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The Take (Bastille Day) (2016)
6.8
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Movie
PIckpocket and young opportunist thief, Mason steals a mobile phone out of a discarded bag, When he...
Flight (2012)
7.3
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Movie Watch
Commercial airline pilot Whip Whitaker (Denzel Washington) has a problem with drugs and alcohol,...
Yellow Stone
TV Show
Yellowstone is an American drama television series created by Taylor Sheridan and John Linson that...
True Detective
8.3
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TV Show
True Detective is an American anthology crime drama television series created and written by Nic...
True Detective - Season 2
TV Season
True Detective is an American anthology crime drama television series created and written by Nic...
Blindspot - Season 2
8.0
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TV Season
Blindspot returns for a high-octane new season as the mystery behind Jane Doe continues to deepen....
BankofMarquis (1832 KP) rated Holmes and Watson (2018) in Movies
Apr 27, 2020
They can't all be winners
Well...they can't all be winners.
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
I know that Will Ferrell is an "acquired taste" - either you like the "all in" comedy of this man, or you don't. I happen to like Ferrell, his comedy has aged on me like a fine wine. I find that some of his most recent films like THE OTHER GUYS and THE HOUSE are very funny (maybe not as funny as ANCHORMAN...but what is). I think this comedian still has his fastball.
But, sometimes, wine doesn't age well, it turns into vinegar. And for Ferrell, this vinegar is the comedic dud that is HOLMES & WATSON.
Partnering with familiar on-screen partner John C. Reilly (who paired with Ferrell in films like STEP BROTHERS and TALLEDEGA NIGHTS) this film is a parody of the multitude of Sherlock Holmes films - this time showing that not only is Holmes and idiot but so is Watson. But, somehow, they manage to solve the crime and save the day anyway.
Ferrell is (typically) over-the-top and obtuse as Holmes. Usually, this combination works for him (see ANCHORMAN) but it just falls flat here. Same thing for John C. Reilly's Watson - he is just as over-the-top and obtuse and (I think) that's the beginning of the problem here. The two just bounce off each other without the joke landing on either of them - nor does it land of the audience.
Ralph Fiennes (Moriarty), Rebecca Hall (potential girlfriend), Rob Brydon (Inspector Lestrade) and Kelly Macdonald (Mrs. Hudson) all fair poorly with poor material to work with.
Writer/Director Etan (that's Etan, not Ethan) Cohen (IDIOCRACY) does nothing to help things here with either his writing or his direction. My only thought here is that he thought that Ferrell and Reilly could improvise themselves into a good film.
It didn't happen.
Letter Grade: C (because I guffawed out loud - despite myself - a couple of times)
4 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Flight (2012) in Movies
Oct 13, 2018
Watchable but very lacking
For a film by Robert Zemeckis, I was expecting something with a lot more heart and a little less predictable.
The problem with this film is that the main character Whip isn’t particularly likeable. Whilst Denzel Washington does his best and does bring some odd moments of likeability, it’s very difficult to connect with this film when Whip is not a very good person. Of course everything turns out the way you’d expect from the outset but this just makes for a bit of a dull watch. Kelly Reilly is sorely underused and her character just seems to have been thrown in a little haphazardly, making little of her and her journey. The visual effects of the crash itself are very good and the soundtrack is great, although it does throw back a little too much to Forrest Gump. The whole film drags and does get a little talky and dull. It also seems to be putting out a strange message about the effects of alcoholism, and yet how a pilot saved a flight whilst he was drunk and high.... very odd.
It’s the type of film you’d watch once and it’s bearable enough to watch to the end, but not one you’d go out of your way to watch again.
The problem with this film is that the main character Whip isn’t particularly likeable. Whilst Denzel Washington does his best and does bring some odd moments of likeability, it’s very difficult to connect with this film when Whip is not a very good person. Of course everything turns out the way you’d expect from the outset but this just makes for a bit of a dull watch. Kelly Reilly is sorely underused and her character just seems to have been thrown in a little haphazardly, making little of her and her journey. The visual effects of the crash itself are very good and the soundtrack is great, although it does throw back a little too much to Forrest Gump. The whole film drags and does get a little talky and dull. It also seems to be putting out a strange message about the effects of alcoholism, and yet how a pilot saved a flight whilst he was drunk and high.... very odd.
It’s the type of film you’d watch once and it’s bearable enough to watch to the end, but not one you’d go out of your way to watch again.
Gareth von Kallenbach (965 KP) rated Sing (2016) in Movies
Jul 12, 2019
The team that brought us “Despicable Me” and “Minions”‘- Illumination Entertainment, brings us the animated musical “SING”.
Buster Moon (voiced by Matthew McConaughey), has achieved his childhood dream of owning a theater. Business have become bleak, the once grand Moon Theater is in disrepair. With the bank ready to repo the property, in a stroke of desperation, Buster comes up with the idea that a singing competition would be the solution. Aided by his trusty assistant, Miss Crawley, Buster begins the audition to find the next big star.
The audition brings out all creatures great and small; from Meena, the shy elephant with the gift of song (voiced by the exceptionally talented Tori Kelly) to Mike, the mouse (voiced by Seth MacFarlane) a crooner who is out for himself. The rag-tag bunch includes Rosita (voiced by Reese Witherspoon), the stay at home mom who feels like she has lost who she was, paired with Gunther (voiced by Nick Kroll) the dancer with the greatest self image ever. Johnny (voiced by Taron Egerton) the dedicated son who does not want to go into the family business with his dad, who instead wants to sing. Rounding out the performers is Ash (voiced by Scarlett Johansson) the timid girl that breaks out into an angst-y rocker that just wants to play her music.
The story is cute and charming with some laugh-snort moments. We are given glimpses into the lives of each performer, providing us with the background on what motivates each to be in the competition. We also get some history of Buddy, how he came to own the theater, his best friend Eddie (voiced by John C. Reilly) and Eddie’s Grandmother (Older Nana – voiced by Jennifer Saunders, Younger Nana – voiced by Jennifer Hudson). The last third is the best part of the film. We finally see each performance where we were only given little glimpses prior. There are some surprising performances. I had no idea that Taron Egerton, who plays Johnny, the silverback(The Kingsmen, Eddie the Eagle) sings so beautifully. The highlight for me is when Tori Kelly (Meena) sings the Stevie Wonder tune “Don’t You Worry ‘Bout A Thing.” Her rendition lives on still as my earworm.
I was pleasantly surprised by the film, I definitely did not expect it to be quite as enjoyable. It’s not “Despicable Me” or” Minions”, it is a fun family movie that is worth watching that has laughs for the adults as well.
Buster Moon (voiced by Matthew McConaughey), has achieved his childhood dream of owning a theater. Business have become bleak, the once grand Moon Theater is in disrepair. With the bank ready to repo the property, in a stroke of desperation, Buster comes up with the idea that a singing competition would be the solution. Aided by his trusty assistant, Miss Crawley, Buster begins the audition to find the next big star.
The audition brings out all creatures great and small; from Meena, the shy elephant with the gift of song (voiced by the exceptionally talented Tori Kelly) to Mike, the mouse (voiced by Seth MacFarlane) a crooner who is out for himself. The rag-tag bunch includes Rosita (voiced by Reese Witherspoon), the stay at home mom who feels like she has lost who she was, paired with Gunther (voiced by Nick Kroll) the dancer with the greatest self image ever. Johnny (voiced by Taron Egerton) the dedicated son who does not want to go into the family business with his dad, who instead wants to sing. Rounding out the performers is Ash (voiced by Scarlett Johansson) the timid girl that breaks out into an angst-y rocker that just wants to play her music.
The story is cute and charming with some laugh-snort moments. We are given glimpses into the lives of each performer, providing us with the background on what motivates each to be in the competition. We also get some history of Buddy, how he came to own the theater, his best friend Eddie (voiced by John C. Reilly) and Eddie’s Grandmother (Older Nana – voiced by Jennifer Saunders, Younger Nana – voiced by Jennifer Hudson). The last third is the best part of the film. We finally see each performance where we were only given little glimpses prior. There are some surprising performances. I had no idea that Taron Egerton, who plays Johnny, the silverback(The Kingsmen, Eddie the Eagle) sings so beautifully. The highlight for me is when Tori Kelly (Meena) sings the Stevie Wonder tune “Don’t You Worry ‘Bout A Thing.” Her rendition lives on still as my earworm.
I was pleasantly surprised by the film, I definitely did not expect it to be quite as enjoyable. It’s not “Despicable Me” or” Minions”, it is a fun family movie that is worth watching that has laughs for the adults as well.
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).