"I was so excited by the news of this incredible release and restoration. Every moment is beautiful—as, of course, is the soundtrack by Ravi Shankar. Some scenes even seem to be able to penetrate the boundary of your own personal memory. Electrifying but peaceful. Throughout the entire trilogy, everything is leaving Apu behind, but the final scene shows all currents flooding home to him."

"I was so excited by the news of this incredible release and restoration. Every moment is beautiful—as, of course, is the soundtrack by Ravi Shankar. Some scenes even seem to be able to penetrate the boundary of your own personal memory. Electrifying but peaceful. Throughout the entire trilogy, everything is leaving Apu behind, but the final scene shows all currents flooding home to him."

"I remember reading this memoir some twenty years ago and thinking I had found a long lost childhood friend. With the language of a poet—both incandescent and glaringly fluorescent—Karr recounts sexual abuse, the charm and unreliability of her alcoholic father, and the emotional chaos of her brilliant, beautiful, and mentally ill mother. What emerges in memory is a meditation on truth found in love and self-knowledge."

"My favorite part of this novel is how the main character is so fixated on re-creating a very specific scene from his past, and he's not even sure why. It's an act of theater, and memory, and something powerfully unconscious — and we are witness to the process. He is a kind of inverted Proust, making the madeleine from scratch to evoke the thing you didn't know needed evoking."

"“In 1987, Thurston and I were both reading Philip K. Dick, whose writing has more in common with philosophy than science fiction, and whose descriptions of schizophrenia were better than those of any medical journal. Philip Dick had a twin sister who died shortly after she was born and whose memory plagued him his whole life—which is maybe how and why our new album ended up being called Sister."