"I can’t leave out Kubrick. I think my favorite Kubrick movie is kind of tied between A Clockwork Orange and The Shining. The Shining meant a lot to me. It was the first movie that made me really want to act. I love Jack Nicholson in that movie. I didn’t know who Jack Nicholson was at the time — I was like 11 when I saw it, but something about what he was doing in that movie just fascinated me."

"It’s just awesome. What is there not to love about this movie? Donna Reed was amazing! My brother wants to marry Donna Reed. I’m like, “Dude, she’s a little old for you now.” I love the way he (George Bailey) was a happy guy but then can get cantankerous sometimes. Jimmy Stewart was just fantastic in that. I love the magic feel of it and I love the whole idea at the end of this person who did so much for everybody else and really stood on his own and sacrificed so much, that when he finally gave up and needed (help), everyone was there for him and I just cry every single time. I cry every single time. My brother actually says that I am that character in real life. I AM George Bailey. He’s like, “That’s you. You are that guy,” and every time I get ticked off when finally the pressure gets to me — because I do take care of a lot of people — he just yells at me, “Why do we have to have so many kids,” which is of course a Jimmy Stewart line. I even did It’s a Wonderful Life on a thing called “Fake Radio” where we did the entire radio version, on radio. It was great! So, I love that movie!"

"This is Aaron Bruno’s solo proect. I put this on the list because I’ve been listening to it recently. I tend to find an album that is eclectic enough to keep me interested and I listen to it over and over again, obsessing over it… and then I stop. And I just stopped with this! Ha ha! Well, I’ll probably give it a bit of space and then come back to it. I try and listen to new music as much as I can, but that’s probably the first genuinely eclectic new album that I’ve enjoyed in years. The story goes that somebody in Texas played one of the album tracks and it’s caught on and everybody’s playing it now on their radio stations. And it’s become a sort of mega hit. To me there is some stuff on it that sounds like the Pixies and some stuff that sounds like The Beatles, but it’s all slightly electronic and his voice is great. There’s loads of obviously ad-libbed stuff that they’ve kept in and it’s very cool. Rough round the edges in the right way. It’s not guitar heavy, but there is some really great live drumming happening in it. I think he’s a surfing man who’s influenced by hardcore and stuff like that, but some of it’s very poppy. I think it’s just a guy who is not afraid to explore songs and take them where they feel like they should go, rather than worry about what it’s supposed to sound like. It’s the best new album I’ve heard in years."

"This album is flawless. From production to writing to everything, that album is just good. There is not much more to say about it than that album is fucking perfect. Some albums are just perfect. Amy Winehouse Back To Black is fucking perfect. The Miseducation Of Lauryn Hill album is perfect. It won eight grammies or something. Start-to-finish, every song, literally every single song, is a number one. Not in the terms of success, but sonically, it's solid songwriting at it's best. From production to writing, to delivery, to performance, stylistically, I could sing that entire album, it's just so perfect. It's like eating the most well-rounded meal, all of your favourite foods from start to dessert, everything is your very favourite, cooked exactly the way you want it to be. Sometimes I'll put on that album and I just can't believe how easy it is to explain, because it's just so fucking perfect. And the way she came off Fugees and did that was so cool. She is a badass. She is so unapologetic. Oh I love her. She's my generation's Nina Simone."