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Kristy H (1252 KP) rated The Stone Circle (Ruth Galloway, #11) in Books
Jun 21, 2019
When DCI Nelson receives the letter, he's immediately transported back to twenty years ago, when young Lucy Downey went missing and the first letters began. Then, to ten years later, when they found the bones in the Saltmarsh. It was then that Ruth first came in to Nelson's life, when she was called to examine the bones. While the bones weren't related to Lucy, she also took a look at the letters. And, of course, became entwined in Nelson's life. During that time, another child died, and the killer drowned on the marshes. The letter writer, Erik Anderssen, Ruth's mentor, also died that night too. Now, Ruth is assisting with a new dig in the Saltmarsh in a stone circle--one with ties to Erik. While digging, they find recent bones believed to belong to Margaret Lacey, who went missing in 1981 at the age of twelve. As the the investigation into Margaret's case begins, it looks like it has ties to Nelson's earlier cases--the letters, the bones, the missing kids, and more. But that killer is dead--right?
"'He's back,' says Clough. 'Bollocks,' says Nelson. 'He's dead.'"
The wonderful Elly Griffiths brings us back to her first Ruth Galloway book, The Crossing Places in this, her eleventh Ruth story. Yet, the tale feels as fresh and intriguing as ever. I just love the Ruth Galloway series--the tone of these books is unlike almost any other. Ruth seems real to me by now, like an old friend, and don't even get me started on Nelson, our beloved, sarcastic, DCI. Griffiths has an amazing ability to characterize Ruth and Nelson (and the whole crew) and capture their own distinct voices. Her books are at turns funny, familiar, and sometimes heartbreaking as Ruth and Nelson try to navigate their own relationship--and the other relationships that may or may not keep them apart. Michelle, Nelson's wife, has her baby in this one (cliffhanger resolved), and there is progress made on other personal fronts as well.
It almost seems like icing on the cake that we are treated to an enjoyable mystery along with our lovely characters and just overall familiarity. I found the case in this one to be engrossing, especially with the ties back to the earlier book. (I highly recommend reading this series from the beginning--it's the best way to catch all the little nuances and bits of humor, but the book will stand alone.) Margaret's disappearance is interesting--and her story brings a whole new cast of characters, several of whom entwine with our usual suspects.
All in all, as always, another winner from Griffiths. I could read her books constantly, and I love Ruth and Nelson (and Kate, Ruth's seven-year-old) so dearly! They truly seem real to me. If you've been reading this series from book #1, you'll enjoy the usual humor (oh Nelson) and returning to our cast of characters. If you like a good mystery (with some archaeological flavor sprinkled in), you won't be disappointed either. 4.5 stars.
"'He's back,' says Clough. 'Bollocks,' says Nelson. 'He's dead.'"
The wonderful Elly Griffiths brings us back to her first Ruth Galloway book, The Crossing Places in this, her eleventh Ruth story. Yet, the tale feels as fresh and intriguing as ever. I just love the Ruth Galloway series--the tone of these books is unlike almost any other. Ruth seems real to me by now, like an old friend, and don't even get me started on Nelson, our beloved, sarcastic, DCI. Griffiths has an amazing ability to characterize Ruth and Nelson (and the whole crew) and capture their own distinct voices. Her books are at turns funny, familiar, and sometimes heartbreaking as Ruth and Nelson try to navigate their own relationship--and the other relationships that may or may not keep them apart. Michelle, Nelson's wife, has her baby in this one (cliffhanger resolved), and there is progress made on other personal fronts as well.
It almost seems like icing on the cake that we are treated to an enjoyable mystery along with our lovely characters and just overall familiarity. I found the case in this one to be engrossing, especially with the ties back to the earlier book. (I highly recommend reading this series from the beginning--it's the best way to catch all the little nuances and bits of humor, but the book will stand alone.) Margaret's disappearance is interesting--and her story brings a whole new cast of characters, several of whom entwine with our usual suspects.
All in all, as always, another winner from Griffiths. I could read her books constantly, and I love Ruth and Nelson (and Kate, Ruth's seven-year-old) so dearly! They truly seem real to me. If you've been reading this series from book #1, you'll enjoy the usual humor (oh Nelson) and returning to our cast of characters. If you like a good mystery (with some archaeological flavor sprinkled in), you won't be disappointed either. 4.5 stars.
BankofMarquis (1832 KP) rated Terminator: Dark Fate (2019) in Movies
Nov 6, 2019
Good (enough) conclusion to the Franchise
After a few attempts at resurrecting this franchise, James Cameron has (wisely) decided to bury the franchise with one last TERMINATOR film starring the original Terminator himself, Arnold Schwarzenegger. TERMINATOR: DARK FATE is a direct sequel to T2: JUDGEMENT DAY (or so says Producer/Writer Cameron) as it ignores the 3rd and 4th movies in this series (as well as the television show THE SARAH CONNOR CHRONICLES).
And that is a wise move as it simplifies things and just lets us get on to what a Terminator movie does best - fantastic action sequences, state of the art CGI, a killer robot that will stop at nothing to accomplish it's mission, and a plucky hero or 2 to battle said killer robot.
Oh...did I mention that they recruit a Terminator to help them stop the Terminator?
And it all works well...enough. Set in this year (2019), TERMINATOR: DARK FATE tells the tale of what happens next after Sarah and John Connor stopped Judgement Day in the 2nd Terminator film. A deadly - even more dangerous - Terminator (version 9!) returns to 2019 to kill a single woman (Natalie Reyes). This time she is helped by an augmented human from the future (Mackenzie Davis) and...Sarah Connor! Returning to this film, all buffed up and aging, is a craggy voiced Linda Hamilton as Sarah, who brings an adequate amount of world-weary, "been there, done that" attitude to the proceedings that pretty much carry the first half of the film.
And...just as the film was beginning to sag in the middle, along comes Arnold.
Playing an aging Terminator (which is explained, well enough, in the plot), Arnold plays the Terminator (who has been living with humans for over 20 years) with a wink in his eye and a sense of humor about him. Yep...this is a Terminator with a funny bone. And - I'll be darned - it works! Thanks to the performance of Mr. Schwarzenegger. He knows exactly what kind of film he is in and brings the right amount of energy, muscle and humor to the proceedings. He pretty much carries this film on his broad shoulders for the 2nd half - and he carries it with ease.
Credit Director Tim Miller (DEADPOOL) for keeping things light, simple and moving along crisply. He, too, understands the type of film he is making (and the audience that will go see this type of film) so he keeps the dialogue light and snappy, the plot at it's simplest and the action as high as he can go - blowing things up at a moment's notice. It's not sublte art by any stretch of the imagination, but it is art - in a way - and art that he does well.
If this is the last Terminator film (and I hope it is), then it is going out on a high (enough) note. I was surprisingly entertained (and not preached to) and, I think that is all I could have hoped for in a Terminator flick.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is a wise move as it simplifies things and just lets us get on to what a Terminator movie does best - fantastic action sequences, state of the art CGI, a killer robot that will stop at nothing to accomplish it's mission, and a plucky hero or 2 to battle said killer robot.
Oh...did I mention that they recruit a Terminator to help them stop the Terminator?
And it all works well...enough. Set in this year (2019), TERMINATOR: DARK FATE tells the tale of what happens next after Sarah and John Connor stopped Judgement Day in the 2nd Terminator film. A deadly - even more dangerous - Terminator (version 9!) returns to 2019 to kill a single woman (Natalie Reyes). This time she is helped by an augmented human from the future (Mackenzie Davis) and...Sarah Connor! Returning to this film, all buffed up and aging, is a craggy voiced Linda Hamilton as Sarah, who brings an adequate amount of world-weary, "been there, done that" attitude to the proceedings that pretty much carry the first half of the film.
And...just as the film was beginning to sag in the middle, along comes Arnold.
Playing an aging Terminator (which is explained, well enough, in the plot), Arnold plays the Terminator (who has been living with humans for over 20 years) with a wink in his eye and a sense of humor about him. Yep...this is a Terminator with a funny bone. And - I'll be darned - it works! Thanks to the performance of Mr. Schwarzenegger. He knows exactly what kind of film he is in and brings the right amount of energy, muscle and humor to the proceedings. He pretty much carries this film on his broad shoulders for the 2nd half - and he carries it with ease.
Credit Director Tim Miller (DEADPOOL) for keeping things light, simple and moving along crisply. He, too, understands the type of film he is making (and the audience that will go see this type of film) so he keeps the dialogue light and snappy, the plot at it's simplest and the action as high as he can go - blowing things up at a moment's notice. It's not sublte art by any stretch of the imagination, but it is art - in a way - and art that he does well.
If this is the last Terminator film (and I hope it is), then it is going out on a high (enough) note. I was surprisingly entertained (and not preached to) and, I think that is all I could have hoped for in a Terminator flick.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Freaky (2021) in Movies
Jul 3, 2021
No, not like the Disney version
Some B-movies really pack a much bigger punch than you would expect. "Nobody" is a perfect recent example. But movie karma needs to be balanced with something. Ladies and gentlemen - "Freaky"!
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
Positives:
- If you are into your "teen slasher" movies, then this is more of the same and features some innovative ways to dispatch the victims. One is certainly no way to treat a fine wine!
- Vince Vaughn has fun mincing around as his alter-ego and Kathryn Newton (soon to be in the next "Ant-Man" movie) is personable enough as the cutie-cum-serial-killer.
- It's always good to see Ferris-actor Alan Ruck on the big screen. Here, he actually plays two parts in the film. (This joke (C) One Mann's Movies.)
Negatives:
- It's flagged as "comedy/horror" but failed to meet my personal 6-laugh test. It's just not funny enough to pass muster unless, that is, you view crude dialogue as "funny". And the dialogue does get ickily crude at some points. For example, when evil-Millie ends up alone with three jocks, there's a line of misogynist dialogue (that I won't repeat) but which sets the level.
- As a Blumhouse production, the horror is ultra-gory which will put off many viewers lacking a strong stomach. But because of the associated black comedy, the horror isn't remotely tense or scary. This might be why the film only got a UK-15 certificate. But my personal view is that, with the violence and the offensive dialogue, the BBFC under called this one, and it should have been an 18.
- There's a lot of schmaltz layered on regarding the relationship between Millie and her mum (Katie Finneran, channelling a Laura Dern look). A store cubicle exchange between Finneran and Vaughn is particularly stomach-churning.
- The movie leaves logic at the door many times. A formulaic post-finale ending assumes a superhero ability to shrug off bullets.
Summary Thoughts on "Freaky": The 'body-swap idea has gone through dozens of movie versions, with Disney's "Freaky Friday" the most well known: it's actually had two outings, once in 1976 with a young Jodie Foster and Barbara Harris and again in 2003 with Lindsay Lohan and Jamie-Lee Curtis. (The latter is a firm Mann-family favourite).
This new version tries a serial-killer twist on the story, which is a good idea. But the movie fails to execute well on the concept. The director is Christopher Landon who did the "Happy Death Day" movies. This is in a similar vein. So teens who enjoyed those flicks might get a fun Saturday night out with this. But, for me, this fell between the stools of comedy and horror and is instantly forgettable.
(For the full graphical review, please check out One Mann's Movies on the web here - https://bob-the-movie-man.com/2021/07/03/freaky-no-its-not-remotely-like-the-disney-version/. One Mann's Movies is also on Facebook and Tiktok (@onemannsmovies). Thanks.)
Darren (1599 KP) rated A.M.I. (2019) in Movies
Oct 14, 2019
Characters – Cassie is a high school student that has been through a traumatic experience, being involved in a car crash that killed her mother, while others in her life have moved on, she still suffers daily, her boyfriend doesn’t give her time and always makes excuses, while her closest friends are more interested in her lifestyle and boyfriend than her. Cassie turns to an AI system on her phone, that starts guiding her on a killing spree against everyone that has done her wrong. Greg is Cassie’s father that has neglected her after her mother’s death drinking and trying to seduce younger women including one of Cassie’s friends. Liam is the asshole boyfriend that is more interested in a career in American football and sleeping around over being caring towards his own girlfriend, he is one of the most unsupportive people you will ever see in a film. Ruby and Sarah are the best friends that are not supportive in any way more interested in her boyfriend than her friendship.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Bird Hunting : Sniper Shooting
Games
App
World's best expert marksman shooters, bow bolt winged animals and creature seeker are invited to...
Scott Tostik (389 KP) rated Cult Of Chucky (2017) in Movies
Oct 8, 2017
It was a fun time (2 more)
Original cast members reunite
Surprisingly good Going
Good Guy, bad guy, you still don't Fuck with the Chuck!!
Going into the seventh installment of a film franchise I usually don't get impressed as much as I did with this movie.
To say a killer doll has had me chomping at the bit for the next installment of a movie is an understatement. I seen Child's Play the day it came out in 88. I was 12 at the time and begged my parents to take me to see it.
I became enthralled with Chucky. I wanted the doll and I wanted him to be real.
30 years later. Chucky is still going strong. Still killing with some creativity and fever. And still cracking one liners like Hannibal Burress.
When and if Brad DOURIF passes away, I hope they saved his amazing voice on some kind of hard drive, because no one will ever be able to voice Chucky like he can.
I can definitely recommend this movie to fans of the franchise. Much like the movie before is, Curse of Chucky, Cult brings him back to what he was in the 80's. A deeply disturbing psychopath who kills without regret. And while I loved the Bride and Seed of Chucky films. I am happy to see and hear him not trying to be a stand up comedian anymore. What New Nightmare did to bring the fear back to the Freddy character, the past two movies have done for Chucky.
To say a killer doll has had me chomping at the bit for the next installment of a movie is an understatement. I seen Child's Play the day it came out in 88. I was 12 at the time and begged my parents to take me to see it.
I became enthralled with Chucky. I wanted the doll and I wanted him to be real.
30 years later. Chucky is still going strong. Still killing with some creativity and fever. And still cracking one liners like Hannibal Burress.
When and if Brad DOURIF passes away, I hope they saved his amazing voice on some kind of hard drive, because no one will ever be able to voice Chucky like he can.
I can definitely recommend this movie to fans of the franchise. Much like the movie before is, Curse of Chucky, Cult brings him back to what he was in the 80's. A deeply disturbing psychopath who kills without regret. And while I loved the Bride and Seed of Chucky films. I am happy to see and hear him not trying to be a stand up comedian anymore. What New Nightmare did to bring the fear back to the Freddy character, the past two movies have done for Chucky.
Alison Pink (7 KP) rated Cloudland in Books
Jan 15, 2018
So I'm still not quite sure what to make of this book. The language used in it's writing was very poetic & descriptive. I enjoyed that aspect of it a great deal. My real issue with it was the plot. For being a murder/suspense/crime novel, it sure didn't move very quickly. I wasn't kept on the edge of my seat as I usually expect from novels that fall into this category. The "edge of my seat-ness" didn't happen for me until about the last 40 pages or so. :(
This book tells the story of a former New York Times writer & teacher who loses her adjunct professorship because she becomes romanitcally involved with a student. She is asked to leave the university & eventually settles in upstate Vermont in a rural area called Cloudland. While walking home from a neighboor's house, she comes upon the body of a woman who has been missing for months. From there you a sprung into the middle of an investigation of a group of murders taking place in the area & the manhunt for the killer...
...except you aren't really thrown into the middle of it. The writing is good, but I always felt like a bit of an outsider looking in, instead of being put in the middle of the action. The minor twists & turns that came up in the plot felt forced & insignificant to the work as a whole. Was it a bad book, no not at all. I just wasn't swept away with it by any means.
This book tells the story of a former New York Times writer & teacher who loses her adjunct professorship because she becomes romanitcally involved with a student. She is asked to leave the university & eventually settles in upstate Vermont in a rural area called Cloudland. While walking home from a neighboor's house, she comes upon the body of a woman who has been missing for months. From there you a sprung into the middle of an investigation of a group of murders taking place in the area & the manhunt for the killer...
...except you aren't really thrown into the middle of it. The writing is good, but I always felt like a bit of an outsider looking in, instead of being put in the middle of the action. The minor twists & turns that came up in the plot felt forced & insignificant to the work as a whole. Was it a bad book, no not at all. I just wasn't swept away with it by any means.
Mark @ Carstairs Considers (2426 KP) rated The Hidden Corpse in Books
Mar 27, 2019
Can Hope Find the Hidden Killer?
Hope’s neighbor Peggy Olson has come to Hope for help after catching some stuff on fire in her kitchen. Peggy had fallen asleep only to wake up to the smoke. What bothers her is she didn’t even remember starting to cook anything. When Peggy’s house burns down the next day with Peggy inside, Hope feels extremely guilty for not saying anything to protect Peggy from accidentally doing this again. That guilt changes when the police find evidence that it could have been arson. A second body in the house only further confuses things. Can Hope figure out what happened to her neighbor?
This book has a very strong mystery with plenty of questions that need to be answered. The suspects were strong as well, and they kept me guessing until the end. In fact, I was certain it was several of them at various points in the book, yet the final solution made perfect sense. Hope is a great main character as well. My biggest issue is the supporting cast. I feel like they are still fairly thin characters, and several of them are annoying. I hope they get more fleshed out as the series progresses, allowing us to like them more. Since I am a blogger (but not a food blogger), I found that aspect of Hope’s life very interesting, although her world is very different from mine. And, speaking of food, there are six delicious sounding recipes at the end of the book.
This book has a very strong mystery with plenty of questions that need to be answered. The suspects were strong as well, and they kept me guessing until the end. In fact, I was certain it was several of them at various points in the book, yet the final solution made perfect sense. Hope is a great main character as well. My biggest issue is the supporting cast. I feel like they are still fairly thin characters, and several of them are annoying. I hope they get more fleshed out as the series progresses, allowing us to like them more. Since I am a blogger (but not a food blogger), I found that aspect of Hope’s life very interesting, although her world is very different from mine. And, speaking of food, there are six delicious sounding recipes at the end of the book.
Mark @ Carstairs Considers (2426 KP) rated Downton Tabby in Books
Mar 29, 2019
Dead Body and a Tabby’s Missing Owner
Pet therapist Caro Lamont is spending this morning in her office working on some paperwork, which is why, when Graham Cash asks her to watch his tabby cat, Toria, for a little while, she readily agrees. Cash and his business partner, Jake, have rented an office for their very successful app making business in the building that Caro uses, and Caro has enjoyed getting to know them both.
When Cash doesn’t return in the agreed upon time, Caro begins to get worried. After all, she has afternoon appointments. She decides to take Toria to the house that the business partners share. However, when she arrives, she finds no sign of Cash and Jake’s dead body floating in their pool. What happened to Jake? Is Cash okay? Or is he the killer?
There is plenty happened here, including a visit by Caro’s ex-husband, so the pages fly by. Unfortunately, all the events mean that the mystery could have been a bit stronger. Still, it had some fun twists and surprises before reaching the logical conclusion. The real star here are the characters, both two and four legged. The pets will charm you, and the humans will entertain you. Some are more realistic and help draw you into the story. Others are so over the top that you are certain to laugh. Yet they are perfectly balanced and feel natural interacting with each other. This series is always a light, fun treat, and this entry is no exception.
When Cash doesn’t return in the agreed upon time, Caro begins to get worried. After all, she has afternoon appointments. She decides to take Toria to the house that the business partners share. However, when she arrives, she finds no sign of Cash and Jake’s dead body floating in their pool. What happened to Jake? Is Cash okay? Or is he the killer?
There is plenty happened here, including a visit by Caro’s ex-husband, so the pages fly by. Unfortunately, all the events mean that the mystery could have been a bit stronger. Still, it had some fun twists and surprises before reaching the logical conclusion. The real star here are the characters, both two and four legged. The pets will charm you, and the humans will entertain you. Some are more realistic and help draw you into the story. Others are so over the top that you are certain to laugh. Yet they are perfectly balanced and feel natural interacting with each other. This series is always a light, fun treat, and this entry is no exception.
Christine A. (965 KP) rated The Secret Child (DI Amy Winter #2) in Books
Apr 2, 2019
the 2nd novel in Caroline Mitchell's DI Amy Winter series
Last year I read Truth and Lies, the first novel in Caroline Mitchell's DI Amy Winter series. My eyes started to hurt so I took a break and realized I had read the first 16 chapters without stopping.
The Secret Child is the second novel in Mitchell's DI Amy Winter series. I learned my lesson from binge reading the first book and set a timer to remind myself to take a break from reading. I forced myself to take a few breaks but finished reading it in one day. It is not a very long book, 330 pags, but I just could not find a place to stop reading for the day. I just had to keep reading!
Detective Inspector Amy Winter returns with her high-priority crime unit tracking down a kidnapper. He is using the kidnappings to extract revenge on those who had used children for dangerous and illegal experimentation years ago. Also returning is Lillian Grimes, Winter's biological mother who is imprisoned for being half of a serial killer husband and wife team known as the Beasts of Brentwood.
The Secret Child is as riveting as Truth and Lies. Both are character-driven and fast-paced, suspenseful, and well written.
Review published on Philomathinphila.com, Smashbomb, Goodreads, and Amazon on or before 4/2/19. Will publish on Twitter, Facebook, and Barnes and Noble on its release date, April 18, 2019.
The Secret Child is the second novel in Mitchell's DI Amy Winter series. I learned my lesson from binge reading the first book and set a timer to remind myself to take a break from reading. I forced myself to take a few breaks but finished reading it in one day. It is not a very long book, 330 pags, but I just could not find a place to stop reading for the day. I just had to keep reading!
Detective Inspector Amy Winter returns with her high-priority crime unit tracking down a kidnapper. He is using the kidnappings to extract revenge on those who had used children for dangerous and illegal experimentation years ago. Also returning is Lillian Grimes, Winter's biological mother who is imprisoned for being half of a serial killer husband and wife team known as the Beasts of Brentwood.
The Secret Child is as riveting as Truth and Lies. Both are character-driven and fast-paced, suspenseful, and well written.
Review published on Philomathinphila.com, Smashbomb, Goodreads, and Amazon on or before 4/2/19. Will publish on Twitter, Facebook, and Barnes and Noble on its release date, April 18, 2019.