but it makes me feel so safe, and anytime I’m even remotely stressed, I’ll put on that movie and I feel like it transports me to another universe. It was the first Wes Anderson movie that I ever saw. The thing that sticks out to me the most is the humor. I find the movie really, really, really funny. And then of course the set design and the way that it’s shot – everything is so gorgeous. But for me it’s just one of those movies that keeps you on your toes. You never really know [what’s going to happen]. It’s a simple, classic, good story that’s just told so beautifully, that it feels so artful and considered, and I just really appreciate that. This list makes me realize that I really appreciate a director with real perspective, and the films are very stylized. That’s my vibe, and I think the Grand Budapest is an impeccable example of that."