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LeftSideCut (3778 KP) rated Iron Man 3 (2013) in Movies
Sep 27, 2020
Full disclosure - I hated Iron Man 3 upon release. As a kid, growing up and reading Marvel comics, I was so excited to finally see The Mandarin bought to life, with Ben Kingsley of all people in the role. So when the Mandarin twist hit just over halfway through the runtime, it annoyed me so much that I just couldn't enjoy the rest of the film.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
Fast forward a few years and I can just about look past it and find the positives in this threequel.
There's a lot less Iron Man this time around, and a lot more Tony Stark. This isn't an issue though as luckily Robert Downey Jr. is reliable as ever further proving why Iron Man has become the face of Marvel Studios.
There's also a lot of emphasis on his relationship with Pepper (Gwyneth Paltrow), which is a great aspect of this movie. It really drills home how human Tony's story is, even with all the crazy tech flying around.
An issue I do have with Iron Man 3 is the villains however. Marvel Studios are still balls deep in the habit of having boring bad guys at this point, and Aldrich Killian (Guy Pearce) is unfortunately another underwhelming antagonist to add to the pile (although I can appreciate that Shane Black didn't resort to another evil-person-in-an-Iron-Man/hero-suit, an issue that seems to plague these movies).
I like Guy Pearce generally, and he's doing his best to ham it up, but it just lands flat and severely de-rails the film as a whole.
Ben Kingsley is great as usual. It's not his fault that the writers fucked with The Mandarin so much, and he works wonders with what he's given.
Iron Man 3 does boast some decent set pieces. Tony's home being blown to shit is a highlight, and the finale is pretty fun and aestheticly fan pleasing with the House Party Protocol. The CGI is near flawless, even 7 years later.
Overall then, not the worst of the bunch but certainly not in the top 50% (for me anyway) but still an important part of the overarching MCU narrative.
James P. Sumner (65 KP) rated Brightburn (2019) in Movies
Jun 27, 2019
A dark, dark twist on the superhero genre.
Before I start, a disclaimer: I drastically misinterpreted the story of this movie from the trailer.
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Another disclaimer: I really don't like horror movies!
Yes, this is a horror movie. Not the scariest, I imagine. Having not seen many to compare it to, I can only guess. But it had its jump-scares, and its gory scenes, and a constant, overwhelming tension that made you feel like the next second will contain something that will make you leap from your seat.
The story is an interesting one, that hasn't yet been done to death. What if Superman grew up evil? At no point does this film act like, or compare itself to, a superhero film, but that's the basic premise.
This ticks all the boxes for a standard horror flick - strong, beautiful female, slightly annoying husband punching above his weight, and a creepy-looking kid who you just know is going to be evil.
Some scenes are graphically violent, some were uncomfortably creepy, others were just kinda funny. Fans of horror movies will probably feel a little underwhelmed here, because as much as I was scared out of my mind for most of it, true horror aficionados will likely expect more scares for their money. Similarly, if you enjoy comic book movies, this REALLY isn't the film for you. The premise might have its roots in the superhero genre, but Superman, it isn't!
Unexpected scares aside, it wasn't a bad movie, really. The ending had a nice spin to it that you don't see all that often. There's also footage over the early credits that suggests this film may be the beginning of a larger universe - a concept begun with the MCU and since adopted by a number of studios and franchises. While few have seen even a glimpse of Marvel's success, this has the same amount of potential as Godzilla's Monsterverse, at least.
If you pay for your cinema tickets, save your money for something more worthy. If you have a monthly pass and can see whatever you want, catch this one if you're bored sometime. Failing that, watch it at home so you can leave the lights on and not look like a baby!
Phillip McSween (751 KP) rated Black Panther (2018) in Movies
Mar 5, 2018
Epic
There is so much to love about Black Panther that it's taken me awhile to figure out where to begin. I guess I'll start with the message. A message that leaves us with two options: We can all spend the rest of our lives hating each other or we can choose to work together. That's not just a message for black people, which the cast predominately represents, but a message for the human race.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.
The film would be nothing without the powerful cast surrounding it. Their performances were both memorable and deep. I could spend this entire review going into depth on the effect of each actor/actresses performance on the film, but instead I want to take a moment to recognize one particular actress who has been in the game for decades: Angela Bassett. She absolutely nails the role of Queen mother Ramonda. Because the other roles are so strong, her performance may go unnoticed but not by me. She's a picture of calm, always displaying the perfect amount of strength in her position of power. Her vulnerability doesn't diminish her role of power in this matriarchal society.
Critics and fans alike have been complaining about one-dimensional villains for years in the Marvel Cinematic Universe. You won't find that in Black Panther as Killmonger (Michael B. Jordan) is extremely well-developed. The best villains make you sensitive to their plight. Not only did I understand where Killmonger was coming from, there were plenty of moments where I wondered whether or not he was wrong.
As much as the film creates a strong feeling of black empowerment, Black Panther creates a strong sense of women's empowerment as well. The Wakandan tribes revolve around a king, yet the society would be nothing without the strong matriarchal figures that keep things running smoothly. There is a scene in the beginning of the film where N'Jobu (Sterling K. Brown) is discussing underdealings in his apartment when there is a knock at his door. When asked if he should open the door, he responds, "They won't ask twice." You can read the fear in his eyes as he understands the power of the women waiting behind that door. The more of the film you watch, the more you understand the justification behind that fear.
The conflict in the film wasn't created, but happened naturally as a result of flawed characters with depth and strong minds. W'Kabi (Daniel Kaluuya) loves his people but has a heart for vengeance which begins to consume him. His story is just one of many revolving pieces that provide layers to the story.
The set pieces throughout the film were absolutely stunning. From its beautiful waterfall overlooks to the wintery mountains of the Jabari Tribe, you can't help but feel the magic in this place. The casino set piece was easily my favorite, a location that's seedy on the outside yet full of glamour and ritz within.
Now for my one minor gripe: I can't go into detail without ruining the film for those that haven't seen it, but there was one particular relationship that I felt should have been fleshed out a bit more, especially since it impacted the tide of the movie as a whole. The original cut of this film is four hours long and I've read that my issue is a non-issue in that version so I won't deduct too much. Not to mention, there are so many moments that they got right, particularly in the action front, that it's hard being too picky. Even the fight scenes and sprawling battles (rhinos in vibranium armor? Yes, please!) are original, breathing fresh life into the MCU the same way Doctor Strange did.
At the heart of everything, Black Panther is shaped by memorable, powerful moments that impact the way you look at the movie. Killmonger's dream sequence is probably the most powerful scene in an MCU movie yet, just edging out the final confrontation between Vision and Ultron in Avengers: Age of Ultron. The film is a double threat as it not only packs a strong action punch, but an introspective one as well.
Wakanda is crowning a new king, but there is one who would oppose the throne for reasons of his own. One, coincidentally, is the same amount of points that I deducted from my rating. Just amazing, Black Panther gets a 99 from me.
LeftSideCut (3778 KP) rated Blade (1998) in Movies
Jan 15, 2020
Blade is undeniably a product of it's time. It's the late 90s, everyone loves leather and shades, everyone loves Wesley Snipes, everyone loves dumb one liners, so the character of Blade is ripe for adaption.
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
But the importance of this gory action flick should absolutely not be understated. Not only was it the first proper big (ish) budget Marvel film, but it's pre dates Black Panther as the first superhero film with a black lead, and it pre dates The Punisher as the first R-rated Marvel blockbuster.
But in a pre X-Men world, comic book movies weren't a big deal at this point. I actually remember me and my friends sneakily renting and watching it (we were 10 at the time...) and none of them even knowing that Blade was even a comic book!
Here we are all these years later and the Blade trilogy is now remembered fondly (well, at least the first two are!)
Wesley Snipes is of course the star of this particular vehicle, and here, he is the most Wesley Snipes he's ever been. The cheesy one liners still come off well, and lend a nice comedic edge to the buckets of blood on display. The charm that he brings to the Blade character is the main reason why it's been hard to imagine anyone else in the role for so long (although I am here all day long for Mahershala Ali)
The other big character throughout the trilogy is Whistler, played by Kris Kristofferson, just generally being old, grumpy and badass, and is honestly the best character in the whole thing (here's hoping the MCU introduce a Whistler series on Disney+...)
Stephen Dorff plays Deacon Frost, the films villain, and he's really not much more than a generic superhero bad guy (the first of many).
The choreography and the fight scenes are pretty great, and the willingness to go hard R is what set Blade apart before comic book movies became a thing. It's sooooo bloody in parts, that it verges heavily into horror territory.
The CGI effects are utterly horrible by todays standards, but it's not used nearly enough to discredit the film too much.
Blade is a decent enough adaption of the cult Marvel series, and is a fun, gory blockbuster, but as mentioned, it's an important step in comic book cinema. Long live Blade!
Charlie Cobra Reviews (1840 KP) rated Avengers: Endgame (2019) in Movies
Jul 7, 2020
End of a Generation
Marvel's Avengers: Endgame is a 2019 superhero movie produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. The film was directed by the Russo brothers (Anthony and Joe), written by Christopher Markus and Stephen Mcfeely and starred an All-star cast of actors. It is a sequel to Avengers: Infinity War and is the 22nd film in the MCU.
Three weeks after the events of Avengers: Infinity War, what's left of the Avengers are coping with their loss in their own ways. With so many gone, the world itself has changed and become a different place. Many struggle to move on or move forward, others try to keep busy continuing to fight crime/criminals. Thanos is gone and his location can't be found by any deep space satellite or advanced technology that Earth has. However in their darkest moment a glimmer of hope emerges when information outside of Earth comes into play with Thanos possible location. They form a plan and maybe just maybe, have a chance to get their hands on the Infinity stones and bring their friends back. But this time there will be even less of them to fight the all powerful Thanos.
This movie was epic. This film definitely lived up to all the hype. Already a phenomenal success financially, it made 1.2 billion opening weekend. This film was also a success in story telling being the finality of a story being told in over 20 films. It was very emotional with lots of action and pretty satisfying. Very somber in the beginning, especially with how the last installment in the franchise went. I really thought that i knew how the beginning of the film would play out but they really gave the audience some twists early on and throughout. And they also made sure it had plenty of "fan service", giving the fans a lot of what they wanted. Not a lot more that i can say without spoilers but I was really thrown for a loop with a couple of characters mainly Thor and Hulk. This movie gets my "Must See Seal of Approval" and I give it an 8.
I almost gave it a 9, but I felt Infinity War was better and certain Avengers acted out of character. Also a pretty confusing plot device that plays a very important role in how the movie unfolds.
Three weeks after the events of Avengers: Infinity War, what's left of the Avengers are coping with their loss in their own ways. With so many gone, the world itself has changed and become a different place. Many struggle to move on or move forward, others try to keep busy continuing to fight crime/criminals. Thanos is gone and his location can't be found by any deep space satellite or advanced technology that Earth has. However in their darkest moment a glimmer of hope emerges when information outside of Earth comes into play with Thanos possible location. They form a plan and maybe just maybe, have a chance to get their hands on the Infinity stones and bring their friends back. But this time there will be even less of them to fight the all powerful Thanos.
This movie was epic. This film definitely lived up to all the hype. Already a phenomenal success financially, it made 1.2 billion opening weekend. This film was also a success in story telling being the finality of a story being told in over 20 films. It was very emotional with lots of action and pretty satisfying. Very somber in the beginning, especially with how the last installment in the franchise went. I really thought that i knew how the beginning of the film would play out but they really gave the audience some twists early on and throughout. And they also made sure it had plenty of "fan service", giving the fans a lot of what they wanted. Not a lot more that i can say without spoilers but I was really thrown for a loop with a couple of characters mainly Thor and Hulk. This movie gets my "Must See Seal of Approval" and I give it an 8.
I almost gave it a 9, but I felt Infinity War was better and certain Avengers acted out of character. Also a pretty confusing plot device that plays a very important role in how the movie unfolds.
Movie Metropolis (309 KP) rated Aquaman (2018) in Movies
Jun 10, 2019
Bad Wigs aside it's really rather good
You could be forgiven for being rather sceptical walking into the cinema to see Aquaman, and it’s easy to see why. An uninspiring set of trailers preceded by the DCEU’s shall we say reluctance to resonate with audiences.
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
Of course, Wonder Woman was a sterling effort by Patty Jenkins, only hampered by a poor final act and the feeling that the female superhero couldn’t quite shake off the trappings of Zac Snyder’s overarching vision for the DC Extended Universe.
Justice League was a steaming pile of mediocrity and Batman vs Superman was fun if entirely forgettable. Aquaman arrives on the scene with the hopes of Warner Bros. entire franchise on its shoulders. But is it any good?
After the events of Justice League and the defeat of Steppenwolf, Aquaman (Jason Momoa) finds himself caught between a surface world that ravages the sea and the underwater Atlanteans who are ready to revolt. Much like the murky depths of the many oceans the film takes us to, Aquaman is at times, a clouded and muddled blockbuster that lacks the subtle nuances of the MCU, but do you know what, it’s actually really rather good.
As we should have been expecting, Aquaman plays the sensible card when it comes to plot and features numerous references to how we as human beings are destroying our oceans, and this is more than welcome. With the ongoing environmental crisis, the more we plug it in mainstream films, the better.
Jason Momoa takes to the role of Arthur Curry like a duck to water and gets to prove his acting prowess in some of the film’s more poignant moments. Nicole Kidman marks her superhero movie debut as his mother, Queen Atlanna and she looks like she’s having a royally good time. Elsewhere, Amber Heard battles against a truly ghastly wig as Momoa’s love-interest and sidekick – she’s fabulous, wig aside.
The supporting cast is also very strong. We get to see superhero veteran Willem Dafoe having a great time as wise Vulko and Patrick Wilson as Aquaman’s scaly brother, Orm. It’s a cracking cast that bolsters a film that is well-written and enjoyable throughout.
Director James Wan, mastermind of the Saw franchise and director of Furious 7brings his trademark filming style to the superhero blockbuster. There’s some stunning imagery throughout and it’s up there with Jurassic World: Fallen Kingdom as one of the best-looking films of the year. There’s something delightful to look at lurking in every frame and it’s leagues ahead of anything the DCEU has thrown at us.
The underwater world of Atlantis is brimming with life, albeit of the CGI variety. The neon colour-palate works incredibly well and it feels at times like you’re watching a Star Wars cloud city, but in the depths of the ocean. It’s nicely detailed and very well put together.
For all its flashy special effects and excellent cinematography, it feels wholly unoriginal
The special effects are on the whole, a bit of a mixed bag. The underwater worlds look fab and the sea creatures too have been improved after the critical mauling they received in the trailers. Nevertheless, there are some moments of shaky CGI, normally involving surface dwellers or Atlantean individuals, rather than scenery or creatures. That’s a shame as it distracts from a gorgeous looking film.
When it comes to villainy, both the DCEU and MCU have struggled to create compelling bad guys and unfortunately the same is true here. Yes, Patrick Wilson’s scheming brother is fun to watch, but he feels like a poor man’s Loki and that’s exactly what he is.
Then there’s Black Manta, portrayed by Yahya Abdul-Mateen II from The Greatest Showman. Despite being part of one of the film’s best sequences (a fantastically filmed rooftop chase in Italy), he doesn’t get to do a lot and his motives are very Killmonger-esque.
And therein lies the fundamental flaw with Aquaman. For all its flashy special effects and excellent cinematography, it feels wholly unoriginal. From Star Wars to Harry Potter and Thor to Black Panther, elements are borrowed here and there until they make up a film that at 143 minutes is a good 20 minutes too long.
But, it doesn’t take itself too seriously (a problem the DCEU has suffered previously) and Jason Momoa somehow manages to make that Aquaman suit work very well indeed. As far as the DCEU is concerned, this is by far the best film the franchise has put out so far – there’s life in the old dog yet. Aquaman is cheesy, campy fun, and I have to say, I really rather liked it. Just ignore the bad wigs.
https://moviemetropolis.net/2018/12/13/aquaman-review-bad-wigs-aside-its-really-rather-good/
BankofMarquis (1832 KP) rated The Suicide Squad (2021) in Movies
Aug 8, 2021
More Fun Than I Expected
It is almost an effort in futility to review a movie such as THE SUICIDE SQUAD, for most folks fall into 1 of 2 camps:
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
1). Are a DC (or Comic Book Movie) Fan, and will go see this no matter what.
2). Are not of fan of the darker DCEU movies (as compared to the MCU films) and might have checked out the first SUICIDE SQUAD, but have no intention to watch this one.
This review is for the folks in the 2nd camp - for THE SUICIDE SQUAD is a fun summer action flick with silliness, action, humor and HEART at it’s core.
Directed by James Gunn (GUARDIANS OF THE GALAXY), THE SUICIDE SQUAD starts out like the first SUICIDE SQUAD film (and most of the DCEU films) - dark, gritty and intense - with a new pack of anti-heroes joining in on a fight that absolutely cements this team as THE SUICIDE SQUAD.
After that, the film makes an interesting adjustment, actually giving the audience anti-heroes that you can root for with just enough of a balance between the dark grittiness that one has come to expect from a DCEU film with a bit more humane touch that really is the hallmark of the MCU.
And, under the Direction of James Gunn, this film finds that balance very, very well.
Gunn, of course, knows how to make these films - his balance of action and character moments is accurate, his action sequences are well plotted and choreographed (no need for “shaky cam” to hide the faults) and he populates this Suicide Squad with some memorable characters.
Margot Robbie, of course, is in another stratosphere in her portrayal of Harley Quinn. This is the 3rd film that Robbie stars as Quinn and she has this part down pat. The problem with the other 2 films that she starred in as Quinn (2016’s SUICIDE SQUAD and 2020’s BIRDS OF PREY) is that she was SO GOOD in those films, that everyone else paled in comparison, but in this film, she has some strong actors/characters to play off of, and this benefits the movie.
Starting with Idris Elba as Bloodsport the “Leader” of the Squad (in essence, replacing Will Smith) and this is a smart move for Elba has the commanding presence of a Leader with that sense of foreboding that he might not be such a good guy underneath - a quality that I just didn’t buy from Smith in the first movie.
Joining Elba as characters that were interesting and strong were RatCatcher 1 (Taiki Waititi - in an extended cameo) and RatCatcher 2 (Daniela Melchior), Savant (Michael Rooker), freedom fighter Sol Soria (Sonya Braga), Thinker (Peter Capaldi) and the “Groot” of this piece, King Shark (Sylvester Stallone).
Oh…and special notice needs to be made of the character of Polka Dot Man (David Dastmalchian). Director Gunn has stated he wanted to find the dumbest villain in the DCEU and make him into one of the heroes of this piece. He found him in Polka Dot Man and is played with great pathos by Dastmalchian.
Fairing less well is the great Viola Davis as the hard-nosed Amanda Waller who seems to be still acting in the gritty, dark style of the first SUICIDE SQUAD film, so misses out on some of the fun of this film as well as Joel Kinneman as Colonel Rick Flagg (the military leader of the group). I really wasn’t invested in Flagg (or Kinneman’s portrayal of Flagg) in the first film - and I am not in this one either. He just isn’t at nearly the same level of performance as the others listed above.
Also…a note about John Cena (and his character PeaceMaker). This is the 2nd 2021 Summer Blockbuster Action flick that I have seen Cena in (following his turn in F9) and in both these films I found his performance to be “flat”. It just didn’t fill the screen, nor does he have enough charisma (a la The Rock) to charm his way through. I was bored by him in this film (as well as in F9).
But…this is a James Gunn film - and he doesn’t spend much time with the characters/actors that don’t really work, but rather, spends his camera time on the ones that do - and the over-the-top action sequences (and villain) that are filmed with a slight grin and a wink-in-the-eye.
It’s a much needed shot-in-the-arm for DCEU films, but - I’m afraid - it might be too little too late, as most folks have already tuned out the DCEU for being “too dark”. Which is too bad, for this is the fun summer blockbuster film action and comic book fans have been looking for.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Kirk Bage (1775 KP) rated Spider-Man: Far From Home (2019) in Movies
Oct 11, 2020 (Updated Jan 22, 2021)
I’m sure I wasn’t alone in the Summer of 2019 when Spider-Man: Far From Home was released in just needing a minute or two, maybe a couple of months, longer to catch my breath after Avengers: Engame, and what very much felt like an ending to the MCU plan that had been in motion since 2008. That climax was so satisfying and complete that the thought of any of them donning the costume and fighting bad guys again so soon felt wrong.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
I wasn’t against the survivors having continued adventures, of course not. It was more a question of where do we go from here? And how? Well, perhaps Tom Holland as the youngest and most emotionally resilient of the bunch was the right choice to continue the universe, if any at all. Knowing that Jake Gyllenhaal had been brought onboard certainly added to the appeal, being one of my very favourite actors of the last decade (together with Ryan Gosling and Joaquin Phoenix), but I had made up my mind to skip this one at the cinema.
And so, before any of us knew where we were, it was Spring 2020 and we were all in a different place. Needing films, any films, to fill out the days of lockdown and isolation became a case of make a list and tick them off. This was one of those that made the shortlist around June when I began the trial month of Now TV and discovered that this was where all the big films of the last year I had missed were hiding.
I liked Spider-Man: Homecoming very much, after some initial trepidation over who the heck Jon Watts was, and why he had been trusted with such a big job out of seemingly nowhere? I also really like Tom Holland in the role. I think the idea of making him seem like a naive teenager again is a masterstroke, and he fast became The real Spider-Man in my head. His relationship with Robert Downey Jnr across the last handful of MCU films was rich, genuine and fully rounded, and Holland has managed to pitch the balance between nervy teen and likeable hero quite deftly.
The charm of the first film from Watts was how much it felt like a teen film, full of teens that were actual teens, not adults pretending to be teens. And in this second instalment that element is even more to the fore. It is a travelling road movie that keeps everything fresh and energetic, not giving a moment to dwell despondently on previous events, but looking forward to a bright, hopeful world, full of romance and adventure and discovery.
Other than Holland himself, who grows in stature and maturity as an actor every minute, the rising star of Zendaya as MJ fills the screen very pleasantly, she has a great aura about her for one so young. I am expecting great things from her, especially in the upcoming yet delayed Dune, directed by Denis Villeneuve. She doesn’t have a lot to do here, but steals enough scenes to hint at a serious talent. In fact, most of his classmates seem beyond their years ability-wise, or do they seem that way because of the skilled direction and bottomless production?
It’s also nice to get more time with Samuel L. Jackson as Nick Fury and Marisa Tomei as Aunt May in this one. You always do wonder what the lesser characters have been up to while everyone else was saving the world. But the backbone of the film as a spectacle is the Peter Parker / Quentin Beck face off. Every moment of Holland and Gyllenhaal together feels like a huge movie treat. And knowing nothing about who Quentin Beck was going in from comic book lore, I got a real thrill out of how it all develops.
I came away from my small screen experience of this movie thinking that I had really enjoyed it, but in a very disposable way, that I was happy to leave behind almost instantly. Nothing about it is especially deep or meaningful, just fun! And that was 100% what Marvel needed at this junction in the pantheon. These guys are pretty smart at knowing when and why and how much with these movies, and I’m pleased to say they did it again!
There is some serious work to be done to ever reach the heights of interest generated by the final pairing of Avengers films, and a lot has changed, as it must, as some actors age, some even pass away (RIP CB) and some call it a day. But if nothing else, there feels like there is plenty of mileage left in this incarnation of the friendly neighbourhood Spider-Man, and a lot of new fans to be hauled in by the onscreen romance between Tom Holland and Zendaya’s MJ. Older fans, like me, could maybe care less, but I believe that is the hook to ensure a future generation of fans stay loyal to Marvel. Every hero needs someone to save, after all. I’m still watching.
Daniel Boyd (1066 KP) rated Thor: The Dark World (2013) in Movies
Oct 10, 2017 (Updated Oct 10, 2017)
Loki was fun to watch. (1 more)
Good SFX.
Totally forgettable villain. (1 more)
Any scene involving Kat Dennings and her intern.
Thor: God Of Meh
In the run up to the release of Thor: Ragnarok, the third Thor movie, I decided to go back and watch the only movie in the Marvel Cinematic Universe that I have not seen yet. I never had anything against this movie before I saw it, I had just heard it is mediocre and a bit unnecessary and to be honest Thor is one of my least favourite Avengers. Funnily enough what I got was a fairly unnecessary, mediocre superhero sequel with some fun moments sprinkled throughout.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
This isn't a bad movie overall, it's just painfully mediocre. The direction is uninspired, the performances are phoned in and the plot is run of the mill for a superhero story. The new characters introduced are extraordinarily vanilla, the score is okay and the script is pretty pedestrian in terms of the kind of story it is telling. The whole thing is just passable and yet extremely unremarkable.
I know Marvel movies have become notorious for their obvious lack of decent antagonists, (other than Loki,) but this takes it to a new level of generic. This group of villains makes the Ultron bots look like deep, fleshed out characters.
I found myself getting extremely annoyed every time that Kat Dennings was in the screen and I don't hate this actress, I don't even remember hating her in the first Thor movie, but in this she was insufferable. Her over the top pantomime acting was painful to watch and none of the snarky remarks that she hit out with landed. The guy that was her intern was just as bad and there wasn't even any real need for these characters to be in the movie.
In summary, it's okay. Not much focus is put on Tom Hiddleston's Loki in this one, but when it is, these are the best parts of the movie. He is easily the highlight of a sub par movie overall. Even Chris Hemsworth was bad in this and I know that the guy is a good actor, I've seen him give brilliant performances in movies both within and outside of the MCU. Every part of this movie is positively conventional and these moderately successful parts add up to a tolerable film that is by no means required viewing, not even for the most die hard of comic book fans.
Phillip McSween (751 KP) rated Captain Marvel (2019) in Movies
Mar 20, 2019
A Solid Taster Before the Main Event
Set in the 1990’s, Captain Marvel follows the story of Carol Danvers (Brie Larson), a powerful woman caught in the middle of an intergalactic war.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.
Acting: 10
Beginning: 5
The beginning doesn’t necessarily hook you right away as it focuses more on immersing you in the world. You come to learn that all of this intro info was an important setup, but it really is just “meh” when you’re watching it. Thor: Ragnarok beginning, this is not.
Characters: 10
Danvers/Captain Marvel is a strong embodiment of a kick-ass superhero. This is not your typical you’re-pretty-good-for-a-girl type of hero. She tears enemies and whole scenes apart and does it in such a cool stylish way. I love how she comes into her own throughout the film.
Marvel is flanked by some other stars that keep the movie interesting (Sam Jackson’s Fury is always a treat), but I must take a moment to recognize the true hero of the film: Goose the cat. I’m not even a cat guy, but this little guy truly won my heart. With a personality all his own, he makes you love every scene he’s in. Goose is life.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
Pace: 10
The story moves in a non-linear fashion forcing you to pay attention for fear of missing something. Because it’s constantly jumping back and forth between past and present, you’re constantly unraveling new things in the mystery of Carol’s life. The action doesn’t let up for long enough for boredom to onset. Plus, how can you be bored with Goose on the loose?
Plot: 10
While you can kind of see the outcome from a mile away, at least they got to the final destination in unique fashion. Carol’s story is told with a special flare that seems to fit her perfectly. Origin stories can be hard to pull off, especially when they have been done and re-done and, sometimes (Spider-Man, I’m looking at you) done again. This one not just sets up a powerful hero but also leaves a powerful impact.
Resolution: 10
Overall: 93
Captain Marvel is easily one of my favorite MCU films and that’s high praise considering how many solid movies they have put out. It’s not just a blockbuster film, but one with heart and a solid message. Want to know something else: I actually like the movie more than Wonder Woman. There. I said it.