Search
Search results
Gareth von Kallenbach (965 KP) created a video about Stuber (2019) in Movies
Jun 21, 2019 (Updated Jun 21, 2019)
Kevin Phillipson (9923 KP) rated Stuber (2019) in Movies
Jul 15, 2019
Dave bautista (3 more)
Kumail nanjiani
Natalie Morales
Karen Gillan
Just seen not the funniest movie I've seen this year but I did find it funny. Basically dave bautista plays the entire movie blind and kumali nanjiani plays his uber driver with disastrous results iko uwais plays the villian in my opinion underused brilliant in the raid movies but here not so much. The rest of the cast we're good even Karen Gillan who's only in the first five minutes of the movie. Would I watch again probably on DVD or blu ray
Gareth von Kallenbach (965 KP) rated The Big Sick (2017) in Movies
Jul 11, 2019
Kumail (Kumail Nanjiani) is a young Pakistani American trying to make it as a stand-up comic. He spends his free time making extra money as an Uber driver and getting set up with Pakistani women by his family, in an attempt to arrange a marriage for him. Then his life changes one night when he meets an American girl named Emily (Zoe Kazan). After hooking up the night they meet they start a whirlwind relationship. But Kumail is hiding this relationship from his family, because they would disown him if they found out, and still meeting with the young women who he could potentially marry. When Emily finds this out she confronts Kumail and they break up. Kumail is depressed but felt he had to choose his family and tradition over his feelings for Emily. Then a while later he gets a frantic call in the middle of the night from one of Emily’s friends asking him to go to the Emergency Room and wait with her. When he arrives doctors are wanting to put Emily into an induced coma. With no one else around Kumail stays with Emily. Emily’s parents (played by Ray Romano and Holly Hunter) show up and know everything that happened between Kumail and Emily. It is uncomfortable but Kumail feel like he needs to stay. He is now struggling with is feelings for Emily and his culture.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.
The Big Sick is a film telling the real-life story of courtship of Kumail and his real life wife Emily V. Gordon, both of whom wrote screenplay. The Michael Showatler (Hello My Name is Doris) directed film is very funny and smartly paced. There is a good balance of comedy and the serious situations, including dealing with trauma and overcoming cultural differences. The cast is really good, from Hunter and Romano to comedians Aidy Bryant and Kurt Braunohler the supporting roles are really well cast and performed. Zoe Kazan was really good during her time on screen. There were times when I could tell that the dialogue was dubbed over and it was a little distracting, but only a handful of times. I also appreciated the side story of the life of a young comic. It was not a focal point of the movie but it definitely showed how Kumail struggled to become a comic and how life and his family culture sometimes got in the way of his ambition, in both good and bad ways.
Heartwarming and funny this film is original and fun to watch. It was definitely nice to be caught off guard by some really funny moments in the middle of serious situations. It has a run time of 2 hours and 4 minutes with is a little longer than average but really doesn’t feel that long.
Awix (3310 KP) rated The Big Sick (2017) in Movies
Mar 13, 2018
Somewhat unorthodox rom-com with comedian Kumail Nanjiani playing himself and Zoe Kazan, er, not. Starts off looking like another of those love-across-the-cultural-barricades movies before turning into something quite different (I can't remember if they have The Smiths' 'Girlfriend in a Coma' on the soundtrack, but if they didn't, they should have).
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
Possibly I am just biased as Nanjiani seems like a man after my own heart (X-Files fan, plus the first thing he does when he takes a woman home is show her an early 70s Vincent Price horror movie - did I mention I'm single?), but this manages to be both touching and funny. Good support from Ray Romano and Holly Hunter as Kazan's parents; manages to deal with some fairly serious issues with a light touch. Works hard to earn its happy ending; an immensely likeable film.
Emma @ The Movies (1786 KP) rated The Big Sick (2017) in Movies
Sep 25, 2019
I like it when there's an Unlimited screening of a film I'm not entirely sure about. I'd seen adverts for The Big Sick and was on the fence about seeing it, but when you get a sneaky Unlimited you have to go.
Based on Kumail Nanjiani & Emily V. Gordon real-life story (click on that link to see them interviewed on The View), The Big Sick is a romantic comedy that will have you laughing out loud.
Kumail's family are determined to find him a Pakistani Muslim girl so that he might settle down and follow in their traditions. But Kumail is anything but traditional. He's trying to make it as a comedian, while driving Uber in his spare time.
He meets Emily at one of his gigs and the pair hit it off. As they get further into their relationship though, Kumail worries what his traditional family will say about her. But Emily finding his parent's catalogue cards of potential brides changes everything.
When Emily is taken sick, her friend call Kumail for help. With the hospital putting her into a medically induced coma, he's then left with the prospect of contacting her parents, who up until this point, he'd managed to avoid...
It's a recurring things with my friends that they always ask me what I've seen or have booked at the cinema now, and this is the first one that has pretty much made them all react in the same way...
Me: I'm going to see The Big Sick.
Them: *scrunches face up at the title of the film*
I'm not even kidding, something about the title just doesn't sit right with them. But I have been urging them to go and see it anyway. Kumail Nanjiani is such a funny guy, if you haven't seen him in Franklin and Bash you really need to.
This film was funny and emotional, and felt very real. I feel contented about having watched it, and that doesn't happen a lot with me. Ray Romano and Holly Hunter make a great pair alongside Nankiani and Kazan. It's an all-round nice film, heartbreaking at points, but still wonderful.
Based on Kumail Nanjiani & Emily V. Gordon real-life story (click on that link to see them interviewed on The View), The Big Sick is a romantic comedy that will have you laughing out loud.
Kumail's family are determined to find him a Pakistani Muslim girl so that he might settle down and follow in their traditions. But Kumail is anything but traditional. He's trying to make it as a comedian, while driving Uber in his spare time.
He meets Emily at one of his gigs and the pair hit it off. As they get further into their relationship though, Kumail worries what his traditional family will say about her. But Emily finding his parent's catalogue cards of potential brides changes everything.
When Emily is taken sick, her friend call Kumail for help. With the hospital putting her into a medically induced coma, he's then left with the prospect of contacting her parents, who up until this point, he'd managed to avoid...
It's a recurring things with my friends that they always ask me what I've seen or have booked at the cinema now, and this is the first one that has pretty much made them all react in the same way...
Me: I'm going to see The Big Sick.
Them: *scrunches face up at the title of the film*
I'm not even kidding, something about the title just doesn't sit right with them. But I have been urging them to go and see it anyway. Kumail Nanjiani is such a funny guy, if you haven't seen him in Franklin and Bash you really need to.
This film was funny and emotional, and felt very real. I feel contented about having watched it, and that doesn't happen a lot with me. Ray Romano and Holly Hunter make a great pair alongside Nankiani and Kazan. It's an all-round nice film, heartbreaking at points, but still wonderful.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
LoganCrews (2861 KP) rated The Big Sick (2017) in Movies
Sep 19, 2020
One of those products that feels fresh and generic in about an equal ratio, but this just *soars* off of the chemistry of its cast. Zoe Kazan and Kumail Nanjiani are wonderful, simply wonderful together here; Ray Romano and Holly Hunter are faultless; and Kumail's family + stand-up partners are as well cast as can be even if the latter add nothing more than mostly tired jokes that don't land to the story. I admit this is still pretty scattershot, but for me that's part of what makes it so interesting? If anything is subversive here it's two things: 1. the way this flips the typical romcom on its head by taking on multiple different styles of execution as it goes along (the mostly unfunny but charming as hell opening romance, the anxious but amiable [and more funny] first meetings with the parents, the harrowing confrontation of grief, and the confusing [for the characters] but unfortunately rather rushed through ending resolutions) and 2. Kumail playing himself during a real life tumultuous period in his life. Even though dozens of liberties were taken to make this more palatable for a studio romance, the broad side of things remains rooted in truth even down to supporting scenes - and seeing Kumail as himself act out those real life events and formulate them into a positive story add a whole new level of emotional heft. Plus he's just a rock-solid comedic force in general and he handles the sad scenes nearly just as well. Even if there are still some tropes in this, the base story still feels rather nuanced. Very flawed but so nice, so wholesome.
Dean (6921 KP) rated Eternals (2021) in Movies
Nov 16, 2021
Great SFX (1 more)
Very funny at times
New Heroes
Another Marvel film, they sure do churn them out. Can't say I've ever heard of the Eternals before but I'm not that familiar with Marvel comics. Like most Marvel films you know they are genuinely at a high level. This is no different. Plenty of great action scenes, the effects are very good, especially like the golden pattern used in the film for weapons and the costumes. Along with another battle of huge proportions.
In other ways it is quite different featuring a very diverse cast, using sign language with one character. The main stars of the film aren't the biggest names in the film.
Also interesting seeing different time periods feature as well as up to date scenes. It was genuinely funny, more than most Marvel films. Especially Kumail Nanjiani who is very good. So if you like Marvel action films this is another to check out.
In other ways it is quite different featuring a very diverse cast, using sign language with one character. The main stars of the film aren't the biggest names in the film.
Also interesting seeing different time periods feature as well as up to date scenes. It was genuinely funny, more than most Marvel films. Especially Kumail Nanjiani who is very good. So if you like Marvel action films this is another to check out.
Lenard (726 KP) rated Stuber (2019) in Movies
Aug 19, 2019
Who ya gonna call?
In the vein of such mismatched buddy action crime comedies like Midnight Run, 48 Hours, and National Security, Stuber pairs ex-wrestler Dave Bautista (Vic) and stand-up Kumail Nanjiani (Stu). Vic is a Los Angeles detective with a lead on the drug lord he has been investigating for years who murdered his partner. He gets eye surgery in a plot device to pass his firearm test so he is effectually blind. Stu is a sporting goods employee in the friend zone with a beautiful blonde he has known since college who has just broken up with her boyfriend and needs some Stu-love. Stu also works nights as an Uber driver with a checkered history. One night after crashing his Ford Crown VIctoria, Vic uses the Uber app his daughter installed on his phone so he could safely attend his sculpture exhibition. Stu takes the ride and rides along as Vic chases his white whale. Soon, Stu gets a load of testerone from the steroid-addicted Vic and Vic learns to express his emotions from the metrosexual Stu.
5 Minute Movie Guy (379 KP) rated The Big Sick (2017) in Movies
Jul 4, 2019
Propelled by its near perfect score on Rotten Tomatoes, I went cold turkey into The Big Sick, without so much as seeing a trailer. Although it took a worrisome amount of time, I did eventually warm up to the film and ultimately I ended up enjoying it quite a bit. The Big Sick is a movie that’s unflatteringly honest at times, and it’s a bit light in both of the romance and comedy departments, but it’s a well-rounded true story that makes up for its any of its shortcomings with a big heart.
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)
The Big Sick tells the unique, real-life love story of how Kumail Nanjiani, played by himself in the film, met the love of his life, Emily. The film begins with Kumail working as a struggling stand-up comic. After a performance one night, he meets Emily at a bar and takes her back to his place. The two of them gradually begin dating, but Kumail keeps it a secret from his strict Pakistani parents, who expect him to abide by his culture’s custom of arranged marriages. When Emily’s health unexpectedly takes a dangerous and mysterious turn, Kumail must confront his family, as well as meet Emily’s family, to confess his true feelings of love.
Allow me to begin by addressing the fact that I spent a good half of The Big Sick feeling entirely ambivalent about it. While it seemed well made, I didn’t feel particularly entertained nor engaged by it. Slowly but surely, however, the movie began to win me over, thanks primarily to the help of Ray Romano and Holly Hunter, who co-star as Emily’s parents. By the end, I appreciated and enjoyed the film, and I feel as though I would probably like it even more with a second viewing.
The movie rubbed me the wrong way early on with its not-so-romantic romance that culminated from a one-night-stand. I found the relationship of Kumail and Emily to be somewhat dull, and I was perplexed by how unfavorably it depicts both characters. Though considering the screenplay was actually written by both of them, I suppose there’s something noble and courageous to be said about their honesty. This is not a typical romanticized love story. It has two decent but flawed characters, who I felt indifferent towards at the outset but learned to care about over the course of the film.
Kumail is quite enjoyable as the lead star and I suspect this will be a breakout role for him. He has a good sense of humor and really showcases it in a couple of hysterical scenes. My favorite being a late night visit to a restaurant drive-thru, which is one of the flat-out funniest moments I’ve seen in theaters all year. I also really loved both Romano and Hunter. They’re both complex and comical characters struggling with their own strained marriage, while hesitantly getting to know Kumail and coming to terms with their daughter’s grave illness. Certainly not the best circumstances to be meeting your girlfriend’s parents, and even worse considering they knew that Kumail and Emily had broken up shortly beforehand.
Hunter’s character is volatile and highly defensive of her daughter, yet she’s still wholly identifiable as a loving and concerned parent. I think she gives the strongest performance in the film. Ray Romano is also a pleasant addition, and his character ironically tries to be the voice of reason and balance, even as his own life is crumbling beneath him. I also liked Kumail’s parents, played by Anupam Kher and Zenobia Shroff. Kumail’s mother is amusing in her never-ending pursuit of potential female suitors to marry her son. However, having grown up with western values, Kumail’s own beliefs serve as a stark contrast to those of his strict and traditional family.
The way in which The Big Sick depicts the differences in American and Pakistani culture is what I think really helps to set it apart. It tackles these contrasts with both comedy and sincerity, while also drawing attention to the subtle and the not-so-subtle racism that’s often prevalent in the misunderstanding of other cultures. It’s an honest and respectful film that should be approached as open-mindedly as possible. Those of you willing to give this one a chance may find that it to be well worth your while.
(This review was originally posted at 5mmg.com on 9.5.17.)