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Gareth von Kallenbach (980 KP) rated The Lion King (2019) in Movies
Jul 11, 2019
It seems recently that the Disney vault has exploded with the release of several of their classic animated films being remade. Unfortunately, the classics that have inspired these remakes have been redone with mixed results. The original The Lion King was released back in 1994 and it’s hard to believe that I was a junior in college when I saw it. Since that time, we’ve seen various iterations of the classic story, a few direct to VCR sequels and the awe-inspiring Broadway stage production (which if you are a serious fan of the movie I encourage you to see). It seems odd to discuss the plot of a movie that I’m certain everyone reading this has seen at least once (or a dozen times over). To the uninformed however, The Lion King is about a young cub named Simba (JD McCrary as the young voice and Donald Glover as the adult) who suffers the tragic loss of his father Mufasa (James Earl Jones) at the paws of his evil uncle Scar (Chiwetel Ejiofor). Scar convinces Simba that he is responsible for his father’s death and that he must leave the pride and never return. With the help of his faithful friends Timon (Billy Eichner), the lovable warthog Pumbaa (Seth Rogen), the ever wise Zazu (John Oliver) and his budding queen Nala (Beyoncé’) he learns that true courage comes from within and realizes he must face Scar if he is ever to bring peace back to the Pride Lands.
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Given the recent track record, I wasn’t sure if this was going to be a retelling of the story as I remembered it, or a re-imagining of the story as a whole (and yes there is a difference). Thankfully, I can say that The Lion King draws practically all of its inspiration directly from the animated classic. Director Jon Favreau (who had already wowed audiences when he directed The Jungle Book) brings the same heart-warming, tear jerk moments that we all know and love. While he certainly didn’t take any risks with The Lion King, that’s exactly what made it such a pleasure to behold. He understood that there was no need to change the story into something new or try to make it something it shouldn’t be. True, for those who have seen the animated film it will feel incredibly familiar, but I think that’s exactly what fans are looking for. Changes and risks don’t always make a movie better, and The Lion King is a prime example of not breaking something that works.
The real star of the show however isn’t the actors, nor it’s incredible director, but the technology that went behind bringing our favorite felines to life. Disney refers to this as a “photo real movie”. The technology behind it merges both new and old together to bring the animals to life, indistinguishable from their real-life counterparts. Utilizing VR, animation and mixed with live action film-making it is practically impossible to distinguish what is live and what is animated. The character models have come a far way from the original Jumanji, which was heralded back in 1995 for it’s use of computer animated animals that supposedly looked and felt like the real thing. While Disney has always made great strides to make their computer-generated animals look and feel real (much like the absolutely stunning Jungle Book) The Lion King takes this to an entirely different level altogether.
Disney has done what has seemed practically impossible lately, bringing a classic back to the screen without changing what made the original such a classic. Unlike some of their more recent attempts, The Lion King holds true to the source material which has delighted fans for over 25 years. While the story doesn’t bring anything particularly new to the table, the photo realistic lions and their supporting cast feel as fresh as they ever have. If you aren’t a fan of the classic animated movie, The Lion King won’t necessarily change that, however the imagery alone may be reason enough to see it. I hope Disney takes note of this movie in particular, that fans don’t need a re-imagining of the stories that captivated our youths to bring the magic back. The Lion King is a testament to how the Disney classic still holds up today, and how to make something old feel new again.
http://sknr.net/2019/07/11/the-lion-king/
Midge (525 KP) rated Murder from Scratch in Books
Mar 18, 2019
A Delightful Cozy Mystery!
MURDER FROM SCRATCH is book four in the series of the Sally Solari Mysteries of which I look forward to reading more. It’s a delicious mixture of mystery, family, and irate chefs and a fun, fast and interesting read. I haven’t read the other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book that is the first in a new series.
Santa Cruz restaurateur Sally Solari’s life is difficult enough at the busy Gauguin restaurant. So she’s worked up when her dad persuades her to take in Evelyn, her estranged blind cousin whose mother has just died of a drug overdose.
But Evelyn proves to be lots of fun and she’s a terrific cook. Back at the house she’d shared with her mum, Evelyn’s heightened sense of touch tells her that various objects - a bottle of cranberry juice, her grandfather’s jazz records - are out of place. She and her mum always kept things in the same place so Evelyn could find them. So she suspects that her mother’s death was neither accident nor suicide, no matter what the police believe.
The cousins’ turn detective and Sally and Evelyn are thrown into the world of male-oriented kitchens, and the cut-throat competitiveness that can flame up between chefs. With a long list of suspects in the frame, will Sally be able to find the perpetrator or end up getting burned?
Leslie Karst’s delightful writing style is well-paced and complemented by some interesting characters, some of whom were annoying but helped to make the story as good as it was. There was some romantic and spicy love entanglement, too. Written in the first-person narrative and sharing Sally’s innermost thoughts, Leslie Karst includes some wonderfully amusing moments and vivid descriptions especially of some of the food, such as fall-off-the-bone pulled pork and salmon with habanero-lime butter. An ex-lawyer, the highly organised and extremely likeable Sally demonstrated admirable sleuthing techniques and her cousin Evelyn, although with her own problems, exuded warmth and friendliness.
The book had a natural, steady pace and I was kept guessing right until the surprising reveal. Delightful and entertaining, MURDER FROM SCRATCH is a quick, light, highly recommended read for all cozy mystery fans.
{Thank you to #NetGalley, #Crookedlanebks and Leslie Karst for the free copy of #MurderFromScratch and for giving me the opportunity to provide an honest review.}
Santa Cruz restaurateur Sally Solari’s life is difficult enough at the busy Gauguin restaurant. So she’s worked up when her dad persuades her to take in Evelyn, her estranged blind cousin whose mother has just died of a drug overdose.
But Evelyn proves to be lots of fun and she’s a terrific cook. Back at the house she’d shared with her mum, Evelyn’s heightened sense of touch tells her that various objects - a bottle of cranberry juice, her grandfather’s jazz records - are out of place. She and her mum always kept things in the same place so Evelyn could find them. So she suspects that her mother’s death was neither accident nor suicide, no matter what the police believe.
The cousins’ turn detective and Sally and Evelyn are thrown into the world of male-oriented kitchens, and the cut-throat competitiveness that can flame up between chefs. With a long list of suspects in the frame, will Sally be able to find the perpetrator or end up getting burned?
Leslie Karst’s delightful writing style is well-paced and complemented by some interesting characters, some of whom were annoying but helped to make the story as good as it was. There was some romantic and spicy love entanglement, too. Written in the first-person narrative and sharing Sally’s innermost thoughts, Leslie Karst includes some wonderfully amusing moments and vivid descriptions especially of some of the food, such as fall-off-the-bone pulled pork and salmon with habanero-lime butter. An ex-lawyer, the highly organised and extremely likeable Sally demonstrated admirable sleuthing techniques and her cousin Evelyn, although with her own problems, exuded warmth and friendliness.
The book had a natural, steady pace and I was kept guessing right until the surprising reveal. Delightful and entertaining, MURDER FROM SCRATCH is a quick, light, highly recommended read for all cozy mystery fans.
{Thank you to #NetGalley, #Crookedlanebks and Leslie Karst for the free copy of #MurderFromScratch and for giving me the opportunity to provide an honest review.}
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Hazel (1853 KP) rated Nirvana (Nirvana #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.
Ross (3284 KP) rated The Court of Broken Knives in Books
Aug 7, 2018
Finally, well executed, gritty literary fantasy
I had skimmed some reviews of this book after seeing glowing recommendations of it in different facebook groups. I was warned the tone of the narrative was off-putting and very different to the genre. I have read a few authors who try and put a more literary, almost poetic slant on the narrative in fantasy books and I always found it a bit flowery and took me out of the story.
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
Sarah (126 KP) rated The Staircase in TV
Aug 10, 2018
A Compelling Watch
All are punish'd.
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
Gareth von Kallenbach (980 KP) rated the PC version of Wolfenstein II: The New Colossus in Video Games
Jun 19, 2019
Bj Blazkowicz is back to fight Nazis in the latest chapter in the long-running Wolfenstein series. With Wolfenstein 2: The New Colossus marks the third entry in the series by Bethesda and continues their focus on gritty and gripping storytelling where all the focus is on the campaign versus having a multiplayer component.
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
Set in an alternate 1960s, BJ and his band of rebels look to strike back at the evil Nazi forces that have enslaved the entire world and much of the solar system as well. Using a captured submarine, the missions task players with exploring and interacting with members of the crew as well as multiple locales throughout the United States and strategic locations.
As any fan of the series knows, BJ is all about death and destruction, and he has a very impressive arsenal of weaponry available to him. From pistols and shotguns, to machine guns, grenades, and more advanced energy and Napalm based weapons; he can give back as much as the overwhelming enemy forces can dish out.
This is a very good thing as there are all manner of enhanced troops, robots, and truly devastating enemy units awaiting him.
Along the way players can gain health, ammunition, and armor from dispatched enemies, and there are charging stations located throughout the missions to charge up the big guns.
The game also has optional side quests for players to take and does have some new mission options following the credits for the game.
What makes the game stand out aside from the action is the great attention to detail of the locales and maps but also acting that is well above what one would expect in a game of this type. Players are given a deeper look at the title character as well as his past, his motivations, and in a refreshing twist, his fragility in dealing with his own mortality in the face of pending changes in his life.
While I was able to complete the game in less than half the time that it took me to complete Wolfenstein: The New Order, there was still over 10 hours of gameplay for me and there are bonus missions and pending DLC for me to look forward to.
With great graphics, sound, action, and a compelling story, Wolfenstein 2: The New Colossus is another great entry for the series and one that you will not want to miss.
http://sknr.net/2017/10/30/wolfenstein-2-new-colossus/
Gareth von Kallenbach (980 KP) rated the PC version of Remember Me in Video Games
Jun 19, 2019
Cyberpunk is a phrase that has been tossed around often to describe a futuristic theme where technology becomes a necessity for survival along the lines of food, shelter, and water. Games ranging from Deus EX and System Shock as well as movies such as “Blade Runner” and “Total Recall” have depicted a future where humanity and technological integrations have overlapped into all elements of life and society including the replacement of biological appendages and functions.
In the new game Remember Me, players are set in Paris in 2084 where technology has allowed the population to upload their memories to the net. Not only can people share memories, but unpleasant memories can be removed as well.
The company behind this technology, Memorize is using the memories to control the population through never ending surveillance of a person’s memories. There are also individuals who have absorbed too many memories and have become mutated as a result.
The result of this is the rise of a resistance movement named Errorists who strive to bring down Memorize.
Players play as a female character named Nilin who escapes from Memorize detention before the last of her memories can be wiped away. Blessed with a gift to steal and remix memories, Nilin becomes part of a plan to capture the head of Memorize in an effort to alter his memories and save society.
Being able to replay and modify memories is a big part of the game as well as combat which can be upgraded from a Combo Lab to upgrade various fighting moves and styles.
With thousands of possible combos, being able to customize a style that works best for you is one of the great aspects of the game.
The platforming and combat in the game may become a bit repetitive for some and others may find it a bit frustrating. There are at times issues with save games as death can remove progress earned between save points.
The game has solid graphics and is to be praised for taking a new narrative to the genre and the introduction of memory manipulations was a nice touch. I also loved the characters in the game that despite some uneven writing and storylines stood out. In the end, Remember Me is a fun game and a great concept but falls short of being a classic due to several issues mentioned previously as well as camera and control issues.
http://sknr.net/2013/06/11/remember-me/
In the new game Remember Me, players are set in Paris in 2084 where technology has allowed the population to upload their memories to the net. Not only can people share memories, but unpleasant memories can be removed as well.
The company behind this technology, Memorize is using the memories to control the population through never ending surveillance of a person’s memories. There are also individuals who have absorbed too many memories and have become mutated as a result.
The result of this is the rise of a resistance movement named Errorists who strive to bring down Memorize.
Players play as a female character named Nilin who escapes from Memorize detention before the last of her memories can be wiped away. Blessed with a gift to steal and remix memories, Nilin becomes part of a plan to capture the head of Memorize in an effort to alter his memories and save society.
Being able to replay and modify memories is a big part of the game as well as combat which can be upgraded from a Combo Lab to upgrade various fighting moves and styles.
With thousands of possible combos, being able to customize a style that works best for you is one of the great aspects of the game.
The platforming and combat in the game may become a bit repetitive for some and others may find it a bit frustrating. There are at times issues with save games as death can remove progress earned between save points.
The game has solid graphics and is to be praised for taking a new narrative to the genre and the introduction of memory manipulations was a nice touch. I also loved the characters in the game that despite some uneven writing and storylines stood out. In the end, Remember Me is a fun game and a great concept but falls short of being a classic due to several issues mentioned previously as well as camera and control issues.
http://sknr.net/2013/06/11/remember-me/
Hazel (1853 KP) rated After Us (Before & After, #2) in Books
Dec 14, 2018
This ARC was provided by the publisher via NetGalley in return for an honest review
After Us is the second book in the Before and After series by Amber Heart. The story follows on from the events in the first book, Before You, and how the characters are coping in the aftermath. I have not read the first book however that was not a problem as After Us was written in such a way that made it easy to understand what had happened previously.
The story alternates between 18 year old Melissa and Javier's point of views. Melissa is hiding her scars from the operation to remove the cancer cells from her body and living with the fear that it may not have been successful. Since her best friend Faith has moved away she has kept this to herself, worrying that other people would be repulsed by her. Javier, on the other hand, is wearing a metaphorical mask to hide the pain he feels at the loss of his cousin and best friend Diego. Instead of laying the past to rest he is determined to avenge Diego's death.
After Us is essentially a love story about characters who hide the raw pain they feel from everyone, including those closest to each other. As well as these problems they also have to deal with racial discrimination. Javier's family originate from Cuba and only moved to the US for a better life. Javier's mother, however, has a "only-date-Latinas" rule as she believes American girls are not good enough for her sons. This is somewhat like the famous story of Romeo and Juliet where the families want nothing to do with each other.
As well as a love story, After Us deals with other themes from medical problems to drug dealing. Heart, rather than writing about the affects of taking drugs, concentrates on the people behind the dealing. Drug Gangs can be just as dangerous as the substances as they involve violence that often result on fatal injuries.
On the whole the storyline could have delved deeper into the characters individual stories and the ending could have been stronger. Although there was a surprise plot twist, the book finished rather quickly with everything suddenly being resolved and no repercussions.
As already mentioned it is not vital to read the previous book in order to understand After Us however, from what I understand, Before You is written from Faith and Diego's points of views. Overall this book was ok for a quick read but I would not label it as anything special.
After Us is the second book in the Before and After series by Amber Heart. The story follows on from the events in the first book, Before You, and how the characters are coping in the aftermath. I have not read the first book however that was not a problem as After Us was written in such a way that made it easy to understand what had happened previously.
The story alternates between 18 year old Melissa and Javier's point of views. Melissa is hiding her scars from the operation to remove the cancer cells from her body and living with the fear that it may not have been successful. Since her best friend Faith has moved away she has kept this to herself, worrying that other people would be repulsed by her. Javier, on the other hand, is wearing a metaphorical mask to hide the pain he feels at the loss of his cousin and best friend Diego. Instead of laying the past to rest he is determined to avenge Diego's death.
After Us is essentially a love story about characters who hide the raw pain they feel from everyone, including those closest to each other. As well as these problems they also have to deal with racial discrimination. Javier's family originate from Cuba and only moved to the US for a better life. Javier's mother, however, has a "only-date-Latinas" rule as she believes American girls are not good enough for her sons. This is somewhat like the famous story of Romeo and Juliet where the families want nothing to do with each other.
As well as a love story, After Us deals with other themes from medical problems to drug dealing. Heart, rather than writing about the affects of taking drugs, concentrates on the people behind the dealing. Drug Gangs can be just as dangerous as the substances as they involve violence that often result on fatal injuries.
On the whole the storyline could have delved deeper into the characters individual stories and the ending could have been stronger. Although there was a surprise plot twist, the book finished rather quickly with everything suddenly being resolved and no repercussions.
As already mentioned it is not vital to read the previous book in order to understand After Us however, from what I understand, Before You is written from Faith and Diego's points of views. Overall this book was ok for a quick read but I would not label it as anything special.
Hazel (1853 KP) rated The Daughter of the Sea and the Sky in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.