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Lyndsey Gollogly (2893 KP) rated Snow White, Blood Red in Books
Apr 9, 2022
62 of 230
Snow White , Blood Red (Fairy tale anthology book 1)
Edited by Ellen Datlow and Terri Windling
⭐️⭐️⭐️
Exploring the darker side of popular fairy tales, this anthology features dark and erotic tales of trolls and ogres, bewitched princesses, and magical kingdoms.
There were a few I picked out that I liked and I found a few new authors to try.
The Frog Prince by Gahan Wilson - Really enjoyed this it was a strange little story very Alice in Wonderland feel.
Stalking Beans by Nancy Kress - This is definitely a different adult spin on Jack and the beanstalk!
Snow Drop by Tabitha Lee - This was my favourite by far. A dark twisty version of Snow White and her step mother very dark.
Little Red by Wendy Wheeler - This gave me creepy shivers. Very well written unfortunately I can’t find anything by this author!
The Root of the Matter by Gregory Frost - This is a very adult version of Repunzel kinda dark and to the point.
The Changelings by Melanie Tem - Strange little story with some very sad undertones.
Troll Bridge by Neil Gaiman - I love Neil Gaiman he has such a unique storytelling ability and this did not disappoint!
Overall it was a good little anthology!
Snow White , Blood Red (Fairy tale anthology book 1)
Edited by Ellen Datlow and Terri Windling
⭐️⭐️⭐️
Exploring the darker side of popular fairy tales, this anthology features dark and erotic tales of trolls and ogres, bewitched princesses, and magical kingdoms.
There were a few I picked out that I liked and I found a few new authors to try.
The Frog Prince by Gahan Wilson - Really enjoyed this it was a strange little story very Alice in Wonderland feel.
Stalking Beans by Nancy Kress - This is definitely a different adult spin on Jack and the beanstalk!
Snow Drop by Tabitha Lee - This was my favourite by far. A dark twisty version of Snow White and her step mother very dark.
Little Red by Wendy Wheeler - This gave me creepy shivers. Very well written unfortunately I can’t find anything by this author!
The Root of the Matter by Gregory Frost - This is a very adult version of Repunzel kinda dark and to the point.
The Changelings by Melanie Tem - Strange little story with some very sad undertones.
Troll Bridge by Neil Gaiman - I love Neil Gaiman he has such a unique storytelling ability and this did not disappoint!
Overall it was a good little anthology!
Emma @ The Movies (1786 KP) rated Deadpool (2016) in Movies
Sep 25, 2019
Before seeing the movie I had never come across Deadpool. He was sneakily hiding behind the other characters flipping bunny ears and running away giggling. We of course saw Wade Wilson in the Wolverine origin film but in a more serious (yet still with a tinge of humour) role. He was no indication of what to expect.
Created by Rob Liefeld and Fabian Nicieza, Wade Winston Wilson AKA Deadpool started life as a supervillain before the unstable mercenary became firmly set as everyone's favourite anti-hero.
Name: Wade Winston Wilson [possibly?].
AKA: Deadpool, Merc with a Mouth.
Alliances: Pretty much anyone.
Abilities: Healing, master of martial arts, swordsmanship and marksmanship, extended lifespan, a way with words, destroyer of the fourth wall, advanced distraction techniques.
There was the distinct worry that the film would be awful. An entertaining trailer has been known to turn to disappointment when you suddenly realise... that was all the good bits.
On my way to the screening I stopped at my comic book store and someone had just been in who'd already brought tickets to two showings... that seemed a bit dangerous.
The queue was much as I expected, headed up by a devout geek who had clearly been waiting a long time in position, groups of lads exchanging comic book and film trivia. I overheard a rather in depth Star Wars talk that went straight over my head. More couples than I expected were queueing, and I still think that some of the women heard "Ryan Reynolds film" and misunderstood... I'm sure that's not the reason all of them were there or course. But as it goes, I was definitely the only unaccompanied woman there.
A woman seeing a superhero movie on her own... hell yes!
There's action, there's comedy, there's romance and there's sex. Something for everyone as they say. Unless you're easily offended... in which case it's probably best to stay at home and watch something on the Food Network.
I love the fact that they kept in the bits that other films would have cut out. All the daft bits that really capture the Deadpool humour. That cab ride was ridiculous... and totally what lone travellers do in a cab on their own... well apart from climbing into the front seat. But if I kept telling you what I loved we'd be here for hours.
My main pressing concern is how am I going to cope with superhero movies after this? Yeah you get the little "in" jokes, and of course the Stan Lee cameos make me smile every time, but that fourth wall is going to be there, and it's going to be made of vibranium. All future films are going to be haunted by the cinematic ghost of Deadpool.
Created by Rob Liefeld and Fabian Nicieza, Wade Winston Wilson AKA Deadpool started life as a supervillain before the unstable mercenary became firmly set as everyone's favourite anti-hero.
Name: Wade Winston Wilson [possibly?].
AKA: Deadpool, Merc with a Mouth.
Alliances: Pretty much anyone.
Abilities: Healing, master of martial arts, swordsmanship and marksmanship, extended lifespan, a way with words, destroyer of the fourth wall, advanced distraction techniques.
There was the distinct worry that the film would be awful. An entertaining trailer has been known to turn to disappointment when you suddenly realise... that was all the good bits.
On my way to the screening I stopped at my comic book store and someone had just been in who'd already brought tickets to two showings... that seemed a bit dangerous.
The queue was much as I expected, headed up by a devout geek who had clearly been waiting a long time in position, groups of lads exchanging comic book and film trivia. I overheard a rather in depth Star Wars talk that went straight over my head. More couples than I expected were queueing, and I still think that some of the women heard "Ryan Reynolds film" and misunderstood... I'm sure that's not the reason all of them were there or course. But as it goes, I was definitely the only unaccompanied woman there.
A woman seeing a superhero movie on her own... hell yes!
There's action, there's comedy, there's romance and there's sex. Something for everyone as they say. Unless you're easily offended... in which case it's probably best to stay at home and watch something on the Food Network.
I love the fact that they kept in the bits that other films would have cut out. All the daft bits that really capture the Deadpool humour. That cab ride was ridiculous... and totally what lone travellers do in a cab on their own... well apart from climbing into the front seat. But if I kept telling you what I loved we'd be here for hours.
My main pressing concern is how am I going to cope with superhero movies after this? Yeah you get the little "in" jokes, and of course the Stan Lee cameos make me smile every time, but that fourth wall is going to be there, and it's going to be made of vibranium. All future films are going to be haunted by the cinematic ghost of Deadpool.
Darren (1599 KP) rated 7 Seconds (2005) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: What is a simple bank heist revenge plot we get some of the worst cops in the history of film, the worst gangsters and worst acting ever. While watching all I could think was a very poor man’s version of ‘Ronin’ and it would be hard to disagree with the idea of the film. (3/10)
Actor Review: Wesley Snipes – Jack Tuliver thief who is also ex-delta force who arranges a heist that he gets double crossed on and left to find out by whom. Snipes’ gets some good one-liners and really is the only good thing about this film. (6/10)
snipes
Actor Review: Tamzin Outhwaite – Sgt Kelly Anders a military Police officer who somehow gets caught up in the middle of the event but is the only one with brains. Awful performance she really should have stuck to the soaps. (2/10)
tamzin
Actor Review: Deobia Oparei – Spanky when things are going his way he is all talk but when it’s not he runs and hides. Funny character, but in the end a waste of use of the actors potential talent. (4/10)
spanky
Actor Review: Georgina Rylance – Suza, Jack’s partner in the crime but gets kidnapped leading him to try his best to save her. Simple support role that doesn’t get a chance to do much. (4/10)
suza
Actor Review: Peter Lee-Wilson – Alexsie Kutchinov the gangster who wants the heist prize and will do anything in his power to get it. Good performance as he gets to use the characters disability well. (6/10)
alex
Director Review: Simon Fellows – Can tell a known thinking man’s action thriller well but doesn’t try anything new. (5/10)
Action: The car chases work well, and some fights are good. (7/10)
Crime: Simple crime side to the story. (5/10)
Thriller: Doesn’t really get you routing for anyone or anywhere near the edge of the seat. (5/10)
Believability: No (0/10)
Chances of Tears: No (0/10)
Settings: Set in Romania we get some good settings and look at the city. (8/10)
Suggestion: This is one that is really just for late night TV viewing any other time would be waste of time and money. (Late Night)
Best Part: Car chase one
Worst Part: The Police
Action Scene Of The Film: Car chase
Kill Of The Film: Some the of henchmen
Oscar Chances: No
Chances of Sequel: No
Overall: Crime Caper With No Brains Required
https://moviesreview101.com/2014/07/22/7-seconds-2005/
Actor Review: Wesley Snipes – Jack Tuliver thief who is also ex-delta force who arranges a heist that he gets double crossed on and left to find out by whom. Snipes’ gets some good one-liners and really is the only good thing about this film. (6/10)
snipes
Actor Review: Tamzin Outhwaite – Sgt Kelly Anders a military Police officer who somehow gets caught up in the middle of the event but is the only one with brains. Awful performance she really should have stuck to the soaps. (2/10)
tamzin
Actor Review: Deobia Oparei – Spanky when things are going his way he is all talk but when it’s not he runs and hides. Funny character, but in the end a waste of use of the actors potential talent. (4/10)
spanky
Actor Review: Georgina Rylance – Suza, Jack’s partner in the crime but gets kidnapped leading him to try his best to save her. Simple support role that doesn’t get a chance to do much. (4/10)
suza
Actor Review: Peter Lee-Wilson – Alexsie Kutchinov the gangster who wants the heist prize and will do anything in his power to get it. Good performance as he gets to use the characters disability well. (6/10)
alex
Director Review: Simon Fellows – Can tell a known thinking man’s action thriller well but doesn’t try anything new. (5/10)
Action: The car chases work well, and some fights are good. (7/10)
Crime: Simple crime side to the story. (5/10)
Thriller: Doesn’t really get you routing for anyone or anywhere near the edge of the seat. (5/10)
Believability: No (0/10)
Chances of Tears: No (0/10)
Settings: Set in Romania we get some good settings and look at the city. (8/10)
Suggestion: This is one that is really just for late night TV viewing any other time would be waste of time and money. (Late Night)
Best Part: Car chase one
Worst Part: The Police
Action Scene Of The Film: Car chase
Kill Of The Film: Some the of henchmen
Oscar Chances: No
Chances of Sequel: No
Overall: Crime Caper With No Brains Required
https://moviesreview101.com/2014/07/22/7-seconds-2005/
Gareth von Kallenbach (965 KP) rated Pitch Perfect 2 (2015) in Movies
Aug 6, 2019
For those, like me, who fell in love with the sleeper hit that Pitch Perfect was 3 years ago, Pitch Perfect 2 delivers the “more” we clamored for. In that regard, it’s as good if not better than the first. Sure, it’s missing that surprise factor that charmed even the most jaded critics. But those who wanted more a capella mash-ups from the Bellas and Treblemakers, more audacity from Fat Amy, puzzling confessions from whispering Lilly, off-color commentary from John and Gail and brash riff-offs with other a capella crews – rookie director Elizabeth Banks delivers.
There may be complaints that she offers just more of the same, but that’s what the fans wanted, right? That message was delivered a bit heavy-handedly, especially when the Barden Bellas, three-time defending champions, appeared to be losing their way with more convoluted productions and choreography that detracted from their singing. When one particular performance goes mortifyingly sideways, or in this case upside down, in front of the President and First Lady no less, the Bellas are stripped of their championship tour and threatened with disbanding. To keep their charter they have to be the first U.S. team to win the world championships. Hanging their hopes on a world title, they have to beat the ridiculous perfection that is the German team, Das Sound Machine. To beat the Germans, they need to find their sound again and deliver more of what got them there in the first place.
Anna Kendrick returns as adorably a ca-awkward Beca, but this time around instead of finding her place in college, she’s preparing to find her place in the music industry, unbeknownst to the rest of the Bellas. She’s ready to move on with life after a capella competition, while Brittany Snow’s Chloe isn’t quite there yet. Skylar Astin is back as boyfriend Jesse who now leads Treblemakers with Benji (Ben Platt) whose magic skills improved more than his ability to speak to women.
As in the first movie, Elizabeth Banks and John Michael Higgins deliver the absurd observations with perfect aplomb. Rebel Wilson, Ester Dean and Hana Mae Lee reprise their respective roles as fat Amy, butch Cynthia, and weird Lilly. Adam Devine also returns as Bumper while Oscar-nominee Hailee Steinfeld is the new kid on the block as a legacy Bella, courtesy of her mom Katey Sagal, a Bella in the 80s.
While the storyline is predictable, Pitch Perfect 2 is still entertaining and comes with some fun surprises. Fans will not be disappointed. And stay through the credits.
There may be complaints that she offers just more of the same, but that’s what the fans wanted, right? That message was delivered a bit heavy-handedly, especially when the Barden Bellas, three-time defending champions, appeared to be losing their way with more convoluted productions and choreography that detracted from their singing. When one particular performance goes mortifyingly sideways, or in this case upside down, in front of the President and First Lady no less, the Bellas are stripped of their championship tour and threatened with disbanding. To keep their charter they have to be the first U.S. team to win the world championships. Hanging their hopes on a world title, they have to beat the ridiculous perfection that is the German team, Das Sound Machine. To beat the Germans, they need to find their sound again and deliver more of what got them there in the first place.
Anna Kendrick returns as adorably a ca-awkward Beca, but this time around instead of finding her place in college, she’s preparing to find her place in the music industry, unbeknownst to the rest of the Bellas. She’s ready to move on with life after a capella competition, while Brittany Snow’s Chloe isn’t quite there yet. Skylar Astin is back as boyfriend Jesse who now leads Treblemakers with Benji (Ben Platt) whose magic skills improved more than his ability to speak to women.
As in the first movie, Elizabeth Banks and John Michael Higgins deliver the absurd observations with perfect aplomb. Rebel Wilson, Ester Dean and Hana Mae Lee reprise their respective roles as fat Amy, butch Cynthia, and weird Lilly. Adam Devine also returns as Bumper while Oscar-nominee Hailee Steinfeld is the new kid on the block as a legacy Bella, courtesy of her mom Katey Sagal, a Bella in the 80s.
While the storyline is predictable, Pitch Perfect 2 is still entertaining and comes with some fun surprises. Fans will not be disappointed. And stay through the credits.
Gareth von Kallenbach (965 KP) rated The Haunted Mansion (2003) in Movies
Jul 28, 2023
Welcome Foolish Mortals to the latest adaptation of the popular Disney attraction as Haunted Mansion has materialized for audiences to enjoy.
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
This time around the film follows a single mother named Gabbie (RosarioDawson), and her son Travis (Chase W. Dillon).
The family has moved into an abandoned mansion near New Orleans as they look to start over but find that their new abode is haunted.
Despite their best efforts to flee, the ghosts force them to return to the
mansion and they seek help in the form of a Priest named Father Kent (Owen Wilson), and Ben Matthias (LaKeith Stanfield) who has been reduced to doing Ghost Tours following a personal tragedy that saw his lofty skills and career vanish in the aftermath.
When the help finds themselves able to leave the mansion without an
otherworldly escort, they bring in a Medium named Harriet (Tiffany
Haddish) and in time the mysterious Madame Leota (Jamie Lee Curtis).
It is learned that a dangerous ghost is striking fear into the other 999
haunts that inhabit the locale and should he collect his 1000th soul, he
will unleash a new level of terror on the world.
Things become even more complicated with a local professor named Bruce (Danny DeVito) arrives and creates a new Wild Card to the situation.
The movie does a great job of capturing the look and tone of the
attraction as one of the great joys was seeing things ranging from the
pictures to stretching room and other factors big and small from the
attraction portrayed on the big screen.
The cast is great and works well with one another but the movie does take
some time getting ramped up and I did find it dragging in various places.
The audience laughed frequently but for me many of the jokes did not work which I attributed to the focus being on a a younger audience as I found them more amusing than funny.
The FX in the film are solid and Jared Leto’s character is so well done
you cannot recognize him as he has disappeared so deeply into the
character aided by some great visual work.
As a big fan of the attraction it was nice to see a much better take on
the source material than previous efforts.
In the end despite the flaws, there is enough happy nostalgia to keep fans
entertained and hopefully the audience will want to visit the mansion enough that a new franchise is on the way.
3 stars out of 5
Darren (1599 KP) rated Annabelle Comes Home (2019) in Movies
Jul 10, 2019
Director: Gary Dauberman
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Writer: Gary Dauberman (Screenplay) James Wan (Story)
Starring: Vera Farmiga, Patrick Wilson, Mckenna Grace, Madison Iseman, Katie Sarife, Michael Cimino, Samara Lee
Plot: While babysitting the daughter of Ed and Lorraine Warren, a teenager and her friend unknowingly awaken an evil spirit trapped in a doll.
Tagline – The Next Chapter In The Conjuring Universe
Runtime: 1 Hour 46 Minutes
There may be spoilers in the rest of the review
Verdict: Relentless Scares
Story: Annabelle Comes Home starts one year after the Warren’s Ed (Wilson) and Lorraine (Farmiga) bring the Annabelle doll home, knowing its power to control the other items inside their blessed room. With Ed and Lorraine going on a business trip, it leaves their daughter Judy (Grace) with girl next door babysitter Mary Ellen (Iseman), who has planned a little birthday surprise.
When Mary Ellen’s best friend Daniela (Sarife) decides to visit, with questions about the house, getting a moment alone, she sneaks into the blessed room, only to unleash a host of evil upon the three for a night of terror, all thanks to the dreaded Annabelle doll.
Thoughts on Annabelle Comes Home
Characters – Judy Warren is the daughter of the famous paranormal investigators, she is treated differently at school because of this, with some students being scared, while others just bully her, she does see spirits too and is a shy little girl, she just wants to make friends like any young girl and is struggling with the fact nobody will be her friend except her babysitter Mary Ellen. She does know how to handle herself when hauntings start happening around her house though. Mary Ellen is the girl next door babysitter, she might well be worried about who will take her to homecoming, but she is a friend that Judy needs. Daniela Rios is the best friend of Mary Ellen, she invites herself over to look around, in hopes that she could find a way to connect with her deceased father, whose death was an accident, but she believes was her fault, she unleashes all the evil items on the household, which would make her truly horrible, until you add in the reason why she is trying to find forgiveness. Ed and Lorraine are the familiar faces, only they are basically extended cameos in the film. Bob is the love interest of Mary Ellen and he does through the generic awkward moments of trying to ask her out, he is good for a laugh too.
Performances – McKenna Grace takes over the role of the daughter, she does make us believe that her character has become distant from the world around her, makes us believe she is feeling lonely and isolated too. Madison Iseman makes for an easy pick for the babysitter, she comes off friendly and gives the scream level required to show the fear. Katie Sarife is strong as friend who unleashes everything, somehow making a character we could hate feel sympathy towards. Vera Farmiga and Patrick Wilson do seem to be here as a draw, only they are barely even in the film.
Story – The story here follows a babysitter’s friend visiting the Warren’s house who unleashes all the evil from the safety, only for the three girls needing to put a halt to this before they can become the latest victims of the curses they have. This story does have a few positives and negatives, the first positive being see how the daughter of the Warren’s is struggling with making connections in life because of their work, we could have easily dived deeper with this, but it was nice to see a change in why somebody is isolated. The pure number of different evil figures we meet through the film is brilliant to see because this opens the doors to seemingly endless amounts of spin off movies now, which could be seen as a negative because, while this is an Annabelle movie, it does tend to focus on the other evil, instead of the main one attached to Annabelle. We could get into character decisions, which aren’t the smartest especially when it comes to knowing who the character of Judy is meant to be.
Horror/Mystery – The horror in the film, is an endless amounts of jump scares, this does work because each does have its own way of being effective, even if a lot if music goes silent and either a boom or something charging the screen. The mystery comes from each new evil that we get to see, we get glimpses into a few leading us to only want to know more.
Settings – The film is set in one singular location, the Warren house, this has all the evil set up within it, which means once it comes out and traps them, they don’t know what will come next.
Special Effects – The effect in the film are strong throughout, with each creation look different, with a couple of tricks for the Ferryman coming off nicely.
Scene of the Movie – The circular shot, I am a fan of this shot even if it was the same as the Nun.
That Moment That Annoyed Me – I can’t help but think one of the rules for babysitting at the Warren’s, would be, anything slightly strange happens, get out until we come home.
Final Thoughts – This is a nice jump scare filled horror, it has plenty of references to the previous films and does leave us wanting more from this universe.
Overall: Jump scares for everyone.
Rating
Maddi Zoe (6 KP) rated Pitch Perfect 3 (2017) in Movies
Feb 8, 2018
Comedy classic with mediocre music
Pitch Perfect is back! Expect nothing but jaw-dropping harmonies, startling costumes and classic comedy. The third and final instalment of the Barden Bellas story finishes in aca-style!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!
Gareth von Kallenbach (965 KP) rated Pitch Perfect (2012) in Movies
Aug 7, 2019
I have to admit, I am a sucker for movies with singing and dancing. And when there’s competition involved, even better! When I saw the trailer for Pitch Perfect, my first thought was it looked like “Bring It On” but for a capella groups. My second thought was, “Where do I line up?”
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
Sure, such movies are usually trite and predictable. But who cares? There’s singing and dancing! I don’t care that I’m expected to buy 27 year old Anna Kendrick as a rebellious, aspiring DJ named Beca, starting her freshman year at Barden College. She and Bella just graduated from high school in the Twilight series, so, sure, why not? Bribed by her dad with a promise to help her move to L.A. if she gave college a chance for one year, Becca considers what Barden has to offer. Unfortunately for her, the college’s “D.J. Club” is more about Semitic sign language than mixing beats.
Enter The Bellas, the college’s recently disgraced female a capella group lead by Aubrey (Anna Camp) and Chloe (Brittany Snow). Because of the uptight Aubrey’s shocking performance at a recent competition, they need to rebuild a group that can sing in saccharine-sweet, vanilla harmony. The pickings are slim (mostly) and what comes together is a motley crew of questionable talent. There’s Fat Amy played hilariously by Rebel Wilson, who can mermaid dance like no other. (Mainly because who else would?) There’s sexy Stacie (Alexis Knapp) who may be more comfortable with a stripper pole than singing soprano, and butch Cynthia who can’t keep her eyes of Stacie. Also in the group is Lilly (Hanna Mae Lee) who is borderline mute. So it’s no wonder Chloe aggressively recruits Beca whom she ambushes in the shower after overhearing Beca singing David Guetta’s “Titanium”.
The Bellas arch rivals are the Treble Makers and of course, Beca’s love interest in the movie is Treble Maker, Jesse (Skylar Astin) who somehow gets cuter with every scene. But he’s got to work pretty hard to impress Beca who’s more interested in her headphones than listening to Jesse wax on about the “Breakfast Club” which he believes has the best movie ending ever. Personally, I was a little disconcerted by the fact that college-age kids spoke of “Breakfast Club” with a reverance usually reserved for classics like Casablanca. Even my guest leaned over and said, “But that’s so before their time.” Then I realized, to kids who weren’t even alive when Breakfast Club was made, it would be a classic.
But Jesse’s pursuit of her isn’t Beca’s only problem. The songs Aubrey is dead set on the Bellas perfecting are yawn-worthy at best, which was grating on the music mixologist. The Bellas simply can’t win against the Treble Makers with tired arrangements of Ace of Base, Bangles and Gloria Estefan songs. But Aubrey is resistant to Beca’s attempts to bring the Bellas into the current decade. Therein lies the movie’s requisite conflicts.
Pitch Perfect in a word is fun. Simply fun. There were plenty of laughs, mainly thanks to Rebel Wilson’s scene-stealing lines and some outrageous repartee between competition commentators played by Elizabeth Banks and John Michael Higgins. The highlights, of course, were the singing performances. All of the actors have great pipes and the harmonies will please any choir geek who attends. But lest you think it’s only a teen flick, in an audience of mixed generations, the loudest laughter was from the older audience.
BankofMarquis (1832 KP) rated Anatomy of a Murder (1959) in Movies
Nov 30, 2018
One of the Best Courtroom Dramas of all Time
I have to admit, that (at times) the fun part of going to "SECRET MOVIE NIGHT" is the anticipation of not knowing what the film is. Sometimes the film is "good, not great" (like THE BLUES BROTHERS, BODY HEAT and A FACE IN THE CROWD) and other times it is a CLASSIC (Like CITIZEN KANE, THE APARTMENT and NETWORK). I am happy to report that this month's installment IS a classic, our old pal Jimmy Stewart in 1959's ANATOMY OF MURDER.
Directed by the great Otto Preminger, AOM is often referred to as the finest courtroom drama ever filmed. While I need to give that some thought, I will say AOM is right up there as one of the finest examples of a courtroom drama.
Starring Jimmy Stewart as "country lawyer" Paul Biegler, who is brought in to defend Army Lieutenant Manion (Ben Gazzara). Manion is accused of murdering a man that raped his wife (Lee Remick). The central mystery isn't "did Manion kill the man" (he did), it is more of "did he kill his wife's rapist or lover" and "will Biegler get away with the temporary insanity plea".
This is the kind of plot that we've all seen a dozen times on standard TV shows, but back in 1959, this type of film - and trial - was quite new and fresh and this film was "scandalous" in it's use of frank language. Remember, this is 1959 in Eisenhower "Happy Days" Americana, so hearing words like "bitch, panties, penetration, slut, sperm, bitch and slut" was quite shocking and led to many protests of the film.
Those who were turned off by the language and frankhandling of the subject matter lost out on an intriguing, well-acted, well-written and well-directed courtroom drama, where the verdict is up in the air right up until the foreman of the jury says "We, the jury, find the defendant..."
Jimmy Stewart is perfectly cast in the lead role of Defense Attorney, Biegler. Stewart brings an instant likableness and every man integrity quality to the role. His Attorney is down-to-earth but whip-smart, able to crack a joke to lighten the mood or explode in rage at an affront at a moment's notice. He goes toe-to-toe with Prosecuting Attorney Claude Dancer (a VERY young George C. Scott). Dancer is everything that Biegler is not, crisp, well-polished and arrogant. While it would have been very easy to paint these two characters as good (Stewart) and bad (Scott), Director Preminger and screenwriter Wendell Mayes shy away from this and show these two as fierce competitors playing a very serious game of chess - and this works very well, indeed. Both Stewart and Scott were nominated for Oscars for their work as Best Actor and Supporting Actor respectively.
The Supporting cast is superb, featuring such 1950's/early 1960's stalwarts as Arthur O'Connell (also Oscar nominated as Stewarts's alcoholic law mentor), the always good Eve Arden, Orson Bean and Katherine Grant. It also features three character actors in small roles (witnesses in the trial) who you would recognize from other things - Murray Hamilton (the Mayor in Jaws), Howard McNear (Floyd the Barber from Mayberry) and Joseph Kearns (Mr. Wilson in Dennis the Menace).
Special notice needs to be made for Lee Remick as the sultry and flirtatious woman at the core of the film. Remick is superb in this role, and that is fortunate, for if she wasn't believable in the "would she or won't she" role that she is asked to play, then the film could have easily fallen apart. But the real bright spot in this film is the scene stealing Joseph N. Welch as the Judge in the case. His performance as the judge is the perfect "third leg" to the Stewart/Scott stool, balancing charm, folksiness and strength in even portions (depending on what is needed to balance the other two).
Otto Preminger (LAURA, STALAG 17) is a Director who's name is beginning to fade into the dust of the past - and that's too bad, for he is a strong director who knows how to frame a scene and pace a film. Even though AOM is 2 hours and 40 minutes of talking, it never feels long or slow.
Two other aspects of this film need to be mentioned - the "jazz" score by the great Duke Ellington (which won a grammy) is perfectly suited to the themes and mood of this film and the opening title sequence (and movie poster) is reminiscent of an Alfred Hitchock film - and that is because they are done by frequent Hitchock contributor Saul Bass.
Nominated for 7 Oscars (it won zero, falling to the juggernaut that was BEN HUR that year), ANATOMY OF A MURDER is an intriguing courtroom drama that also opens the door to performers of the past. Well worth the time investment, should you run across it (it is frequently shown on TCM).
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Directed by the great Otto Preminger, AOM is often referred to as the finest courtroom drama ever filmed. While I need to give that some thought, I will say AOM is right up there as one of the finest examples of a courtroom drama.
Starring Jimmy Stewart as "country lawyer" Paul Biegler, who is brought in to defend Army Lieutenant Manion (Ben Gazzara). Manion is accused of murdering a man that raped his wife (Lee Remick). The central mystery isn't "did Manion kill the man" (he did), it is more of "did he kill his wife's rapist or lover" and "will Biegler get away with the temporary insanity plea".
This is the kind of plot that we've all seen a dozen times on standard TV shows, but back in 1959, this type of film - and trial - was quite new and fresh and this film was "scandalous" in it's use of frank language. Remember, this is 1959 in Eisenhower "Happy Days" Americana, so hearing words like "bitch, panties, penetration, slut, sperm, bitch and slut" was quite shocking and led to many protests of the film.
Those who were turned off by the language and frankhandling of the subject matter lost out on an intriguing, well-acted, well-written and well-directed courtroom drama, where the verdict is up in the air right up until the foreman of the jury says "We, the jury, find the defendant..."
Jimmy Stewart is perfectly cast in the lead role of Defense Attorney, Biegler. Stewart brings an instant likableness and every man integrity quality to the role. His Attorney is down-to-earth but whip-smart, able to crack a joke to lighten the mood or explode in rage at an affront at a moment's notice. He goes toe-to-toe with Prosecuting Attorney Claude Dancer (a VERY young George C. Scott). Dancer is everything that Biegler is not, crisp, well-polished and arrogant. While it would have been very easy to paint these two characters as good (Stewart) and bad (Scott), Director Preminger and screenwriter Wendell Mayes shy away from this and show these two as fierce competitors playing a very serious game of chess - and this works very well, indeed. Both Stewart and Scott were nominated for Oscars for their work as Best Actor and Supporting Actor respectively.
The Supporting cast is superb, featuring such 1950's/early 1960's stalwarts as Arthur O'Connell (also Oscar nominated as Stewarts's alcoholic law mentor), the always good Eve Arden, Orson Bean and Katherine Grant. It also features three character actors in small roles (witnesses in the trial) who you would recognize from other things - Murray Hamilton (the Mayor in Jaws), Howard McNear (Floyd the Barber from Mayberry) and Joseph Kearns (Mr. Wilson in Dennis the Menace).
Special notice needs to be made for Lee Remick as the sultry and flirtatious woman at the core of the film. Remick is superb in this role, and that is fortunate, for if she wasn't believable in the "would she or won't she" role that she is asked to play, then the film could have easily fallen apart. But the real bright spot in this film is the scene stealing Joseph N. Welch as the Judge in the case. His performance as the judge is the perfect "third leg" to the Stewart/Scott stool, balancing charm, folksiness and strength in even portions (depending on what is needed to balance the other two).
Otto Preminger (LAURA, STALAG 17) is a Director who's name is beginning to fade into the dust of the past - and that's too bad, for he is a strong director who knows how to frame a scene and pace a film. Even though AOM is 2 hours and 40 minutes of talking, it never feels long or slow.
Two other aspects of this film need to be mentioned - the "jazz" score by the great Duke Ellington (which won a grammy) is perfectly suited to the themes and mood of this film and the opening title sequence (and movie poster) is reminiscent of an Alfred Hitchock film - and that is because they are done by frequent Hitchock contributor Saul Bass.
Nominated for 7 Oscars (it won zero, falling to the juggernaut that was BEN HUR that year), ANATOMY OF A MURDER is an intriguing courtroom drama that also opens the door to performers of the past. Well worth the time investment, should you run across it (it is frequently shown on TCM).
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated Wonder Woman: Her Greatest Battles in Books
Aug 21, 2018
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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<img src="https://gipostcards.files.wordpress.com/2018/08/book-review-1.png"/>;
This is my first graphic novel, and I did enjoy the art in it! This book contains the greatest battles of Wonder Woman. It is a compilation of seven comic book scenes, all sharing a different battle of Wonder Woman, and a different kind of art.. But even though I enjoyed the art, as a first one, this didn’t make me happy.
The stories are put in this compilation chronologically by when they were made, starting from a scene that was made in 1987, until the last one, which was made in 2013. I will give a brief comment on all of them - in order:
<b>‘’Power Play’’ from Wonder Woman #6 (1987)
<i>Plot & Pencils: George Perez, Script: Len Wein, Inks: Bruce Patterson, Colors: Tatjana Wood, Letters: John Costanza, Cover: George Perez</i></b>
The first story is a scene where Diana is fighting the god of war - Ares. As a first one, it is not the best descriptive piece of information - so for a person that haven’t heard about Wonder Woman before, this one won’t be of any use. I also didn’t quite enjoy the art in this one.
<b><i>‘’And for the first time in his immortal existence, the war-god weeps… for, without those alive to worship him, Ares’ power swiftly wanes…’’</i></b>
<b>‘’In The Forest Of The Night’’ from Wonder Woman #119 (1997)
<i>Story & Art: John Byrne; Colors: Patricia Mulvihill; Cover: Jose Luis Garcia-Lopez</i></b>
In this scene, Diana is on a mission to save officer Michael P. Schorr of the G.C.P.D. from the cheetah that used to be Barbara Minerva. Diana manages to convince Barbara to win the battle with herself and become human again. Even though I didn’t quite enjoy the art - I did enjoy the story itself. It was a great lesson of fighting for who you are within, and winning battles with yourself and not surrendering to anything that might be in your way. We also get to have a little sneak-peak of how Wonder Woman started existing in the first place.
<b><i>‘’Yes, Mike, it is not widely known, but I was not born as mortals are, my mother sculpted a baby from the clay of Themyscira and the Gods themselves breathed life into that clay. ‘’</i></b>
<img src="https://gipostcards.files.wordpress.com/2018/08/book-cover-4.png"/>;
<b>‘’Stoned: Conclusion’’ from Wonder Woman #210 (2005)
<i>Script: Greg Rucka; Pencils: Drew Johnson; Inks: Ray Snyder; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
This one is a gladiator battle between Wonder Woman and Medusa. I really enjoyed this one, the art was amazing and we even get a few scenes with Circe-witch on it. I love how Wonder Woman is presented to be smart and the sacrifice that she made was very brave. Such a powerful story! Amazing!
<b>‘’Sacrifice: Part four’’ from Wonder Woman #219 (2005)
<i>Scripts: Greg Rucka; Pencils:Rags Morales, David Lopez, Tom Derenick, Georges Jeanty & Karl Kerschl; Inks: Mark Propst, BIT, Dexter Vines, Bob Petrecca & Nelson; Colors: Richard & Tanya Horie; Letters: Todd Klein; Cover: J.G. Jones</i></b>
Superman has been brainwashed and wants to kill Diana. Not much happens apart from Wonder Woman and Superman fighting. I didn’t like this one, only because of one quote that says:
<b><i>‘’You’ll forgive me for saying it, princess, but you look good on your knees…’’</i></b>
<b>‘’A Murder Of Crows: Part Two - Throwdown’’ from Wonder Woman #41 (2010)
<i>Script: Gail Simone; Pencils: Chris Batista & Fernando Dagnino; Inks: Doug Hazlewood & Raul Fernandez; Colors: Brad Anderson; Letters: Travis Lanham; Cover: Aaron Lopresti</i></b>
Even though the beginning features Achilles and Patroclus, after a page or two we don’t see them anymore, and I am standing like… what’s the point in mentioning them in the first place then? This piece of art contains a battle between Power Girl and Wonder Woman, and how Power Girl can never be like Wonder Woman, unless, of course, she has no other choice.
I liked this one, maybe the most, even though the art was just average.
<b>‘’Justice League: Part Three’’ from Justice League #3 (2011)
<i>Script: Geoff Johns; Pencils: Jim Lee; Inks: Scott Williams; Colors: Alex Sinclair, HI-FI & Gabe Ettaeb; Letters: Pat Brosseau; Cover: Jim Lee, Scott Williams & Alex Sinclair</i></b>
This piece of art was different than anything else in this book. We see a lot of famous heroes fight, like Superman, Batman, Green Lantern, Aquaman, and of course, Wonder Woman. The art is really colourful, which I enjoyed, but the story was confusing. See, it started from the middle of a comic book, and then ended unfinished. It only covered the part where Wonder Woman appears, but it confused me and I didn’t enjoy the story as much. Again, I didn’t like the way how they express themselves to a woman. They see Wonder Woman and they call dibs on her. Really?
<b>‘’Goddown’’ from Wonder Woman #23 (2013)
<i>Script: Brian Azzarello; Art: Cliff Chiang; Colors: Matthew Wilson; Letters: Jared K. Fletcher; Cover: Cliff Chiang </i></b>
A very confusing chapter, and I didn’t enjoy it at all. It was about Hera and her children, and Wonder Woman protecting them. Even though this is the newest made, it didn’t seem like it, and the art seemed old-style.
Overall, I didn’t enjoy it as much, and it wouldn’t be something I’d choose in the future. I’d rather go with a proper beginning-to-end story rather than a compilation next time.
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