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Gareth von Kallenbach (980 KP) rated Trolls (2016) in Movies
Jul 15, 2019
The new film ‘Trolls’ by Dreamworks opens nationwide November 4.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Trolls is an animated kids movie starring the voices of Anna Kendrick as Poppy, heir to the Trolls, and her pessimistic best friend Branch, voiced by Justin Timberlake.
Trolls opens with a quick summary of the Trolls personality– they are always happy, love to hug, party and dance. This is immediately followed up by revealing the trolls biggest predicament: the Bergens.
The Bergens don’t feel anything at all and don’t enjoy doing anything, the only amount of happiness they feel comes from eating the trolls on a holiday they deemed “Trollstis”.
I actually enjoyed this concept although it is a bit dark for children. The film however, manages to stay away from having a dark tone throughout. Instead, it’s filled with cheesy musical numbers and has a very basic plot, I.e. trolls get kidnapped and need to be rescued.
The character depth is pretty slim and the only character development we really see is with Branch (Timberlake) who goes from being pessimistic and a downer to positive and happy by the very end.
Multiple times during the movie I found myself asking “when is this going to end?”. There was maybe one moment throughout the entire movie that got a half chuckle out of me and that was absolutely it.
Despite such big names like Justin Timberlake, Anna Kendrick, Russell Brand, Zoey Deschanel and Gwen Stefani, the subtle adult jokes sprinkled throughout the movie were few and far between…. Rather than most recent films targeted at kids, that have an underlying thread aimed at drawing in adults and making it worthwhile for the adults to attend, Trolls adult aimed content seemed to be at an absolute bare minimum.
Therefore, my conclusions are this: If you’re looking for a kids movie that also has substance that reaches adults, this film doesn’t make the list. This film is simply a kids movie in every way.
However, if you want to take your kid to a movie that lights up his face and brightens his day this movie is worth sitting through.
I’d give this movie 2/5 stars as an adult, but the 8 year old boy gives it 5/5.
Mark @ Carstairs Considers (2434 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
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ClareR (5996 KP) rated The Searcher in Books
Nov 15, 2020
The Searcher is, much like the Wych Elm, a slow burner. This is always a positive where I’m concerned. It gave me the opportunity to look around the Irish village of Ardnekalty, get to know the inhabitants, what the countryside and the landscape looked like (beautiful, by the way)and above all, to build a full picture of Cal Hooper and Trey.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
Becs (244 KP) rated 1984 Nineteen Eighty-Four in Books
Oct 2, 2019
1984 by George Orwell, one of my favorite literary classic novels to this date! This was a monster to get through but once I finished, I was able to take the novel as a whole and learn from it. And man, what a loaded punch it throws at you. George Orwell is a favorite of mine and his writing style is just exactly what I expect from an author from his era.
1984 is about a government that controls everything a citizen of Oceania does, says, etc. If you rebel, you get kidnapped, tortured and then broken down to the point where they are able to rebuild you into the ideal citizen. That’s pretty much exactly what happens in this 328-page novel. But trust me when I say, this is worth a read through!
Genre: Sci-Fi, Dystopian, Literary Classic
Reading Level: High School +
Interests: Dystopian worlds, politics, science fiction, totalitarian systems.
Difficulty Reading: Like putting butter on a soft piece of bread. Not kidding, 1984 was difficult to read but the meaning behind it is what counts.
Promise: Dystopian, Sci-Fi world with a totalitarian system that runs your life until you are no longer a rebellious individual and instead under their complete control. A bit like being a slave.
Favorite Quotes: “Perhaps one did not want to be loved so much as to be understood.”
“Who controls the past controls the future. Who controls the present controls the past.”
“If you want a picture of the future, imagine a boot stamping on a human face—for ever.”
What Will You Gain: Knowledge on what the world could turn into when the government decides to rule over all a certain way. Where everything you do is controlled and if you do anything differently or that goes against what the government says, you end up dead.
Aesthetics: The entirety of the novel. The cover. How Orwell pretty much has the real world mixed in with a fantasy world. I mean, you just have to read it to know.
“The best books… are those that tell you what you know already.”
1984 is about a government that controls everything a citizen of Oceania does, says, etc. If you rebel, you get kidnapped, tortured and then broken down to the point where they are able to rebuild you into the ideal citizen. That’s pretty much exactly what happens in this 328-page novel. But trust me when I say, this is worth a read through!
Genre: Sci-Fi, Dystopian, Literary Classic
Reading Level: High School +
Interests: Dystopian worlds, politics, science fiction, totalitarian systems.
Difficulty Reading: Like putting butter on a soft piece of bread. Not kidding, 1984 was difficult to read but the meaning behind it is what counts.
Promise: Dystopian, Sci-Fi world with a totalitarian system that runs your life until you are no longer a rebellious individual and instead under their complete control. A bit like being a slave.
Favorite Quotes: “Perhaps one did not want to be loved so much as to be understood.”
“Who controls the past controls the future. Who controls the present controls the past.”
“If you want a picture of the future, imagine a boot stamping on a human face—for ever.”
What Will You Gain: Knowledge on what the world could turn into when the government decides to rule over all a certain way. Where everything you do is controlled and if you do anything differently or that goes against what the government says, you end up dead.
Aesthetics: The entirety of the novel. The cover. How Orwell pretty much has the real world mixed in with a fantasy world. I mean, you just have to read it to know.
“The best books… are those that tell you what you know already.”
Andy K (10823 KP) rated The Brood (1979) in Movies
Sep 22, 2019
An R rated version of Inside Out?
Frank Carveth is just a father with some problems. His wife is currently enrolled in an intense, secluded, mysterious form of psychotherapy being conducted by an unusual doctor. His eccentric mother-in-law, has just been murdered through unusual circumstances and his young daughter is showing signs of physical abuse at the hands of his institutionalized wife that he must now investigate.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
After the murder, his father-in-law also arrives, the situation worsens as he attempts to visit his daughter while in therapy without success. Still grief stricken, he wants to confront the doctor or at least understand what is happening.
Here is where the story becomes very unusual. The brutality being dispatched to various individuals is being administered by disfigured "dwarves" or misshapen children which makes no sense to Frank or the police which asks more questions.
After learning additional details, Frank returns to his wife's benefactor for a final confrontation with her and the doctor to ensure the release of his kidnapped daughter.
Cronenberg's early body horror films still stand as some of the most provocative of the gene and this film is certainly no exception. The deformed assailants provide immediate unique intrigue in the film representing something you have never seen previously and it only gets worse.
The total brutality they complete upon their victims is worsened by the fact some of it is even performed in front of children who would obviously be scarred for years to come.
The final reveal of "The Brood" is so intense, bizarre and graphic it will still turn off, repulse or offend almost anyone who watches it. Only true fans of the macabre, strange and totally extreme will find this palpable.
The great Oliver Reed is especially intense in his performance as the unconventional doctor performing his ritualistic treatments which include offbeat role plays where he has conversations with his patents pretending to be other people.
I can only imagine the reaction this film had upon its release in 1979.
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