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Tim McGuire (301 KP) rated Still (2018) in Movies
Mar 3, 2020
Fun to be immortal for a little while.
394. Still. At first I thought it was titled this because it was so quiet. But no, that wasn't the case. One of those movies that if you have some logic that works in your thinking box, it's not too hard to figure out. The description makes it seem that a hiker is the main character, it's definitely the couple on the farm that hold the spotlight. There's something wrong with Lily, health wise that is, and it seems she has decided to wander out into the wilderness to die. You may recognize Lily, the one eyed handmaid. Anyways at some point she gets sick passes out and wakes up on a farm, run by wife Ella and hubby Adam, and they look after her. Weird because just 10 minutes ago in the opening scene, Adam just straight up shoots up two guys that wander onto the farm, that are even welcomed in by Ella, so yea. Must be cause she's a pretty girl? Kinda, but not really. So Lily hangs out for awhile getting to know them a little earns her keep by chopping wood,doing odd chores around the farm like have a threesome and toward the end of this threesome Ella hangs back watching Lily bounce on her man's pogo and decides, yep, Lily has been sent here to replace me. Ella decides to let Lily in on the secret of the farm and though the threesome was dynomite, it wasn't good enough for Adam to let Ella go, and through an act of violence, all is revealed. It's not all that hard to see what they are pointing to, however it was still a well told tale, with a pretty satisfying ending. Why is it called Still? I won't tell you. Filmbufftim on FB
LoganCrews (2861 KP) rated 13 Assassins (2011) in Movies
Oct 28, 2021
Competent I suppose - I mean I still liked it and all - but I don't go to Miike to see something just competent, you feel? Gets points exclusively for the insane amount of people that get hacked, blown up, trampled, shot with arrows, and bludgeoned to death in the final act - and a particularly powerful last 20 minutes that wrap things up nicely (the way it touches on how the wealthy fetishize lowly rabble without actually wanting any of the consequences of it floored me ["So death comes for us all."]). It's a surprise to no one that this guy can emulate practically any genre with ease, but did this have to be so traditional? Am I being too much of a pushover to ask for more of that sweet, sweet gore that we only get bits and pieces (no pun intended) of? The final battle (which you guys all oversold) is notable in scope but is almost classical to a fault and lacks the snappiness of better martial arts films like Jet Li's 𝘍𝘦𝘢𝘳𝘭𝘦𝘴𝘴, for example - some of it you can't even see that well either. In fact I think this actually succeeds more in its more disturbing moments rather than its action, with that religiously entertaining villain often swooping in to save the day -I mean the guy's a riot, plain and simple (props to Goro Inagaki for playing him *perfectly*). A lot of the other stuff just feels emulative to me, never bad that's for sure - Miike seldom misses a beat - but I wish there was more of him visible here (he would have crushed some motherfuckers in those wooden spike wall traps). Though on that note, I don't mind at all that this dropped his affinity for drawing out scenes way too long.
graveyardgremlin (7194 KP) rated Marked (House Of Night #1) in Books
Feb 15, 2019
NOTE: I read this way back in 2008 and I have a feeling I wouldn't like it so much now, if at all. Take my review with a grain of salt.
Admittedly deeper than my last read (Glass Houses by Rachel Caine), it's still in the same basic genre that I felt like reading at this time. Even though Zoey is a bit of a Mary-Sue character (practically perfect in every way), I still liked her, and it probably helped it was written in first person so that I could read her insecurities and such. I loved the basic plot and the side characters, Damien and Stevie Rae (oh, and Nala!) were great. On the other hand, I could probably do without the 'Twins,' but beggars can't be choosers. :P If I had read this as a teenager, I know I would have loved it even more than I do. The book reminded me of Laurie Faria Stolarz's books; it had the same basic feel to it as those do, even if it's totally different in concept.
The book could have done another editing sweep. I had to reread many sentences so they would make sense to me. Now, I don't know if it's because I'm not that up on teenage slang. Now, I'm not that old, but old enough to not know every slang word or phrase. For example, there is a sentence that reads: "Just please with the taking so long." Now what is that supposed to mean? To me it sounds like it's two unfinished sentences stuck together. Hopefully, there won't be too much pop culture thrown into the series, because more often than not, it dates the book and doesn't really add anything. Nitpicking aside, I honestly can't wait to explore more of this world.
Admittedly deeper than my last read (Glass Houses by Rachel Caine), it's still in the same basic genre that I felt like reading at this time. Even though Zoey is a bit of a Mary-Sue character (practically perfect in every way), I still liked her, and it probably helped it was written in first person so that I could read her insecurities and such. I loved the basic plot and the side characters, Damien and Stevie Rae (oh, and Nala!) were great. On the other hand, I could probably do without the 'Twins,' but beggars can't be choosers. :P If I had read this as a teenager, I know I would have loved it even more than I do. The book reminded me of Laurie Faria Stolarz's books; it had the same basic feel to it as those do, even if it's totally different in concept.
The book could have done another editing sweep. I had to reread many sentences so they would make sense to me. Now, I don't know if it's because I'm not that up on teenage slang. Now, I'm not that old, but old enough to not know every slang word or phrase. For example, there is a sentence that reads: "Just please with the taking so long." Now what is that supposed to mean? To me it sounds like it's two unfinished sentences stuck together. Hopefully, there won't be too much pop culture thrown into the series, because more often than not, it dates the book and doesn't really add anything. Nitpicking aside, I honestly can't wait to explore more of this world.
Dawn Marie (22 KP) rated Suicide Squad (2016) in Movies
Jan 21, 2018
I like this movie more than most people.before anyone says anything this film does have issues some that the dvd release remedies. Harley Quinn was the highlight of the movie and I know people gripe about her costume but if you read the new 52 comics her costume is just as revealing. Jared leto as the joker takes some getting used to but I am one that can separate each actor who has played joker and while he was not the greatest joker he was good as the joker. Another highlight that surprised me was will Smith as deadshot I was prepared not to like him as deadshot but he really surprised me. I would have liked to know more about killer croc and captain boomerang but unlike some people I read the comics before I saw the movie which helped with some back stories that were not provided. It almost would have been better to make a couple of movies with some of the more major characters in suicide squad. I also really liked el Diablo as well. Some of the issues were that it felt like back stories were rushed some were left out so if you weren't familiar with the villain you wouldn't completely understand what was driving them. I loved all the Harley Quinn things because I have been a fan of Harley Quinn since she first appeared in the 90s that being said the back story of her and joker would have been better in a harley/ joker movie it's not bad but not the movie it could of been. I really enjoy the movie and can't wait for the next one but hope they take the advice of the fans
LoganCrews (2861 KP) rated Joji Presents: The Extravaganza (2020) in Movies
Nov 27, 2020 (Updated Nov 27, 2020)
Not as good as Hair Cake. In seriousness, as someone who firmly believes that FIlthy Frank was perhaps the single greatest online entertainer who ever lived - something this casual was always going to seem like a downgrade for me as opposed to his former persona's caustic, over-the-top antics. But I also really enjoy Joji and feel he's similarly unique in a different way - one of which I dig quite a lot. Ballads 1 and Nectar have some *banger* songs on them that I regularly put on repeat so I was fully ready to have fun with this. But what was marketed as a dark spin on a circus stage performance meets a lite version of The Eric Andre Show ended up being a rather low-energy, repetitive slog that stretches at barely over an hour. I'm still not even sure what the point of this was, the only half-inspired bit was Run (and maybe Sanctuary yet it seemed so telegraphed) but other than that it's a collection of confusingly samey (though never bad) live renditions of songs that you get no benefit of seeing performed here as opposed to hearing/seeing them on the albums or music videos. Joji's downtrodden, walking broken heart persona (which - by the way - I love) tries to mix with this high-energy would-be attention grabber and truthfully it doesn't work or come even close to justifying the ticket price. The costumes and songs are still rock-solid even though two or three of them just feel like the same track. It makes me happy to see George's newfound success in something he's so passionate about, but this was a misfire imo. Alas, not even Joji performing Tick Tock as a 𝘋𝘦𝘴𝘱𝘪𝘤𝘢𝘣𝘭𝘦 𝘔𝘦 minion can save it. God-tier ending, though - why wasn't the whole thing more like that?
Amanda (96 KP) rated This Adventure Ends in Books
Mar 12, 2019
"They never really say that they love each other, but it's so freaking obvious. Like, Sherlock would straight up kill for Watson.
This is the second book I've read by Emma Mills. The first one was Foolish Hearts. I never did write a review about it, except on my Instagram. It was one of the first boxes I got from OwlCrate and I was excited cause the story was so interesting and the cover was gorgeous. This cover is, of course, gorgeous as well.
Sloane moves to a new place and doesn't have a problem around people, nor does she have a problem confronting a douche being a douche at a party. Unfortunately, when she did that, the guy whom douche was being a douche to, didn't appreciate it. I always wondered WHY it's such a bad thing with a woman/girl comes to a guy's aid. Sure, they 'got it covered' but still. I wonder what exactly started as it being 'weak' or 'embarrassing' if a woman stood up for someone, even if it was a guy. Just saying.
Sloane is sarcastic, laid back, and sometimes a bit off putting when she uses humor to deflect from a serious situation, or a situation that seems to get serious. I adored her, however. One of the things that killed me was that she didn't realize, or acknowledge, that people did genuinely like her.
I just ADORED each character in this book. Vera and her twin brother, Gabe, were one of the first people she meets at that party. Gabe is a bit put off by her because, as a guy, he didn't like that she stood up to the douche who was being a douche to him. Vera is absolutely lovable and kind of adopts Sloane into their little circle of friends. Vera is a passionate character and even I was immediately drawn to her and would totally come out of my introvert shell to hang with her if she simply asked.
"We should all find something to be weirdly passionate about, don't you think?"
I loved the relationship (platonic) between Sloane and Frank. He doesn't have a HUGE part in the book, but he was so much fun to read. We should all have a Frank in our lives! Sloane's father is an author who is struggling with writers block, but becomes with a show called WereSchool and starts writing fanfics. The show is a school for different kind of creatures like werewolves, vampires, ghosts...
"Mermaids aren't real in the WereSchool canon."
I'm sorry but how can all the others exist and NOT mermaids!
The story centers around the twins' mother passing away but their father gave away a good chunk of her paintings. One in particular called The Dream, so Sloane literally goes out of her way to try to track down this painting so she could bring it back to them. Sloane does this as a way to really express herself, because not everybody is great with words - even if your father is a best selling author.
"All epic quest start somewhere, right?"
The story is a great journey with Sloane and even though she can be frustrating, simple friendships and compassion break through that wall eventually. This is only the second novel that I've read by Emma Mills, but right now, I'd rank this to be the top one I like the most, so far. I have her recent novel on my to be read list, but I don't have a copy of it just yet. If anything, it would be just to read about Frank and then Vera.
I only have one slight complaint. The constant use of the word 'like' was getting a bit old. I'm sure that's how some teenagers still talk these days (lord knows I did when I was younger), but I started to hate that word. That's all.
If you haven't read a book by Mills yet, I'd start with this one. Foolish Hearts is also a great novel, but this would be the one I would recommend first.
This is the second book I've read by Emma Mills. The first one was Foolish Hearts. I never did write a review about it, except on my Instagram. It was one of the first boxes I got from OwlCrate and I was excited cause the story was so interesting and the cover was gorgeous. This cover is, of course, gorgeous as well.
Sloane moves to a new place and doesn't have a problem around people, nor does she have a problem confronting a douche being a douche at a party. Unfortunately, when she did that, the guy whom douche was being a douche to, didn't appreciate it. I always wondered WHY it's such a bad thing with a woman/girl comes to a guy's aid. Sure, they 'got it covered' but still. I wonder what exactly started as it being 'weak' or 'embarrassing' if a woman stood up for someone, even if it was a guy. Just saying.
Sloane is sarcastic, laid back, and sometimes a bit off putting when she uses humor to deflect from a serious situation, or a situation that seems to get serious. I adored her, however. One of the things that killed me was that she didn't realize, or acknowledge, that people did genuinely like her.
I just ADORED each character in this book. Vera and her twin brother, Gabe, were one of the first people she meets at that party. Gabe is a bit put off by her because, as a guy, he didn't like that she stood up to the douche who was being a douche to him. Vera is absolutely lovable and kind of adopts Sloane into their little circle of friends. Vera is a passionate character and even I was immediately drawn to her and would totally come out of my introvert shell to hang with her if she simply asked.
"We should all find something to be weirdly passionate about, don't you think?"
I loved the relationship (platonic) between Sloane and Frank. He doesn't have a HUGE part in the book, but he was so much fun to read. We should all have a Frank in our lives! Sloane's father is an author who is struggling with writers block, but becomes with a show called WereSchool and starts writing fanfics. The show is a school for different kind of creatures like werewolves, vampires, ghosts...
"Mermaids aren't real in the WereSchool canon."
I'm sorry but how can all the others exist and NOT mermaids!
The story centers around the twins' mother passing away but their father gave away a good chunk of her paintings. One in particular called The Dream, so Sloane literally goes out of her way to try to track down this painting so she could bring it back to them. Sloane does this as a way to really express herself, because not everybody is great with words - even if your father is a best selling author.
"All epic quest start somewhere, right?"
The story is a great journey with Sloane and even though she can be frustrating, simple friendships and compassion break through that wall eventually. This is only the second novel that I've read by Emma Mills, but right now, I'd rank this to be the top one I like the most, so far. I have her recent novel on my to be read list, but I don't have a copy of it just yet. If anything, it would be just to read about Frank and then Vera.
I only have one slight complaint. The constant use of the word 'like' was getting a bit old. I'm sure that's how some teenagers still talk these days (lord knows I did when I was younger), but I started to hate that word. That's all.
If you haven't read a book by Mills yet, I'd start with this one. Foolish Hearts is also a great novel, but this would be the one I would recommend first.
Emma @ The Movies (1786 KP) rated Vivarium (2020) in Movies
Mar 8, 2020
I like the idea of these weird and wonderful takes, when I saw the synopsis I knew it needed to make my LFF shortlist.
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
Tom and Gemma are looking to take the next step in their relationship, getting their very own home. On a whim they visit an oddly minimal estate agents where they meet Martin. Martin is enthusiastic about the chance to show them the perfect home in the perfect community, Yonder.
When they arrive in the deserted town it's instantly strange. Every house looks like the last, every street looks like the next, and Martin's enthusiasm never waivers. They decide to "dine and dash", politely look around and then leave to laugh about the whole experience on the way home, but as they complete their tour they realise that Martin has gone.
As the couple head home in their car they realise they're somehow lost, the simply designed neighbourhood has become a labyrinth that keeps leading them back to that same house. Maybe this is home after all.
Writing that extended synopsis was an exciting reminder of the idea at the core of Vivarium. Its story would definitely fit well into the recent trends of Black Mirror, Dimension 404 and Twilight Zone, and that was something that slightly hindered my enjoyment. Those formats work well in a compact episode size chunk, the film is only 97 minutes long but the content seems to have been stretched out to fit that runtime.
Towards the end of Vivarium we're introduced to a lot of information that you don't really have enough time to process, so much so that it feels like a rather unsatisfying development. That's where the similarities to the TV show idea ends, could it have benefitted from a sharper end? I'm not sure, perhaps that is all just part of the intrigue.
Jesse Eisenberg and Imogen Poots made quite a good match in the leads, from the off you can see their nature coming through, they're in sync and happy. As the situation deepens and they get more confused and frustrated you see them pulling apart while simultaneously clinging to each other because they're all that they have in the world. It's a lot of ups and downs for the characters to go through and yet the pair manage to make it work, with so much of (basically all of) the film relying on this dynamic I'm pleased that there was such a strong performance from them both.
It's difficult to express the way I feel about this film, I love the idea, the acting was great and the design of the town and the sets were picture perfect in that agonising horror kind of way (it reminded me of the fake 1950s towns they'd set up for atomic bomb testing), where I'm on the fence is the ending. Throwing in the scene that was out of tune with the rest of the film didn't add intrigue for me, but that being said, I'm still thinking about the film months after seeing it so... did it?
While my score might not necessarily seem like a recommendation I honestly think that everyone will take something different away from this about a wide range of things. I swing wildly between remembering the film without that ending to with it, and I don't know which version of the town I prefer seeing in my head...
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/vivarium-movie-review.html
LeftSideCut (3776 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Dec 20, 2019 (Updated Jan 22, 2020)
Contains spoilers, click to show
Right then... I definitely need to go and see this again to properly digest it, so my thoughts on it will probably change...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Just like TLJ before it, there are things that I liked about Rise of Skywalker, and plenty that I didn't. There are also parts that I liked overall, but we're executed poorly - this unfortunately seems to be what to expect from Star Wars these days.
The opening act of ROS, so let's say the first 40ish minutes, felt like a complete mess to me. We are thrown from scene to scene without having much time to catch breath. It feels panicky, and not in a good way.
It not really until the-bit-from-the-trailer-where-rey-jumps-over-a-tie-fighter that the narrative seems to just calm down a bit and find it's footing.
What follows is a mixed bag of humour and mild action which is a bit so so, slowly leading up to the films finale.
I have to say, I actually really enjoyed the majority of the third act. The action scene that takes place on Endor is fantastic. It looks amazing, some of the visual shots are great, and the choreography just about resists falling into prequel territory lightsaber battles.
The final battle, again is visually stunning, and though at times corny, I felt it was a suitable end scene for the saga.
In terms of characters - I once again enjoyed Rey, even i was left undecided with how her arc was left off - the same goes for Kylo Ren, and once again, Adam Driver was a massive highlight throughout.
However, I once again found myself struggling to like Finn and Poe, and it seems that after the events of TFA, both of these characters were just a bit of dead weight, still included in the larger narrative because the actors had signed contracts. Finn runs into a group of defective stormtroopers at one point, and the movie sort of half-arses them into the story, but they ultimately serve no real purpose.
The narrative is also guilty of setting up a potentially important plot beat between him and Rey, which is eventually dropped and forgotten without mention.
Leia's story felt a bit unfleshed, and that surely down to the limited footage they had to work with.
There are two moments that stuck out when it comes to bad execution - the reveal of Rey's lineage is sudden and questionable, but the dialogue used when Kylo Ren delivers the revealing line is laughable, and spoils any weight the moment may have otherwise had. The second is when we are inevitably introduced to Luke's force ghost, a moment that has been coming since the events of TLJ, is delivered with a fan-service line referencing the moment where he threw his lightsaber away at the start of said film, and this bring me to one of my main criticisms of ROS.
I was not the biggest fan of TLJ, but as I mentioned in my review for it, I have a lot of respect for Rian Johnson for trying something new, and ROS reverses a lot of what he did. It feels a bit disrespectful, and a bit spineless.
This also happens a few more times in regards to plot points to do with Chewbacca, and C3-PO - the narrative sets up a fairly ballsy move, and then reverses it and plays it safe. It's a little frustrating.
Palpatines return is something that I can just about get behind - he looked suitably terrifying - but I just wish that the groundwork had been put down a bit more in previous films (films, not the TV shows). Instead, it does have a bit of a desperate ret-con feel about it.
But enough moaning from me, have some more positives - the music score is once again fantastic, the visual effects and CGI are pretty damn good (barring a couple of dodgy shots here and there), and I once again enjoyed the locations that we visited.
Rise of Skywalker will no doubt be devisive, just like The Last Jedi, and it's a film filled to the brim with thrilling Star Wars moments, as well as really really stupid moments, but to be honest, I've come to expect no more and no less at this point. Go and see it for what it is, and try and have a good time, because for the most part, it's pretty entertaining sci-fi fluff.
Side note - Everytime Merry from Lord of the Rings popped up, I found it completely distracting...
Debbiereadsbook (1678 KP) rated The Feisty Omega (Leongatha Pack Origins) in Books
Dec 19, 2024
I got to know Talius a bit better!
Independent reviewer for BookSirens, Iwas gifted my copy of this book.
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
Daniel Boyd (1066 KP) rated Straight Outta Compton by NWA in Music
Nov 2, 2017 (Updated Nov 2, 2017)
Something To Say
I still remember the first time I heard this record and I listened to it all the way through lying in bed. Eminem was my gateway into rap music when I was in my early teens, which inevitably led onto Tupac, Snoop Dogg, Biggie, Public Enemy and the like, but when I first heard Straight Outta Compton it was like being taken on a journey in the back seat of some banged up car around the burnt out, bullet ridden streets of Compton, CA. Some people may sneer at the inclusion of this album and claim that it doesn’t deserve to be admired due to its glorification of gang violence, sexual abuse and murder. However this album isn’t glorious in any way, NWA aren’t boasting about this kind of behaviour taking place in their hometown, they’re condemning it. This is an album born out of frustration, dissatisfaction and fury for the kind of environment that these guys were brought up in and it is actually inspiring in a lot of ways to kids that come from areas where their friends are getting shot night after night and with the current situation in some American states, this album is probably more relevant than ever. The album does generalise, but it also speaks the truth, there is no denying that the US police were and still are largely made up of racist bigots that abuse the power that they are given. Drugs, sexism and violence are simply a part of the culture in some of the poorer parts of modern America and this album doesn’t shy away from that, it wears its heart on its sleeve and I think that it is one of the most powerful statements to come out of modern music and one that is unfortunately still just as relevant today, 29 years later.