The Wolf of Wall Street (2013)
7.8
Rate It
Movie Watch
Revered filmmaker Martin Scorsese directs the true story of New York stockbroker Jordan Belfort...
Grey's Anatomy - Season 2
9.4
Rate It
TV Season Watch
The season continued to focus on the surgical residency of five young interns as they try to balance...
Zero Dark Thirty (2013)
7.1
Rate It
Movie Watch
Following the terrorist attacks of Sept. 11, 2001, Osama bin Laden becomes one of the most-wanted...
The Day the Earth Stood Still (2008)
5.2
Rate It
Movie
the planet in this thrilling reinvention of the 1950s classic The Day The Earth Stood Still. Keanu...
Godzilla vs. Kong (2021)
6.6
Rate It
Movie Watch
In a time when monsters walk the Earth, humanity's fight for its future sets Godzilla and Kong on a...
Friday Night Lights - Season 1
9.0
Rate It
TV Season
From Fandom Wika: The first season aired on NBC from October 3, 2006 - April 11, 2007. It centered...
365Flicks (235 KP) rated Godzilla: King of the Monsters (2019) in Movies
Nov 7, 2019
BUT this movie did promise one thing, more Kaiju more Godzilla instead of the pitiful 10 minutes screen time on our last outing. boy did it deliver of the Kaiju battles in spades.
That’s all I wanted was to see Godzilla battle it out with Mothra, Ghiadora and whoever else, just take me back to my childhood and give me epic scale monster fights. I felt this movie delivered that unapologetically so it’s a win.
Also I kinda love seeing Kyle Chandler in things.
Neil Goddard (3 KP) rated Godzilla: King of the Monsters (2019) in Movies
Feb 27, 2020
Now, imagine you’re watching a film. I don’t know, maybe a bit creature epic, larger than life with whole cities being destroyed. The creature’s look amazing and the carnage they are wreaking is fabulous; buildings, helicopters, cars, all flying around the screen with a swish of a mighty reptilian tale. Now imagine that the actors, real people, not CGI, are, at best, bland and in some instances just outright terrible.
Annoying isn’t it?
It would lead one to believe that the film makers didn’t really put any stock in the human interactions, rather just gave a huge wad of cash to an SFX company and said, “Fill your boots, the more the merrier, make everything f---ing enormous!”
Godzilla (2014) was the second time Hollywood has attempted to make a film featuring Japan’s kaiju supremo and it was the first successful attempt from Hollywood, given that the 1998 Roland Emmerich attempt was basically Lost World: Jurassic Park (1997) but with added daddy issues (Roland Emmerich’s trademark).
Gareth Edwards 2014 first entry in the MonsterVerse was a huge success, financially and artistically. We saw a Godzilla that was of a scale we’d always wanted, towering over buildings, a reptilian God and we’re just the ants trying to not get squished.
Godzilla: King of Monsters attempts to up the ante by throwing a dozen or so monsters at the story. “Godzilla fought two MUTO’s did he, well… hold my beer!” Yeah, we’ll hold your beer while you get Millie Bobby Brown to stand there teary eyed for most of the film (a waste), Vera Farmiga to go from bereaved workaholic, to eco-terrorist to pointless self-sacrifice (unfathomable), and for Kyle Chandler to… well, Christ knows what Kyle Chandler was doing, apart from spitting terrible dialogue badly and then standing/sitting/walking looking angry but unconvincingly. Bradley Whitford provided some nice comic relief, he does droll sarcasm immensely well, Charles Dance is underused (and then forgotten about) and Zhang Ziyi tries to out-Kyle-Chandler Kyle Chandler in the bland, borderline useless stakes.
Worse than any failing on the human emotion side of the story are the huge liberties they take with global travel, like, one of side of the world to the other in a very short space of time. I mean Godzilla can do it because of some tunnels under the sea that he uses, possible the ones used in the science-denying sci-fi car crash abomination The Core (2003), but for the humans to just pop to Venezuela or the Antarctic is unforgivable.
This kind of leaps of reality always leads me to lose interest in the events in a film and start thinking around the script. In a film where everything everyone says is of dire emergency or import and then we see them in another part of the world some time later, what have they been talking about for all that time. Have they been napping? If so, it’s hasn’t eased any of the pointless angry posturing. Have they been chatting about boring everyday stuff? There is no hint of a relationship between any of these people who are spending potentially their last moments on earth together with alarming regularity. The world is possible about to get destroyed and you are in direct harm’s way! Shut up and nut up.
Sarah (7798 KP) rated Game Night (2018) in Movies
Dec 29, 2018
I’ve always liked Rachel McAdams and Jason Bateman, and they have great chemistry together in this. Billy Magnussen is really funny as the dumb blonde, and there’s some great support from Kyle Chandler and Sharon Horgan. However it’s Jesse Plemons that steals the show as the bonkers creepy neighbour. He’s so deadpan that you can’t help but laugh whenever he’s on screen.
The plot itself is simple and straightforward although fairly entertaining. It’s funny in parts although I didn’t find it particularly hilarious (probably my sense of humour). I did think some of the twists at the end were fairly fun. I love games though, so can really relate to the competitiveness and wish I could persuade my friends to have weekly game nights! I do think it gets a bit cringey in parts and a bit ridiculous, but it’s still an enjoyable fun film.
