Search
Search results
Debbiereadsbook (1424 KP) rated The Feisty Omega (Leongatha Pack Origins) in Books
Dec 19, 2024
I got to know Talius a bit better!
Independent reviewer for BookSirens, Iwas gifted my copy of this book.
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
LeftSideCut (3776 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019 (Updated Jan 22, 2020)
Contains spoilers, click to show
Right then... I definitely need to go and see this again to properly digest it, so my thoughts on it will probably change...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Daniel Boyd (1066 KP) rated Straight Outta Compton by NWA in Music
Nov 2, 2017 (Updated Nov 2, 2017)
Something To Say
I still remember the first time I heard this record and I listened to it all the way through lying in bed. Eminem was my gateway into rap music when I was in my early teens, which inevitably led onto Tupac, Snoop Dogg, Biggie, Public Enemy and the like, but when I first heard Straight Outta Compton it was like being taken on a journey in the back seat of some banged up car around the burnt out, bullet ridden streets of Compton, CA. Some people may sneer at the inclusion of this album and claim that it doesn’t deserve to be admired due to its glorification of gang violence, sexual abuse and murder. However this album isn’t glorious in any way, NWA aren’t boasting about this kind of behaviour taking place in their hometown, they’re condemning it. This is an album born out of frustration, dissatisfaction and fury for the kind of environment that these guys were brought up in and it is actually inspiring in a lot of ways to kids that come from areas where their friends are getting shot night after night and with the current situation in some American states, this album is probably more relevant than ever. The album does generalise, but it also speaks the truth, there is no denying that the US police were and still are largely made up of racist bigots that abuse the power that they are given. Drugs, sexism and violence are simply a part of the culture in some of the poorer parts of modern America and this album doesn’t shy away from that, it wears its heart on its sleeve and I think that it is one of the most powerful statements to come out of modern music and one that is unfortunately still just as relevant today, 29 years later.
Night Reader Reviews (683 KP) rated Two Past Midnight: Secret Window, Secret Garden in Books
Apr 14, 2020
Casual Reading Review
I will admit this is one of the few books that I have read after watching the movie. I was not impressed by the movie at all and had high hopes that the book would be better, as is usually the case. This time I was somewhat wrong. While the book was better than the movie, it still was not good. It is a rare occurrence when I do not like something that Stephen King writes but this one just was too confusing. I understood what was happening and why, but oddly enough I felt as if Stephen King did not explain how it happened quite well enough to satisfy me.
After recently getting divorced an author goes to his old lakeside house unsure of how long he is going to stay there, while his ex-wife takes over their old house. It is here that he is confronted by someone claiming that he is the original author of a story that was published a few years back and is demanding that things be made right. The author slowly starts to fall victim to paranoia and go crazy, leaving to question was he crazy before or after the appearance of the man accusing him of plagiarism.
That was an extremely vague summary of this short story but like with much of Stephen King's work, I am afraid of saying too much and spoiling some shocking twists for those who have not yet read it.
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
After recently getting divorced an author goes to his old lakeside house unsure of how long he is going to stay there, while his ex-wife takes over their old house. It is here that he is confronted by someone claiming that he is the original author of a story that was published a few years back and is demanding that things be made right. The author slowly starts to fall victim to paranoia and go crazy, leaving to question was he crazy before or after the appearance of the man accusing him of plagiarism.
That was an extremely vague summary of this short story but like with much of Stephen King's work, I am afraid of saying too much and spoiling some shocking twists for those who have not yet read it.
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
Kim Pook (101 KP) rated And Just Like That in TV
Feb 19, 2022
New character Seema (1 more)
More diversity
New character Che (3 more)
Too much diversity
No Samantha
Death of a major character
Just as good without Samantha
Contains spoilers, click to show
I wasn't sure if a sex and the city reboot would work without Samantha but I was pleasently surprised. At first I did very much notice Samantha's absence but after a few episodes I did get used to it, I liked that there was a couple of mentions of her and Carrie is seen texting her as well as an off screen meet up in Paris, I like that they didn't act as if she never existed and new character Seema is a pretty good replacement for the Samantha shaped hole left in the series.
I wasn't overly keen on the character Che, I found her pretty obnoxious and led Miranda down a path that she was adament she wouldn't go down in Season 1 of the original series. This might be because I liked Steve and Miranda together, I ended up feeling so sorry for Steve and I do hope that if there's a season 2 Miranda will realise once again that Steve is her one and only as her and Che don't make sense at all.
I like that there is more diversity this time around but I do feel they went over the top with the wide range of diverse characters, to the point that I felt the main characters wasn't the main focus and the writers seemed more interested in how much diversity they can fit into one show, there were even scenes which included none of the main girls that I had no interest in such as the couple trying for a baby through IVF, I just felt their characters wasn't strong enough to have scenes by themselves.
I won't spoil it too much, but In the final episode there is a very noticeable edit during a dream sequence. I understand why it was edited due to recent events but they should have dropped that entire scene completely and just have Carrie talk about it, although personally I would have liked to see that scene in its entirity.
All these points aside though, I did really enjoy it. It had all the humour and raunchiness of the original series, in fact I liked it so much I binge watched it in 2 days. I do hope there's another season as it would be interesting to see where the characters go.
I wasn't overly keen on the character Che, I found her pretty obnoxious and led Miranda down a path that she was adament she wouldn't go down in Season 1 of the original series. This might be because I liked Steve and Miranda together, I ended up feeling so sorry for Steve and I do hope that if there's a season 2 Miranda will realise once again that Steve is her one and only as her and Che don't make sense at all.
I like that there is more diversity this time around but I do feel they went over the top with the wide range of diverse characters, to the point that I felt the main characters wasn't the main focus and the writers seemed more interested in how much diversity they can fit into one show, there were even scenes which included none of the main girls that I had no interest in such as the couple trying for a baby through IVF, I just felt their characters wasn't strong enough to have scenes by themselves.
I won't spoil it too much, but In the final episode there is a very noticeable edit during a dream sequence. I understand why it was edited due to recent events but they should have dropped that entire scene completely and just have Carrie talk about it, although personally I would have liked to see that scene in its entirity.
All these points aside though, I did really enjoy it. It had all the humour and raunchiness of the original series, in fact I liked it so much I binge watched it in 2 days. I do hope there's another season as it would be interesting to see where the characters go.
Sarah (7800 KP) rated Bill & Ted Face the Music (2020) in Movies
Sep 24, 2020
Totally bogus
I really wanted to like this film. I love the original two but the thought of another sequel so many years later just didn’t sit right, and I’m afraid after watching this I’m really not convinced.
There are a lot of good things about this though. It’s good to see Bill and Ted back and to see Keanu Reeves and Alex Winter back together, and this gives it a rather nostalgic and nice feeling. The film also has a good message and the whole thing is just heartwarming and enjoyable fun. By far the best thing about this film though is William Sadler returning as Death, and I also quite warmed to Dennis who was very much on the border of being cringey, at times,but these two are the only ones that made me laugh the entire film.
And now the bad. I hated the daughters, they were just either very dull or ridiculously cringey and I just found them being (smarter) carbon copies of their fathers a little bit obvious and predictable. I also feel like Bill and Ted themselves have been pushed to one side in this to make room for the daughters, and this is meant to be a Bill and Ted film! The daughters journey was just repeating the same story from the originals too. I don’t understand either why the future versions of Bill and Ted were so horrible, and the song at the end was rather a letdown as well.
I’m probably being very harsh but I really don’t think this film should have been made. If you want to watch a Bill and Ted film, watch the first two.
There are a lot of good things about this though. It’s good to see Bill and Ted back and to see Keanu Reeves and Alex Winter back together, and this gives it a rather nostalgic and nice feeling. The film also has a good message and the whole thing is just heartwarming and enjoyable fun. By far the best thing about this film though is William Sadler returning as Death, and I also quite warmed to Dennis who was very much on the border of being cringey, at times,but these two are the only ones that made me laugh the entire film.
And now the bad. I hated the daughters, they were just either very dull or ridiculously cringey and I just found them being (smarter) carbon copies of their fathers a little bit obvious and predictable. I also feel like Bill and Ted themselves have been pushed to one side in this to make room for the daughters, and this is meant to be a Bill and Ted film! The daughters journey was just repeating the same story from the originals too. I don’t understand either why the future versions of Bill and Ted were so horrible, and the song at the end was rather a letdown as well.
I’m probably being very harsh but I really don’t think this film should have been made. If you want to watch a Bill and Ted film, watch the first two.
Not If I See You First
8.0
Rate It
Book
The Rules Don't deceive me. Ever. Especially using my blindness. Especially in public. Don't...
Young Adult Contemporary Romance
Emeli Sande recommended track Angel of Mine by Eternal in Greatest Hits by Eternal in Music (curated)
Sassy Brit (97 KP) rated Write Yourself Happy: The Art of Positive Journalling in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Sassy Brit (97 KP) rated Every Wicked Man in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.