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Gareth von Kallenbach (971 KP) rated Selma (2015) in Movies
Aug 6, 2019
Set in 1965, the film follows the voting rights marches from Selma to Montgomery. During the time Black citizens had the legal right to vote, but there were countless strategies put into place to stop them from actually being able to use those voting rights.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
The film does a good job of providing back story of what was happening that brought on the marches. It portrays the horrific brutality of a time when blatant hatred ripped through the soul of the nation.
During the Selma march, peaceful protestors dressed in their Sunday’s best were beaten (even killed) by local police. However, even the most hard to watch moments of violence were toned down in comparison to actual footage from the Selma march.
The visceral moments of raw emotion and terrible violence will give the audience chills
Martin Luther King, Jr. (David Oyelowo) would of course be a hard pair of shoes to fill as an actor. But somehow Oyelowo pulls it off with a passion that shows in his eyes. Even the ways in which Oyelowo delivers his speeches were powerful and moving, much in the way of the real MLK, Jr.
An intriguing part of the film is the attention given to MLK, Jr.’s wife, Coretta Scott King (Carmen Ejogo). She is a less talked about figure in history, but perhaps this will now change. She is shown to be a very strong and intelligent woman, who serves as the backbone to the King family. Her role as wife, mother, and political supporter are highlighted.
The cast selection is top notch, making the film very realistic.
Tom Wilkinson, who plays Lyndon B. Johnson, practically resurrects the late President. His physical appearance and vocals make the actor almost indistinguishable from the real LBJ. .
However, there is some controversy over the historical accuracy of certain aspects of the film. This especially is true in regards to the portrayal of LBJ.
He is portrayed as under pressure to pass legislation in favor of Black voters, but he himself comes off as a racist whose heart is not in the cause. This portrayal paints a picture of a dishonest man, wielding political power to save face. It is contradicting to the more well-known image of the LBJ who actually cared very much about civil rights and poverty.
The Voting Rights Act of 1965 is thought to be his most important piece of legislative work. It was certainly not just a mere political reaction to protestors, though they surely had a strong impact on making it happen.
No one can deny the power of MLK, Jr.’s work. It is a profound historical example of the possibility for political transformation through the will of the people.
Another point of question is whether or not it was JFK or LBJ who originally ordered the FBI surveillance of MLK, Jr. and those associated with him.
A slightly troubling aspect of the film is that it lacks showing any tinge of gender inequality, which was a pervasive part of that era. Also, it was hinted at that MLK, Jr. had infidelity issues. Personally, I had some question as to whether or not this was true, or if it was even a useful piece of information to include. Perhaps it was included to show a more human side to MLK, Jr.
All of these questions aside, “Selma” is an amazing and moving piece of work.
A finely crafted cinematic reflection of a deep and painful scar on American history, I give “Selma” 4.5 out of 5 stars.
Neon's Nerd Nexus (360 KP) rated BlacKkKlansman (2018) in Movies
May 14, 2019
Kkkracking
#blackkklansman is an incredible & #fun tribute to the #art of #blaxsploitation film making with a #powerful & very serious #message to tell. Although i found this movie extremely entertaining i left the #cinema feeling extremely #sad & #emotionally shook by it too. What #spikelee has made here is a film that feels very much like a commercial mainstream #comedy film but one thats injected with so much depth & real world drama/issues that its hard not to watch it like its an #educational trip back in time. It really has your #emotions running all over the place especially with its very current & real portrayals of #racism/hate & how it corrupts the weak minded/uneducated while also showing how hate inevitably leads to inhuman & diabolical acts of violence. Infact id say the release of #blackkklansman couldn't of come at a more important time especially with all the hate marches going on in the world & even in my hometown recently. Filmed in such a cool way with an amazing #soundtrack i felt instantly transported back in time & fully immersed from the get go. Lee also uses so many darkly lit, raw & intimate close ups & old filters it makes the viewer feel like we are really there beside the characters really getting to know each & every one of them too. Much like last years #detroit (which i actually prefer) the time period is very well recreated & the overall message here is also just as important & unavoidable too. While not being a film i could recommend to everyone (I think some people may miss the point or fail to see under the films accessible surface) but those who do see it will come away feeling not only entertained but extreamly moved.
#odeon #odeonlimitless #filmbuff #filmcritic #wednesdaywisdom #racist #klukluxklan #lovenothate #blacklivesmatter #empowerment #hate #love #adamdriver #johndavidwashington
#odeon #odeonlimitless #filmbuff #filmcritic #wednesdaywisdom #racist #klukluxklan #lovenothate #blacklivesmatter #empowerment #hate #love #adamdriver #johndavidwashington
BookwormMama14 (18 KP) rated Maggie Bright: A Novel of Dunkirk in Books
Jan 2, 2019
The entire history of the world is about to change as Hitler marches his troops across Europe. Can the actions of one person make a difference?
Clare Childs has mysteriously inherited the Maggie Bright. Her suspicions that Maggie holds a secret are proven when a thief comes aboard. Clare is suddenly thrown into the middle of a Scotland Yard investigation that could finally expose one of Hitler's darkest schemes. While on the other side of the channel, Private Jamie Elliot has been tasked with the mission of returning a wounded captain home. The captain has suffered a head injury and the only words he speaks are quotes from John Milton's Paradise Lost. When Churchill calls for civilians to help rescue the stranded British Army from Dunkirk, Clare knows that Maggie must go. Piloted by William Percy, a detective inspector and Murray Vance, a world renowned cartoonist, the Maggie Bright goes to war.
“You can never get a cup of tea large enough or a book long enough to suit me.” - C.S. Lewis
Never have these words rung more true for me than when I finished reading Maggie Bright. I wish the story would go on and on. I absolutely love reading about World War II. There is so much evil during this period, but there is also hope and light. Nations coming together with a singular purpose. Fighting and dying side by side. I am ashamed to admit that most of my knowledge of WWII begins with D-Day and America's involvement. My eyes have been opened wide with England's trials at the beginning of the war. I cried four times while reading this book! The horror is real, the fight unbearable, yet the men and women who sacrificed everything did so for us today. So that we might have hope and know that no matter how dark things become, we shall press on to victory.
"God towards thee hath done his part, do thine" - John Milton, Paradise Lost
I received a free copy of Maggie Bright from Tyndale House Publishers in exchange for my honest review.
Clare Childs has mysteriously inherited the Maggie Bright. Her suspicions that Maggie holds a secret are proven when a thief comes aboard. Clare is suddenly thrown into the middle of a Scotland Yard investigation that could finally expose one of Hitler's darkest schemes. While on the other side of the channel, Private Jamie Elliot has been tasked with the mission of returning a wounded captain home. The captain has suffered a head injury and the only words he speaks are quotes from John Milton's Paradise Lost. When Churchill calls for civilians to help rescue the stranded British Army from Dunkirk, Clare knows that Maggie must go. Piloted by William Percy, a detective inspector and Murray Vance, a world renowned cartoonist, the Maggie Bright goes to war.
“You can never get a cup of tea large enough or a book long enough to suit me.” - C.S. Lewis
Never have these words rung more true for me than when I finished reading Maggie Bright. I wish the story would go on and on. I absolutely love reading about World War II. There is so much evil during this period, but there is also hope and light. Nations coming together with a singular purpose. Fighting and dying side by side. I am ashamed to admit that most of my knowledge of WWII begins with D-Day and America's involvement. My eyes have been opened wide with England's trials at the beginning of the war. I cried four times while reading this book! The horror is real, the fight unbearable, yet the men and women who sacrificed everything did so for us today. So that we might have hope and know that no matter how dark things become, we shall press on to victory.
"God towards thee hath done his part, do thine" - John Milton, Paradise Lost
I received a free copy of Maggie Bright from Tyndale House Publishers in exchange for my honest review.
Merissa (11805 KP) rated The Pig Wars in Books
Jan 18, 2022
THE PIG WARS is a standalone fantasy set in a world of Elves, Half-Elves, and Humans, although it does feel as though this is a follow-on or spin-off from a previous set of stories. Our main female, Renna, is a Half-Elf and a strong warrior who has hung up her sword after a long and heart-breaking battle. Gorsfeld is human and wants to rule the Marches, either by marrying Renna or taking over her lands. He's not bothered which. Renna has a dodgy leg from birth which is used as the reason she is still alone.
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
As the title suggests, the whole book is about the two of them fighting over pigs. Renna is supposed to be the smart, strong, and silent type, but she is not quiet in her mind. There is always a monologue going on, usually about how upset she is because someone is riding roughshod over her, even though she makes no attempt to stand up for herself (apart from in her mind.) Gorsfeld has his fair share of monologues too, so I guess that's fair. Renna's character didn't do much for me. In fact, most of them didn't. There is a lot going on and her friends leave a lot to be desired. Because of some of the rants and situations, it makes me question if I have missed another story in this world. I felt as though I had dropped into a world already established where intrigue and political gains had already been explained.
There were some grammatical errors in the story, not enough to disrupt the flow, but enough so you notice. There is a hint of romance at the end, leading you to believe there might be another book in the making. This was a different book that I did enjoy, but I'm not sure I will be continuing if another story does come out.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
BookwormMama14 (18 KP) rated Look to the East (The Great War, #1) in Books
Jan 2, 2019
Out of the east comes a terror that will attempt to destroy the world.
At the dawn of World War I, the village of Briecourt is nestled in relative safety. That all changes when the German Imperial Army marches in and takes over. Life will never be the same for the villagers, who have had a family dispute for generations. Will having a common enemy finally bring them together? Julitte Toussaint, the adoptive daughter of a seaman, has to withstand the scorn of the de Colvilles for the shadows of her past. When she finds an unexpected "visitor" hiding in the cellar of the church, she feels the pull of love for this man she hardly knows. Charles Lassone is a Belgian entrepreneur caught behind enemy lines. He longs for escape so that he can join the Allies cause and win the respect and love of Julitte. With a dispute running so rampant, who can be trusted? The difference between friends and foes could not become more complicated.
This is both the first book that I have read by Maureen Lang and my first book set during World War I. Unfortunately, The Great War is not always as popular of a topic as its "sequel" is. Labor camps were in full effect during this period and the Germans were just as ruthless. The difference in time period wouldn't seem so drastic, but, I learned that they didn't believe it was safe to drop soldiers from planes during 1916. The tactics and methods were much more advanced come time for World War II. I became very emotionally attached to the characters. Their fight for freedom had me cheering them on with every turn of the page. Something that Julitte learns is that God sometimes uses us in ways that we can't explain, to ourselves or to others. He will work everything out, even if it's not how we had it planned. There is still evil in the world because God gave us a free will. But He will not abandon us. We must keep our eyes on Him and our hope in His promises.
I received a free copy of Look to the East from Tyndale House Publishers through their Tyndale Rewards Program. I was not required write a review. All opinions expressed are my own.
At the dawn of World War I, the village of Briecourt is nestled in relative safety. That all changes when the German Imperial Army marches in and takes over. Life will never be the same for the villagers, who have had a family dispute for generations. Will having a common enemy finally bring them together? Julitte Toussaint, the adoptive daughter of a seaman, has to withstand the scorn of the de Colvilles for the shadows of her past. When she finds an unexpected "visitor" hiding in the cellar of the church, she feels the pull of love for this man she hardly knows. Charles Lassone is a Belgian entrepreneur caught behind enemy lines. He longs for escape so that he can join the Allies cause and win the respect and love of Julitte. With a dispute running so rampant, who can be trusted? The difference between friends and foes could not become more complicated.
This is both the first book that I have read by Maureen Lang and my first book set during World War I. Unfortunately, The Great War is not always as popular of a topic as its "sequel" is. Labor camps were in full effect during this period and the Germans were just as ruthless. The difference in time period wouldn't seem so drastic, but, I learned that they didn't believe it was safe to drop soldiers from planes during 1916. The tactics and methods were much more advanced come time for World War II. I became very emotionally attached to the characters. Their fight for freedom had me cheering them on with every turn of the page. Something that Julitte learns is that God sometimes uses us in ways that we can't explain, to ourselves or to others. He will work everything out, even if it's not how we had it planned. There is still evil in the world because God gave us a free will. But He will not abandon us. We must keep our eyes on Him and our hope in His promises.
I received a free copy of Look to the East from Tyndale House Publishers through their Tyndale Rewards Program. I was not required write a review. All opinions expressed are my own.
LeftSideCut (3778 KP) rated Game Of Thrones - Season 6 in TV
Jul 19, 2019
Hold the Goddam Door
Contains spoilers, click to show
Season 6 of Game of thrones is another incredible display of television spinning so many plates.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
The season kick starts with the immediate fallout of Jon Snows death at the end of season 5. As many predicted, it doesn't take long for his death to be reversed, thanks to Melisandre, freeing Jon of his duty to the Nights Watch, as he marches off to free Winterfell from the clutches of Ramsay Bolton.
Talking of Ramsay, he continues to show how much of a wretch he truly is (his worst point would be feeding his own infant brother to rabid dogs.)
In King's Landing, the High Sparrow continues to manipulate the crown, and makes them seem powerless whilst doing so, as fanatic religion takes hold of the capital.
Danaerys is still just being Danaerys. The writers continue to subtly hint at her being similar to her mad father before her, and I usually love the slow burn of Game of Thrones, but her story still continues to sort of plod along.
Another storyline that became a bit tiresome this season was Arya training in Bravos. When I look back on GoT, that storyline seems to stick out as the one I found most trying, even if it did result in the much awaited death of Merryn Trant.
Beyond the wall, Bran is still firmly stuck in a tree, but we see some great glimpses into the past history of Westeros in the process - the Tower of Joy scene being a highlight. This infamously leads to the 'Hold the Door' which pretty much tore everyone's hearts in two :(
It's all just very good, and the season ends on a double whammy of two of the best episodes this show ever produced.
Firstly, the Battle of the Bastards is incredible, and surpasses many Hollywood movies in terms of on screen battles. It's a fantastic hour of television (Justice for Rikkon)
And then the last episode - just wow. The opening 15 minutes holds little dialogue, and an incredible piece of score (Ramin Djawadi take a bow), as Cersei ruthlessly and quickly takes her revenge on many who have wrong her, in one fell swoop, killing off a good handful of characters in seconds - GoT was never a show to do things by halves.
The season ends with Cersei as queen, and Danaerys (finally!) crossing the sea to Westeros.
It's all really thrilling and top tier TV.
BankofMarquis (1832 KP) rated Bringing Up Baby (1938) in Movies
Apr 4, 2020
The Perfect Example of a "Screwball Comedy"
It's always a bit of a crap-shoot when one shows an 82 year old, black and white film to a couple of college age students. But, with a film as crazy/zany as the 1938 Howard Hawks screwball comedy BRINGING UP BABY, the odds are in your favor.
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
BankofMarquis (1832 KP) rated Memento (2000) in Movies
Feb 9, 2018
Heady Trip
Christopher Nolan first burst onto the scene (for me) with MEMENTO, a 2000 film about a man with a rare condition - he cannot store any short term memories - and is looking for the man that murdered his wife and hit him on the head, thus causing this condition. The twist of the film - and the "trick" that makes this film work -is that it is told backwards (the last scene is first, the 2nd to last scene is 2nd...the first scene is last) so we, the audience, have no memory of what happened just before this scene and, thus, are suffering from the same inability to access what has happened just before as the main character.
This "trick" works very well and holds the film together, we are peeling apart the onion (or, more appropriately, we are putting the peels back on the onion) as the film progresses, gaining greater knowledge as we go along and, with each new piece of "old" information, we gain a new - and in most cases different - view of the scene that we just saw, keeping the audience off-balance for the entire film.
Nolan shows a sure-handedness in his direction of this film. It is clear he had a vision that he wanted to put on the screen and with the screenplay written by Nolan and his long-time collaborator, his brother Jonathan Nolan, Christopher Nolan has a canvas to paint his off-kilter picture and play with the themes of time and memory - themes he would come back to over again.
As the man with the memory loss, Leonard, Guy Pearce solidified himself for me (at the time) as a fine actor that is worth watching (this, afterall, was just a few years after LA CONFIDENTIAL). His Leonard is earnest and straightforward and while he does have a "tick" to show that his memory is erasing (to clue us, the audience in), he marches (backward) through this film strongly.
Aiding Pearce is veteran character actor Joe Pantoliano as Teddy - a cop who is helping Leonard find his wife's killer (or is he?). "Joey Pants" (as he is known) is perfect for this type of ambiguous character, never really trusting him, but trusting him "just enough". Also jumping in is Trinity, herself, Carrie-Ann Moss - an actress that I thought was going to build on this (and the Matrix) and become quite the star. It didn't quite work out.
I enjoyed this mystery and was thinking about how well it works if you ran the scenes in chronological order - upon reflection, I realized that if you did that, holes get punched into things pretty quickly. So, don't do that, but do rent or stream or pull the old DVD of MEMENTO off your bookshelves, it is worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
This "trick" works very well and holds the film together, we are peeling apart the onion (or, more appropriately, we are putting the peels back on the onion) as the film progresses, gaining greater knowledge as we go along and, with each new piece of "old" information, we gain a new - and in most cases different - view of the scene that we just saw, keeping the audience off-balance for the entire film.
Nolan shows a sure-handedness in his direction of this film. It is clear he had a vision that he wanted to put on the screen and with the screenplay written by Nolan and his long-time collaborator, his brother Jonathan Nolan, Christopher Nolan has a canvas to paint his off-kilter picture and play with the themes of time and memory - themes he would come back to over again.
As the man with the memory loss, Leonard, Guy Pearce solidified himself for me (at the time) as a fine actor that is worth watching (this, afterall, was just a few years after LA CONFIDENTIAL). His Leonard is earnest and straightforward and while he does have a "tick" to show that his memory is erasing (to clue us, the audience in), he marches (backward) through this film strongly.
Aiding Pearce is veteran character actor Joe Pantoliano as Teddy - a cop who is helping Leonard find his wife's killer (or is he?). "Joey Pants" (as he is known) is perfect for this type of ambiguous character, never really trusting him, but trusting him "just enough". Also jumping in is Trinity, herself, Carrie-Ann Moss - an actress that I thought was going to build on this (and the Matrix) and become quite the star. It didn't quite work out.
I enjoyed this mystery and was thinking about how well it works if you ran the scenes in chronological order - upon reflection, I realized that if you did that, holes get punched into things pretty quickly. So, don't do that, but do rent or stream or pull the old DVD of MEMENTO off your bookshelves, it is worth your time.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Goddess in the Stacks (553 KP) rated On Tyranny: Twenty Lessons From The Twentieth Century in Books
Jan 11, 2018
An excellent book full of warnings
On Tyranny is a short little book. I don't think it needs to be longer - it's easy to read, succinct, and is meant to serve as a warning. If anyone wants to learn more about any of the twenty lessons, there are plenty of resources for that. It's simply "HEY. This happened before. And this happened before. And this happened before and YOU NEED TO SEE THESE SIMILARITIES." It was a very quick read, but has left me with a lot to think about.
The format is simple: Twenty sections, each beginning with a lesson title and a short summary paragraph, then going into more detail in the next two to three pages. For example:
Do Not Obey In Advance.
Most of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do.
The next few pages talk about Austrian Nazis rounded up Jews and used them as forced labor, before the German government told them to. When Jewish businesses were marked as such, people immediately started avoiding them. Anticipatory obedience. (Relate this to the suddenly overt racism and Nazi marches we're now facing in the US - where that used to be hidden.)
Another example:
Take Responsibility For The Face Of The World.
The symbols of today enable the reality of tomorrow. Notice the swastikas and the other signs of hate. Do not look away, and do not get used to them. Remove them yourself and set an example for others to do so.
The next pages talk about propaganda, and signs. If we tolerate swastikas, we imply that we accept them. That we support them. And if the oppressed groups that those swastikas are aimed at see everyone around them supporting them, who do they look to for help? All it takes is one person deciding to scrub off or paint over the swastika, for people around them to realize that's a thing that can be done. This plays into another section, which talked about Standing Out. Do the thing that makes you stand out - whether that's standing up for a minority, or scrubbing swastikas off walls, or attending a protest. If you don't stand out, you're too easily ignored as part of the problem.
This book had lots of holds at my local library - while I was sad to have to wait so long, I was pleased that so many people wanted to read it. I was 35th in line at one point! Just knowing that so many people want to read it is a little reassuring. The author has written several books on the Holocaust, WWII, and the rise of Hitler, so he knows what he's talking about, and it shows in his writing.
On Tyranny is a quick read and does an amazing job of boiling a lot of complicated concepts down into very succinct little points. I definitely recommend it as a jumping off point. Just don't let it be all you read.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The format is simple: Twenty sections, each beginning with a lesson title and a short summary paragraph, then going into more detail in the next two to three pages. For example:
Do Not Obey In Advance.
Most of the power of authoritarianism is freely given. In times like these, individuals think ahead about what a more repressive government will want, and then offer themselves without being asked. A citizen who adapts in this way is teaching power what it can do.
The next few pages talk about Austrian Nazis rounded up Jews and used them as forced labor, before the German government told them to. When Jewish businesses were marked as such, people immediately started avoiding them. Anticipatory obedience. (Relate this to the suddenly overt racism and Nazi marches we're now facing in the US - where that used to be hidden.)
Another example:
Take Responsibility For The Face Of The World.
The symbols of today enable the reality of tomorrow. Notice the swastikas and the other signs of hate. Do not look away, and do not get used to them. Remove them yourself and set an example for others to do so.
The next pages talk about propaganda, and signs. If we tolerate swastikas, we imply that we accept them. That we support them. And if the oppressed groups that those swastikas are aimed at see everyone around them supporting them, who do they look to for help? All it takes is one person deciding to scrub off or paint over the swastika, for people around them to realize that's a thing that can be done. This plays into another section, which talked about Standing Out. Do the thing that makes you stand out - whether that's standing up for a minority, or scrubbing swastikas off walls, or attending a protest. If you don't stand out, you're too easily ignored as part of the problem.
This book had lots of holds at my local library - while I was sad to have to wait so long, I was pleased that so many people wanted to read it. I was 35th in line at one point! Just knowing that so many people want to read it is a little reassuring. The author has written several books on the Holocaust, WWII, and the rise of Hitler, so he knows what he's talking about, and it shows in his writing.
On Tyranny is a quick read and does an amazing job of boiling a lot of complicated concepts down into very succinct little points. I definitely recommend it as a jumping off point. Just don't let it be all you read.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 2 (2015) in Movies
Jun 10, 2019
An emotional goodbye
Over the last three years, The Hunger Games franchise has thrilled and delighted fans and newcomers to the series with its mix of wonderful special effects, a great cast and intriguing plots.
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/
With the second instalment, Catching Fire, proving to be the best in the series, expectations for the finale, Mockingjay Part 2 were incredibly high. But is this the end we all wanted, and more importantly deserved?
Mockingjay Part 2 picks up immediately after the events of Part 1, as Jennifer Lawrence’s Katniss Everdeen recovers from a vicious attack by her friend and on-off lover Peeta, played by Josh Hutcherson in a troubled and career-best performance.
With Katniss becoming a symbol of hope in a time of dictatorship, Lawrence marches with her friends and allies to storm the Capitol and overthrow the tyrannical President Snow, a deliciously evil Donald Sutherland.
The catch? Snow and previous Game makers have booby-trapped the Capitol with a range of sadistic tests trying to stop the rebellion in its tracks.
The Hunger Games has become renowned for a fantastic supporting cast that includes talent like Elizabeth Banks, Woody Harrelson, Stanley Tucci, the late Philip Seymour Hoffman and Julianne Moore, with the latter being particularly memorable.
Unfortunately, as is often the case with large Young Adult franchises, these fantastic actors are lost somewhat as director Francis Lawrence tries to tie up all loose ends with the main teens; Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth.
The aforementioned three have been part of a love triangle so convoluted it’s difficult to remember who is in love with who, but thankfully this takes a back seat to the action, though each of the three brings enough acting credibility to make the more romantic elements bearable.
Moreover, Mockingjay Part 2 pushes the boundaries of the much-maligned 12A certificate. This is by far the most harrowing and bleak of the four films and none of its predecessors were exactly a ray of sunshine. The characters are pushed to breaking point as the realisation of the Capitol’s evil fully sinks in and the inevitable loss of life is both thrilling and utterly devastating.
The special effects have been rightly ramped up for this final instalment with District 13 and the Capitol looking truly stunning. Each of the action sequences is filmed with such confidence and this shows off the exceptional sets much better than the handy cam that plagued the first film.
Unfortunately, the need to fill a movie nearly 140 minutes in length has led to a tone that occasionally jars and drags a little too frequently. This was a problem with Part 2’s predecessor and whilst the idea to split the final book into two films works better here, the balance is still not quite right and still reeks of money-making.
However, each of the action sequences are edge of the seat stuff with an underground sewer providing the film’s most pulse-racing and dramatic scenes. There’s a whiff of Ridley Scott’s Alien in Francis Lawrence’s direction throughout this extended set piece.
Overall, The Hunger Games series has ended on a high. From its beautiful cinematography to an exceptional main and supporting cast, director Francis Lawrence, who has been with the series since Catching Fire, has managed to craft a harrowing end to a group of films whose influence will be felt for many years to come.
https://moviemetropolis.net/2015/11/22/an-emotional-goodbye-the-hunger-games-mockingjay-part-2-review/