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Kristy H (1252 KP) rated The In Between in Books
Feb 1, 2018
I confess that this book was not exactly what I was expecting. The novel appears to tell a typical tale of YA love, but it also spends much of its time in a paranormal, mystical world of the "In Between." It's very odd and I wasn't expecting so much talk of Heaven and Hell, despite the hint from the title.
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)
The story follows Tara Jenkins and Justin Westcroft. Friends as children, they become close again after Tara saves Justin's life, when he nearly drowns in an accident at the public beach. Now in high school, Justin is a popular soccer star, while Tara is just a "regular gal." Tara and Justin quickly fall madly in love and become each other's world.
Part of my issue with this book is just that - Tara and Justin are in high school and the entire book centers on their "great romance" and the idea that they are made for each other, destined for all eternity. Some people pull it off, even if it's a cheesy YA series like Twilight. You find yourself rooting for Bella and Edward. Here... I don't know. Pierce's characters just aren't well-developed enough. I like Tara, but I'm not fully invested in her. I actually cared for Justin a bit more (he seemed to have more of a head on his shoulders), but I don't get to learn enough about him, or really get to know him enough as I read the novel. Instead, you are just left wondering why two young kids are so in love and so convinced, at this age, that they are meant for each other. Instead of falling for their love story, it seems like a Made for TV Special.
Once Justin actually dies (and I'm not giving anything away, the book's summary is forthright in telling you that Tara can't save Justin a second time) and he goes to the "In Between," you find him in this weird mythical, mystical land, and it's just odd. I do feel empathy for Justin as he struggles to get back to Tara, and even for Tara, as she grieves for Justin, but it often feels like two kids playing at being grown up. With the distraction of some weird mystical characters thrown in to boot.
That being said, the book managed to keep my interest. I kept reading, wanting to know what would happen to Justin and Tara. Would they kill them both? Would they be reunited? Surely it wouldn't just end with him stuck here and her still pining away? After all this?! In the end, the ending is rather "pat" and the book just sort of ends.
Come to think of it, this probably *would* make a great Lifetime movie. And I'd no doubt guiltily enjoy it with a box of chocolates.
(Note, I received a free digital copy of The In Between in return for a honest review.)
graveyardgremlin (7194 KP) rated Vampire Close in Books
Feb 15, 2019
I really hate to give negative reviews, but I'm sorry, this book needed a lot of work before it was published. Descriptions were over-the-top, the characters weren't fleshed out, and overall, the story should have been more filled out.
When I started this book, I felt like I missed the first fifteen minutes of a movie and I'm right in the middle of a scene, a bit lost; it was quite discombobulating. The main love interests, Fiona and Rory, are both Scottish and that's how it's written, so there's dinna, och, cannae, ken, etc., which really distracted from the story. Maybe if only one character spoke like that, it might have been bearable, but with two of them, it was just too much. Fiona herself was unlikeable, prejudiced, oblivious to her "sexpot" looks, and way to innocent to be believable for her age, while Rory's forceful, generally undesirable, and doesn't even seem like a vampire other than his fangs. What's really missing from the book is emotion. I felt nothing, other than mild dislike, for anyone or anything -- I just didn't care about these people. Joan, an American demon hunter and Euan, a Highland-born Brit (or "Sassenach" as Fiona disdainfully calls him) deacon, were slightly better at first, but there still was not enough shown for me to have a personal interest in them. The plot was vaguely described, and frankly, not very interesting. Nothing was shown, it was just told, mainly through an abundance of gabbing, so I never got the sense of urgency and the book just meandered into its finale.
I had a few other problems, but nothing that wouldn't give certain events away. Maybe die-hard paranormal romance fans will like this, but it became a chore to complete and I ended up disliking it the more I read, so it just wasn't for me.
Received for review through the Goodreads First Reads program.
When I started this book, I felt like I missed the first fifteen minutes of a movie and I'm right in the middle of a scene, a bit lost; it was quite discombobulating. The main love interests, Fiona and Rory, are both Scottish and that's how it's written, so there's dinna, och, cannae, ken, etc., which really distracted from the story. Maybe if only one character spoke like that, it might have been bearable, but with two of them, it was just too much. Fiona herself was unlikeable, prejudiced, oblivious to her "sexpot" looks, and way to innocent to be believable for her age, while Rory's forceful, generally undesirable, and doesn't even seem like a vampire other than his fangs. What's really missing from the book is emotion. I felt nothing, other than mild dislike, for anyone or anything -- I just didn't care about these people. Joan, an American demon hunter and Euan, a Highland-born Brit (or "Sassenach" as Fiona disdainfully calls him) deacon, were slightly better at first, but there still was not enough shown for me to have a personal interest in them. The plot was vaguely described, and frankly, not very interesting. Nothing was shown, it was just told, mainly through an abundance of gabbing, so I never got the sense of urgency and the book just meandered into its finale.
I had a few other problems, but nothing that wouldn't give certain events away. Maybe die-hard paranormal romance fans will like this, but it became a chore to complete and I ended up disliking it the more I read, so it just wasn't for me.
Received for review through the Goodreads First Reads program.
LeftSideCut (3776 KP) rated Death on the Nile (2022) in Movies
Feb 15, 2022
To start with, there's only so much you can hate on an Agatha Christie adaption. The film could be torrid tripe, but there's still a particular brand of intrigue which always comes with one of her whodunits. This latest re-telling of Death on the Nile just about scrapes by, mainly thanks to its second half, and that aforementioned Christie narrative, but sadly, not much else.
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.
A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".
There's glimpses of something good there. Kenneth Branagh can be hit or miss as far as I'm concerned. For every Belfast (soaringly wonderful) there's an Artemis Fowl (what I imagine a lobotomy feels like). This is somewhere in the middle. There are moments of promise sprinkled here and there, but they struggle to break through all the bloated hot air that is draped over everything.
All of the characters are ridiculous. I get that's part of it, but it just falls flat here. It's hard to enjoy comic relief when everyone is comic relief. Gal Gadot seems like she is half-arsing every line. Russell Brand feels jarringly out of place. I traditionally enjoy French & Saunders but they also feel alien in every scene they're in. I know this shouldn't really impact my view, but Armie Hammer look like he just wants to eat everyone he talks to. Even the usually reliable Annette Benning comes across completely disinterested. There's no chemistry anywhere, and it all just feels a bit odd. Branagh is pretty great as Poirot to his credit. He just about holds proceedings together along with Sophie Okonedo, and they both manage to inject some charisma when things become arduous, which is farily regularly.
A bit of a misfire then, but not a complete disaster. I can firmly file Death on the Nile under "films I don't really like, but would probably watch again if it was on TV, or maybe on Christmas day at my Mums house".
Mothergamer (1640 KP) rated The Hunger Games in Books
Apr 3, 2019
Contains spoilers, click to show
I gave The Hunger Games trilogy a chance, I really did, but I found myself so frustrated with these books. I know all about the comparison to Battle Royale and here and there I do see where Suzanne Collins was influenced by it, but the books are different. For one thing Koushun Takami's book is better.
The problem for me, mainly was with the heroine Katniss. I wanted to like her, but I found I could not care about her at all, even after she did the noble sacrifice of taking her sister's place in The Hunger Games. She seems very cold, apathetic, and just drifting along. For a main character there isn't any depth to her and that's sorely disappointing considering the theme of these books. Then we have this pointless love story that is completely unnecessary to the book and it just seems awkward and forced. The only character who seems real to me at all is Peeta while the other characters seem one dimensional. I also found myself frustrated with Katniss because at so many intervals in the story she just gives up so easily like it's as simple as changing her hair color. Are you kidding me with this nonsense?
I had to keep reminding myself that these were books for young adults and while the writing wasn't bad, the story was not great. If the writing is so poor that you find you can not even care about the characters especially the main one, that's a serious problem. This didn't feel like a dystopian novel at all, sure it was dark and depressing, but that's pretty much it. I need more from something claiming to be a dystopian story. This was more like Dystopia with training wheels. Now if you'll excuse me, I'm going to go read Fahrenheit 451 and Battle Royale again.
The problem for me, mainly was with the heroine Katniss. I wanted to like her, but I found I could not care about her at all, even after she did the noble sacrifice of taking her sister's place in The Hunger Games. She seems very cold, apathetic, and just drifting along. For a main character there isn't any depth to her and that's sorely disappointing considering the theme of these books. Then we have this pointless love story that is completely unnecessary to the book and it just seems awkward and forced. The only character who seems real to me at all is Peeta while the other characters seem one dimensional. I also found myself frustrated with Katniss because at so many intervals in the story she just gives up so easily like it's as simple as changing her hair color. Are you kidding me with this nonsense?
I had to keep reminding myself that these were books for young adults and while the writing wasn't bad, the story was not great. If the writing is so poor that you find you can not even care about the characters especially the main one, that's a serious problem. This didn't feel like a dystopian novel at all, sure it was dark and depressing, but that's pretty much it. I need more from something claiming to be a dystopian story. This was more like Dystopia with training wheels. Now if you'll excuse me, I'm going to go read Fahrenheit 451 and Battle Royale again.
Slt2182 (0 KP) rated The Mortal Instruments: City of Bones (2013) in Movies
Jun 21, 2019
Yeesh
I don't even know where to start. I decided to read this series once coming across the best TV show ever based on the books and I just HAD to start from the beginning which is from this very first book. I couldn't put the book down and honestly read it within a day. This was the first book to a long way of books where I took books seriously and didn't have the urge to throw them away afterwards or shove them into a damp, dark place. I placed it neatly on a shelf. Already ready to buy the next one since I'm never one to like cliffhangers or not having more to the story. I'm a collector and once I like something. I become obsessed. I definitely recommend this book if you like the mysteries of a world that you hope exists and something written on a place that I myself actually dreamed of being in whether or not its in a book.
Steven Dodd (1449 KP) created a post
Jul 23, 2019
Andy Bell recommended Hatful of Hollow by The Smiths in Music (curated)
Jake Gyllenhaal recommended Searching for Bobby Fischer (1993) in Movies (curated)
Laura Doe (1350 KP) rated A Good Girl’s Guide To Murder in Books
Apr 29, 2022
I had only read the short prequel, Kill Joy, to this book which I sat and read in one go and this one didn’t disappoint me.
Following Pip trying to prove that Sal Singh didn’t murder his girlfriend Andie Bell five years earlier was thrilling and had me guessing the whole way through. Every time I settled on a suspect, Pip did the same and then I was somehow talked back out of it with fresh evidence and clues that Pip had found. It definitely had my brain working!
I loved the way that it wasn’t just Pip’s story that had all of the focus, I loved that mingled in with the story, we had Pip’s logs, diagrams, messages and emails that gave more and more evidence and also made it exactly like we were having a sneak peek into her project for school.
Holly Jackson’s writing was so easy to read and I love that she didn’t make it obvious who the real killer was and that even towards the end of the book there were a couple of twists that shocked and surprised me. It was a very entertaining book and it didn’t seem like it was a debut novel at all.
I will definitely be continuing on with the series as I can’t wait to find out what happens to Pip!
Following Pip trying to prove that Sal Singh didn’t murder his girlfriend Andie Bell five years earlier was thrilling and had me guessing the whole way through. Every time I settled on a suspect, Pip did the same and then I was somehow talked back out of it with fresh evidence and clues that Pip had found. It definitely had my brain working!
I loved the way that it wasn’t just Pip’s story that had all of the focus, I loved that mingled in with the story, we had Pip’s logs, diagrams, messages and emails that gave more and more evidence and also made it exactly like we were having a sneak peek into her project for school.
Holly Jackson’s writing was so easy to read and I love that she didn’t make it obvious who the real killer was and that even towards the end of the book there were a couple of twists that shocked and surprised me. It was a very entertaining book and it didn’t seem like it was a debut novel at all.
I will definitely be continuing on with the series as I can’t wait to find out what happens to Pip!